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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #958043 it is the complementary color #6A7FBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #958043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #958043 shade: #9A803E, #AB9251, #BCA464, #CDB677 and #DEC88A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #958043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #958043 shade: #958043, #846E30, #735C1D, #624A0A and #513800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #958043 shade: #947F42, #946942, #945342 and #944242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #958043 shade: #947F42, #939442, #7D9442, #679442 and #519442

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #958043 shade matches the following richer shades: #947F42, #A58731, #B69020 and #C8980E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #958043 shade: #947F42, #827654, #716E65, #606676 and #4E5D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #958043 shade: #945342, #946842, #947E42, #949442 and #7E9442

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #958043 shade: #5B4E29, #776636, #947F42, #B0974F and #BDA86C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #958043 shade: #958043, #489442 and #5E4294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #958043 shade: #958043, #42947E and #7E4294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #958043 shade: #958043, #489442, #425894 and #8E4294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #958043 shade: #958043, #429455, #425894 and #944281

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

Complementary color

CMYK 44 / 32 / 0 / 26

HEX #6A7FBC

RGB 106 127 188

HSL 224.63, 0.38%, 0.58%

LAB 53.89, 8.55, -34.42

 

CMYK 0 / 17 / 60 / 40

HEX #9A803E

RGB 154 128 62

HSL 43.04, 0.43%, 0.42%

LAB 54.72, 1.79, 38.95

 

CMYK 0 / 15 / 53 / 33

HEX #AB9251

RGB 171 146 81

HSL 43.33, 0.36%, 0.49%

LAB 61.49, 0.88, 37.63

 

CMYK 0 / 13 / 47 / 26

HEX #BCA464

RGB 188 164 100

HSL 43.64, 0.4%, 0.56%

LAB 68.14, 0.14, 36.31

 

CMYK 0 / 11 / 42 / 20

HEX #CDB677

RGB 205 182 119

HSL 43.95, 0.46%, 0.64%

LAB 74.68, -0.48, 35.05

 

CMYK 0 / 10 / 38 / 13

HEX #DEC88A

RGB 222 200 138

HSL 44.29, 0.56%, 0.71%

LAB 81.11, -1.01, 33.84

 

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

CMYK 0 / 17 / 64 / 48

HEX #846E30

RGB 132 110 48

HSL 44.29, 0.47%, 0.35%

LAB 47.33, 0.94, 37.03

 

CMYK 0 / 20 / 75 / 55

HEX #735C1D

RGB 115 92 29

HSL 43.95, 0.6%, 0.28%

LAB 40.23, 2.18, 38.09

 

CMYK 0 / 24 / 90 / 62

HEX #624A0A

RGB 98 74 10

HSL 43.64, 0.81%, 0.21%

LAB 32.95, 3.84, 38.22

 

CMYK 0 / 31 / 100 / 68

HEX #513800

RGB 81 56 0

HSL 41.48, 1%, 0.16%

LAB 25.5, 6.05, 34.94

 

CMYK 0 / 14 / 55 / 42

HEX #947F42

RGB 148 127 66

HSL 44.63, 0.38%, 0.42%

LAB 53.89, 0, 35.76

 

CMYK 0 / 29 / 55 / 42

HEX #946942

RGB 148 105 66

HSL 28.54, 0.38%, 0.42%

LAB 48, 12.59, 28.6

 

CMYK 0 / 44 / 55 / 42

HEX #945342

RGB 148 83 66

HSL 12.44, 0.38%, 0.42%

LAB 42.58, 25.25, 21.72

 

CMYK 0 / 55 / 55 / 42

HEX #944242

RGB 148 66 66

HSL 0, 0.38%, 0.42%

LAB 38.87, 34.54, 16.85

 

CMYK 0 / 14 / 55 / 42

HEX #947F42

RGB 148 127 66

HSL 44.63, 0.38%, 0.42%

LAB 53.89, 0, 35.76

 

CMYK 1 / 0 / 55 / 42

HEX #939442

RGB 147 148 66

HSL 60.73, 0.38%, 0.42%

LAB 59.69, -11.94, 42.5

 

CMYK 16 / 0 / 55 / 42

HEX #7D9442

RGB 125 148 66

HSL 76.83, 0.38%, 0.42%

LAB 57.97, -21.3, 40.08

 

CMYK 30 / 0 / 55 / 42

HEX #679442

RGB 103 148 66

HSL 92.93, 0.38%, 0.42%

LAB 56.54, -30.05, 38.05

 

CMYK 45 / 0 / 55 / 42

HEX #519442

RGB 81 148 66

HSL 109.02, 0.38%, 0.42%

LAB 55.4, -37.77, 36.42

 

CMYK 0 / 14 / 55 / 42

HEX #947F42

RGB 148 127 66

HSL 44.63, 0.38%, 0.42%

LAB 53.89, 0, 35.76

 

CMYK 0 / 18 / 70 / 35

HEX #A58731

RGB 165 135 49

HSL 44.48, 0.54%, 0.42%

LAB 57.61, 1.96, 48.61

 

CMYK 0 / 21 / 82 / 29

HEX #B69020

RGB 182 144 32

HSL 44.8, 0.7%, 0.42%

LAB 61.65, 3.93, 59.5

 

