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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957A59 it is the complementary color #6A85A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957A59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957A59 shade: #9A7A54, #AB8C67, #BC9E7A, #CDB08D and #DEC2A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957A59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957A59 shade: #957A59, #846846, #735633, #624420 and #51320D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957A59 shade: #967B5A, #966B5A, #965B5A and #965A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957A59 shade: #967B5A, #968B5A, #90965A, #80965A and #70965A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957A59 shade matches the following richer shades: #967B5A, #A97D46, #BD7F33, #D08120 and #E3830C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957A59 shade: #967B5A, #82796D, #6F7781, #5C7594 and #4873A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957A59 shade: #965B5A, #966B5A, #967B5A, #968B5A and #91965A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957A59 shade: #62513B, #7C664A, #967B5A, #A98F70 and #B9A38A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957A59 shade: #957A59, #69965A and #635A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957A59 shade: #957A59, #5A967B and #7B5A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957A59 shade: #957A59, #69965A, #5A7596 and #875A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957A59 shade: #957A59, #5A965D, #5A7596 and #965A93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

Complementary color

CMYK 36 / 20 / 0 / 35

HEX #6A85A6

RGB 106 133 166

HSL 213, 0.25%, 0.53%

LAB 54.65, -1.23, -20.61

 

CMYK 0 / 21 / 45 / 40

HEX #9A7A54

RGB 154 122 84

HSL 32.57, 0.29%, 0.47%

LAB 53.42, 7.26, 25.5

 

CMYK 0 / 18 / 40 / 33

HEX #AB8C67

RGB 171 140 103

HSL 32.65, 0.29%, 0.54%

LAB 60.24, 6.5, 24.17

 

CMYK 0 / 16 / 35 / 26

HEX #BC9E7A

RGB 188 158 122

HSL 32.73, 0.33%, 0.61%

LAB 66.94, 5.87, 22.95

 

CMYK 0 / 14 / 31 / 20

HEX #CDB08D

RGB 205 176 141

HSL 32.81, 0.39%, 0.68%

LAB 73.51, 5.32, 21.82

 

CMYK 0 / 13 / 28 / 13

HEX #DEC2A0

RGB 222 194 160

HSL 32.9, 0.48%, 0.75%

LAB 79.98, 4.85, 20.77

 

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

CMYK 0 / 21 / 47 / 48

HEX #846846

RGB 132 104 70

HSL 32.9, 0.31%, 0.4%

LAB 45.97, 6.47, 23.37

 

CMYK 0 / 25 / 56 / 55

HEX #735633

RGB 115 86 51

HSL 32.81, 0.39%, 0.33%

LAB 38.79, 7.45, 24.88

 

CMYK 0 / 31 / 67 / 62

HEX #624420

RGB 98 68 32

HSL 32.73, 0.51%, 0.25%

LAB 31.43, 8.73, 26.51

 

CMYK 0 / 38 / 84 / 68

HEX #51320D

RGB 81 50 13

HSL 32.65, 0.72%, 0.18%

LAB 23.87, 10.46, 27.97

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 29 / 40 / 41

HEX #966B5A

RGB 150 107 90

HSL 17, 0.25%, 0.47%

LAB 49.18, 14.87, 16.33

 

CMYK 0 / 39 / 40 / 41

HEX #965B5A

RGB 150 91 90

HSL 1, 0.25%, 0.47%

LAB 45.23, 24.09, 10.88

 

CMYK 0 / 40 / 40 / 41

HEX #965A5A

RGB 150 90 90

HSL 0, 0.25%, 0.47%

LAB 44.99, 24.67, 10.55

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 7 / 40 / 41

HEX #968B5A

RGB 150 139 90

HSL 49, 0.25%, 0.47%

LAB 57.74, -3.33, 27.69

 

CMYK 4 / 0 / 40 / 41

HEX #90965A

RGB 144 150 90

HSL 66, 0.25%, 0.47%

LAB 60.32, -11.83, 30.9

 

CMYK 15 / 0 / 40 / 41

HEX #80965A

RGB 128 150 90

HSL 82, 0.25%, 0.47%

LAB 59.1, -18.35, 29.1

 

CMYK 25 / 0 / 40 / 41

HEX #70965A

RGB 112 150 90

HSL 98, 0.25%, 0.47%

LAB 58.03, -24.54, 27.51

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 26 / 59 / 34

HEX #A97D46

RGB 169 125 70

HSL 33.33, 0.41%, 0.47%

LAB 55.63, 10.76, 36.27

 

CMYK 0 / 33 / 73 / 26

HEX #BD7F33

RGB 189 127 51

HSL 33.04, 0.58%, 0.47%

LAB 58.26, 17.19, 49.24

 

CMYK 0 / 38 / 85 / 18

HEX #D08120

RGB 208 129 32

HSL 33.07, 0.73%, 0.47%

LAB 60.97, 23.59, 60.11

 

