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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9581BC it is the complementary color #6A7E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9581BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9581BC shade: #9A81B7, #AB93CA, #BCA5DD, #CDB7F0 and #DEC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9581BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9581BC shade: #9581BC, #846FA9, #735D96, #624B83 and #513970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9581BC shade: #9480BC, #A580BC, #B580BC, #BC80B3 and #BC80A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9581BC shade: #9480BC, #8480BC and #8080BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9581BC shade matches the following richer shades: #9480BC, #8F70CC, #8A61DB, #8551EB and #8041FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9581BC shade: #9480BC, #9990AC, #9F9F9D, #A4AF8D and #A9BF7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9581BC shade: #808CBC, #8480BC, #9480BC, #A480BC and #B480BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9581BC shade: #695199, #7E65AE, #9480BC, #AB9BCA and #C2B6D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9581BC shade: #9581BC, #BC809C and #84BC80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9581BC shade: #9581BC, #BC9480 and #80BC94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9581BC shade: #9581BC, #BC809C, #A8BC80 and #80BCA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9581BC shade: #9581BC, #BC808A, #A8BC80 and #80BCB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

Complementary color

CMYK 16 / 0 / 47 / 51

HEX #6A7E43

RGB 106 126 67

HSL 80.34, 0.31%, 0.38%

LAB 49.97, -17.68, 29.62

 

CMYK 16 / 30 / 0 / 28

HEX #9A81B7

RGB 154 129 183

HSL 267.78, 0.27%, 0.61%

LAB 58.03, 20.3, -24.85

 

CMYK 15 / 27 / 0 / 21

HEX #AB93CA

RGB 171 147 202

HSL 266.18, 0.34%, 0.68%

LAB 64.8, 19.73, -25.03

 

CMYK 15 / 25 / 0 / 13

HEX #BCA5DD

RGB 188 165 221

HSL 264.64, 0.45%, 0.76%

LAB 71.43, 19.2, -25.24

 

CMYK 15 / 24 / 0 / 6

HEX #CDB7F0

RGB 205 183 240

HSL 263.16, 0.66%, 0.83%

LAB 77.96, 18.72, -25.46

 

CMYK 13 / 21 / 0 / 0

HEX #DEC9FF

RGB 222 201 255

HSL 263.33, 1%, 0.89%

LAB 84.24, 17.45, -23.78

 

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

CMYK 22 / 34 / 0 / 34

HEX #846FA9

RGB 132 111 169

HSL 261.72, 0.25%, 0.55%

LAB 50.85, 20.52, -28.04

 

CMYK 23 / 38 / 0 / 41

HEX #735D96

RGB 115 93 150

HSL 263.16, 0.23%, 0.48%

LAB 43.76, 21.26, -28

 

CMYK 25 / 43 / 0 / 49

HEX #624B83

RGB 98 75 131

HSL 264.64, 0.27%, 0.4%

LAB 36.49, 22.1, -27.99

 

CMYK 28 / 49 / 0 / 56

HEX #513970

RGB 81 57 112

HSL 266.18, 0.33%, 0.33%

LAB 29.02, 23.06, -28.02

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 12 / 32 / 0 / 26

HEX #A580BC

RGB 165 128 188

HSL 277, 0.31%, 0.62%

LAB 59.04, 25.53, -26.05

 

CMYK 4 / 32 / 0 / 26

HEX #B580BC

RGB 181 128 188

HSL 293, 0.31%, 0.62%

LAB 60.69, 30.72, -23.37

 

CMYK 0 / 32 / 5 / 26

HEX #BC80B3

RGB 188 128 179

HSL 309, 0.31%, 0.62%

LAB 61.12, 31.33, -17.53

 

CMYK 0 / 32 / 13 / 26

HEX #BC80A3

RGB 188 128 163

HSL 325, 0.31%, 0.62%

LAB 60.58, 28.52, -9.21

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 30 / 32 / 0 / 26

HEX #8480BC

RGB 132 128 188

HSL 244, 0.31%, 0.62%

LAB 56.06, 15.25, -30.89

 

CMYK 32 / 32 / 0 / 26

HEX #8080BC

RGB 128 128 188

HSL 240, 0.31%, 0.62%

LAB 55.74, 14.07, -31.41

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 30 / 45 / 0 / 20

HEX #8F70CC

RGB 143 112 204

HSL 260.22, 0.47%, 0.62%

LAB 53.8, 31.91, -43.49

 

CMYK 37 / 56 / 0 / 14

HEX #8A61DB

RGB 138 97 219

HSL 260.16, 0.63%, 0.62%

LAB 50.77, 43.09, -56.88

 

CMYK 43 / 66 / 0 / 8

HEX #8551EB

RGB 133 81 235

HSL 260.26, 0.79%, 0.62%

LAB 48.1, 54.87, -70.26

 

