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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95920B it is the complementary color #6A6DF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95920B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95920B shade: #9A9206, #ABA419, #BCB62C, #CDC83F and #DEDA52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95920B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95920B shade: #95920B, #848000, #736E00, #625C00 and #514A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95920B shade: #93900B, #936B0B, #93470B, #93220B and #930B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95920B shade: #93900B, #71930B, #4D930B, #28930B and #0B9313

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95920B shade matches the following richer shades: #93900B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95920B shade: #93900B, #868418, #797825, #6D6B31 and #605F3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95920B shade: #93460B, #936A0B, #938F0B, #73930B and #4F930B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95920B shade: #464505, #6D6A08, #93900B, #B9B60E and #E0DB11

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95920B shade: #95920B, #0B9322 and #580B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95920B shade: #95920B, #0B938F and #8F0B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95920B shade: #95920B, #0B9322, #0B1093 and #930B7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95920B shade: #95920B, #0B934B, #0B1093 and #930B54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

Complementary color

CMYK 57 / 55 / 0 / 4

HEX #6A6DF4

RGB 106 109 244

HSL 238.7, 0.86%, 0.69%

LAB 52.43, 36.69, -68.37

 

CMYK 0 / 5 / 96 / 40

HEX #9A9206

RGB 154 146 6

HSL 56.76, 0.93%, 0.31%

LAB 59.38, -10.48, 62.27

 

CMYK 0 / 4 / 85 / 33

HEX #ABA419

RGB 171 164 25

HSL 57.12, 0.74%, 0.38%

LAB 65.97, -11.94, 64.64

 

CMYK 0 / 3 / 77 / 26

HEX #BCB62C

RGB 188 182 44

HSL 57.5, 0.62%, 0.45%

LAB 72.45, -13.15, 65.57

 

CMYK 0 / 2 / 69 / 20

HEX #CDC83F

RGB 205 200 63

HSL 57.89, 0.59%, 0.53%

LAB 78.84, -14.16, 65.57

 

CMYK 0 / 2 / 63 / 13

HEX #DEDA52

RGB 222 218 82

HSL 58.29, 0.68%, 0.6%

LAB 85.14, -15, 65.05

 

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

CMYK 0 / 3 / 100 / 48

HEX #848000

RGB 132 128 0

HSL 58.18, 1%, 0.26%

LAB 52.22, -11.06, 57.1

 

CMYK 0 / 4 / 100 / 55

HEX #736E00

RGB 115 110 0

HSL 57.39, 1%, 0.23%

LAB 45.35, -9.2, 51.4

 

CMYK 0 / 6 / 100 / 62

HEX #625C00

RGB 98 92 0

HSL 56.33, 1%, 0.19%

LAB 38.29, -7.26, 45.54

 

CMYK 0 / 9 / 100 / 68

HEX #514A00

RGB 81 74 0

HSL 54.81, 1%, 0.16%

LAB 30.99, -5.22, 39.48

 

CMYK 0 / 2 / 93 / 42

HEX #93900B

RGB 147 144 11

HSL 58.68, 0.86%, 0.31%

LAB 58.2, -12.53, 60.33

 

CMYK 0 / 27 / 93 / 42

HEX #936B0B

RGB 147 107 11

HSL 42.35, 0.86%, 0.31%

LAB 47.93, 8.06, 52.39

 

CMYK 0 / 52 / 93 / 42

HEX #93470B

RGB 147 71 11

HSL 26.47, 0.86%, 0.31%

LAB 39.13, 28.6, 45.73

 

CMYK 0 / 77 / 93 / 42

HEX #93220B

RGB 147 34 11

HSL 10.15, 0.86%, 0.31%

LAB 32.64, 45.74, 40.99

 

CMYK 0 / 93 / 93 / 42

HEX #930B0B

RGB 147 11 11

HSL 0, 0.86%, 0.31%

LAB 30.56, 51.62, 39.52

 

CMYK 0 / 2 / 93 / 42

HEX #93900B

RGB 147 144 11

HSL 58.68, 0.86%, 0.31%

LAB 58.2, -12.53, 60.33

 

CMYK 23 / 0 / 93 / 42

HEX #71930B

RGB 113 147 11

HSL 75, 0.86%, 0.31%

LAB 56.49, -29.07, 57.86

 

CMYK 48 / 0 / 93 / 42

HEX #4D930B

RGB 77 147 11

HSL 90.88, 0.86%, 0.31%

LAB 54.52, -42.74, 55.44

 

CMYK 73 / 0 / 93 / 42

HEX #28930B

RGB 40 147 11

HSL 107.21, 0.86%, 0.31%

LAB 53.32, -52.45, 53.95

 

CMYK 93 / 0 / 87 / 42

HEX #0B9313

RGB 11 147 19

HSL 123.53, 0.86%, 0.31%

LAB 52.93, -55.78, 51.8

 

CMYK 0 / 2 / 93 / 42

HEX #93900B

RGB 147 144 11

HSL 58.68, 0.86%, 0.31%

LAB 58.2, -12.53, 60.33

 