CMYK 0 / 42 / 95 / 11

HEX #E3830C

RGB 227 131 12

HSL 33.21, 0.9%, 0.47%

LAB 63.83, 30.18, 68.29

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 7 / 16 / 49

HEX #82796D

RGB 130 121 109

HSL 34.29, 0.09%, 0.47%

LAB 51.3, 1.28, 7.82

 

CMYK 14 / 8 / 0 / 49

HEX #6F7781

RGB 111 119 129

HSL 213.33, 0.08%, 0.47%

LAB 49.69, -0.79, -6.5

 

CMYK 38 / 21 / 0 / 42

HEX #5C7594

RGB 92 117 148

HSL 213.21, 0.23%, 0.47%

LAB 48.43, -0.95, -19.74

 

CMYK 57 / 31 / 0 / 35

HEX #4873A7

RGB 72 115 167

HSL 212.84, 0.4%, 0.47%

LAB 47.53, 0.95, -32.37

 

CMYK 0 / 39 / 40 / 41

HEX #965B5A

RGB 150 91 90

HSL 1, 0.25%, 0.47%

LAB 45.23, 24.09, 10.88

 

CMYK 0 / 29 / 40 / 41

HEX #966B5A

RGB 150 107 90

HSL 17, 0.25%, 0.47%

LAB 49.18, 14.87, 16.33

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 7 / 40 / 41

HEX #968B5A

RGB 150 139 90

HSL 49, 0.25%, 0.47%

LAB 57.74, -3.33, 27.69

 

CMYK 3 / 0 / 40 / 41

HEX #91965A

RGB 145 150 90

HSL 65, 0.25%, 0.47%

LAB 60.4, -11.41, 31.02

 

CMYK 0 / 17 / 40 / 62

HEX #62513B

RGB 98 81 59

HSL 33.85, 0.25%, 0.31%

LAB 35.59, 3.55, 15.59

 

CMYK 0 / 18 / 40 / 51

HEX #7C664A

RGB 124 102 74

HSL 33.6, 0.25%, 0.39%

LAB 44.64, 4.57, 19.13

 

CMYK 0 / 18 / 40 / 41

HEX #967B5A

RGB 150 123 90

HSL 33, 0.25%, 0.47%

LAB 53.37, 5.66, 21.97

 

CMYK 0 / 15 / 34 / 34

HEX #A98F70

RGB 169 143 112

HSL 32.63, 0.25%, 0.55%

LAB 61, 5.13, 20.14

 

CMYK 0 / 12 / 25 / 27

HEX #B9A38A

RGB 185 163 138

HSL 31.91, 0.25%, 0.63%

LAB 68.27, 4.1, 15.94

 

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

CMYK 30 / 0 / 40 / 41

HEX #69965A

RGB 105 150 90

HSL 105, 0.25%, 0.47%

LAB 57.61, -27.12, 26.88

 

CMYK 34 / 40 / 0 / 41

HEX #635A96

RGB 99 90 150

HSL 249, 0.25%, 0.47%

LAB 41.48, 18.21, -31.68

 

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

CMYK 40 / 0 / 18 / 41

HEX #5A967B

RGB 90 150 123

HSL 153, 0.25%, 0.47%

LAB 57.48, -25.92, 8.17

 

CMYK 18 / 40 / 0 / 41

HEX #7B5A96

RGB 123 90 150

HSL 273, 0.25%, 0.47%

LAB 43.84, 25.61, -27.82

 

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

CMYK 30 / 0 / 40 / 41

HEX #69965A

RGB 105 150 90

HSL 105, 0.25%, 0.47%

LAB 57.61, -27.12, 26.88

 

CMYK 40 / 22 / 0 / 41

HEX #5A7596

RGB 90 117 150

HSL 213, 0.25%, 0.47%

LAB 48.38, -0.96, -21

 

CMYK 10 / 40 / 0 / 41

HEX #875A96

RGB 135 90 150

HSL 285, 0.25%, 0.47%

LAB 45.17, 29.46, -25.64

 

CMYK 0 / 18 / 40 / 42

HEX #957A59

RGB 149 122 89

HSL 33, 0.25%, 0.47%

LAB 52.98, 5.69, 22

 

CMYK 40 / 0 / 38 / 41

HEX #5A965D

RGB 90 150 93

HSL 123, 0.25%, 0.47%

LAB 56.86, -31.78, 24.1

 

CMYK 40 / 22 / 0 / 41

HEX #5A7596

RGB 90 117 150

HSL 213, 0.25%, 0.47%

LAB 48.38, -0.96, -21

 

CMYK 0 / 40 / 2 / 41

HEX #965A93

RGB 150 90 147

HSL 303, 0.25%, 0.47%

LAB 46.85, 33.76, -21.12

 

Description

Color code: HEX #957A59 | qconv.com Color code: HEX #957A59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 122 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 122 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 40 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 40% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Passion London
Link: http://www.passion-london.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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