CMYK 0 / 24 / 93 / 22

HEX #C8980E

RGB 200 152 14

HSL 44.52, 0.87%, 0.42%

LAB 65.57, 7.23, 67.72

 

CMYK 0 / 14 / 55 / 42

HEX #947F42

RGB 148 127 66

HSL 44.63, 0.38%, 0.42%

LAB 53.89, 0, 35.76

 

CMYK 0 / 9 / 35 / 49

HEX #827654

RGB 130 118 84

HSL 44.35, 0.21%, 0.42%

LAB 49.91, -0.82, 20.44

 

CMYK 0 / 3 / 11 / 56

HEX #716E65

RGB 113 110 101

HSL 45, 0.06%, 0.42%

LAB 46.45, -0.57, 5.43

 

CMYK 19 / 14 / 0 / 54

HEX #606676

RGB 96 102 118

HSL 223.64, 0.1%, 0.42%

LAB 43.21, 1.38, -9.74

 

CMYK 43 / 32 / 0 / 47

HEX #4E5D88

RGB 78 93 136

HSL 224.48, 0.27%, 0.42%

LAB 39.96, 6.1, -25.75

 

CMYK 0 / 44 / 55 / 42

HEX #945342

RGB 148 83 66

HSL 12.44, 0.38%, 0.42%

LAB 42.58, 25.25, 21.72

 

CMYK 0 / 30 / 55 / 42

HEX #946842

RGB 148 104 66

HSL 27.8, 0.38%, 0.42%

LAB 47.74, 13.17, 28.28

 

CMYK 0 / 15 / 55 / 42

HEX #947E42

RGB 148 126 66

HSL 43.9, 0.38%, 0.42%

LAB 53.61, 0.57, 35.43

 

CMYK 0 / 0 / 55 / 42

HEX #949442

RGB 148 148 66

HSL 60, 0.38%, 0.42%

LAB 59.77, -11.51, 42.62

 

CMYK 15 / 0 / 55 / 42

HEX #7E9442

RGB 126 148 66

HSL 76.1, 0.38%, 0.42%

LAB 58.05, -20.89, 40.19

 

CMYK 0 / 14 / 55 / 64

HEX #5B4E29

RGB 91 78 41

HSL 44.4, 0.38%, 0.26%

LAB 33.63, -0.06, 23.74

 

CMYK 0 / 14 / 55 / 53

HEX #776636

RGB 119 102 54

HSL 44.31, 0.38%, 0.34%

LAB 43.79, 0.08, 29.39

 

CMYK 0 / 14 / 55 / 42

HEX #947F42

RGB 148 127 66

HSL 44.63, 0.38%, 0.42%

LAB 53.89, 0, 35.76

 

CMYK 0 / 14 / 55 / 31

HEX #B0974F

RGB 176 151 79

HSL 44.54, 0.38%, 0.5%

LAB 63.28, 0.13, 40.92

 

CMYK 0 / 11 / 43 / 26

HEX #BDA86C

RGB 189 168 108

HSL 44.44, 0.38%, 0.58%

LAB 69.4, -0.76, 33.74

 

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

CMYK 51 / 0 / 55 / 42

HEX #489442

RGB 72 148 66

HSL 115.61, 0.38%, 0.42%

LAB 55.02, -40.53, 35.87

 

CMYK 36 / 55 / 0 / 42

HEX #5E4294

RGB 94 66 148

HSL 260.49, 0.38%, 0.42%

LAB 34.83, 31.1, -41.06

 

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

CMYK 55 / 0 / 15 / 42

HEX #42947E

RGB 66 148 126

HSL 163.9, 0.38%, 0.42%

LAB 55.93, -30.55, 4.11

 

CMYK 15 / 55 / 0 / 42

HEX #7E4294

RGB 126 66 148

HSL 283.9, 0.38%, 0.42%

LAB 38.67, 39.83, -34.71

 

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

CMYK 51 / 0 / 55 / 42

HEX #489442

RGB 72 148 66

HSL 115.61, 0.38%, 0.42%

LAB 55.02, -40.53, 35.87

 

CMYK 55 / 41 / 0 / 42

HEX #425894

RGB 66 88 148

HSL 223.9, 0.38%, 0.42%

LAB 38.33, 10.07, -35.61

 

CMYK 4 / 55 / 0 / 42

HEX #8E4294

RGB 142 66 148

HSL 295.61, 0.38%, 0.42%

LAB 40.87, 44.36, -31.09

 

CMYK 0 / 14 / 55 / 42

HEX #958043

RGB 149 128 67

HSL 44.63, 0.38%, 0.42%

LAB 54.27, -0.02, 35.72

 

CMYK 55 / 0 / 43 / 42

HEX #429455

RGB 66 148 85

HSL 133.9, 0.38%, 0.42%

LAB 55.07, -39.3, 25.93

 

CMYK 55 / 41 / 0 / 42

HEX #425894

RGB 66 88 148

HSL 223.9, 0.38%, 0.42%

LAB 38.33, 10.07, -35.61

 

CMYK 0 / 55 / 13 / 42

HEX #944281

RGB 148 66 129

HSL 313.9, 0.38%, 0.42%

LAB 40.86, 42.7, -19.48

 

Description

Color code: HEX #958043 | qconv.com Color code: HEX #958043 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 128 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 128 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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