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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #957611 it is the complementary color #6A89EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #957611. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #957611 shade: #9A760C, #AB881F, #BC9A32, #CDAC45 and #DEBE58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #957611. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #957611 shade: #957611, #846400, #735200, #624000 and #512E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #957611 shade: #977811, #975411, #972F11 and #971111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #957611 shade: #977811, #939711, #6E9711, #4A9711 and #269711

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #957611 shade matches the following richer shades: #977811 and #A57F03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #957611 shade: #977811, #8A711E, #7C692C, #6F623A and #615B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #957611 shade: #972E11, #975211, #977611, #959711 and #719711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #957611 shade: #4D3D09, #725A0D, #977811, #BD9515 and #E2B319

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #957611 shade: #957611, #189711 and #401197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #957611 shade: #957611, #119776 and #761197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #957611 shade: #957611, #189711, #113297 and #911197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #957611 shade: #957611, #119732, #113297 and #971176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

Complementary color

CMYK 55 / 42 / 0 / 7

HEX #6A89EE

RGB 106 137 238

HSL 225.91, 0.8%, 0.67%

LAB 59.09, 17.97, -54.34

 

CMYK 0 / 23 / 92 / 40

HEX #9A760C

RGB 154 118 12

HSL 44.79, 0.86%, 0.33%

LAB 51.67, 5.07, 55.39

 

CMYK 0 / 20 / 82 / 33

HEX #AB881F

RGB 171 136 31

HSL 45, 0.69%, 0.4%

LAB 58.38, 3.32, 56.52

 

CMYK 0 / 18 / 73 / 26

HEX #BC9A32

RGB 188 154 50

HSL 45.22, 0.58%, 0.47%

LAB 64.99, 1.87, 56.38

 

CMYK 0 / 16 / 66 / 20

HEX #CDAC45

RGB 205 172 69

HSL 45.44, 0.58%, 0.54%

LAB 71.5, 0.66, 55.63

 

CMYK 0 / 14 / 60 / 13

HEX #DEBE58

RGB 222 190 88

HSL 45.67, 0.67%, 0.61%

LAB 77.91, -0.36, 54.6

 

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

CMYK 0 / 24 / 100 / 48

HEX #846400

RGB 132 100 0

HSL 45.45, 1%, 0.26%

LAB 44.26, 4.77, 51.44

 

CMYK 0 / 29 / 100 / 55

HEX #735200

RGB 115 82 0

HSL 42.78, 1%, 0.23%

LAB 37.26, 7.16, 45.69

 

CMYK 0 / 35 / 100 / 62

HEX #624000

RGB 98 64 0

HSL 39.18, 1%, 0.19%

LAB 30.07, 9.71, 39.73

 

CMYK 0 / 43 / 100 / 68

HEX #512E00

RGB 81 46 0

HSL 34.07, 1%, 0.16%

LAB 22.67, 12.47, 32.15

 

CMYK 0 / 21 / 89 / 41

HEX #977811

RGB 151 120 17

HSL 46.12, 0.8%, 0.33%

LAB 51.9, 2.64, 54.28

 

CMYK 0 / 44 / 89 / 41

HEX #975411

RGB 151 84 17

HSL 30, 0.8%, 0.33%

LAB 42.7, 23.24, 46.85

 

CMYK 0 / 69 / 89 / 41

HEX #972F11

RGB 151 47 17

HSL 13.43, 0.8%, 0.33%

LAB 35.31, 42.15, 40.85

 

CMYK 0 / 89 / 89 / 41

HEX #971111

RGB 151 17 17

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

 

CMYK 0 / 21 / 89 / 41

HEX #977811

RGB 151 120 17

HSL 46.12, 0.8%, 0.33%

LAB 51.9, 2.64, 54.28

 

CMYK 3 / 0 / 89 / 41

HEX #939711

RGB 147 151 17

HSL 61.79, 0.8%, 0.33%

LAB 60.23, -16.09, 60.85

 

CMYK 27 / 0 / 89 / 41

HEX #6E9711

RGB 110 151 17

HSL 78.36, 0.8%, 0.33%

LAB 57.55, -32.04, 57.54

 

CMYK 51 / 0 / 89 / 41

HEX #4A9711

RGB 74 151 17

HSL 94.48, 0.8%, 0.33%

LAB 55.71, -45.11, 55.26

 

CMYK 75 / 0 / 89 / 41

HEX #269711

RGB 38 151 17

HSL 110.6, 0.8%, 0.33%

LAB 54.64, -53.89, 53.91

 

CMYK 0 / 21 / 89 / 41

HEX #977811

RGB 151 120 17

HSL 46.12, 0.8%, 0.33%

LAB 51.9, 2.64, 54.28

 

CMYK 0 / 23 / 98 / 35

HEX #A57F03

RGB 165 127 3

HSL 45.93, 0.96%, 0.33%

LAB 55.26, 4.97, 60.24

 

CMYK 0 / 21 / 89 / 41

HEX #977811

RGB 151 120 17

HSL 46.12, 0.8%, 0.33%

LAB 51.9, 2.64, 54.28

 

