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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958102 it is the complementary color #6A7EFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958102 shade: #9A8100, #AB9310, #BCA523, #CDB736 and #DEC949

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958102 shade: #958102, #846F00, #735D00, #624B00 and #513900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958102 shade: #978302, #975B02, #973202, #970A02 and #970202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958102 shade: #978302, #839702, #5B9702, #339702 and #0B9702

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958102 shade matches the following richer shades: #978302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958102 shade: #978302, #8A7A0F, #7E701B, #726727 and #655E34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958102 shade: #973102, #975902, #978002, #859702 and #5E9702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958102 shade: #453C01, #6E5F02, #978302, #BFA603 and #E8C904

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958102 shade: #958102, #02970A and #450297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958102 shade: #958102, #029780 and #800297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958102 shade: #958102, #02970A, #021997 and #97028F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958102 shade: #958102, #029736, #021997 and #970263

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

Complementary color

CMYK 58 / 50 / 0 / 1

HEX #6A7EFD

RGB 106 126 253

HSL 231.84, 0.97%, 0.7%

LAB 57.15, 29.36, -65.74

 

CMYK 0 / 16 / 100 / 40

HEX #9A8100

RGB 154 129 0

HSL 50.26, 1%, 0.3%

LAB 54.63, -1.31, 59.79

 

CMYK 0 / 14 / 91 / 33

HEX #AB9310

RGB 171 147 16

HSL 50.71, 0.83%, 0.37%

LAB 61.28, -3.1, 62.8

 

CMYK 0 / 12 / 81 / 26

HEX #BCA523

RGB 188 165 35

HSL 50.98, 0.69%, 0.44%

LAB 67.82, -4.62, 64.19

 

CMYK 0 / 11 / 74 / 20

HEX #CDB736

RGB 205 183 54

HSL 51.26, 0.6%, 0.51%

LAB 74.26, -5.89, 64.41

 

CMYK 0 / 9 / 67 / 13

HEX #DEC949

RGB 222 201 73

HSL 51.54, 0.69%, 0.58%

LAB 80.62, -6.96, 63.97

 

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

CMYK 0 / 16 / 100 / 48

HEX #846F00

RGB 132 111 0

HSL 50.45, 1%, 0.26%

LAB 47.33, -1.59, 53.59

 

CMYK 0 / 19 / 100 / 55

HEX #735D00

RGB 115 93 0

HSL 48.52, 1%, 0.23%

LAB 40.37, 0.59, 47.84

 

CMYK 0 / 23 / 100 / 62

HEX #624B00

RGB 98 75 0

HSL 45.92, 1%, 0.19%

LAB 33.2, 2.91, 41.93

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81 57 0

HSL 42.22, 1%, 0.16%

LAB 25.79, 5.41, 35.22

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 0 / 40 / 99 / 41

HEX #975B02

RGB 151 91 2

HSL 35.84, 0.97%, 0.3%

LAB 44.33, 18.97, 52.12

 

CMYK 0 / 67 / 99 / 41

HEX #973202

RGB 151 50 2

HSL 19.33, 0.97%, 0.3%

LAB 35.72, 40.57, 46.81

 

CMYK 0 / 93 / 99 / 41

HEX #970A02

RGB 151 10 2

HSL 3.22, 0.97%, 0.3%

LAB 31.35, 52.74, 44.16

 

CMYK 0 / 99 / 99 / 41

HEX #970202

RGB 151 2 2

HSL 0, 0.97%, 0.3%

LAB 30.94, 53.92, 43.88

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 13 / 0 / 99 / 41

HEX #839702

RGB 131 151 2

HSL 68.05, 0.97%, 0.3%

LAB 58.94, -23.47, 61.71

 

CMYK 40 / 0 / 99 / 41

HEX #5B9702

RGB 91 151 2

HSL 84.16, 0.97%, 0.3%

LAB 56.45, -39.74, 58.71

 

CMYK 66 / 0 / 99 / 41

HEX #339702

RGB 51 151 2

HSL 100.27, 0.97%, 0.3%

LAB 54.91, -51.76, 56.84

 

CMYK 93 / 0 / 99 / 41

HEX #0B9702

RGB 11 151 2

HSL 116.38, 0.97%, 0.3%

LAB 54.25, -57.55, 56.03

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 0 / 12 / 89 / 46

HEX #8A7A0F

RGB 138 122 15

HSL 52.2, 0.8%, 0.3%

LAB 51.1, -4.64, 53.56

 

CMYK 0 / 11 / 79 / 51

HEX #7E701B

RGB 126 112 27

HSL 51.52, 0.65%, 0.3%

LAB 47.11, -4.27, 45.98

 

