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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957740 it is the complementary color #6A88BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957740 shade: #9A773B, #AB894E, #BC9B61, #CDAD74 and #DEBF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957740 shade: #957740, #84652D, #73531A, #624107 and #512F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957740 shade: #967840, #966140, #964940 and #964040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957740 shade: #967840, #968F40, #869640, #6F9640 and #589640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957740 shade matches the following richer shades: #967840, #A77D2F, #B9821E and #CA870C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957740 shade: #967840, #857352, #736E63, #626874 and #516386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957740 shade: #964940, #966040, #967740, #968D40 and #889640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957740 shade: #5C4A28, #796134, #967840, #B38F4D and #BFA16A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957740 shade: #957740, #4F9640 and #544096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957740 shade: #957740, #409677 and #774096

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957740 shade: #957740, #4F9640, #406096 and #884096

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957740 shade: #957740, #40964C, #406096 and #96408B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

Complementary color

CMYK 45 / 29 / 0 / 25

HEX #6A88BF

RGB 106 136 191

HSL 218.82, 0.4%, 0.58%

LAB 56.52, 4.11, -32.03

 

CMYK 0 / 23 / 62 / 40

HEX #9A773B

RGB 154 119 59

HSL 37.89, 0.45%, 0.42%

LAB 52.26, 6.65, 37.65

 

CMYK 0 / 20 / 54 / 33

HEX #AB894E

RGB 171 137 78

HSL 38.06, 0.37%, 0.49%

LAB 59.07, 5.59, 36.25

 

CMYK 0 / 18 / 48 / 26

HEX #BC9B61

RGB 188 155 97

HSL 38.24, 0.4%, 0.56%

LAB 65.75, 4.72, 34.88

 

CMYK 0 / 16 / 43 / 20

HEX #CDAD74

RGB 205 173 116

HSL 38.43, 0.47%, 0.63%

LAB 72.31, 3.99, 33.57

 

CMYK 0 / 14 / 39 / 13

HEX #DEBF87

RGB 222 191 135

HSL 38.62, 0.57%, 0.7%

LAB 78.78, 3.36, 32.33

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 0 / 23 / 66 / 48

HEX #84652D

RGB 132 101 45

HSL 38.62, 0.49%, 0.35%

LAB 44.8, 5.95, 35.73

 

CMYK 0 / 28 / 77 / 55

HEX #73531A

RGB 115 83 26

HSL 38.43, 0.63%, 0.28%

LAB 37.67, 7.42, 36.9

 

CMYK 0 / 34 / 93 / 62

HEX #624107

RGB 98 65 7

HSL 38.24, 0.87%, 0.21%

LAB 30.38, 9.32, 37.16

 

CMYK 0 / 42 / 100 / 68

HEX #512F00

RGB 81 47 0

HSL 34.81, 1%, 0.16%

LAB 22.94, 11.83, 32.43

 

CMYK 0 / 20 / 57 / 41

HEX #967840

RGB 150 120 64

HSL 39.07, 0.4%, 0.42%

LAB 52.16, 4.69, 34.81

 

CMYK 0 / 35 / 57 / 41

HEX #966140

RGB 150 97 64

HSL 23.02, 0.4%, 0.42%

LAB 46.18, 17.92, 27.52

 

CMYK 0 / 51 / 57 / 41

HEX #964940

RGB 150 73 64

HSL 6.28, 0.4%, 0.42%

LAB 40.6, 31.43, 20.42

 

CMYK 0 / 57 / 57 / 41

HEX #964040

RGB 150 64 64

HSL 0, 0.4%, 0.42%

LAB 38.76, 36.17, 18

 

CMYK 0 / 20 / 57 / 41

HEX #967840

RGB 150 120 64

HSL 39.07, 0.4%, 0.42%

LAB 52.16, 4.69, 34.81

 

CMYK 0 / 5 / 57 / 41

HEX #968F40

RGB 150 143 64

HSL 55.12, 0.4%, 0.42%

LAB 58.51, -8.11, 42.2

 

CMYK 11 / 0 / 57 / 41

HEX #869640

RGB 134 150 64

HSL 71.16, 0.4%, 0.42%

LAB 59.21, -18.74, 42.65

 

CMYK 26 / 0 / 57 / 41

HEX #6F9640

RGB 111 150 64

HSL 87.21, 0.4%, 0.42%

LAB 57.62, -28.15, 40.41

 

CMYK 41 / 0 / 57 / 41

HEX #589640

RGB 88 150 64

HSL 103.26, 0.4%, 0.42%

LAB 56.34, -36.58, 38.6

 

CMYK 0 / 20 / 57 / 41

HEX #967840

RGB 150 120 64

HSL 39.07, 0.4%, 0.42%

LAB 52.16, 4.69, 34.81

 

CMYK 0 / 25 / 72 / 35

HEX #A77D2F

RGB 167 125 47

HSL 39, 0.56%, 0.42%

LAB 55.16, 8.34, 47.05

 

CMYK 0 / 30 / 84 / 27

HEX #B9821E

RGB 185 130 30

HSL 38.71, 0.72%, 0.42%

LAB 58.39, 12.93, 57.45

 

