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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957841 it is the complementary color #6A87BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957841. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957841 shade: #9A783C, #AB8A4F, #BC9C62, #CDAE75 and #DEC088

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957841. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957841 shade: #957841, #84662E, #73541B, #624208 and #513000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957841 shade: #957841, #956241, #954B41 and #954141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957841 shade: #957841, #958F41, #859541, #6E9541 and #589541

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957841 shade matches the following richer shades: #957841, #A67D30, #B8831F and #C9880D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957841 shade: #957841, #847353, #726D64, #616875 and #506387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957841 shade: #954B41, #956141, #957841, #958E41 and #869541

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957841 shade: #5C4A28, #786135, #957841, #B18F4E and #BEA16B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957841 shade: #957841, #4E9541 and #564195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957841 shade: #957841, #419578 and #784195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957841 shade: #957841, #4E9541, #415F95 and #884195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957841 shade: #957841, #41954E, #415F95 and #954188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

Complementary color

CMYK 44 / 29 / 0 / 25

HEX #6A87BE

RGB 106 135 190

HSL 219.29, 0.39%, 0.58%

LAB 56.2, 4.4, -31.96

 

CMYK 0 / 22 / 61 / 40

HEX #9A783C

RGB 154 120 60

HSL 38.3, 0.44%, 0.42%

LAB 52.54, 6.15, 37.46

 

CMYK 0 / 19 / 54 / 33

HEX #AB8A4F

RGB 171 138 79

HSL 38.48, 0.37%, 0.49%

LAB 59.34, 5.12, 36.06

 

CMYK 0 / 17 / 48 / 26

HEX #BC9C62

RGB 188 156 98

HSL 38.67, 0.4%, 0.56%

LAB 66.02, 4.27, 34.69

 

CMYK 0 / 15 / 43 / 20

HEX #CDAE75

RGB 205 174 117

HSL 38.86, 0.47%, 0.63%

LAB 72.59, 3.56, 33.39

 

CMYK 0 / 14 / 39 / 13

HEX #DEC088

RGB 222 192 136

HSL 39.07, 0.57%, 0.7%

LAB 79.04, 2.95, 32.17

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 23 / 65 / 48

HEX #84662E

RGB 132 102 46

HSL 39.07, 0.48%, 0.35%

LAB 45.09, 5.44, 35.54

 

CMYK 0 / 27 / 77 / 55

HEX #73541B

RGB 115 84 27

HSL 38.86, 0.62%, 0.28%

LAB 37.96, 6.86, 36.73

 

CMYK 0 / 33 / 92 / 62

HEX #624208

RGB 98 66 8

HSL 38.67, 0.85%, 0.21%

LAB 30.67, 8.73, 37.02

 

CMYK 0 / 41 / 100 / 68

HEX #513000

RGB 81 48 0

HSL 35.56, 1%, 0.16%

LAB 23.21, 11.19, 32.71

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 34 / 56 / 42

HEX #956241

RGB 149 98 65

HSL 23.57, 0.39%, 0.42%

LAB 46.32, 16.99, 27.1

 

CMYK 0 / 50 / 56 / 42

HEX #954B41

RGB 149 75 65

HSL 7.14, 0.39%, 0.42%

LAB 40.9, 30.03, 20.17

 

CMYK 0 / 56 / 56 / 42

HEX #954141

RGB 149 65 65

HSL 0, 0.39%, 0.42%

LAB 38.82, 35.36, 17.42

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 4 / 56 / 42

HEX #958F41

RGB 149 143 65

HSL 55.71, 0.39%, 0.42%

LAB 58.43, -8.47, 41.6

 

CMYK 11 / 0 / 56 / 42

HEX #859541

RGB 133 149 65

HSL 71.43, 0.39%, 0.42%

LAB 58.85, -18.56, 41.73

 

CMYK 26 / 0 / 56 / 42

HEX #6E9541

RGB 110 149 65

HSL 87.86, 0.39%, 0.42%

LAB 57.26, -27.95, 39.49

 

CMYK 41 / 0 / 56 / 42

HEX #589541

RGB 88 149 65

HSL 103.57, 0.39%, 0.42%

LAB 56.04, -36.02, 37.75

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 25 / 71 / 35

HEX #A67D30

RGB 166 125 48

HSL 39.15, 0.55%, 0.42%

LAB 55.06, 7.94, 46.45

 

CMYK 0 / 29 / 83 / 28

HEX #B8831F

RGB 184 131 31

HSL 39.22, 0.71%, 0.42%

LAB 58.53, 11.96, 57.2

 

