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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959C2A it is the complementary color #6A63D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959C2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959C2A shade: #9A9C25, #ABAE38, #BCC04B, #CDD25E and #DEE471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959C2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959C2A shade: #959C2A, #848A17, #737804, #626600 and #515400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959C2A shade: #969D2A, #9D852A, #9D662A, #9D472A and #9D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959C2A shade: #969D2A, #779D2A, #589D2A, #399D2A and #2A9D3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959C2A shade matches the following richer shades: #969D2A, #A4AD1A and #B2BD0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959C2A shade: #969D2A, #888D3A, #7A7D4A, #6C6D5A and #5E5D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959C2A shade: #9D652A, #9D842A, #979D2A, #799D2A and #5A9D2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959C2A shade: #585C18, #777D21, #969D2A, #B5BE32 and #C7CF4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959C2A shade: #959C2A, #2A9D47 and #752A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959C2A shade: #959C2A, #2A979D and #9D2A97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959C2A shade: #959C2A, #2A9D47, #302A9D and #9D2A80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959C2A shade: #959C2A, #2A9D69, #302A9D and #9D2A5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

Complementary color

CMYK 50 / 54 / 0 / 16

HEX #6A63D5

RGB 106 99 213

HSL 243.68, 0.58%, 0.61%

LAB 48, 33.07, -58.07

 

CMYK 1 / 0 / 76 / 39

HEX #9A9C25

RGB 154 156 37

HSL 61.01, 0.62%, 0.38%

LAB 62.32, -14.91, 57.5

 

CMYK 2 / 0 / 68 / 32

HEX #ABAE38

RGB 171 174 56

HSL 61.53, 0.51%, 0.45%

LAB 68.91, -15.82, 57.41

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04B

RGB 188 192 75

HSL 62.05, 0.48%, 0.52%

LAB 75.39, -16.56, 56.76

 

CMYK 2 / 0 / 55 / 18

HEX #CDD25E

RGB 205 210 94

HSL 62.59, 0.56%, 0.6%

LAB 81.77, -17.15, 55.84

 

CMYK 3 / 0 / 50 / 11

HEX #DEE471

RGB 222 228 113

HSL 63.13, 0.68%, 0.67%

LAB 88.07, -17.64, 54.79

 

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

CMYK 4 / 0 / 83 / 46

HEX #848A17

RGB 132 138 23

HSL 63.13, 0.71%, 0.32%

LAB 55.22, -15.87, 54.74

 

CMYK 4 / 0 / 97 / 53

HEX #737804

RGB 115 120 4

HSL 62.59, 0.94%, 0.24%

LAB 48.37, -14.6, 52.77

 

CMYK 4 / 0 / 100 / 60

HEX #626600

RGB 98 102 0

HSL 62.35, 1%, 0.2%

LAB 41.37, -12.93, 47.79

 

CMYK 4 / 0 / 100 / 67

HEX #515400

RGB 81 84 0

HSL 62.14, 1%, 0.16%

LAB 34.17, -11.11, 41.8

 

CMYK 4 / 0 / 73 / 38

HEX #969D2A

RGB 150 157 42

HSL 63.65, 0.58%, 0.39%

LAB 62.31, -16.95, 55.63

 

CMYK 0 / 15 / 73 / 38

HEX #9D852A

RGB 157 133 42

HSL 47.48, 0.58%, 0.39%

LAB 56.2, -0.94, 49.89

 

CMYK 0 / 35 / 73 / 38

HEX #9D662A

RGB 157 102 42

HSL 31.3, 0.58%, 0.39%

LAB 48.06, 16.63, 41.63

 

CMYK 0 / 55 / 73 / 38

HEX #9D472A

RGB 157 71 42

HSL 15.13, 0.58%, 0.39%

LAB 40.96, 33.82, 34.01

 

CMYK 0 / 73 / 73 / 38

HEX #9D2A2A

RGB 157 42 42

HSL 0, 0.58%, 0.39%

LAB 35.97, 47.11, 28.35

 

CMYK 4 / 0 / 73 / 38

HEX #969D2A

RGB 150 157 42

HSL 63.65, 0.58%, 0.39%

LAB 62.31, -16.95, 55.63

 

CMYK 24 / 0 / 73 / 38

HEX #779D2A

RGB 119 157 42

HSL 79.83, 0.58%, 0.39%

LAB 60.07, -30.09, 52.69

 

CMYK 44 / 0 / 73 / 38

HEX #589D2A

RGB 88 157 42

HSL 96, 0.58%, 0.39%

LAB 58.37, -41.65, 50.43

 

CMYK 64 / 0 / 73 / 38

HEX #399D2A

RGB 57 157 42

HSL 112.17, 0.58%, 0.39%

LAB 57.22, -50.54, 48.9

 

CMYK 73 / 0 / 63 / 38

HEX #2A9D3A

RGB 42 157 58

HSL 128.35, 0.58%, 0.39%

LAB 56.99, -51.97, 41.78

 

CMYK 4 / 0 / 73 / 38

HEX #969D2A

RGB 150 157 42

HSL 63.65, 0.58%, 0.39%

LAB 62.31, -16.95, 55.63

 

CMYK 5 / 0 / 85 / 32

HEX #A4AD1A

RGB 164 173 26

HSL 63.67, 0.74%, 0.39%

LAB 67.91, -19.61, 65.8

 

