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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9583A4 it is the complementary color #6A7C5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9583A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9583A4 shade: #9A839F, #AB95B2, #BCA7C5, #CDB9D8 and #DECBEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9583A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9583A4 shade: #9583A4, #847191, #735F7E, #624D6B and #513B58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9583A4 shade: #9584A4, #9E84A4, #A484A1, #A48499 and #A48490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9583A4 shade: #9584A4, #8D84A4 and #8484A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9583A4 shade matches the following richer shades: #9584A4, #9773B5, #9961C7, #9A50D8 and #9C3FE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9583A4 shade: #9584A4, #949593, #92A681, #91B870 and #8FC95F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9583A4 shade: #8484A4, #8C84A4, #9584A4, #9E84A4 and #A484A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9583A4 shade: #6C5B7B, #816C92, #9584A4, #AA9CB6 and #BEB3C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9583A4 shade: #9583A4, #A4848C and #84A488

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9583A4 shade: #9583A4, #A49584 and #84A495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9583A4 shade: #9583A4, #A4848C, #93A484 and #84A49B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9583A4 shade: #9583A4, #A48584, #93A484 and #84A3A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

Complementary color

CMYK 15 / 0 / 27 / 51

HEX #6A7C5B

RGB 106 124 91

HSL 92.73, 0.15%, 0.42%

LAB 49.78, -13.09, 15.89

 

CMYK 3 / 18 / 0 / 38

HEX #9A839F

RGB 154 131 159

HSL 289.29, 0.13%, 0.57%

LAB 57.66, 14, -11.66

 

CMYK 4 / 16 / 0 / 30

HEX #AB95B2

RGB 171 149 178

HSL 285.52, 0.16%, 0.64%

LAB 64.46, 13.55, -12.09

 

CMYK 5 / 15 / 0 / 23

HEX #BCA7C5

RGB 188 167 197

HSL 282, 0.21%, 0.71%

LAB 71.12, 13.13, -12.52

 

CMYK 5 / 14 / 0 / 15

HEX #CDB9D8

RGB 205 185 216

HSL 278.71, 0.28%, 0.79%

LAB 77.66, 12.75, -12.95

 

CMYK 6 / 14 / 0 / 8

HEX #DECBEB

RGB 222 203 235

HSL 275.63, 0.44%, 0.86%

LAB 84.09, 12.4, -13.37

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 9 / 22 / 0 / 43

HEX #847191

RGB 132 113 145

HSL 275.63, 0.13%, 0.51%

LAB 50.41, 13.78, -14.67

 

CMYK 9 / 25 / 0 / 51

HEX #735F7E

RGB 115 95 126

HSL 278.71, 0.14%, 0.43%

LAB 43.26, 14.32, -14.33

 

CMYK 8 / 28 / 0 / 58

HEX #624D6B

RGB 98 77 107

HSL 282, 0.16%, 0.36%

LAB 35.92, 14.94, -14

 

CMYK 8 / 33 / 0 / 65

HEX #513B58

RGB 81 59 88

HSL 285.52, 0.2%, 0.29%

LAB 28.33, 15.65, -13.67

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 4 / 20 / 0 / 36

HEX #9E84A4

RGB 158 132 164

HSL 288.75, 0.15%, 0.58%

LAB 58.46, 15.85, -13.28

 

CMYK 0 / 20 / 2 / 36

HEX #A484A1

RGB 164 132 161

HSL 305.63, 0.15%, 0.58%

LAB 58.94, 17.37, -10.78

 

CMYK 0 / 20 / 7 / 36

HEX #A48499

RGB 164 132 153

HSL 320.63, 0.15%, 0.58%

LAB 58.69, 15.86, -6.57

 

CMYK 0 / 20 / 12 / 36

HEX #A48490

RGB 164 132 144

HSL 337.5, 0.15%, 0.58%

LAB 58.42, 14.24, -1.79

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 14 / 20 / 0 / 36

HEX #8D84A4

RGB 141 132 164

HSL 256.88, 0.15%, 0.58%

LAB 56.92, 9.98, -15.76

 

CMYK 20 / 20 / 0 / 36

HEX #8484A4

RGB 132 132 164

HSL 240, 0.15%, 0.58%

LAB 56.18, 6.97, -16.96

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 17 / 36 / 0 / 29

HEX #9773B5

RGB 151 115 181

HSL 272.73, 0.31%, 0.58%

LAB 54.21, 26.98, -29.62

 

CMYK 23 / 51 / 0 / 22

HEX #9961C7

RGB 153 97 199

HSL 272.94, 0.48%, 0.58%

LAB 51.2, 41.91, -44.68

 

CMYK 29 / 63 / 0 / 15

HEX #9A50D8

RGB 154 80 216

HSL 272.65, 0.64%, 0.58%

LAB 48.96, 54.99, -57.98

 

