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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958C92 it is the complementary color #6A736D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958C92 shade: #9A8C8D, #AB9EA0, #BCB0B3, #CDC2C6 and #DED4D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958C92 shade: #958C92, #847A7F, #73686C, #625659 and #514446

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958C92 shade: #968D93, #968D90, #968D8E and #968D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958C92 shade: #968D93, #968D95, #948D96, #928D96 and #8F8D96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958C92 shade matches the following richer shades: #968D93, #A77B99, #B9699F, #CB58A5 and #DD46AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958C92 shade: #968D93, #849F8D, #72B087, #61C281 and #4FD47B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958C92 shade: #948D96, #968D95, #968D93, #968D90 and #968D8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958C92 shade: #6C6469, #82787E, #968D93, #AAA2A7 and #BDB8BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958C92 shade: #958C92, #96928D and #8D9695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958C92 shade: #958C92, #93968D and #8D9396

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958C92 shade: #958C92, #96928D, #8D9690 and #8D9196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958C92 shade: #958C92, #96948D, #8D9690 and #8D8E96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

Complementary color

CMYK 8 / 0 / 5 / 55

HEX #6A736D

RGB 106 115 109

HSL 140, 0.04%, 0.43%

LAB 47.53, -4.64, 2.15

 

CMYK 0 / 9 / 8 / 40

HEX #9A8C8D

RGB 154 140 141

HSL 355.71, 0.06%, 0.58%

LAB 59.48, 5.41, 1.36

 

CMYK 0 / 8 / 6 / 33

HEX #AB9EA0

RGB 171 158 160

HSL 350.77, 0.07%, 0.65%

LAB 66.25, 5.1, 0.66

 

CMYK 0 / 6 / 5 / 26

HEX #BCB0B3

RGB 188 176 179

HSL 345, 0.08%, 0.71%

LAB 72.89, 4.82, 0

 

CMYK 0 / 5 / 3 / 20

HEX #CDC2C6

RGB 205 194 198

HSL 338.18, 0.1%, 0.78%

LAB 79.41, 4.56, -0.63

 

CMYK 0 / 5 / 2 / 13

HEX #DED4D9

RGB 222 212 217

HSL 330, 0.13%, 0.85%

LAB 85.82, 4.32, -1.24

 

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

CMYK 0 / 8 / 4 / 48

HEX #847A7F

RGB 132 122 127

HSL 330, 0.04%, 0.5%

LAB 52.24, 4.77, -1.35

 

CMYK 0 / 10 / 6 / 55

HEX #73686C

RGB 115 104 108

HSL 338.18, 0.05%, 0.43%

LAB 45.12, 5.1, -0.67

 

CMYK 0 / 12 / 9 / 62

HEX #625659

RGB 98 86 89

HSL 345, 0.07%, 0.36%

LAB 37.79, 5.48, 0.05

 

CMYK 0 / 16 / 14 / 68

HEX #514446

RGB 81 68 70

HSL 350.77, 0.09%, 0.29%

LAB 30.22, 5.93, 0.85

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 0 / 6 / 4 / 41

HEX #968D90

RGB 150 141 144

HSL 340, 0.04%, 0.57%

LAB 59.48, 3.9, -0.4

 

CMYK 0 / 6 / 5 / 41

HEX #968D8E

RGB 150 141 142

HSL 353.33, 0.04%, 0.57%

LAB 59.42, 3.53, 0.66

 

CMYK 0 / 6 / 6 / 41

HEX #968D8D

RGB 150 141 141

HSL 0, 0.04%, 0.57%

LAB 59.39, 3.34, 1.19

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 0 / 6 / 1 / 41

HEX #968D95

RGB 150 141 149

HSL 306.67, 0.04%, 0.57%

LAB 59.62, 4.86, -3.05

 

CMYK 1 / 6 / 0 / 41

HEX #948D96

RGB 148 141 150

HSL 286.67, 0.04%, 0.57%

LAB 59.48, 4.33, -3.85

 

CMYK 3 / 6 / 0 / 41

HEX #928D96

RGB 146 141 150

HSL 273.33, 0.04%, 0.57%

LAB 59.31, 3.61, -4.12

 

CMYK 5 / 6 / 0 / 41

HEX #8F8D96

RGB 143 141 150

HSL 253.33, 0.04%, 0.57%

LAB 59.06, 2.53, -4.51

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 0 / 26 / 8 / 35

HEX #A77B99

RGB 167 123 153

HSL 319.09, 0.2%, 0.57%

LAB 56.76, 22.08, -9.41

 

CMYK 0 / 43 / 14 / 27

HEX #B9699F

RGB 185 105 159

HSL 319.5, 0.36%, 0.57%

LAB 54.99, 39.35, -15.35

 

CMYK 0 / 57 / 19 / 20

HEX #CB58A5

RGB 203 88 165

HSL 319.83, 0.53%, 0.57%

LAB 54.44, 54.45, -19.46

 

