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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957A37 it is the complementary color #6A85C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957A37 shade: #9A7A32, #AB8C45, #BC9E58, #CDB06B and #DEC27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957A37 shade: #957A37, #846824, #735611, #624400 and #513200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957A37 shade: #957A37, #956137, #954737 and #953737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957A37 shade: #957A37, #959337, #7D9537, #649537 and #4B9537

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957A37 shade matches the following richer shades: #957A37, #A58127, #B68816 and #C68F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957A37 shade: #957A37, #847348, #746C58, #636569 and #535E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957A37 shade: #954737, #956037, #957937, #959237 and #7F9537

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957A37 shade: #594921, #77612C, #957A37, #B39342 and #C3A55C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957A37 shade: #957A37, #409537 and #533795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957A37 shade: #957A37, #379579 and #793795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957A37 shade: #957A37, #409537, #375395 and #8C3795

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957A37 shade: #957A37, #37954A, #375395 and #953782

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

Complementary color

CMYK 47 / 34 / 0 / 22

HEX #6A85C8

RGB 106 133 200

HSL 222.77, 0.46%, 0.6%

LAB 56.1, 8.55, -37.8

 

CMYK 0 / 21 / 68 / 40

HEX #9A7A32

RGB 154 122 50

HSL 41.54, 0.51%, 0.4%

LAB 52.97, 4.32, 42.91

 

CMYK 0 / 18 / 60 / 33

HEX #AB8C45

RGB 171 140 69

HSL 41.76, 0.43%, 0.47%

LAB 59.75, 3.19, 41.68

 

CMYK 0 / 16 / 53 / 26

HEX #BC9E58

RGB 188 158 88

HSL 42, 0.43%, 0.54%

LAB 66.4, 2.26, 40.36

 

CMYK 0 / 14 / 48 / 20

HEX #CDB06B

RGB 205 176 107

HSL 42.24, 0.49%, 0.61%

LAB 72.95, 1.48, 39.06

 

CMYK 0 / 13 / 43 / 13

HEX #DEC27E

RGB 222 194 126

HSL 42.5, 0.59%, 0.68%

LAB 79.4, 0.82, 37.79

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 21 / 73 / 48

HEX #846824

RGB 132 104 36

HSL 42.5, 0.57%, 0.33%

LAB 45.54, 3.63, 40.91

 

CMYK 0 / 25 / 85 / 55

HEX #735611

RGB 115 86 17

HSL 42.24, 0.74%, 0.26%

LAB 38.45, 5.22, 41.34

 

CMYK 0 / 31 / 100 / 62

HEX #624400

RGB 98 68 0

HSL 41.63, 1%, 0.19%

LAB 31.19, 7.23, 40.54

 

CMYK 0 / 38 / 100 / 68

HEX #513200

RGB 81 50 0

HSL 37.04, 1%, 0.16%

LAB 23.77, 9.9, 33.28

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 35 / 63 / 42

HEX #956137

RGB 149 97 55

HSL 26.81, 0.46%, 0.4%

LAB 45.93, 16.75, 32.23

 

CMYK 0 / 52 / 63 / 42

HEX #954737

RGB 149 71 55

HSL 10.21, 0.46%, 0.4%

LAB 39.87, 31.4, 24.88

 

CMYK 0 / 63 / 63 / 42

HEX #953737

RGB 149 55 55

HSL 0, 0.46%, 0.4%

LAB 36.74, 39.54, 20.94

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 1 / 63 / 42

HEX #959337

RGB 149 147 55

HSL 58.72, 0.46%, 0.4%

LAB 59.46, -11.38, 47.44

 

CMYK 16 / 0 / 63 / 42

HEX #7D9537

RGB 125 149 55

HSL 75.32, 0.46%, 0.4%

LAB 58.16, -22.79, 45.48

 

CMYK 33 / 0 / 63 / 42

HEX #649537

RGB 100 149 55

HSL 91.28, 0.46%, 0.4%

LAB 56.57, -32.78, 43.28

 

CMYK 50 / 0 / 63 / 42

HEX #4B9537

RGB 75 149 55

HSL 107.23, 0.46%, 0.4%

LAB 55.35, -41.35, 41.58

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 22 / 76 / 35

HEX #A58127

RGB 165 129 39

HSL 42.86, 0.62%, 0.4%

LAB 55.93, 4.8, 51.13

 

CMYK 0 / 25 / 88 / 29

HEX #B68816

RGB 182 136 22

HSL 42.75, 0.78%, 0.4%

LAB 59.54, 8.06, 60.58

 

