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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958779 it is the complementary color #6A7886. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958779. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958779 shade: #9A8774, #AB9987, #BCAB9A, #CDBDAD and #DECFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958779. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958779 shade: #958779, #847566, #736353, #625140 and #513F2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958779 shade: #968779, #967F79 and #967979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958779 shade: #968779, #968F79, #949679, #8D9679 and #859679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958779 shade matches the following richer shades: #968779, #A98765, #BC8752, #D0873F and #E3872B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958779 shade: #968779, #82878C, #6F87A0, #5B87B3 and #4887C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958779 shade: #96797A, #967F79, #968779, #968F79 and #959679

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958779 shade: #695E53, #807365, #968779, #A89C90 and #BAB0A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958779 shade: #958779, #819679 and #7C7996

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958779 shade: #958779, #799687 and #877996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958779 shade: #958779, #819679, #798796 and #8D7996

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958779 shade: #958779, #799679, #798796 and #967996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

Complementary color

CMYK 21 / 10 / 0 / 47

HEX #6A7886

RGB 106 120 134

HSL 210, 0.12%, 0.47%

LAB 49.76, -1.94, -9.38

 

CMYK 0 / 12 / 25 / 40

HEX #9A8774

RGB 154 135 116

HSL 30, 0.16%, 0.53%

LAB 57.52, 4.07, 12.86

 

CMYK 0 / 11 / 21 / 33

HEX #AB9987

RGB 171 153 135

HSL 30, 0.18%, 0.6%

LAB 64.31, 3.67, 11.88

 

CMYK 0 / 9 / 18 / 26

HEX #BCAB9A

RGB 188 171 154

HSL 30, 0.2%, 0.67%

LAB 70.97, 3.31, 10.97

 

CMYK 0 / 8 / 16 / 20

HEX #CDBDAD

RGB 205 189 173

HSL 30, 0.24%, 0.74%

LAB 77.51, 3, 10.12

 

CMYK 0 / 7 / 14 / 13

HEX #DECFC0

RGB 222 207 192

HSL 30, 0.31%, 0.81%

LAB 83.95, 2.72, 9.31

 

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

CMYK 0 / 11 / 23 / 48

HEX #847566

RGB 132 117 102

HSL 30, 0.13%, 0.46%

LAB 50.2, 3.24, 10.4

 

CMYK 0 / 14 / 28 / 55

HEX #736353

RGB 115 99 83

HSL 30, 0.16%, 0.39%

LAB 43.05, 3.69, 11.46

 

CMYK 0 / 17 / 35 / 62

HEX #625140

RGB 98 81 64

HSL 30, 0.21%, 0.32%

LAB 35.7, 4.26, 12.65

 

CMYK 0 / 22 / 44 / 68

HEX #513F2D

RGB 81 63 45

HSL 30, 0.29%, 0.25%

LAB 28.1, 5, 14.02

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 0 / 15 / 19 / 41

HEX #967F79

RGB 150 127 121

HSL 12.41, 0.12%, 0.53%

LAB 55.12, 7.81, 6.53

 

CMYK 0 / 19 / 19 / 41

HEX #967979

RGB 150 121 121

HSL 0, 0.12%, 0.53%

LAB 53.53, 11.25, 4.26

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 0 / 5 / 19 / 41

HEX #968F79

RGB 150 143 121

HSL 45.52, 0.12%, 0.53%

LAB 59.44, -1.23, 12.65

 

CMYK 1 / 0 / 19 / 41

HEX #949679

RGB 148 150 121

HSL 64.14, 0.12%, 0.53%

LAB 61.21, -5.87, 15.09

 

CMYK 6 / 0 / 19 / 41

HEX #8D9679

RGB 141 150 121

HSL 78.62, 0.12%, 0.53%

LAB 60.65, -8.59, 14.23

 

CMYK 11 / 0 / 19 / 41

HEX #859679

RGB 133 150 121

HSL 95.17, 0.12%, 0.53%

LAB 60.05, -11.64, 13.3

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 0 / 20 / 40 / 34

HEX #A98765

RGB 169 135 101

HSL 30, 0.28%, 0.53%

LAB 58.7, 8.23, 23.2

 

CMYK 0 / 28 / 56 / 26

HEX #BC8752

RGB 188 135 82

HSL 30, 0.44%, 0.53%

LAB 60.45, 14.36, 36.25

 

CMYK 0 / 35 / 70 / 18

HEX #D0873F

RGB 208 135 63

HSL 29.79, 0.61%, 0.53%

LAB 62.59, 21.58, 48.93

 

