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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #959A01 it is the complementary color #6A65FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #959A01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #959A01 shade: #9A9A00, #ABAC0F, #BCBE22, #CDD035 and #DEE248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #959A01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #959A01 shade: #959A01, #848800, #737600, #626400 and #515200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #959A01 shade: #939801, #987401, #984B01, #982301 and #980101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #959A01 shade: #939801, #6A9801, #429801, #199801 and #019812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #959A01 shade matches the following richer shades: #939801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #959A01 shade: #939801, #888C0D, #7C7F1A, #717326 and #656732

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #959A01 shade: #984A01, #987201, #969801, #6D9801 and #459801

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #959A01 shade: #444600, #6C6F01, #939801, #BBC101 and #E3EA01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #959A01 shade: #959A01, #019822 and #5E0198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #959A01 shade: #959A01, #019698 and #980196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #959A01 shade: #959A01, #019822, #030198 and #980177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #959A01 shade: #959A01, #01984F, #030198 and #98014A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

Complementary color

CMYK 58 / 60 / 0 / 0

HEX #6A65FE

RGB 106 101 254

HSL 241.96, 0.99%, 0.7%

LAB 51.3, 44.53, -75.77

 

CMYK 0 / 0 / 100 / 40

HEX #9A9A00

RGB 154 154 0

HSL 60, 1%, 0.3%

LAB 61.64, -14.79, 64.84

 

CMYK 1 / 0 / 91 / 33

HEX #ABAC0F

RGB 171 172 15

HSL 60.38, 0.84%, 0.37%

LAB 68.17, -16.28, 68.35

 

CMYK 1 / 0 / 82 / 25

HEX #BCBE22

RGB 188 190 34

HSL 60.77, 0.7%, 0.44%

LAB 74.59, -17.55, 70.29

 

CMYK 1 / 0 / 75 / 18

HEX #CDD035

RGB 205 208 53

HSL 61.16, 0.62%, 0.51%

LAB 80.93, -18.6, 71.02

 

CMYK 2 / 0 / 68 / 11

HEX #DEE248

RGB 222 226 72

HSL 61.56, 0.73%, 0.58%

LAB 87.19, -19.49, 70.99

 

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

CMYK 3 / 0 / 100 / 47

HEX #848800

RGB 132 136 0

HSL 61.76, 1%, 0.27%

LAB 54.57, -15.35, 58.81

 

CMYK 3 / 0 / 100 / 54

HEX #737600

RGB 115 118 0

HSL 61.53, 1%, 0.23%

LAB 47.75, -13.61, 53.15

 

CMYK 2 / 0 / 100 / 61

HEX #626400

RGB 98 100 0

HSL 61.2, 1%, 0.2%

LAB 40.75, -11.82, 47.33

 

CMYK 1 / 0 / 100 / 68

HEX #515200

RGB 81 82 0

HSL 60.73, 1%, 0.16%

LAB 33.53, -9.96, 41.33

 

CMYK 3 / 0 / 99 / 40

HEX #939801

RGB 147 152 1

HSL 61.99, 0.99%, 0.3%

LAB 60.48, -16.89, 63.57

 

CMYK 0 / 24 / 99 / 40

HEX #987401

RGB 152 116 1

HSL 45.7, 0.99%, 0.3%

LAB 50.88, 5.08, 56.88

 

CMYK 0 / 51 / 99 / 40

HEX #984B01

RGB 152 75 1

HSL 29.4, 0.99%, 0.3%

LAB 40.75, 28.38, 50.19

 

CMYK 0 / 77 / 99 / 40

HEX #982301

RGB 152 35 1

HSL 13.51, 0.99%, 0.3%

LAB 33.73, 46.88, 46.21

 

CMYK 0 / 99 / 99 / 40

HEX #980101

RGB 152 1 1

HSL 0, 0.99%, 0.3%

LAB 31.11, 54.32, 44.51

 

CMYK 3 / 0 / 99 / 40

HEX #939801

RGB 147 152 1

HSL 61.99, 0.99%, 0.3%

LAB 60.48, -16.89, 63.57

 

CMYK 30 / 0 / 99 / 40

HEX #6A9801

RGB 106 152 1

HSL 78.28, 0.99%, 0.3%

LAB 57.58, -34.47, 60.1

 

CMYK 57 / 0 / 99 / 40

HEX #429801

RGB 66 152 1

HSL 94.17, 0.99%, 0.3%

LAB 55.7, -48.31, 57.83

 

CMYK 84 / 0 / 99 / 40

HEX #199801

RGB 25 152 1

HSL 110.46, 0.99%, 0.3%

LAB 54.73, -56.59, 56.64

 

CMYK 99 / 0 / 88 / 40

HEX #019812

RGB 1 152 18

HSL 126.75, 0.99%, 0.3%

LAB 54.56, -57.92, 53.45

 

CMYK 3 / 0 / 99 / 40

HEX #939801

RGB 147 152 1

HSL 61.99, 0.99%, 0.3%

LAB 60.48, -16.89, 63.57

 