CMYK 0 / 28 / 97 / 22

HEX #C68F06

RGB 198 143 6

HSL 42.81, 0.94%, 0.4%

LAB 63.06, 11.14, 66.98

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 13 / 45 / 48

HEX #847348

RGB 132 115 72

HSL 43, 0.29%, 0.4%

LAB 49.05, 0.3, 26.18

 

CMYK 0 / 7 / 24 / 55

HEX #746C58

RGB 116 108 88

HSL 42.86, 0.14%, 0.4%

LAB 45.83, -0.41, 12.34

 

CMYK 6 / 4 / 0 / 59

HEX #636569

RGB 99 101 105

HSL 220, 0.03%, 0.4%

LAB 42.73, 0.08, -2.53

 

CMYK 31 / 22 / 0 / 53

HEX #535E79

RGB 83 94 121

HSL 222.63, 0.19%, 0.4%

LAB 39.96, 2.63, -16.59

 

CMYK 0 / 52 / 63 / 42

HEX #954737

RGB 149 71 55

HSL 10.21, 0.46%, 0.4%

LAB 39.87, 31.4, 24.88

 

CMYK 0 / 36 / 63 / 42

HEX #956037

RGB 149 96 55

HSL 26.17, 0.46%, 0.4%

LAB 45.68, 17.33, 31.94

 

CMYK 0 / 19 / 63 / 42

HEX #957937

RGB 149 121 55

HSL 42.13, 0.46%, 0.4%

LAB 52.22, 2.95, 39.49

 

CMYK 0 / 2 / 63 / 42

HEX #959237

RGB 149 146 55

HSL 58.09, 0.46%, 0.4%

LAB 59.18, -10.85, 47.14

 

CMYK 15 / 0 / 63 / 42

HEX #7F9537

RGB 127 149 55

HSL 74.04, 0.46%, 0.4%

LAB 58.3, -21.95, 45.68

 

CMYK 0 / 18 / 63 / 65

HEX #594921

RGB 89 73 33

HSL 42.86, 0.46%, 0.24%

LAB 31.8, 1.28, 26.09

 

CMYK 0 / 18 / 63 / 53

HEX #77612C

RGB 119 97 44

HSL 42.4, 0.46%, 0.32%

LAB 42.24, 2.14, 32.97

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 0 / 18 / 63 / 30

HEX #B39342

RGB 179 147 66

HSL 43.01, 0.46%, 0.48%

LAB 62.38, 2.63, 46.34

 

CMYK 0 / 15 / 53 / 24

HEX #C3A55C

RGB 195 165 92

HSL 42.52, 0.46%, 0.56%

LAB 68.96, 1.8, 41.58

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 57 / 0 / 63 / 42

HEX #409537

RGB 64 149 55

HSL 114.26, 0.46%, 0.4%

LAB 54.93, -44.52, 40.99

 

CMYK 44 / 63 / 0 / 42

HEX #533795

RGB 83 55 149

HSL 257.87, 0.46%, 0.4%

LAB 31.21, 35.33, -47.56

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 63 / 0 / 19 / 42

HEX #379579

RGB 55 149 121

HSL 162.13, 0.46%, 0.4%

LAB 55.77, -34.6, 6.69

 

CMYK 19 / 63 / 0 / 42

HEX #793795

RGB 121 55 149

HSL 282.13, 0.46%, 0.4%

LAB 35.92, 44.44, -39.74

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 57 / 0 / 63 / 42

HEX #409537

RGB 64 149 55

HSL 114.26, 0.46%, 0.4%

LAB 54.93, -44.52, 40.99

 

CMYK 63 / 44 / 0 / 42

HEX #375395

RGB 55 83 149

HSL 222.13, 0.46%, 0.4%

LAB 36.31, 11.32, -39.48

 

CMYK 6 / 63 / 0 / 42

HEX #8C3795

RGB 140 55 149

HSL 294.26, 0.46%, 0.4%

LAB 38.69, 49.3, -35.17

 

CMYK 0 / 18 / 63 / 42

HEX #957A37

RGB 149 122 55

HSL 42.77, 0.46%, 0.4%

LAB 52.49, 2.39, 39.8

 

CMYK 63 / 0 / 50 / 42

HEX #37954A

RGB 55 149 74

HSL 132.13, 0.46%, 0.4%

LAB 54.87, -44.21, 31.46

 

CMYK 63 / 44 / 0 / 42

HEX #375395

RGB 55 83 149

HSL 222.13, 0.46%, 0.4%

LAB 36.31, 11.32, -39.48

 

CMYK 0 / 63 / 13 / 42

HEX #953782

RGB 149 55 130

HSL 312.13, 0.46%, 0.4%

LAB 39.13, 48.39, -22.76

 

Description

Color code: HEX #957A37 | qconv.com Color code: HEX #957A37 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 122 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 122 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 63 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 63% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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