CMYK 0 / 2 / 93 / 42

HEX #93900B

RGB 147 144 11

HSL 58.68, 0.86%, 0.31%

LAB 58.2, -12.53, 60.33

 

CMYK 0 / 1 / 82 / 47

HEX #868418

RGB 134 132 24

HSL 58.91, 0.7%, 0.31%

LAB 53.64, -11.73, 53.15

 

CMYK 0 / 1 / 69 / 53

HEX #797825

RGB 121 120 37

HSL 59.29, 0.53%, 0.31%

LAB 49.05, -10.56, 43.69

 

CMYK 0 / 2 / 55 / 57

HEX #6D6B31

RGB 109 107 49

HSL 58, 0.38%, 0.31%

LAB 44.22, -7.9, 32.36

 

CMYK 0 / 1 / 35 / 62

HEX #605F3E

RGB 96 95 62

HSL 58.24, 0.22%, 0.31%

LAB 39.61, -5.37, 19.07

 

CMYK 0 / 52 / 93 / 42

HEX #93460B

RGB 147 70 11

HSL 26.03, 0.86%, 0.31%

LAB 38.91, 29.14, 45.57

 

CMYK 0 / 28 / 93 / 42

HEX #936A0B

RGB 147 106 11

HSL 41.91, 0.86%, 0.31%

LAB 47.67, 8.64, 52.19

 

CMYK 0 / 3 / 93 / 42

HEX #938F0B

RGB 147 143 11

HSL 58.24, 0.86%, 0.31%

LAB 57.92, -12, 60.1

 

CMYK 22 / 0 / 93 / 42

HEX #73930B

RGB 115 147 11

HSL 74.12, 0.86%, 0.31%

LAB 56.62, -28.22, 58.03

 

CMYK 46 / 0 / 93 / 42

HEX #4F930B

RGB 79 147 11

HSL 90, 0.86%, 0.31%

LAB 54.61, -42.08, 55.55

 

CMYK 0 / 1 / 93 / 73

HEX #464505

RGB 70 69 5

HSL 59.08, 0.87%, 0.15%

LAB 28.3, -7.66, 34.89

 

CMYK 0 / 3 / 93 / 57

HEX #6D6A08

RGB 109 106 8

HSL 58.22, 0.86%, 0.23%

LAB 43.62, -9.65, 47.96

 

CMYK 0 / 2 / 93 / 42

HEX #93900B

RGB 147 144 11

HSL 58.68, 0.86%, 0.31%

LAB 58.2, -12.53, 60.33

 

CMYK 0 / 2 / 92 / 27

HEX #B9B60E

RGB 185 182 14

HSL 58.95, 0.86%, 0.39%

LAB 72.1, -15.25, 72.04

 

CMYK 0 / 2 / 92 / 12

HEX #E0DB11

RGB 224 219 17

HSL 58.55, 0.86%, 0.47%

LAB 85.28, -16.94, 83.15

 

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

CMYK 93 / 0 / 77 / 42

HEX #0B9322

RGB 11 147 34

HSL 130.15, 0.86%, 0.31%

LAB 53.01, -54.82, 47.34

 

CMYK 40 / 93 / 0 / 42

HEX #580B93

RGB 88 11 147

HSL 273.97, 0.86%, 0.31%

LAB 25.02, 54.52, -56.41

 

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

CMYK 93 / 0 / 3 / 42

HEX #0B938F

RGB 11 147 143

HSL 178.24, 0.86%, 0.31%

LAB 54.99, -32.65, -7.15

 

CMYK 3 / 93 / 0 / 42

HEX #8F0B93

RGB 143 11 147

HSL 298.24, 0.86%, 0.31%

LAB 34.37, 63.03, -40.8

 

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

CMYK 93 / 0 / 77 / 42

HEX #0B9322

RGB 11 147 34

HSL 130.15, 0.86%, 0.31%

LAB 53.01, -54.82, 47.34

 

CMYK 93 / 89 / 0 / 42

HEX #0B1093

RGB 11 16 147

HSL 237.79, 0.86%, 0.31%

LAB 18.14, 47.3, -68.03

 

CMYK 0 / 93 / 16 / 42

HEX #930B7C

RGB 147 11 124

HSL 310.15, 0.86%, 0.31%

LAB 33.77, 60.35, -27.43

 

CMYK 0 / 2 / 93 / 42

HEX #95920B

RGB 149 146 11

HSL 58.7, 0.86%, 0.31%

LAB 58.95, -12.68, 60.98

 

CMYK 93 / 0 / 49 / 42

HEX #0B934B

RGB 11 147 75

HSL 148.24, 0.86%, 0.31%

LAB 53.43, -49.56, 28.97

 

CMYK 93 / 89 / 0 / 42

HEX #0B1093

RGB 11 16 147

HSL 237.79, 0.86%, 0.31%

LAB 18.14, 47.3, -68.03

 

CMYK 0 / 93 / 43 / 42

HEX #930B54

RGB 147 11 84

HSL 327.79, 0.86%, 0.31%

LAB 31.99, 55.62, -4.47

 

Description

Color code: HEX #95920B | qconv.com Color code: HEX #95920B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 146 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 146 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 93 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 93% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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