CMYK 6 / 0 / 95 / 26

HEX #B2BD0A

RGB 178 189 10

HSL 63.69, 0.9%, 0.39%

LAB 73.47, -21.84, 73.33

 

CMYK 4 / 0 / 73 / 38

HEX #969D2A

RGB 150 157 42

HSL 63.65, 0.58%, 0.39%

LAB 62.31, -16.95, 55.63

 

CMYK 4 / 0 / 59 / 45

HEX #888D3A

RGB 136 141 58

HSL 63.61, 0.42%, 0.39%

LAB 56.67, -13.68, 42.69

 

CMYK 2 / 0 / 41 / 51

HEX #7A7D4A

RGB 122 125 74

HSL 63.53, 0.26%, 0.39%

LAB 51.04, -9.48, 27.41

 

CMYK 1 / 0 / 17 / 57

HEX #6C6D5A

RGB 108 109 90

HSL 63.16, 0.1%, 0.39%

LAB 45.45, -3.99, 10.51

 

CMYK 11 / 12 / 0 / 58

HEX #5E5D6A

RGB 94 93 106

HSL 244.62, 0.07%, 0.39%

LAB 40, 3.27, -7.25

 

CMYK 0 / 36 / 73 / 38

HEX #9D652A

RGB 157 101 42

HSL 30.78, 0.58%, 0.39%

LAB 47.81, 17.2, 41.37

 

CMYK 0 / 16 / 73 / 38

HEX #9D842A

RGB 157 132 42

HSL 46.96, 0.58%, 0.39%

LAB 55.93, -0.38, 49.62

 

CMYK 4 / 0 / 73 / 38

HEX #979D2A

RGB 151 157 42

HSL 63.13, 0.58%, 0.39%

LAB 62.39, -16.52, 55.74

 

CMYK 23 / 0 / 73 / 38

HEX #799D2A

RGB 121 157 42

HSL 78.78, 0.58%, 0.39%

LAB 60.2, -29.28, 52.86

 

CMYK 43 / 0 / 73 / 38

HEX #5A9D2A

RGB 90 157 42

HSL 94.96, 0.58%, 0.39%

LAB 58.47, -40.98, 50.56

 

CMYK 4 / 0 / 74 / 64

HEX #585C18

RGB 88 92 24

HSL 63.53, 0.59%, 0.23%

LAB 37.47, -11.21, 36.65

 

CMYK 5 / 0 / 74 / 51

HEX #777D21

RGB 119 125 33

HSL 63.91, 0.58%, 0.31%

LAB 50.33, -14.43, 46.54

 

CMYK 4 / 0 / 73 / 38

HEX #969D2A

RGB 150 157 42

HSL 63.65, 0.58%, 0.39%

LAB 62.31, -16.95, 55.63

 

CMYK 5 / 0 / 74 / 25

HEX #B5BE32

RGB 181 190 50

HSL 63.86, 0.58%, 0.47%

LAB 74.11, -19.93, 64.95

 

CMYK 4 / 0 / 64 / 19

HEX #C7CF4A

RGB 199 207 74

HSL 63.61, 0.58%, 0.55%

LAB 80.33, -19.53, 62.68

 

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

CMYK 73 / 0 / 55 / 38

HEX #2A9D47

RGB 42 157 71

HSL 135.13, 0.58%, 0.39%

LAB 57.13, -50.24, 35.7

 

CMYK 25 / 73 / 0 / 38

HEX #752A9D

RGB 117 42 157

HSL 279.13, 0.58%, 0.39%

LAB 33.72, 51.33, -48.17

 

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

CMYK 73 / 4 / 0 / 38

HEX #2A979D

RGB 42 151 157

HSL 183.13, 0.58%, 0.39%

LAB 57.13, -27.53, -11.92

 

CMYK 0 / 73 / 4 / 38

HEX #9D2A97

RGB 157 42 151

HSL 303.13, 0.58%, 0.39%

LAB 39.68, 58.97, -34.64

 

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

CMYK 73 / 0 / 55 / 38

HEX #2A9D47

RGB 42 157 71

HSL 135.13, 0.58%, 0.39%

LAB 57.13, -50.24, 35.7

 

CMYK 69 / 73 / 0 / 38

HEX #302A9D

RGB 48 42 157

HSL 243.13, 0.58%, 0.39%

LAB 25.92, 39.65, -61.23

 

CMYK 0 / 73 / 18 / 38

HEX #9D2A80

RGB 157 42 128

HSL 315.13, 0.58%, 0.39%

LAB 38.52, 55.44, -22.36

 

CMYK 4 / 0 / 73 / 39

HEX #959C2A

RGB 149 156 42

HSL 63.68, 0.58%, 0.39%

LAB 61.94, -16.88, 55.25

 

CMYK 73 / 0 / 33 / 38

HEX #2A9D69

RGB 42 157 105

HSL 152.87, 0.58%, 0.39%

LAB 57.68, -44.06, 18.31

 

CMYK 69 / 73 / 0 / 38

HEX #302A9D

RGB 48 42 157

HSL 243.13, 0.58%, 0.39%

LAB 25.92, 39.65, -61.23

 

CMYK 0 / 73 / 40 / 38

HEX #9D2A5E

RGB 157 42 94

HSL 332.87, 0.58%, 0.39%

LAB 37.17, 51.14, -3.04

 

Description

Color code: HEX #959C2A | qconv.com Color code: HEX #959C2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 156 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 156 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 73 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 73% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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