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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959CBE it is the complementary color #6A6341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959CBE shade: #9A9CB9, #ABAECC, #BCC0DF, #CDD2F2 and #DEE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959CBE shade: #959CBE, #848AAB, #737898, #626685 and #515472

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959CBE shade: #939BBD, #9893BD, #A393BD, #AE93BD and #B993BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959CBE shade: #939BBD and #9393BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959CBE shade matches the following richer shades: #939BBD, #8591CB, #7788D9, #697FE7 and #5B76F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959CBE shade: #939BBD, #A2A4AF, #B0ADA1, #BEB693 and #CCC085

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959CBE shade: #93B1BD, #93A6BD, #939BBD, #9793BD and #A293BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959CBE shade: #616B9E, #7A83AD, #939BBD, #ADB2CD and #C7CADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959CBE shade: #959CBE, #BD93BC and #ACBD93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959CBE shade: #959CBE, #BD939B and #9BBD93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959CBE shade: #959CBE, #BD93BC, #BDB593 and #93BD94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959CBE shade: #959CBE, #BD93B0, #BDB593 and #93BDA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

Complementary color

CMYK 0 / 7 / 39 / 58

HEX #6A6341

RGB 106 99 65

HSL 49.76, 0.24%, 0.34%

LAB 41.8, -2.84, 20.34

 

CMYK 17 / 16 / 0 / 27

HEX #9A9CB9

RGB 154 156 185

HSL 236.13, 0.18%, 0.66%

LAB 65.08, 5.35, -15.22

 

CMYK 16 / 15 / 0 / 20

HEX #ABAECC

RGB 171 174 204

HSL 234.55, 0.24%, 0.74%

LAB 71.75, 5.09, -15.56

 

CMYK 16 / 14 / 0 / 13

HEX #BCC0DF

RGB 188 192 223

HSL 233.14, 0.35%, 0.81%

LAB 78.3, 4.85, -15.91

 

CMYK 15 / 13 / 0 / 5

HEX #CDD2F2

RGB 205 210 242

HSL 231.89, 0.59%, 0.88%

LAB 84.73, 4.63, -16.26

 

CMYK 13 / 11 / 0 / 0

HEX #DEE4FF

RGB 222 228 255

HSL 229.09, 1%, 0.94%

LAB 90.89, 3.19, -13.75

 

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

CMYK 23 / 19 / 0 / 33

HEX #848AAB

RGB 132 138 171

HSL 230.77, 0.19%, 0.59%

LAB 58.06, 5.17, -18.11

 

CMYK 24 / 21 / 0 / 40

HEX #737898

RGB 115 120 152

HSL 231.89, 0.15%, 0.52%

LAB 51.09, 5.49, -17.87

 

CMYK 26 / 23 / 0 / 48

HEX #626685

RGB 98 102 133

HSL 233.14, 0.15%, 0.45%

LAB 43.93, 5.86, -17.67

 

CMYK 29 / 26 / 0 / 55

HEX #515472

RGB 81 84 114

HSL 234.55, 0.17%, 0.38%

LAB 36.56, 6.29, -17.51

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 20 / 22 / 0 / 26

HEX #9893BD

RGB 152 147 189

HSL 247.14, 0.24%, 0.66%

LAB 62.69, 10.7, -21.11

 

CMYK 14 / 22 / 0 / 26

HEX #A393BD

RGB 163 147 189

HSL 262.86, 0.24%, 0.66%

LAB 63.61, 14.28, -19.62

 

CMYK 8 / 22 / 0 / 26

HEX #AE93BD

RGB 174 147 189

HSL 278.57, 0.24%, 0.66%

LAB 64.6, 17.93, -18.03

 

CMYK 2 / 22 / 0 / 26

HEX #B993BD

RGB 185 147 189

HSL 294.29, 0.24%, 0.66%

LAB 65.64, 21.64, -16.36

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 22 / 22 / 0 / 26

HEX #9393BD

RGB 147 147 189

HSL 240, 0.24%, 0.66%

LAB 62.29, 9.11, -21.76

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 34 / 29 / 0 / 20

HEX #8591CB

RGB 133 145 203

HSL 229.71, 0.4%, 0.66%

LAB 61.26, 9.57, -31.29

 

CMYK 45 / 37 / 0 / 15

HEX #7788D9

RGB 119 136 217

HSL 229.59, 0.56%, 0.66%

LAB 58.55, 15.04, -43.46

 

CMYK 55 / 45 / 0 / 9

HEX #697FE7

RGB 105 127 231

HSL 229.52, 0.72%, 0.66%

LAB 56.04, 21.54, -55.33

 

CMYK 63 / 52 / 0 / 4

HEX #5B76F5

RGB 91 118 245

HSL 229.48, 0.89%, 0.66%

LAB 53.79, 28.99, -66.78

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 7 / 6 / 0 / 31

HEX #A2A4AF

RGB 162 164 175

HSL 230.77, 0.08%, 0.66%

LAB 67.52, 1.47, -5.93

 

