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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95751B it is the complementary color #6A8AE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95751B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95751B shade: #9A7516, #AB8729, #BC993C, #CDAB4F and #DEBD62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95751B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95751B shade: #95751B, #846308, #735100, #623F00 and #512D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95751B shade: #97771C, #97551C, #97341C and #971C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95751B shade: #97771C, #96971C, #75971C, #54971C and #32971C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95751B shade matches the following richer shades: #97771C and #A57D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95751B shade: #97771C, #88702A, #7A6939, #6C6247 and #5D5B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95751B shade: #97341C, #97551C, #97761C, #97971C and #76971C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95751B shade: #51400F, #745B15, #97771C, #BA9222 and #D8AB2D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95751B shade: #95751B, #24971C and #451C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95751B shade: #95751B, #1C9776 and #761C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95751B shade: #95751B, #24971C, #1C3D97 and #8F1C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95751B shade: #95751B, #1C9738, #1C3D97 and #971C7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

Complementary color

CMYK 54 / 39 / 0 / 11

HEX #6A8AE4

RGB 106 138 228

HSL 224.26, 0.69%, 0.65%

LAB 58.83, 14.21, -49.21

 

CMYK 0 / 24 / 86 / 40

HEX #9A7516

RGB 154 117 22

HSL 43.18, 0.75%, 0.35%

LAB 51.44, 5.87, 52.64

 

CMYK 0 / 21 / 76 / 33

HEX #AB8729

RGB 171 135 41

HSL 43.38, 0.61%, 0.42%

LAB 58.18, 4.26, 52.72

 

CMYK 0 / 19 / 68 / 26

HEX #BC993C

RGB 188 153 60

HSL 43.59, 0.52%, 0.49%

LAB 64.8, 2.94, 51.99

 

CMYK 0 / 17 / 61 / 20

HEX #CDAB4F

RGB 205 171 79

HSL 43.81, 0.56%, 0.56%

LAB 71.33, 1.83, 50.93

 

CMYK 0 / 15 / 56 / 13

HEX #DEBD62

RGB 222 189 98

HSL 44.03, 0.65%, 0.63%

LAB 77.76, 0.9, 49.73

 

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

CMYK 0 / 25 / 94 / 48

HEX #846308

RGB 132 99 8

HSL 44.03, 0.89%, 0.27%

LAB 44.01, 5.52, 49.3

 

CMYK 0 / 30 / 100 / 55

HEX #735100

RGB 115 81 0

HSL 42.26, 1%, 0.23%

LAB 36.98, 7.76, 45.51

 

CMYK 0 / 36 / 100 / 62

HEX #623F00

RGB 98 63 0

HSL 38.57, 1%, 0.19%

LAB 29.79, 10.34, 39.52

 

CMYK 0 / 44 / 100 / 68

HEX #512D00

RGB 81 45 0

HSL 33.33, 1%, 0.16%

LAB 22.39, 13.1, 31.87

 

CMYK 0 / 21 / 81 / 41

HEX #97771C

RGB 151 119 28

HSL 44.39, 0.69%, 0.35%

LAB 51.67, 3.54, 50.75

 

CMYK 0 / 44 / 81 / 41

HEX #97551C

RGB 151 85 28

HSL 27.8, 0.69%, 0.35%

LAB 43, 23.01, 42.81

 

CMYK 0 / 66 / 81 / 41

HEX #97341C

RGB 151 52 28

HSL 11.71, 0.69%, 0.35%

LAB 36.21, 40.26, 36.3

 

CMYK 0 / 81 / 81 / 41

HEX #971C1C

RGB 151 28 28

HSL 0, 0.69%, 0.35%

LAB 32.91, 49.35, 33

 

CMYK 0 / 21 / 81 / 41

HEX #97771C

RGB 151 119 28

HSL 44.39, 0.69%, 0.35%

LAB 51.67, 3.54, 50.75

 

CMYK 1 / 0 / 81 / 41

HEX #96971C

RGB 150 151 28

HSL 60.49, 0.69%, 0.35%

LAB 60.52, -14.43, 58.53

 

CMYK 23 / 0 / 81 / 41

HEX #75971C

RGB 117 151 28

HSL 76.59, 0.69%, 0.35%

LAB 58.04, -28.77, 55.39

 

CMYK 44 / 0 / 81 / 41

HEX #54971C

RGB 84 151 28

HSL 92.68, 0.69%, 0.35%

LAB 56.19, -41.37, 53.02

 

CMYK 67 / 0 / 81 / 41

HEX #32971C

RGB 50 151 28

HSL 109.27, 0.69%, 0.35%

LAB 54.96, -50.99, 51.44

 

CMYK 0 / 21 / 81 / 41

HEX #97771C

RGB 151 119 28

HSL 44.39, 0.69%, 0.35%

LAB 51.67, 3.54, 50.75

 

CMYK 0 / 24 / 92 / 35

HEX #A57D0D

RGB 165 125 13

HSL 44.21, 0.85%, 0.35%

LAB 54.76, 6.24, 58.08

 