CMYK 3 / 0 / 99 / 40

HEX #939801

RGB 147 152 1

HSL 61.99, 0.99%, 0.3%

LAB 60.48, -16.89, 63.57

 

CMYK 3 / 0 / 91 / 45

HEX #888C0D

RGB 136 140 13

HSL 61.89, 0.83%, 0.3%

LAB 56.11, -15.39, 57.93

 

CMYK 2 / 0 / 80 / 50

HEX #7C7F1A

RGB 124 127 26

HSL 61.78, 0.66%, 0.3%

LAB 51.31, -13.55, 50.12

 

CMYK 2 / 0 / 67 / 55

HEX #717326

RGB 113 115 38

HSL 61.56, 0.5%, 0.3%

LAB 46.86, -11.42, 40.78

 

CMYK 2 / 0 / 51 / 60

HEX #656732

RGB 101 103 50

HSL 62.26, 0.35%, 0.3%

LAB 42.3, -9.19, 29.39

 

CMYK 0 / 51 / 99 / 40

HEX #984A01

RGB 152 74 1

HSL 29.01, 0.99%, 0.3%

LAB 40.53, 28.93, 50.05

 

CMYK 0 / 25 / 99 / 40

HEX #987201

RGB 152 114 1

HSL 44.9, 0.99%, 0.3%

LAB 50.35, 6.22, 56.5

 

CMYK 1 / 0 / 99 / 40

HEX #969801

RGB 150 152 1

HSL 60.79, 0.99%, 0.3%

LAB 60.73, -15.54, 63.87

 

CMYK 28 / 0 / 99 / 40

HEX #6D9801

RGB 109 152 1

HSL 77.09, 0.99%, 0.3%

LAB 57.76, -33.27, 60.32

 

CMYK 55 / 0 / 99 / 40

HEX #459801

RGB 69 152 1

HSL 92.98, 0.99%, 0.3%

LAB 55.81, -47.45, 57.96

 

CMYK 3 / 0 / 100 / 73

HEX #444600

RGB 68 70 0

HSL 61.71, 1%, 0.14%

LAB 28.4, -9.53, 36.94

 

CMYK 3 / 0 / 99 / 56

HEX #6C6F01

RGB 108 111 1

HSL 61.64, 0.98%, 0.22%

LAB 45.02, -13.08, 50.63

 

CMYK 3 / 0 / 99 / 40

HEX #939801

RGB 147 152 1

HSL 61.99, 0.99%, 0.3%

LAB 60.48, -16.89, 63.57

 

CMYK 3 / 0 / 99 / 24

HEX #BBC101

RGB 187 193 1

HSL 61.88, 0.99%, 0.38%

LAB 75.27, -20.06, 75.95

 

CMYK 3 / 0 / 100 / 8

HEX #E3EA01

RGB 227 234 1

HSL 61.8, 0.99%, 0.46%

LAB 89.48, -23.1, 87.82

 

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

CMYK 99 / 0 / 78 / 40

HEX #019822

RGB 1 152 34

HSL 133.11, 0.99%, 0.3%

LAB 54.64, -56.95, 48.93

 

CMYK 38 / 99 / 0 / 40

HEX #5E0198

RGB 94 1 152

HSL 276.95, 0.99%, 0.3%

LAB 25.77, 58.3, -58.22

 

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

CMYK 99 / 1 / 0 / 40

HEX #019698

RGB 1 150 152

HSL 180.79, 0.99%, 0.3%

LAB 56.17, -31.69, -10.55

 

CMYK 0 / 99 / 1 / 40

HEX #980196

RGB 152 1 150

HSL 300.79, 0.99%, 0.3%

LAB 35.79, 66.35, -40.27

 

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

CMYK 99 / 0 / 78 / 40

HEX #019822

RGB 1 152 34

HSL 133.11, 0.99%, 0.3%

LAB 54.64, -56.95, 48.93

 

CMYK 98 / 99 / 0 / 40

HEX #030198

RGB 3 1 152

HSL 240.79, 0.99%, 0.3%

LAB 17.03, 53.53, -72.98

 

CMYK 0 / 99 / 22 / 40

HEX #980177

RGB 152 1 119

HSL 313.11, 0.99%, 0.3%

LAB 34.04, 62.03, -23.78

 

CMYK 3 / 0 / 99 / 40

HEX #959A01

RGB 149 154 1

HSL 61.96, 0.99%, 0.3%

LAB 61.22, -17.02, 64.2

 

CMYK 99 / 0 / 48 / 40

HEX #01984F

RGB 1 152 79

HSL 150.99, 0.99%, 0.3%

LAB 55.1, -51.17, 28.95

 

CMYK 98 / 99 / 0 / 40

HEX #030198

RGB 3 1 152

HSL 240.79, 0.99%, 0.3%

LAB 17.03, 53.53, -72.98

 

CMYK 0 / 99 / 51 / 40

HEX #98014A

RGB 152 1 74

HSL 330.99, 0.99%, 0.3%

LAB 32.24, 57.36, 2.6

 

Description

Color code: HEX #959A01 | qconv.com Color code: HEX #959A01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 154 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 154 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 99 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 99% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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