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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957AC8 it is the complementary color #6A8537. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957AC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957AC8 shade: #9A7AC3, #AB8CD6, #BC9EE9, #CDB0FC and #DEC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957AC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957AC8 shade: #957AC8, #8468B5, #7356A2, #62448F and #51327C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957AC8 shade: #957AC7, #AA7AC7, #BE7AC7, #C77ABB and #C77AA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957AC8 shade: #957AC7, #807AC7 and #7A7AC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957AC8 shade matches the following richer shades: #957AC7, #906BD7, #8B5BE6 and #874CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957AC8 shade: #957AC7, #9989B8, #9E98A9, #A3A89A and #A8B78A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957AC8 shade: #7A89C7, #7F7AC7, #947AC7, #A87AC7 and #BD7AC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957AC8 shade: #6846A8, #7E5DBB, #957AC7, #AC97D4 and #C3B4E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957AC8 shade: #957AC8, #C77A9E and #7FC77A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957AC8 shade: #957AC8, #C7947A and #7AC794

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957AC8 shade: #957AC8, #C77A9E, #AEC77A and #7AC7A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957AC8 shade: #957AC8, #C77A87, #AEC77A and #7AC7BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

Complementary color

CMYK 20 / 0 / 59 / 48

HEX #6A8537

RGB 106 133 55

HSL 80.77, 0.41%, 0.37%

LAB 51.97, -22.63, 38.2

 

CMYK 21 / 37 / 0 / 24

HEX #9A7AC3

RGB 154 122 195

HSL 266.3, 0.38%, 0.62%

LAB 56.81, 27.11, -33.57

 

CMYK 20 / 35 / 0 / 16

HEX #AB8CD6

RGB 171 140 214

HSL 265.14, 0.47%, 0.69%

LAB 63.56, 26.39, -33.63

 

CMYK 19 / 32 / 0 / 9

HEX #BC9EE9

RGB 188 158 233

HSL 264, 0.63%, 0.77%

LAB 70.2, 25.74, -33.72

 

CMYK 19 / 30 / 0 / 1

HEX #CDB0FC

RGB 205 176 252

HSL 262.89, 0.93%, 0.84%

LAB 76.71, 25.13, -33.83

 

CMYK 13 / 24 / 0 / 0

HEX #DEC2FF

RGB 222 194 255

HSL 267.54, 1%, 0.88%

LAB 82.56, 21.2, -26.33

 

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

CMYK 27 / 43 / 0 / 29

HEX #8468B5

RGB 132 104 181

HSL 261.82, 0.34%, 0.56%

LAB 49.67, 27.65, -36.87

 

CMYK 29 / 47 / 0 / 36

HEX #7356A2

RGB 115 86 162

HSL 262.89, 0.31%, 0.49%

LAB 42.63, 28.57, -36.94

 

CMYK 31 / 52 / 0 / 44

HEX #62448F

RGB 98 68 143

HSL 264, 0.36%, 0.41%

LAB 35.43, 29.59, -37.03

 

CMYK 35 / 60 / 0 / 51

HEX #51327C

RGB 81 50 124

HSL 265.14, 0.43%, 0.34%

LAB 28.08, 30.7, -37.12

 

CMYK 25 / 39 / 0 / 22

HEX #957AC7

RGB 149 122 199

HSL 261.04, 0.41%, 0.63%

LAB 56.52, 26.57, -36.33

 

CMYK 15 / 39 / 0 / 22

HEX #AA7AC7

RGB 170 122 199

HSL 277.4, 0.41%, 0.63%

LAB 58.59, 32.88, -32.94

 

CMYK 5 / 39 / 0 / 22

HEX #BE7AC7

RGB 190 122 199

HSL 292.99, 0.41%, 0.63%

LAB 60.77, 39.05, -29.39

 

CMYK 0 / 39 / 6 / 22

HEX #C77ABB

RGB 199 122 187

HSL 309.35, 0.41%, 0.63%

LAB 61.35, 39.66, -21.61

 

CMYK 0 / 39 / 17 / 22

HEX #C77AA6

RGB 199 122 166

HSL 325.71, 0.41%, 0.63%

LAB 60.62, 36.13, -10.74

 

CMYK 25 / 39 / 0 / 22

HEX #957AC7

RGB 149 122 199

HSL 261.04, 0.41%, 0.63%

LAB 56.52, 26.57, -36.33

 

CMYK 36 / 39 / 0 / 22

HEX #807AC7

RGB 128 122 199

HSL 244.68, 0.41%, 0.63%

LAB 54.69, 20.58, -39.33

 

CMYK 39 / 39 / 0 / 22

HEX #7A7AC7

RGB 122 122 199

HSL 240, 0.41%, 0.63%

LAB 54.22, 18.95, -40.11

 

CMYK 25 / 39 / 0 / 22

HEX #957AC7

RGB 149 122 199

HSL 261.04, 0.41%, 0.63%

LAB 56.52, 26.57, -36.33

 

CMYK 33 / 50 / 0 / 16

HEX #906BD7

RGB 144 107 215

HSL 260.56, 0.57%, 0.63%

LAB 53.33, 37.86, -50.47

 

CMYK 40 / 60 / 0 / 10

HEX #8B5BE6

RGB 139 91 230

HSL 260.72, 0.74%, 0.63%

LAB 50.32, 49.49, -63.82

 