CMYK 0 / 18 / 78 / 46

HEX #8A711E

RGB 138 113 30

HSL 46.11, 0.64%, 0.33%

LAB 48.64, 0.96, 46.72

 

CMYK 0 / 15 / 65 / 51

HEX #7C692C

RGB 124 105 44

HSL 45.75, 0.48%, 0.33%

LAB 45.04, -0.19, 36.26

 

CMYK 0 / 12 / 48 / 56

HEX #6F623A

RGB 111 98 58

HSL 45.28, 0.31%, 0.33%

LAB 41.88, -0.84, 24.6

 

CMYK 0 / 6 / 27 / 62

HEX #615B47

RGB 97 91 71

HSL 46.15, 0.15%, 0.33%

LAB 38.69, -1.2, 12.43

 

CMYK 0 / 70 / 89 / 41

HEX #972E11

RGB 151 46 17

HSL 12.99, 0.8%, 0.33%

LAB 35.15, 42.58, 40.72

 

CMYK 0 / 46 / 89 / 41

HEX #975211

RGB 151 82 17

HSL 29.1, 0.8%, 0.33%

LAB 42.24, 24.37, 46.47

 

CMYK 0 / 22 / 89 / 41

HEX #977611

RGB 151 118 17

HSL 45.22, 0.8%, 0.33%

LAB 51.36, 3.77, 53.84

 

CMYK 1 / 0 / 89 / 41

HEX #959711

RGB 149 151 17

HSL 60.9, 0.8%, 0.33%

LAB 60.39, -15.19, 61.05

 

CMYK 25 / 0 / 89 / 41

HEX #719711

RGB 113 151 17

HSL 77.01, 0.8%, 0.33%

LAB 57.74, -30.81, 57.78

 

CMYK 0 / 21 / 88 / 70

HEX #4D3D09

RGB 77 61 9

HSL 45.88, 0.79%, 0.17%

LAB 26.55, 1.14, 32.05

 

CMYK 0 / 21 / 89 / 55

HEX #725A0D

RGB 114 90 13

HSL 45.74, 0.8%, 0.25%

LAB 39.44, 2.21, 43.48

 

CMYK 0 / 21 / 89 / 41

HEX #977811

RGB 151 120 17

HSL 46.12, 0.8%, 0.33%

LAB 51.9, 2.64, 54.28

 

CMYK 0 / 21 / 89 / 26

HEX #BD9515

RGB 189 149 21

HSL 45.71, 0.8%, 0.41%

LAB 63.65, 4.06, 64.4

 

CMYK 0 / 21 / 89 / 11

HEX #E2B319

RGB 226 179 25

HSL 45.97, 0.8%, 0.49%

LAB 75.13, 4.44, 74.17

 

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

CMYK 84 / 0 / 89 / 41

HEX #189711

RGB 24 151 17

HSL 116.87, 0.8%, 0.33%

LAB 54.42, -55.9, 53.62

 

CMYK 58 / 89 / 0 / 41

HEX #401197

RGB 64 17 151

HSL 261.04, 0.8%, 0.33%

LAB 22.74, 51.22, -62.74

 

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

CMYK 89 / 0 / 22 / 41

HEX #119776

RGB 17 151 118

HSL 165.22, 0.8%, 0.33%

LAB 55.64, -41.23, 8.12

 

CMYK 22 / 89 / 0 / 41

HEX #761197

RGB 118 17 151

HSL 285.22, 0.8%, 0.33%

LAB 30.61, 58.41, -49.54

 

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

CMYK 84 / 0 / 89 / 41

HEX #189711

RGB 24 151 17

HSL 116.87, 0.8%, 0.33%

LAB 54.42, -55.9, 53.62

 

CMYK 89 / 67 / 0 / 41

HEX #113297

RGB 17 50 151

HSL 225.22, 0.8%, 0.33%

LAB 25.67, 29.56, -58.02

 

CMYK 4 / 89 / 0 / 41

HEX #911197

RGB 145 17 151

HSL 297.31, 0.8%, 0.33%

LAB 35.31, 63.08, -41.71

 

CMYK 0 / 21 / 89 / 42

HEX #957611

RGB 149 118 17

HSL 45.91, 0.8%, 0.33%

LAB 51.14, 2.84, 53.57

 

CMYK 89 / 0 / 67 / 41

HEX #119732

RGB 17 151 50

HSL 134.78, 0.8%, 0.33%

LAB 54.54, -54.08, 42.53

 

CMYK 89 / 67 / 0 / 41

HEX #113297

RGB 17 50 151

HSL 225.22, 0.8%, 0.33%

LAB 25.67, 29.56, -58.02

 

CMYK 0 / 89 / 22 / 41

HEX #971176

RGB 151 17 118

HSL 314.78, 0.8%, 0.33%

LAB 34.58, 59.41, -22.33

 

Description

Color code: HEX #957611 | qconv.com Color code: HEX #957611 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 118 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 118 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 89 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 89% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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