CMYK 33 / 73 / 0 / 9

HEX #9C3FE9

RGB 156 63 233

HSL 272.82, 0.79%, 0.58%

LAB 47.63, 66.9, -69.77

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 1 / 0 / 1 / 42

HEX #949593

RGB 148 149 147

HSL 90, 0.01%, 0.58%

LAB 61.57, -0.75, 0.92

 

CMYK 12 / 0 / 22 / 35

HEX #92A681

RGB 146 166 129

HSL 92.43, 0.17%, 0.58%

LAB 65.72, -13.91, 16.88

 

CMYK 21 / 0 / 39 / 28

HEX #91B870

RGB 145 184 112

HSL 92.5, 0.34%, 0.58%

LAB 70.5, -25.96, 32.39

 

CMYK 29 / 0 / 53 / 21

HEX #8FC95F

RGB 143 201 95

HSL 92.83, 0.5%, 0.58%

LAB 75.1, -36.77, 46.56

 

CMYK 20 / 20 / 0 / 36

HEX #8484A4

RGB 132 132 164

HSL 240, 0.15%, 0.58%

LAB 56.18, 6.97, -16.96

 

CMYK 15 / 20 / 0 / 36

HEX #8C84A4

RGB 140 132 164

HSL 255, 0.15%, 0.58%

LAB 56.84, 9.64, -15.89

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 4 / 20 / 0 / 36

HEX #9E84A4

RGB 158 132 164

HSL 288.75, 0.15%, 0.58%

LAB 58.46, 15.85, -13.28

 

CMYK 0 / 20 / 1 / 36

HEX #A484A2

RGB 164 132 162

HSL 303.75, 0.15%, 0.58%

LAB 58.98, 17.57, -11.3

 

CMYK 12 / 26 / 0 / 52

HEX #6C5B7B

RGB 108 91 123

HSL 271.88, 0.15%, 0.42%

LAB 41.38, 13.57, -15.45

 

CMYK 12 / 26 / 0 / 43

HEX #816C92

RGB 129 108 146

HSL 273.16, 0.15%, 0.5%

LAB 48.84, 15.92, -17.66

 

CMYK 9 / 20 / 0 / 36

HEX #9584A4

RGB 149 132 164

HSL 271.88, 0.15%, 0.58%

LAB 57.63, 12.72, -14.62

 

CMYK 7 / 14 / 0 / 29

HEX #AA9CB6

RGB 170 156 182

HSL 272.31, 0.15%, 0.66%

LAB 66.29, 10.08, -11.59

 

CMYK 5 / 10 / 0 / 22

HEX #BEB3C7

RGB 190 179 199

HSL 273, 0.15%, 0.74%

LAB 74.39, 7.64, -8.72

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 0 / 20 / 15 / 36

HEX #A4848C

RGB 164 132 140

HSL 345, 0.15%, 0.58%

LAB 58.31, 13.55, 0.34

 

CMYK 20 / 0 / 17 / 36

HEX #84A488

RGB 132 164 136

HSL 127.5, 0.15%, 0.58%

LAB 64.35, -16.7, 10.94

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 0 / 9 / 20 / 36

HEX #A49584

RGB 164 149 132

HSL 31.88, 0.15%, 0.58%

LAB 62.55, 2.68, 10.99

 

CMYK 20 / 0 / 9 / 36

HEX #84A495

RGB 132 164 149

HSL 151.88, 0.15%, 0.58%

LAB 64.66, -14.15, 4.14

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 0 / 20 / 15 / 36

HEX #A4848C

RGB 164 132 140

HSL 345, 0.15%, 0.58%

LAB 58.31, 13.55, 0.34

 

CMYK 10 / 0 / 20 / 36

HEX #93A484

RGB 147 164 132

HSL 91.88, 0.15%, 0.58%

LAB 65.29, -11.98, 14.64

 

CMYK 20 / 0 / 5 / 36

HEX #84A49B

RGB 132 164 155

HSL 163.13, 0.15%, 0.58%

LAB 64.82, -12.9, 1.02

 

CMYK 9 / 20 / 0 / 36

HEX #9583A4

RGB 149 131 164

HSL 272.73, 0.15%, 0.58%

LAB 57.37, 13.29, -15.02

 

CMYK 0 / 19 / 20 / 36

HEX #A48584

RGB 164 133 132

HSL 1.87, 0.15%, 0.58%

LAB 58.35, 11.66, 5

 

CMYK 10 / 0 / 20 / 36

HEX #93A484

RGB 147 164 132

HSL 91.88, 0.15%, 0.58%

LAB 65.29, -11.98, 14.64

 

CMYK 20 / 1 / 0 / 36

HEX #84A3A4

RGB 132 163 164

HSL 181.88, 0.15%, 0.58%

LAB 64.79, -10.41, -4.07

 

Description

Color code: HEX #9583A4 | qconv.com Color code: HEX #9583A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 131 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 131 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 20 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 20% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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