CMYK 45 / 69 / 0 / 4

HEX #874CF5

RGB 135 76 245

HSL 260.95, 0.89%, 0.63%

LAB 48.15, 60.32, -75.78

 

CMYK 25 / 39 / 0 / 22

HEX #957AC7

RGB 149 122 199

HSL 261.04, 0.41%, 0.63%

LAB 56.52, 26.57, -36.33

 

CMYK 17 / 26 / 0 / 28

HEX #9989B8

RGB 153 137 184

HSL 260.43, 0.25%, 0.63%

LAB 60, 15.6, -22.39

 

CMYK 7 / 10 / 0 / 34

HEX #9E98A9

RGB 158 152 169

HSL 261.18, 0.09%, 0.63%

LAB 63.83, 5.52, -8.09

 

CMYK 3 / 0 / 8 / 34

HEX #A3A89A

RGB 163 168 154

HSL 81.43, 0.07%, 0.63%

LAB 68.11, -4.38, 6.61

 

CMYK 8 / 0 / 25 / 28

HEX #A8B78A

RGB 168 183 138

HSL 80, 0.24%, 0.63%

LAB 72.25, -13.1, 21.21

 

CMYK 39 / 31 / 0 / 22

HEX #7A89C7

RGB 122 137 199

HSL 228.31, 0.41%, 0.63%

LAB 58.18, 10.07, -33.89

 

CMYK 36 / 39 / 0 / 22

HEX #7F7AC7

RGB 127 122 199

HSL 243.9, 0.41%, 0.63%

LAB 54.61, 20.31, -39.46

 

CMYK 26 / 39 / 0 / 22

HEX #947AC7

RGB 148 122 199

HSL 260.26, 0.41%, 0.63%

LAB 56.43, 26.28, -36.48

 

CMYK 16 / 39 / 0 / 22

HEX #A87AC7

RGB 168 122 199

HSL 275.84, 0.41%, 0.63%

LAB 58.38, 32.27, -33.28

 

CMYK 5 / 39 / 0 / 22

HEX #BD7AC7

RGB 189 122 199

HSL 292.21, 0.41%, 0.63%

LAB 60.66, 38.74, -29.57

 

CMYK 38 / 58 / 0 / 34

HEX #6846A8

RGB 104 70 168

HSL 260.82, 0.41%, 0.47%

LAB 38.11, 36.76, -47.78

 

CMYK 33 / 50 / 0 / 27

HEX #7E5DBB

RGB 126 93 187

HSL 261.06, 0.41%, 0.55%

LAB 46.78, 33.99, -44.96

 

CMYK 25 / 39 / 0 / 22

HEX #957AC7

RGB 149 122 199

HSL 261.04, 0.41%, 0.63%

LAB 56.52, 26.57, -36.33

 

CMYK 19 / 29 / 0 / 17

HEX #AC97D4

RGB 172 151 212

HSL 260.66, 0.41%, 0.71%

LAB 66.26, 20.02, -28.34

 

CMYK 13 / 20 / 0 / 12

HEX #C3B4E0

RGB 195 180 224

HSL 260.45, 0.42%, 0.79%

LAB 75.84, 13.82, -20.11

 

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

CMYK 0 / 39 / 21 / 22

HEX #C77A9E

RGB 199 122 158

HSL 331.95, 0.41%, 0.63%

LAB 60.36, 34.88, -6.53

 

CMYK 36 / 0 / 39 / 22

HEX #7FC77A

RGB 127 199 122

HSL 116.1, 0.41%, 0.63%

LAB 74.04, -37.78, 31.61

 

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

CMYK 0 / 26 / 39 / 22

HEX #C7947A

RGB 199 148 122

HSL 20.26, 0.41%, 0.63%

LAB 65.54, 15.78, 21.24

 

CMYK 39 / 0 / 26 / 22

HEX #7AC794

RGB 122 199 148

HSL 140.26, 0.41%, 0.63%

LAB 74.27, -34.87, 18.2

 

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

CMYK 0 / 39 / 21 / 22

HEX #C77A9E

RGB 199 122 158

HSL 331.95, 0.41%, 0.63%

LAB 60.36, 34.88, -6.53

 

CMYK 13 / 0 / 39 / 22

HEX #AEC77A

RGB 174 199 122

HSL 79.48, 0.41%, 0.63%

LAB 76.83, -21.14, 35.78

 

CMYK 39 / 0 / 18 / 22

HEX #7AC7A3

RGB 122 199 163

HSL 151.95, 0.41%, 0.63%

LAB 74.59, -31.89, 10.61

 

CMYK 26 / 39 / 0 / 22

HEX #957AC8

RGB 149 122 200

HSL 260.77, 0.41%, 0.63%

LAB 56.56, 26.82, -36.83

 

CMYK 0 / 39 / 32 / 22

HEX #C77A87

RGB 199 122 135

HSL 349.87, 0.41%, 0.63%

LAB 59.72, 31.63, 5.75

 

CMYK 13 / 0 / 39 / 22

HEX #AEC77A

RGB 174 199 122

HSL 79.48, 0.41%, 0.63%

LAB 76.83, -21.14, 35.78

 

CMYK 39 / 0 / 7 / 22

HEX #7AC7BA

RGB 122 199 186

HSL 169.87, 0.41%, 0.63%

LAB 75.16, -26.81, -1

 

Description

Color code: HEX #957AC8 | qconv.com Color code: HEX #957AC8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 122 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 122 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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