CMYK 0 / 32 / 94 / 21

HEX #C9880D

RGB 201 136 13

HSL 39.26, 0.88%, 0.42%

LAB 61.7, 16.37, 65.11

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 13 / 37 / 48

HEX #847353

RGB 132 115 83

HSL 39.18, 0.23%, 0.42%

LAB 49.24, 1.64, 20.16

 

CMYK 0 / 4 / 12 / 55

HEX #726D64

RGB 114 109 100

HSL 38.57, 0.07%, 0.42%

LAB 46.22, 0.23, 5.72

 

CMYK 17 / 11 / 0 / 54

HEX #616875

RGB 97 104 117

HSL 219, 0.09%, 0.42%

LAB 43.84, 0.29, -8.18

 

CMYK 41 / 27 / 0 / 47

HEX #506387

RGB 80 99 135

HSL 219.27, 0.26%, 0.42%

LAB 41.81, 2.64, -22.25

 

CMYK 0 / 50 / 56 / 42

HEX #954B41

RGB 149 75 65

HSL 7.14, 0.39%, 0.42%

LAB 40.9, 30.03, 20.17

 

CMYK 0 / 35 / 56 / 42

HEX #956141

RGB 149 97 65

HSL 22.86, 0.39%, 0.42%

LAB 46.07, 17.57, 26.79

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 5 / 56 / 42

HEX #958E41

RGB 149 142 65

HSL 55, 0.39%, 0.42%

LAB 58.15, -7.93, 41.28

 

CMYK 10 / 0 / 56 / 42

HEX #869541

RGB 134 149 65

HSL 70.71, 0.39%, 0.42%

LAB 58.92, -18.14, 41.84

 

CMYK 0 / 20 / 57 / 64

HEX #5C4A28

RGB 92 74 40

HSL 39.23, 0.39%, 0.26%

LAB 32.54, 2.79, 23.01

 

CMYK 0 / 19 / 56 / 53

HEX #786135

RGB 120 97 53

HSL 39.4, 0.39%, 0.34%

LAB 42.46, 3.39, 28.36

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 0 / 19 / 56 / 31

HEX #B18F4E

RGB 177 143 78

HSL 39.39, 0.39%, 0.5%

LAB 61.26, 4.87, 39.04

 

CMYK 0 / 15 / 44 / 25

HEX #BEA16B

RGB 190 161 107

HSL 39.04, 0.39%, 0.58%

LAB 67.65, 3.32, 32.04

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 48 / 0 / 56 / 42

HEX #4E9541

RGB 78 149 65

HSL 110.71, 0.39%, 0.42%

LAB 55.58, -39.28, 37.09

 

CMYK 42 / 56 / 0 / 42

HEX #564195

RGB 86 65 149

HSL 255, 0.39%, 0.42%

LAB 33.83, 29.98, -43.31

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 56 / 0 / 19 / 42

HEX #419578

RGB 65 149 120

HSL 159.29, 0.39%, 0.42%

LAB 56.06, -32.72, 7.72

 

CMYK 19 / 56 / 0 / 42

HEX #784195

RGB 120 65 149

HSL 279.29, 0.39%, 0.42%

LAB 37.74, 38.92, -36.84

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 48 / 0 / 56 / 42

HEX #4E9541

RGB 78 149 65

HSL 110.71, 0.39%, 0.42%

LAB 55.58, -39.28, 37.09

 

CMYK 56 / 36 / 0 / 42

HEX #415F95

RGB 65 95 149

HSL 218.57, 0.39%, 0.42%

LAB 40.37, 5.71, -32.99

 

CMYK 9 / 56 / 0 / 42

HEX #884195

RGB 136 65 149

HSL 290.71, 0.39%, 0.42%

LAB 39.89, 43.37, -33.3

 

CMYK 0 / 19 / 56 / 42

HEX #957841

RGB 149 120 65

HSL 39.29, 0.39%, 0.42%

LAB 52.07, 4.32, 34.14

 

CMYK 56 / 0 / 48 / 42

HEX #41954E

RGB 65 149 78

HSL 129.29, 0.39%, 0.42%

LAB 55.25, -41.15, 29.9

 

CMYK 56 / 36 / 0 / 42

HEX #415F95

RGB 65 95 149

HSL 218.57, 0.39%, 0.42%

LAB 40.37, 5.71, -32.99

 

CMYK 0 / 56 / 9 / 42

HEX #954188

RGB 149 65 136

HSL 309.29, 0.39%, 0.42%

LAB 41.13, 44.69, -23.33

 

Description

Color code: HEX #957841 | qconv.com Color code: HEX #957841 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 120 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 120 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 56 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 56% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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