CMYK 0 / 2 / 9 / 31

HEX #B0ADA1

RGB 176 173 161

HSL 48, 0.09%, 0.66%

LAB 70.66, -1.09, 6.53

 

CMYK 0 / 4 / 23 / 25

HEX #BEB693

RGB 190 182 147

HSL 48.84, 0.25%, 0.66%

LAB 73.88, -2.87, 18.87

 

CMYK 0 / 6 / 35 / 20

HEX #CCC085

RGB 204 192 133

HSL 49.86, 0.41%, 0.66%

LAB 77.42, -4.53, 31.3

 

CMYK 22 / 6 / 0 / 26

HEX #93B1BD

RGB 147 177 189

HSL 197.14, 0.24%, 0.66%

LAB 70.4, -7.53, -9.51

 

CMYK 22 / 12 / 0 / 26

HEX #93A6BD

RGB 147 166 189

HSL 212.86, 0.24%, 0.66%

LAB 67.39, -1.55, -14.02

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 20 / 22 / 0 / 26

HEX #9793BD

RGB 151 147 189

HSL 245.71, 0.24%, 0.66%

LAB 62.61, 10.38, -21.24

 

CMYK 14 / 22 / 0 / 26

HEX #A293BD

RGB 162 147 189

HSL 261.43, 0.24%, 0.66%

LAB 63.53, 13.95, -19.76

 

CMYK 39 / 32 / 0 / 38

HEX #616B9E

RGB 97 107 158

HSL 230.16, 0.24%, 0.5%

LAB 46.35, 9.4, -28.83

 

CMYK 29 / 24 / 0 / 32

HEX #7A83AD

RGB 122 131 173

HSL 229.41, 0.24%, 0.58%

LAB 55.47, 6.59, -23.29

 

CMYK 22 / 18 / 0 / 26

HEX #939BBD

RGB 147 155 189

HSL 228.57, 0.24%, 0.66%

LAB 64.42, 4.57, -18.51

 

CMYK 16 / 13 / 0 / 20

HEX #ADB2CD

RGB 173 178 205

HSL 230.63, 0.24%, 0.74%

LAB 72.98, 3.77, -14.24

 

CMYK 10 / 8 / 0 / 14

HEX #C7CADC

RGB 199 202 220

HSL 231.43, 0.23%, 0.82%

LAB 81.59, 2.44, -9.28

 

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

CMYK 0 / 22 / 1 / 26

HEX #BD93BC

RGB 189 147 188

HSL 301.43, 0.24%, 0.66%

LAB 65.99, 22.81, -15.22

 

CMYK 9 / 0 / 22 / 26

HEX #ACBD93

RGB 172 189 147

HSL 84.29, 0.24%, 0.66%

LAB 74.36, -13.32, 19.33

 

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

CMYK 0 / 22 / 18 / 26

HEX #BD939B

RGB 189 147 155

HSL 348.57, 0.24%, 0.66%

LAB 65, 17.03, 1.86

 

CMYK 18 / 0 / 22 / 26

HEX #9BBD93

RGB 155 189 147

HSL 108.57, 0.24%, 0.66%

LAB 73.2, -19.46, 17.54

 

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

CMYK 0 / 22 / 1 / 26

HEX #BD93BC

RGB 189 147 188

HSL 301.43, 0.24%, 0.66%

LAB 65.99, 22.81, -15.22

 

CMYK 0 / 4 / 22 / 26

HEX #BDB593

RGB 189 181 147

HSL 48.57, 0.24%, 0.66%

LAB 73.53, -2.73, 18.38

 

CMYK 22 / 0 / 22 / 26

HEX #93BD94

RGB 147 189 148

HSL 121.43, 0.24%, 0.66%

LAB 72.72, -22.07, 16.25

 

CMYK 22 / 18 / 0 / 25

HEX #959CBE

RGB 149 156 190

HSL 229.76, 0.24%, 0.66%

LAB 64.87, 4.88, -18.37

 

CMYK 0 / 22 / 7 / 26

HEX #BD93B0

RGB 189 147 176

HSL 318.57, 0.24%, 0.66%

LAB 65.61, 20.6, -9.07

 

CMYK 0 / 4 / 22 / 26

HEX #BDB593

RGB 189 181 147

HSL 48.57, 0.24%, 0.66%

LAB 73.53, -2.73, 18.38

 

CMYK 22 / 0 / 15 / 26

HEX #93BDA1

RGB 147 189 161

HSL 140, 0.24%, 0.66%

LAB 73, -19.67, 9.62

 

Description

Color code: HEX #959CBE | qconv.com Color code: HEX #959CBE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 156 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 156 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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