CMYK 0 / 33 / 94 / 21

HEX #CA870C

RGB 202 135 12

HSL 38.84, 0.89%, 0.42%

LAB 61.58, 17.35, 65.24

 

CMYK 0 / 20 / 57 / 41

HEX #967840

RGB 150 120 64

HSL 39.07, 0.4%, 0.42%

LAB 52.16, 4.69, 34.81

 

CMYK 0 / 14 / 38 / 48

HEX #857352

RGB 133 115 82

HSL 38.82, 0.24%, 0.42%

LAB 49.32, 1.94, 20.86

 

CMYK 0 / 4 / 14 / 55

HEX #736E63

RGB 115 110 99

HSL 41.25, 0.07%, 0.42%

LAB 46.58, -0.13, 6.83

 

CMYK 16 / 10 / 0 / 55

HEX #626874

RGB 98 104 116

HSL 220, 0.08%, 0.42%

LAB 43.88, 0.41, -7.5

 

CMYK 40 / 26 / 0 / 47

HEX #516386

RGB 81 99 134

HSL 219.62, 0.25%, 0.42%

LAB 41.84, 2.64, -21.61

 

CMYK 0 / 51 / 57 / 41

HEX #964940

RGB 150 73 64

HSL 6.28, 0.4%, 0.42%

LAB 40.6, 31.43, 20.42

 

CMYK 0 / 36 / 57 / 41

HEX #966040

RGB 150 96 64

HSL 22.33, 0.4%, 0.42%

LAB 45.93, 18.5, 27.22

 

CMYK 0 / 21 / 57 / 41

HEX #967740

RGB 150 119 64

HSL 38.37, 0.4%, 0.42%

LAB 51.89, 5.25, 34.49

 

CMYK 0 / 6 / 57 / 41

HEX #968D40

RGB 150 141 64

HSL 53.72, 0.4%, 0.42%

LAB 57.95, -7.03, 41.56

 

CMYK 9 / 0 / 57 / 41

HEX #889640

RGB 136 150 64

HSL 69.77, 0.4%, 0.42%

LAB 59.36, -17.9, 42.86

 

CMYK 0 / 20 / 57 / 64

HEX #5C4A28

RGB 92 74 40

HSL 39.23, 0.39%, 0.26%

LAB 32.54, 2.79, 23.01

 

CMYK 0 / 20 / 57 / 53

HEX #796134

RGB 121 97 52

HSL 39.13, 0.4%, 0.34%

LAB 42.55, 3.76, 29.06

 

CMYK 0 / 20 / 57 / 41

HEX #967840

RGB 150 120 64

HSL 39.07, 0.4%, 0.42%

LAB 52.16, 4.69, 34.81

 

CMYK 0 / 20 / 57 / 30

HEX #B38F4D

RGB 179 143 77

HSL 38.82, 0.4%, 0.5%

LAB 61.45, 5.66, 39.83

 

CMYK 0 / 16 / 45 / 25

HEX #BFA16A

RGB 191 161 106

HSL 38.82, 0.4%, 0.58%

LAB 67.73, 3.63, 32.69

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 47 / 0 / 57 / 41

HEX #4F9640

RGB 79 150 64

HSL 109.53, 0.4%, 0.42%

LAB 55.93, -39.51, 38.01

 

CMYK 44 / 57 / 0 / 41

HEX #544096

RGB 84 64 150

HSL 253.95, 0.4%, 0.42%

LAB 33.46, 30.41, -44.53

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 57 / 0 / 21 / 41

HEX #409677

RGB 64 150 119

HSL 158.37, 0.4%, 0.42%

LAB 56.32, -33.65, 8.65

 

CMYK 21 / 57 / 0 / 41

HEX #774096

RGB 119 64 150

HSL 278.37, 0.4%, 0.42%

LAB 37.46, 39.43, -37.9

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 47 / 0 / 57 / 41

HEX #4F9640

RGB 79 150 64

HSL 109.53, 0.4%, 0.42%

LAB 55.93, -39.51, 38.01

 

CMYK 57 / 36 / 0 / 41

HEX #406096

RGB 64 96 150

HSL 217.67, 0.4%, 0.42%

LAB 40.67, 5.19, -33.13

 

CMYK 9 / 57 / 0 / 41

HEX #884096

RGB 136 64 150

HSL 290.23, 0.4%, 0.42%

LAB 39.75, 44.09, -34.12

 

CMYK 0 / 20 / 57 / 42

HEX #957740

RGB 149 119 64

HSL 38.82, 0.4%, 0.42%

LAB 51.78, 4.81, 34.33

 

CMYK 57 / 0 / 49 / 41

HEX #40964C

RGB 64 150 76

HSL 128.37, 0.4%, 0.42%

LAB 55.51, -42.13, 31.27

 

CMYK 57 / 36 / 0 / 41

HEX #406096

RGB 64 96 150

HSL 217.67, 0.4%, 0.42%

LAB 40.67, 5.19, -33.13

 

CMYK 0 / 57 / 7 / 41

HEX #96408B

RGB 150 64 139

HSL 307.67, 0.4%, 0.42%

LAB 41.24, 46, -24.98

 

Description

Color code: HEX #957740 | qconv.com Color code: HEX #957740 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 119 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 119 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 57% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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