CMYK 49 / 74 / 0 / 2

HEX #8041FB

RGB 128 65 251

HSL 260.32, 0.96%, 0.62%

LAB 46.09, 65.88, -82.53

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 11 / 16 / 0 / 33

HEX #9990AC

RGB 153 144 172

HSL 259.29, 0.14%, 0.62%

LAB 61.39, 8.94, -13.47

 

CMYK 0 / 0 / 1 / 38

HEX #9F9F9D

RGB 159 159 157

HSL 60, 0.01%, 0.62%

LAB 65.44, -0.38, 1.03

 

CMYK 6 / 0 / 19 / 31

HEX #A4AF8D

RGB 164 175 141

HSL 79.41, 0.18%, 0.62%

LAB 69.81, -9.95, 16.17

 

CMYK 12 / 0 / 35 / 25

HEX #A9BF7D

RGB 169 191 125

HSL 80, 0.34%, 0.62%

LAB 74.3, -18.66, 30.87

 

CMYK 32 / 26 / 0 / 26

HEX #808CBC

RGB 128 140 188

HSL 228, 0.31%, 0.62%

LAB 58.95, 7.06, -26.44

 

CMYK 30 / 32 / 0 / 26

HEX #8480BC

RGB 132 128 188

HSL 244, 0.31%, 0.62%

LAB 56.06, 15.25, -30.89

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 13 / 32 / 0 / 26

HEX #A480BC

RGB 164 128 188

HSL 276, 0.31%, 0.62%

LAB 58.94, 25.21, -26.21

 

CMYK 4 / 32 / 0 / 26

HEX #B480BC

RGB 180 128 188

HSL 292, 0.31%, 0.62%

LAB 60.58, 30.39, -23.54

 

CMYK 31 / 47 / 0 / 40

HEX #695199

RGB 105 81 153

HSL 260, 0.31%, 0.46%

LAB 39.9, 26.35, -35.95

 

CMYK 28 / 42 / 0 / 32

HEX #7E65AE

RGB 126 101 174

HSL 260.55, 0.31%, 0.54%

LAB 48.01, 25.89, -35.45

 

CMYK 21 / 32 / 0 / 26

HEX #9480BC

RGB 148 128 188

HSL 260, 0.31%, 0.62%

LAB 57.43, 20.14, -28.66

 

CMYK 15 / 23 / 0 / 21

HEX #AB9BCA

RGB 171 155 202

HSL 260.43, 0.31%, 0.7%

LAB 66.8, 15.22, -21.97

 

CMYK 11 / 16 / 0 / 15

HEX #C2B6D9

RGB 194 182 217

HSL 260.57, 0.32%, 0.78%

LAB 76.03, 10.95, -16.03

 

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

CMYK 0 / 32 / 17 / 26

HEX #BC809C

RGB 188 128 156

HSL 332, 0.31%, 0.62%

LAB 60.36, 27.37, -5.53

 

CMYK 30 / 0 / 32 / 26

HEX #84BC80

RGB 132 188 128

HSL 116, 0.31%, 0.62%

LAB 71.17, -30.09, 24.7

 

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

CMYK 0 / 21 / 32 / 26

HEX #BC9480

RGB 188 148 128

HSL 20, 0.31%, 0.62%

LAB 64.51, 12.14, 16.31

 

CMYK 32 / 0 / 21 / 26

HEX #80BC94

RGB 128 188 148

HSL 140, 0.31%, 0.62%

LAB 71.35, -27.83, 14.17

 

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

CMYK 0 / 32 / 17 / 26

HEX #BC809C

RGB 188 128 156

HSL 332, 0.31%, 0.62%

LAB 60.36, 27.37, -5.53

 

CMYK 11 / 0 / 32 / 26

HEX #A8BC80

RGB 168 188 128

HSL 80, 0.31%, 0.62%

LAB 73.45, -17.12, 28.16

 

CMYK 32 / 0 / 15 / 26

HEX #80BCA0

RGB 128 188 160

HSL 152, 0.31%, 0.62%

LAB 71.62, -25.43, 8.04

 

CMYK 21 / 31 / 0 / 26

HEX #9581BC

RGB 149 129 188

HSL 260.34, 0.31%, 0.62%

LAB 57.77, 19.87, -28.13

 

CMYK 0 / 32 / 27 / 26

HEX #BC808A

RGB 188 128 138

HSL 350, 0.31%, 0.62%

LAB 59.86, 24.61, 4.06

 

CMYK 11 / 0 / 32 / 26

HEX #A8BC80

RGB 168 188 128

HSL 80, 0.31%, 0.62%

LAB 73.45, -17.12, 28.16

 

CMYK 32 / 0 / 5 / 26

HEX #80BCB2

RGB 128 188 178

HSL 170, 0.31%, 0.62%

LAB 72.07, -21.52, -1.13

 

Description

Color code: HEX #9581BC | qconv.com Color code: HEX #9581BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 129 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 129 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 31 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 31% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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