CMYK 0 / 68 / 23 / 13

HEX #DD46AA

RGB 221 70 170

HSL 320.26, 0.69%, 0.57%

LAB 54.71, 67.58, -21.71

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 17 / 0 / 11 / 38

HEX #849F8D

RGB 132 159 141

HSL 140, 0.12%, 0.57%

LAB 63.03, -13.1, 6.27

 

CMYK 35 / 0 / 23 / 31

HEX #72B087

RGB 114 176 135

HSL 140.32, 0.28%, 0.57%

LAB 66.81, -28.9, 14.79

 

CMYK 50 / 0 / 34 / 24

HEX #61C281

RGB 97 194 129

HSL 139.79, 0.44%, 0.57%

LAB 71.36, -43.12, 24.15

 

CMYK 63 / 0 / 42 / 17

HEX #4FD47B

RGB 79 212 123

HSL 139.85, 0.61%, 0.57%

LAB 76.18, -55.6, 33.55

 

CMYK 1 / 6 / 0 / 41

HEX #948D96

RGB 148 141 150

HSL 286.67, 0.04%, 0.57%

LAB 59.48, 4.33, -3.85

 

CMYK 0 / 6 / 1 / 41

HEX #968D95

RGB 150 141 149

HSL 306.67, 0.04%, 0.57%

LAB 59.62, 4.86, -3.05

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 0 / 6 / 4 / 41

HEX #968D90

RGB 150 141 144

HSL 340, 0.04%, 0.57%

LAB 59.48, 3.9, -0.4

 

CMYK 0 / 6 / 5 / 41

HEX #968D8E

RGB 150 141 142

HSL 353.33, 0.04%, 0.57%

LAB 59.42, 3.53, 0.66

 

CMYK 0 / 7 / 3 / 58

HEX #6C6469

RGB 108 100 105

HSL 322.5, 0.04%, 0.41%

LAB 43.25, 4.16, -1.68

 

CMYK 0 / 8 / 3 / 49

HEX #82787E

RGB 130 120 126

HSL 324, 0.04%, 0.49%

LAB 51.48, 4.98, -1.9

 

CMYK 0 / 6 / 2 / 41

HEX #968D93

RGB 150 141 147

HSL 320, 0.04%, 0.57%

LAB 59.56, 4.47, -1.99

 

CMYK 0 / 5 / 2 / 33

HEX #AAA2A7

RGB 170 162 167

HSL 322.5, 0.04%, 0.65%

LAB 67.41, 3.82, -1.56

 

CMYK 0 / 3 / 1 / 26

HEX #BDB8BC

RGB 189 184 188

HSL 312, 0.04%, 0.73%

LAB 75.28, 2.5, -1.41

 

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

CMYK 0 / 3 / 6 / 41

HEX #96928D

RGB 150 146 141

HSL 33.33, 0.04%, 0.57%

LAB 60.75, 0.54, 3.16

 

CMYK 6 / 0 / 1 / 41

HEX #8D9695

RGB 141 150 149

HSL 173.33, 0.04%, 0.57%

LAB 61.35, -3.43, -0.6

 

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

CMYK 2 / 0 / 6 / 41

HEX #93968D

RGB 147 150 141

HSL 80, 0.04%, 0.57%

LAB 61.6, -2.8, 4.36

 

CMYK 6 / 2 / 0 / 41

HEX #8D9396

RGB 141 147 150

HSL 200, 0.04%, 0.57%

LAB 60.54, -1.56, -2.34

 

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

CMYK 0 / 3 / 6 / 41

HEX #96928D

RGB 150 146 141

HSL 33.33, 0.04%, 0.57%

LAB 60.75, 0.54, 3.16

 

CMYK 6 / 0 / 4 / 41

HEX #8D9690

RGB 141 150 144

HSL 140, 0.04%, 0.57%

LAB 61.21, -4.43, 2.04

 

CMYK 6 / 3 / 0 / 41

HEX #8D9196

RGB 141 145 150

HSL 213.33, 0.04%, 0.57%

LAB 59.99, -0.44, -3.16

 

CMYK 0 / 6 / 2 / 42

HEX #958C92

RGB 149 140 146

HSL 320, 0.04%, 0.57%

LAB 59.18, 4.48, -1.99

 

CMYK 0 / 1 / 6 / 41

HEX #96948D

RGB 150 148 141

HSL 46.67, 0.04%, 0.57%

LAB 61.3, -0.58, 3.95

 

CMYK 6 / 0 / 4 / 41

HEX #8D9690

RGB 141 150 144

HSL 140, 0.04%, 0.57%

LAB 61.21, -4.43, 2.04

 

CMYK 6 / 5 / 0 / 41

HEX #8D8E96

RGB 141 142 150

HSL 233.33, 0.04%, 0.57%

LAB 59.17, 1.25, -4.37

 

Description

Color code: HEX #958C92 | qconv.com Color code: HEX #958C92 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 140 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 140 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 2 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 2% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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