CMYK 0 / 21 / 81 / 41

HEX #97771C

RGB 151 119 28

HSL 44.39, 0.69%, 0.35%

LAB 51.67, 3.54, 50.75

 

CMYK 0 / 18 / 69 / 47

HEX #88702A

RGB 136 112 42

HSL 44.68, 0.53%, 0.35%

LAB 48.25, 1.24, 41.08

 

CMYK 0 / 14 / 53 / 52

HEX #7A6939

RGB 122 105 57

HSL 44.31, 0.36%, 0.35%

LAB 44.99, -0, 29.27

 

CMYK 0 / 9 / 34 / 58

HEX #6C6247

RGB 108 98 71

HSL 43.78, 0.21%, 0.35%

LAB 41.81, -0.54, 16.85

 

CMYK 0 / 2 / 9 / 64

HEX #5D5B55

RGB 93 91 85

HSL 45, 0.04%, 0.35%

LAB 38.66, -0.41, 3.74

 

CMYK 0 / 66 / 81 / 41

HEX #97341C

RGB 151 52 28

HSL 11.71, 0.69%, 0.35%

LAB 36.21, 40.26, 36.3

 

CMYK 0 / 44 / 81 / 41

HEX #97551C

RGB 151 85 28

HSL 27.8, 0.69%, 0.35%

LAB 43, 23.01, 42.81

 

CMYK 0 / 22 / 81 / 41

HEX #97761C

RGB 151 118 28

HSL 43.9, 0.69%, 0.35%

LAB 51.4, 4.11, 50.51

 

CMYK 0 / 0 / 81 / 41

HEX #97971C

RGB 151 151 28

HSL 60, 0.69%, 0.35%

LAB 60.6, -13.98, 58.64

 

CMYK 22 / 0 / 81 / 41

HEX #76971C

RGB 118 151 28

HSL 76.1, 0.69%, 0.35%

LAB 58.1, -28.35, 55.47

 

CMYK 0 / 21 / 81 / 68

HEX #51400F

RGB 81 64 15

HSL 44.55, 0.69%, 0.19%

LAB 27.98, 1.6, 31.03

 

CMYK 0 / 22 / 82 / 55

HEX #745B15

RGB 116 91 21

HSL 44.21, 0.69%, 0.27%

LAB 40, 2.88, 41.29

 

CMYK 0 / 21 / 81 / 41

HEX #97771C

RGB 151 119 28

HSL 44.39, 0.69%, 0.35%

LAB 51.67, 3.54, 50.75

 

CMYK 0 / 22 / 82 / 27

HEX #BA9222

RGB 186 146 34

HSL 44.21, 0.69%, 0.43%

LAB 62.6, 4.69, 59.86

 

CMYK 0 / 21 / 79 / 15

HEX #D8AB2D

RGB 216 171 45

HSL 44.21, 0.69%, 0.51%

LAB 72.17, 4.84, 65.96

 

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

CMYK 76 / 0 / 81 / 41

HEX #24971C

RGB 36 151 28

HSL 116.1, 0.69%, 0.35%

LAB 54.65, -53.67, 51.03

 

CMYK 54 / 81 / 0 / 41

HEX #451C97

RGB 69 28 151

HSL 260, 0.69%, 0.35%

LAB 24.73, 47.63, -59.43

 

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

CMYK 81 / 0 / 22 / 41

HEX #1C9776

RGB 28 151 118

HSL 163.9, 0.69%, 0.35%

LAB 55.77, -40.28, 8.32

 

CMYK 22 / 81 / 0 / 41

HEX #761C97

RGB 118 28 151

HSL 283.9, 0.69%, 0.35%

LAB 31.62, 55.46, -47.91

 

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

CMYK 76 / 0 / 81 / 41

HEX #24971C

RGB 36 151 28

HSL 116.1, 0.69%, 0.35%

LAB 54.65, -53.67, 51.03

 

CMYK 81 / 60 / 0 / 41

HEX #1C3D97

RGB 28 61 151

HSL 223.9, 0.69%, 0.35%

LAB 28.95, 22.91, -52.63

 

CMYK 5 / 81 / 0 / 41

HEX #8F1C97

RGB 143 28 151

HSL 296.1, 0.69%, 0.35%

LAB 35.8, 60.24, -40.95

 

CMYK 0 / 21 / 82 / 42

HEX #95751B

RGB 149 117 27

HSL 44.26, 0.69%, 0.35%

LAB 50.91, 3.71, 50.34

 

CMYK 81 / 0 / 63 / 41

HEX #1C9738

RGB 28 151 56

HSL 133.66, 0.69%, 0.35%

LAB 54.73, -52.23, 40.07

 

CMYK 81 / 60 / 0 / 41

HEX #1C3D97

RGB 28 61 151

HSL 223.9, 0.69%, 0.35%

LAB 28.95, 22.91, -52.63

 

CMYK 0 / 81 / 19 / 41

HEX #971C7A

RGB 151 28 122

HSL 314.15, 0.69%, 0.35%

LAB 35.63, 57.47, -23.21

 

Description

Color code: HEX #95751B | qconv.com Color code: HEX #95751B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 117 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 117 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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