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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959EB6 it is the complementary color #6A6149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959EB6 shade: #9A9EB1, #ABB0C4, #BCC2D7, #CDD4EA and #DEE6FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959EB6 shade: #959EB6, #848CA3, #737A90, #62687D and #51566A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959EB6 shade: #969EB6, #9696B6, #9E96B6, #A796B6 and #B096B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959EB6 shade: #969EB6 and #9696B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959EB6 shade matches the following richer shades: #969EB6, #8798C4, #7991D3, #6A8BE1 and #5C84F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959EB6 shade: #969EB6, #A4A5A7, #B3AC99, #C1B28A and #CFB97C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959EB6 shade: #96B0B6, #96A7B6, #969FB6, #9696B6 and #9E96B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959EB6 shade: #667293, #7D88A5, #969EB6, #AEB5C7 and #C6CBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959EB6 shade: #959EB6, #B396B6 and #ACB696

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959EB6 shade: #959EB6, #B6969F and #9FB696

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959EB6 shade: #959EB6, #B396B6, #B6AD96 and #98B696

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959EB6 shade: #959EB6, #B696AF, #B6AD96 and #96B69D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

Complementary color

CMYK 0 / 8 / 31 / 58

HEX #6A6149

RGB 106 97 73

HSL 43.64, 0.18%, 0.35%

LAB 41.37, -0.53, 15.01

 

CMYK 13 / 11 / 0 / 31

HEX #9A9EB1

RGB 154 158 177

HSL 229.57, 0.13%, 0.65%

LAB 65.36, 2.48, -10.33

 

CMYK 13 / 10 / 0 / 23

HEX #ABB0C4

RGB 171 176 196

HSL 228, 0.17%, 0.72%

LAB 72.02, 2.28, -10.76

 

CMYK 13 / 10 / 0 / 16

HEX #BCC2D7

RGB 188 194 215

HSL 226.67, 0.25%, 0.79%

LAB 78.57, 2.1, -11.19

 

CMYK 12 / 9 / 0 / 8

HEX #CDD4EA

RGB 205 212 234

HSL 225.52, 0.41%, 0.86%

LAB 85, 1.92, -11.62

 

CMYK 12 / 9 / 0 / 1

HEX #DEE6FD

RGB 222 230 253

HSL 224.52, 0.89%, 0.93%

LAB 91.33, 1.75, -12.04

 

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

CMYK 19 / 14 / 0 / 36

HEX #848CA3

RGB 132 140 163

HSL 224.52, 0.14%, 0.58%

LAB 58.33, 2.13, -13.13

 

CMYK 20 / 15 / 0 / 44

HEX #737A90

RGB 115 122 144

HSL 225.52, 0.12%, 0.51%

LAB 51.36, 2.35, -12.78

 

CMYK 22 / 17 / 0 / 51

HEX #62687D

RGB 98 104 125

HSL 226.67, 0.12%, 0.44%

LAB 44.2, 2.6, -12.45

 

CMYK 24 / 19 / 0 / 58

HEX #51566A

RGB 81 86 106

HSL 228, 0.13%, 0.37%

LAB 36.83, 2.88, -12.14

 

CMYK 18 / 13 / 0 / 29

HEX #969EB6

RGB 150 158 182

HSL 225, 0.18%, 0.65%

LAB 65.21, 2.25, -13.38

 

CMYK 18 / 18 / 0 / 29

HEX #9696B6

RGB 150 150 182

HSL 240, 0.18%, 0.65%

LAB 63.07, 6.74, -16.61

 

CMYK 13 / 18 / 0 / 29

HEX #9E96B6

RGB 158 150 182

HSL 255, 0.18%, 0.65%

LAB 63.72, 9.39, -15.56

 

CMYK 8 / 18 / 0 / 29

HEX #A796B6

RGB 167 150 182

HSL 271.88, 0.18%, 0.65%

LAB 64.49, 12.43, -14.33

 

CMYK 3 / 18 / 0 / 29

HEX #B096B6

RGB 176 150 182

HSL 288.75, 0.18%, 0.65%

LAB 65.29, 15.51, -13.03

 

CMYK 18 / 13 / 0 / 29

HEX #969EB6

RGB 150 158 182

HSL 225, 0.18%, 0.65%

LAB 65.21, 2.25, -13.38

 

CMYK 18 / 18 / 0 / 29

HEX #9696B6

RGB 150 150 182

HSL 240, 0.18%, 0.65%

LAB 63.07, 6.74, -16.61

 

CMYK 18 / 13 / 0 / 29

HEX #969EB6

RGB 150 158 182

HSL 225, 0.18%, 0.65%

LAB 65.21, 2.25, -13.38

 

CMYK 31 / 22 / 0 / 23

HEX #8798C4

RGB 135 152 196

HSL 223.28, 0.34%, 0.65%

LAB 63, 4.31, -24.67

 

CMYK 43 / 31 / 0 / 17

HEX #7991D3

RGB 121 145 211

HSL 224, 0.51%, 0.65%

LAB 60.8, 8.53, -36.56

 

CMYK 53 / 38 / 0 / 12

HEX #6A8BE1

RGB 106 139 225

HSL 223.36, 0.66%, 0.65%

LAB 58.94, 12.68, -47.36

 