CMYK 0 / 10 / 66 / 55

HEX #726727

RGB 114 103 39

HSL 51.2, 0.49%, 0.3%

LAB 43.4, -4.1, 36.65

 

CMYK 0 / 7 / 49 / 60

HEX #655E34

RGB 101 94 52

HSL 51.43, 0.32%, 0.3%

LAB 39.61, -3.76, 24.99

 

CMYK 0 / 68 / 99 / 41

HEX #973102

RGB 151 49 2

HSL 18.93, 0.97%, 0.3%

LAB 35.56, 41.02, 46.72

 

CMYK 0 / 41 / 99 / 41

HEX #975902

RGB 151 89 2

HSL 35.03, 0.97%, 0.3%

LAB 43.84, 20.12, 51.8

 

CMYK 0 / 15 / 99 / 41

HEX #978002

RGB 151 128 2

HSL 50.74, 0.97%, 0.3%

LAB 54.05, -2.12, 58.88

 

CMYK 12 / 0 / 99 / 41

HEX #859702

RGB 133 151 2

HSL 67.25, 0.97%, 0.3%

LAB 59.09, -22.59, 61.89

 

CMYK 38 / 0 / 99 / 41

HEX #5E9702

RGB 94 151 2

HSL 82.95, 0.97%, 0.3%

LAB 56.6, -38.64, 58.9

 

CMYK 0 / 13 / 99 / 73

HEX #453C01

RGB 69 60 1

HSL 52.06, 0.97%, 0.14%

LAB 25.26, -2.83, 33.79

 

CMYK 0 / 14 / 98 / 57

HEX #6E5F02

RGB 110 95 2

HSL 51.67, 0.96%, 0.22%

LAB 40.42, -3.01, 47.06

 

CMYK 0 / 13 / 99 / 41

HEX #978302

RGB 151 131 2

HSL 51.95, 0.97%, 0.3%

LAB 54.88, -3.79, 59.48

 

CMYK 0 / 13 / 98 / 25

HEX #BFA603

RGB 191 166 3

HSL 52.02, 0.97%, 0.38%

LAB 68.28, -4.43, 70.77

 

CMYK 0 / 13 / 98 / 9

HEX #E8C904

RGB 232 201 4

HSL 51.84, 0.97%, 0.46%

LAB 81.26, -4.62, 81.76

 

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

CMYK 99 / 0 / 93 / 41

HEX #02970A

RGB 2 151 10

HSL 123.22, 0.97%, 0.3%

LAB 54.2, -57.87, 54.68

 

CMYK 54 / 99 / 0 / 41

HEX #450297

RGB 69 2 151

HSL 266.98, 0.97%, 0.3%

LAB 22.1, 55.47, -63.78

 

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

CMYK 99 / 0 / 15 / 41

HEX #029780

RGB 2 151 128

HSL 170.74, 0.97%, 0.3%

LAB 55.79, -39.31, 2.62

 

CMYK 15 / 99 / 0 / 41

HEX #800297

RGB 128 2 151

HSL 290.74, 0.97%, 0.3%

LAB 31.5, 62.47, -48.01

 

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

CMYK 99 / 0 / 93 / 41

HEX #02970A

RGB 2 151 10

HSL 123.22, 0.97%, 0.3%

LAB 54.2, -57.87, 54.68

 

CMYK 99 / 83 / 0 / 41

HEX #021997

RGB 2 25 151

HSL 230.74, 0.97%, 0.3%

LAB 19.81, 44.26, -67.72

 

CMYK 0 / 99 / 5 / 41

HEX #97028F

RGB 151 2 143

HSL 303.22, 0.97%, 0.3%

LAB 35.21, 65, -36.9

 

CMYK 0 / 13 / 99 / 42

HEX #958102

RGB 149 129 2

HSL 51.84, 0.97%, 0.3%

LAB 54.13, -3.62, 58.84

 

CMYK 99 / 0 / 64 / 41

HEX #029736

RGB 2 151 54

HSL 140.94, 0.97%, 0.3%

LAB 54.46, -54.58, 40.62

 

CMYK 99 / 83 / 0 / 41

HEX #021997

RGB 2 25 151

HSL 230.74, 0.97%, 0.3%

LAB 19.81, 44.26, -67.72

 

CMYK 0 / 99 / 34 / 41

HEX #970263

RGB 151 2 99

HSL 320.94, 0.97%, 0.3%

LAB 32.97, 59.34, -12.68

 

Description

Color code: HEX #958102 | qconv.com Color code: HEX #958102 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 129 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 129 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 99 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 99% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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