CMYK 0 / 41 / 81 / 11

HEX #E3872B

RGB 227 135 43

HSL 30, 0.77%, 0.53%

LAB 64.83, 28.7, 60.53

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 7 / 4 / 0 / 45

HEX #82878C

RGB 130 135 140

HSL 210, 0.04%, 0.53%

LAB 56.05, -0.8, -3.32

 

CMYK 31 / 16 / 0 / 37

HEX #6F87A0

RGB 111 135 160

HSL 210.61, 0.21%, 0.53%

LAB 55.32, -2.48, -16.1

 

CMYK 49 / 25 / 0 / 30

HEX #5B87B3

RGB 91 135 179

HSL 210, 0.37%, 0.53%

LAB 54.87, -2.66, -27.81

 

CMYK 64 / 32 / 0 / 22

HEX #4887C6

RGB 72 135 198

HSL 210, 0.53%, 0.53%

LAB 54.85, -0.59, -38.74

 

CMYK 0 / 19 / 19 / 41

HEX #96797A

RGB 150 121 122

HSL 357.93, 0.12%, 0.53%

LAB 53.56, 11.42, 3.71

 

CMYK 0 / 15 / 19 / 41

HEX #967F79

RGB 150 127 121

HSL 12.41, 0.12%, 0.53%

LAB 55.12, 7.81, 6.53

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 0 / 5 / 19 / 41

HEX #968F79

RGB 150 143 121

HSL 45.52, 0.12%, 0.53%

LAB 59.44, -1.23, 12.65

 

CMYK 1 / 0 / 19 / 41

HEX #959679

RGB 149 150 121

HSL 62.07, 0.12%, 0.53%

LAB 61.29, -5.48, 15.22

 

CMYK 0 / 10 / 21 / 59

HEX #695E53

RGB 105 94 83

HSL 30, 0.12%, 0.37%

LAB 40.63, 2.42, 7.92

 

CMYK 0 / 10 / 21 / 50

HEX #807365

RGB 128 115 101

HSL 31.11, 0.12%, 0.45%

LAB 49.24, 2.6, 9.58

 

CMYK 0 / 10 / 19 / 41

HEX #968779

RGB 150 135 121

HSL 28.97, 0.12%, 0.53%

LAB 57.26, 3.26, 9.58

 

CMYK 0 / 7 / 14 / 34

HEX #A89C90

RGB 168 156 144

HSL 30, 0.12%, 0.61%

LAB 65.05, 2.3, 7.86

 

CMYK 0 / 5 / 10 / 27

HEX #BAB0A7

RGB 186 176 167

HSL 28.42, 0.12%, 0.69%

LAB 72.42, 1.99, 5.87

 

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

CMYK 14 / 0 / 19 / 41

HEX #819679

RGB 129 150 121

HSL 103.45, 0.12%, 0.53%

LAB 59.76, -13.14, 12.85

 

CMYK 17 / 19 / 0 / 41

HEX #7C7996

RGB 124 121 150

HSL 246.21, 0.12%, 0.53%

LAB 52.02, 7.42, -15.22

 

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

CMYK 19 / 0 / 10 / 41

HEX #799687

RGB 121 150 135

HSL 148.97, 0.12%, 0.53%

LAB 59.55, -13.33, 4.56

 

CMYK 10 / 19 / 0 / 41

HEX #877996

RGB 135 121 150

HSL 268.97, 0.12%, 0.53%

LAB 52.98, 11.21, -13.67

 

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

CMYK 14 / 0 / 19 / 41

HEX #819679

RGB 129 150 121

HSL 103.45, 0.12%, 0.53%

LAB 59.76, -13.14, 12.85

 

CMYK 19 / 10 / 0 / 41

HEX #798796

RGB 121 135 150

HSL 211.03, 0.12%, 0.53%

LAB 55.68, -1.72, -9.73

 

CMYK 6 / 19 / 0 / 41

HEX #8D7996

RGB 141 121 150

HSL 281.38, 0.12%, 0.53%

LAB 53.53, 13.33, -12.78

 

CMYK 0 / 9 / 19 / 42

HEX #958779

RGB 149 135 121

HSL 30, 0.12%, 0.53%

LAB 57.17, 2.86, 9.44

 

CMYK 19 / 0 / 19 / 41

HEX #799679

RGB 121 150 121

HSL 120, 0.12%, 0.53%

LAB 59.21, -16.07, 12

 

CMYK 19 / 10 / 0 / 41

HEX #798796

RGB 121 135 150

HSL 211.03, 0.12%, 0.53%

LAB 55.68, -1.72, -9.73

 

CMYK 0 / 19 / 0 / 41

HEX #967996

RGB 150 121 150

HSL 300, 0.12%, 0.53%

LAB 54.41, 16.54, -11.38

 

Description

Color code: HEX #958779 | qconv.com Color code: HEX #958779 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 135 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 135 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 19 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 19% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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