CMYK 62 / 45 / 0 / 6

HEX #5C84F0

RGB 92 132 240

HSL 223.78, 0.83%, 0.65%

LAB 57.14, 18.97, -58.61

 

CMYK 18 / 13 / 0 / 29

HEX #969EB6

RGB 150 158 182

HSL 225, 0.18%, 0.65%

LAB 65.21, 2.25, -13.38

 

CMYK 2 / 1 / 0 / 35

HEX #A4A5A7

RGB 164 165 167

HSL 220, 0.02%, 0.65%

LAB 67.72, 0.03, -1.17

 

CMYK 0 / 4 / 15 / 30

HEX #B3AC99

RGB 179 172 153

HSL 43.85, 0.15%, 0.65%

LAB 70.45, -0.78, 10.67

 

CMYK 0 / 8 / 28 / 24

HEX #C1B28A

RGB 193 178 138

HSL 43.64, 0.31%, 0.65%

LAB 72.9, -0.85, 22.43

 

CMYK 0 / 11 / 40 / 19

HEX #CFB97C

RGB 207 185 124

HSL 44.1, 0.46%, 0.65%

LAB 75.71, -0.71, 33.81

 

CMYK 18 / 3 / 0 / 29

HEX #96B0B6

RGB 150 176 182

HSL 191.25, 0.18%, 0.65%

LAB 70.11, -7.6, -6.06

 

CMYK 18 / 8 / 0 / 29

HEX #96A7B6

RGB 150 167 182

HSL 208.13, 0.18%, 0.65%

LAB 67.65, -2.72, -9.72

 

CMYK 18 / 13 / 0 / 29

HEX #969FB6

RGB 150 159 182

HSL 223.13, 0.18%, 0.65%

LAB 65.48, 1.69, -12.97

 

CMYK 18 / 18 / 0 / 29

HEX #9696B6

RGB 150 150 182

HSL 240, 0.18%, 0.65%

LAB 63.07, 6.74, -16.61

 

CMYK 13 / 18 / 0 / 29

HEX #9E96B6

RGB 158 150 182

HSL 255, 0.18%, 0.65%

LAB 63.72, 9.39, -15.56

 

CMYK 31 / 22 / 0 / 42

HEX #667293

RGB 102 114 147

HSL 224, 0.18%, 0.49%

LAB 48.22, 3.6, -19.42

 

CMYK 24 / 18 / 0 / 35

HEX #7D88A5

RGB 125 136 165

HSL 223.5, 0.18%, 0.57%

LAB 56.77, 2.61, -16.69

 

CMYK 18 / 13 / 0 / 29

HEX #969EB6

RGB 150 158 182

HSL 225, 0.18%, 0.65%

LAB 65.21, 2.25, -13.38

 

CMYK 13 / 9 / 0 / 22

HEX #AEB5C7

RGB 174 181 199

HSL 223.2, 0.18%, 0.73%

LAB 73.66, 1.19, -9.94

 

CMYK 8 / 6 / 0 / 15

HEX #C6CBD8

RGB 198 203 216

HSL 223.33, 0.19%, 0.81%

LAB 81.66, 0.79, -7.04

 

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

CMYK 2 / 18 / 0 / 29

HEX #B396B6

RGB 179 150 182

HSL 294.38, 0.18%, 0.65%

LAB 65.57, 16.55, -12.59

 

CMYK 5 / 0 / 18 / 29

HEX #ACB696

RGB 172 182 150

HSL 78.75, 0.18%, 0.65%

LAB 72.51, -9.2, 15.14

 

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

CMYK 0 / 18 / 13 / 29

HEX #B6969F

RGB 182 150 159

HSL 343.13, 0.18%, 0.65%

LAB 65.17, 13.42, -0.23

 

CMYK 13 / 0 / 18 / 29

HEX #9FB696

RGB 159 182 150

HSL 103.13, 0.18%, 0.65%

LAB 71.57, -13.94, 13.68

 

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

CMYK 2 / 18 / 0 / 29

HEX #B396B6

RGB 179 150 182

HSL 294.38, 0.18%, 0.65%

LAB 65.57, 16.55, -12.59

 

CMYK 0 / 5 / 18 / 29

HEX #B6AD96

RGB 182 173 150

HSL 43.13, 0.18%, 0.65%

LAB 70.89, -0.66, 12.98

 

CMYK 16 / 0 / 18 / 29

HEX #98B696

RGB 152 182 150

HSL 116.25, 0.18%, 0.65%

LAB 71.1, -16.43, 12.95

 

CMYK 18 / 13 / 0 / 29

HEX #959EB6

RGB 149 158 182

HSL 223.64, 0.18%, 0.65%

LAB 65.14, 1.92, -13.5

 

CMYK 0 / 18 / 4 / 29

HEX #B696AF

RGB 182 150 175

HSL 313.13, 0.18%, 0.65%

LAB 65.63, 16.26, -8.54

 

CMYK 0 / 5 / 18 / 29

HEX #B6AD96

RGB 182 173 150

HSL 43.13, 0.18%, 0.65%

LAB 70.89, -0.66, 12.98

 

CMYK 18 / 0 / 14 / 29

HEX #96B69D

RGB 150 182 157

HSL 133.13, 0.18%, 0.65%

LAB 71.13, -15.84, 9.15

 

Description

Color code: HEX #959EB6 | qconv.com Color code: HEX #959EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 158 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 158 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 13 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 13% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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