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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958E8F it is the complementary color #6A7170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958E8F shade: #9A8E8A, #ABA09D, #BCB2B0, #CDC4C3 and #DED6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958E8F shade: #958E8F, #847C7C, #736A69, #625856 and #514643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958E8F shade: #958E8F and #958E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958E8F shade: #958E8F, #958E91, #958E93, #958E94 and #938E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958E8F shade matches the following richer shades: #958E8F, #A67C82, #B86B76, #CA5969 and #DC475C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958E8F shade: #958E8F, #83A09C, #71B2A8, #5FC3B5 and #4ED5C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958E8F shade: #958E93, #958E91, #958E8F, #958F8E and #95918E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958E8F shade: #6B6566, #80797A, #958E8F, #A9A3A4 and #BDB9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958E8F shade: #958E8F, #94958E and #8E9295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958E8F shade: #958E8F, #8F958E and #8E8F95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958E8F shade: #958E8F, #94958E, #8E9594 and #8E8E95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958E8F shade: #958E8F, #92958E, #8E9594 and #908E95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

Complementary color

CMYK 6 / 0 / 1 / 56

HEX #6A7170

RGB 106 113 112

HSL 171.43, 0.03%, 0.43%

LAB 47.03, -2.86, -0.37

 

CMYK 0 / 8 / 10 / 40

HEX #9A8E8A

RGB 154 142 138

HSL 15, 0.07%, 0.57%

LAB 59.93, 3.74, 3.73

 

CMYK 0 / 6 / 8 / 33

HEX #ABA09D

RGB 171 160 157

HSL 12.86, 0.08%, 0.64%

LAB 66.7, 3.46, 2.99

 

CMYK 0 / 5 / 6 / 26

HEX #BCB2B0

RGB 188 178 176

HSL 10, 0.08%, 0.71%

LAB 73.33, 3.2, 2.28

 

CMYK 0 / 4 / 5 / 20

HEX #CDC4C3

RGB 205 196 195

HSL 6, 0.09%, 0.78%

LAB 79.84, 2.96, 1.61

 

CMYK 0 / 4 / 4 / 13

HEX #DED6D6

RGB 222 214 214

HSL 0, 0.11%, 0.85%

LAB 86.24, 2.74, 0.97

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 6 / 6 / 48

HEX #847C7C

RGB 132 124 124

HSL 0, 0.03%, 0.5%

LAB 52.7, 3.04, 1.08

 

CMYK 0 / 8 / 9 / 55

HEX #736A69

RGB 115 106 105

HSL 6, 0.05%, 0.43%

LAB 45.6, 3.33, 1.83

 

CMYK 0 / 10 / 12 / 62

HEX #625856

RGB 98 88 86

HSL 10, 0.07%, 0.36%

LAB 38.28, 3.67, 2.63

 

CMYK 0 / 14 / 17 / 68

HEX #514643

RGB 81 70 67

HSL 12.86, 0.09%, 0.29%

LAB 30.72, 4.08, 3.52

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 5 / 5 / 42

HEX #958E8E

RGB 149 142 142

HSL 0, 0.03%, 0.57%

LAB 59.61, 2.59, 0.92

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 5 / 3 / 42

HEX #958E91

RGB 149 142 145

HSL 334.29, 0.03%, 0.57%

LAB 59.69, 3.16, -0.67

 

CMYK 0 / 5 / 1 / 42

HEX #958E93

RGB 149 142 147

HSL 317.14, 0.03%, 0.57%

LAB 59.75, 3.54, -1.73

 

CMYK 0 / 5 / 1 / 42

HEX #958E94

RGB 149 142 148

HSL 308.57, 0.03%, 0.57%

LAB 59.77, 3.74, -2.26

 

CMYK 1 / 5 / 0 / 42

HEX #938E95

RGB 147 142 149

HSL 282.86, 0.03%, 0.57%

LAB 59.63, 3.2, -3.06

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 25 / 22 / 35

HEX #A67C82

RGB 166 124 130

HSL 351.43, 0.19%, 0.57%

LAB 56.22, 17.23, 3.11

 

CMYK 0 / 42 / 36 / 28

HEX #B86B76

RGB 184 107 118

HSL 351.43, 0.35%, 0.57%

LAB 54.04, 31.95, 7.27

 

CMYK 0 / 56 / 48 / 21

HEX #CA5969

RGB 202 89 105

HSL 351.5, 0.52%, 0.57%

LAB 52.64, 46.36, 13.35

 

CMYK 0 / 68 / 58 / 14

HEX #DC475C

RGB 220 71 92

HSL 351.54, 0.68%, 0.57%

LAB 52.39, 59.1, 21.22

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 18 / 0 / 2 / 37

HEX #83A09C

RGB 131 160 156

HSL 171.72, 0.13%, 0.57%

LAB 63.65, -10.88, -1.27

 

CMYK 37 / 0 / 6 / 30

HEX #71B2A8

RGB 113 178 168

HSL 170.77, 0.3%, 0.57%

LAB 68.15, -23.06, -1.47

 

CMYK 51 / 0 / 7 / 24

HEX #5FC3B5

RGB 95 195 181

HSL 171.6, 0.45%, 0.57%

LAB 72.76, -32.68, -1.93

 

CMYK 63 / 0 / 9 / 16

HEX #4ED5C2

RGB 78 213 194

HSL 171.56, 0.62%, 0.57%

LAB 77.94, -40.89, -1.42

 

CMYK 0 / 5 / 1 / 42

HEX #958E93

RGB 149 142 147

HSL 317.14, 0.03%, 0.57%

LAB 59.75, 3.54, -1.73

 

CMYK 0 / 5 / 3 / 42

HEX #958E91

RGB 149 142 145

HSL 334.29, 0.03%, 0.57%

LAB 59.69, 3.16, -0.67

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 4 / 5 / 42

HEX #958F8E

RGB 149 143 142

HSL 8.57, 0.03%, 0.57%

LAB 59.88, 2.03, 1.31

 

CMYK 0 / 3 / 5 / 42

HEX #95918E

RGB 149 145 142

HSL 25.71, 0.03%, 0.57%

LAB 60.42, 0.91, 2.1

 

CMYK 0 / 6 / 5 / 58

HEX #6B6566

RGB 107 101 102

HSL 350, 0.03%, 0.41%

LAB 43.35, 2.56, 0.28

 

CMYK 0 / 5 / 5 / 50

HEX #80797A

RGB 128 121 122

HSL 351.43, 0.03%, 0.49%

LAB 51.46, 2.86, 0.4

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 0 / 4 / 3 / 34

HEX #A9A3A4

RGB 169 163 164

HSL 350, 0.03%, 0.65%

LAB 67.51, 2.35, 0.24

 

CMYK 0 / 2 / 2 / 26

HEX #BDB9B9

RGB 189 185 185

HSL 0, 0.03%, 0.73%

LAB 75.46, 1.41, 0.49

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 1 / 0 / 5 / 42

HEX #94958E

RGB 148 149 142

HSL 68.57, 0.03%, 0.57%

LAB 61.43, -1.69, 3.56

 

CMYK 5 / 2 / 0 / 42

HEX #8E9295

RGB 142 146 149

HSL 205.71, 0.03%, 0.57%

LAB 60.32, -0.85, -2.1

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 4 / 0 / 5 / 42

HEX #8F958E

RGB 143 149 142

HSL 111.43, 0.03%, 0.57%

LAB 61.03, -3.53, 2.93

 

CMYK 5 / 4 / 0 / 42

HEX #8E8F95

RGB 142 143 149

HSL 231.43, 0.03%, 0.57%

LAB 59.49, 0.84, -3.31

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 1 / 0 / 5 / 42

HEX #94958E

RGB 148 149 142

HSL 68.57, 0.03%, 0.57%

LAB 61.43, -1.69, 3.56

 

CMYK 5 / 0 / 1 / 42

HEX #8E9594

RGB 142 149 148

HSL 171.43, 0.03%, 0.57%

LAB 61.12, -2.72, -0.36

 

CMYK 5 / 5 / 0 / 42

HEX #8E8E95

RGB 142 142 149

HSL 240, 0.03%, 0.57%

LAB 59.22, 1.4, -3.71

 

CMYK 0 / 5 / 4 / 42

HEX #958E8F

RGB 149 142 143

HSL 351.43, 0.03%, 0.57%

LAB 59.63, 2.78, 0.39

 

CMYK 2 / 0 / 5 / 42

HEX #92958E

RGB 146 149 142

HSL 85.71, 0.03%, 0.57%

LAB 61.27, -2.43, 3.31

 

CMYK 5 / 0 / 1 / 42

HEX #8E9594

RGB 142 149 148

HSL 171.43, 0.03%, 0.57%

LAB 61.12, -2.72, -0.36

 

CMYK 3 / 5 / 0 / 42

HEX #908E95

RGB 144 142 149

HSL 257.14, 0.03%, 0.57%

LAB 59.38, 2.12, -3.45

 

Description

Color code: HEX #958E8F | qconv.com Color code: HEX #958E8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 142 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 142 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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