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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956C33 it is the complementary color #6A93CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956C33 shade: #9A6C2E, #AB7E41, #BC9054, #CDA267 and #DEB47A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956C33 shade: #956C33, #845A20, #73480D, #623600 and #512400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956C33 shade: #946B33, #945133, #943733 and #943333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956C33 shade: #946B33, #948633, #889433, #6E9433 and #549433

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956C33 shade matches the following richer shades: #946B33, #A46E23, #B47113 and #C47302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956C33 shade: #946B33, #846943, #746653, #646463 and #546173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956C33 shade: #943633, #945033, #946A33, #948433 and #8A9433

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956C33 shade: #573F1E, #755528, #946B33, #B3823D and #C59655

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956C33 shade: #956C33, #499433 and #433394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956C33 shade: #956C33, #33946A and #6A3394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956C33 shade: #956C33, #499433, #335D94 and #7D3394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956C33 shade: #956C33, #339439, #335D94 and #94338E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

Complementary color

CMYK 48 / 28 / 0 / 20

HEX #6A93CC

RGB 106 147 204

HSL 214.9, 0.49%, 0.61%

LAB 60.15, 1.57, -33.71

 

CMYK 0 / 30 / 70 / 40

HEX #9A6C2E

RGB 154 108 46

HSL 34.44, 0.54%, 0.39%

LAB 49.24, 12.06, 40.83

 

CMYK 0 / 26 / 62 / 33

HEX #AB7E41

RGB 171 126 65

HSL 34.53, 0.45%, 0.46%

LAB 56.05, 10.7, 39.43

 

CMYK 0 / 23 / 55 / 26

HEX #BC9054

RGB 188 144 84

HSL 34.62, 0.44%, 0.53%

LAB 62.74, 9.56, 37.99

 

CMYK 0 / 21 / 50 / 20

HEX #CDA267

RGB 205 162 103

HSL 34.71, 0.5%, 0.6%

LAB 69.33, 8.6, 36.59

 

CMYK 0 / 19 / 45 / 13

HEX #DEB47A

RGB 222 180 122

HSL 34.8, 0.6%, 0.67%

LAB 75.81, 7.79, 35.26

 

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

CMYK 0 / 32 / 76 / 48

HEX #845A20

RGB 132 90 32

HSL 34.8, 0.61%, 0.32%

LAB 41.72, 11.63, 38.87

 

CMYK 0 / 37 / 89 / 55

HEX #73480D

RGB 115 72 13

HSL 34.71, 0.8%, 0.25%

LAB 34.62, 13.54, 39.48

 

CMYK 0 / 45 / 100 / 62

HEX #623600

RGB 98 54 0

HSL 33.06, 1%, 0.19%

LAB 27.39, 15.91, 37.57

 

CMYK 0 / 56 / 100 / 68

HEX #512400

RGB 81 36 0

HSL 26.67, 1%, 0.16%

LAB 20.09, 18.72, 29.36

 

CMYK 0 / 28 / 66 / 42

HEX #946B33

RGB 148 107 51

HSL 34.64, 0.49%, 0.39%

LAB 48.32, 10.24, 37.1

 

CMYK 0 / 45 / 66 / 42

HEX #945133

RGB 148 81 51

HSL 18.56, 0.49%, 0.39%

LAB 41.88, 25.18, 29.63

 

CMYK 0 / 63 / 66 / 42

HEX #943733

RGB 148 55 51

HSL 2.47, 0.49%, 0.39%

LAB 36.49, 38.9, 23.07

 

CMYK 0 / 66 / 66 / 42

HEX #943333

RGB 148 51 51

HSL 0, 0.49%, 0.39%

LAB 35.8, 40.76, 22.2

 

CMYK 0 / 28 / 66 / 42

HEX #946B33

RGB 148 107 51

HSL 34.64, 0.49%, 0.39%

LAB 48.32, 10.24, 37.1

 

CMYK 0 / 9 / 66 / 42

HEX #948633

RGB 148 134 51

HSL 51.34, 0.49%, 0.39%

LAB 55.67, -5.05, 45.16

 

CMYK 8 / 0 / 66 / 42

HEX #889433

RGB 136 148 51

HSL 67.42, 0.49%, 0.39%

LAB 58.65, -17.88, 48.01

 

CMYK 26 / 0 / 66 / 42

HEX #6E9433

RGB 110 148 51

HSL 83.51, 0.49%, 0.39%

LAB 56.82, -28.77, 45.51

 

CMYK 43 / 0 / 66 / 42

HEX #549433

RGB 84 148 51

HSL 99.59, 0.49%, 0.39%

LAB 55.38, -38.43, 43.54

 

CMYK 0 / 28 / 66 / 42

HEX #946B33

RGB 148 107 51

HSL 34.64, 0.49%, 0.39%

LAB 48.32, 10.24, 37.1

 

CMYK 0 / 33 / 79 / 36

HEX #A46E23

RGB 164 110 35

HSL 34.88, 0.65%, 0.39%

LAB 50.88, 14.9, 47.88

 

CMYK 0 / 37 / 89 / 29

HEX #B47113

RGB 180 113 19

HSL 35.03, 0.81%, 0.39%

LAB 53.56, 19.88, 56.53

 

CMYK 0 / 41 / 99 / 23

HEX #C47302

RGB 196 115 2

HSL 34.95, 0.98%, 0.39%

LAB 56.09, 25.52, 62.79

 

CMYK 0 / 28 / 66 / 42

HEX #946B33

RGB 148 107 51

HSL 34.64, 0.49%, 0.39%

LAB 48.32, 10.24, 37.1

 

CMYK 0 / 20 / 49 / 48

HEX #846943

RGB 132 105 67

HSL 35.08, 0.33%, 0.39%

LAB 46.2, 5.56, 25.38

 

CMYK 0 / 12 / 28 / 55

HEX #746653

RGB 116 102 83

HSL 34.55, 0.17%, 0.39%

LAB 44, 2.34, 12.79

 

CMYK 0 / 0 / 1 / 61

HEX #646463

RGB 100 100 99

HSL 60, 0.01%, 0.39%

LAB 42.35, -0.2, 0.56

 

CMYK 27 / 16 / 0 / 55

HEX #546173

RGB 84 97 115

HSL 214.84, 0.16%, 0.39%

LAB 40.69, -0.5, -11.8

 

CMYK 0 / 64 / 66 / 42

HEX #943633

RGB 148 54 51

HSL 1.86, 0.49%, 0.39%

LAB 36.32, 39.37, 22.85

 

CMYK 0 / 46 / 66 / 42

HEX #945033

RGB 148 80 51

HSL 17.94, 0.49%, 0.39%

LAB 41.65, 25.75, 29.36

 

CMYK 0 / 28 / 66 / 42

HEX #946A33

RGB 148 106 51

HSL 34.02, 0.49%, 0.39%

LAB 48.06, 10.81, 36.81

 

CMYK 0 / 11 / 66 / 42

HEX #948433

RGB 148 132 51

HSL 50.1, 0.49%, 0.39%

LAB 55.11, -3.95, 44.57

 

CMYK 7 / 0 / 66 / 42

HEX #8A9433

RGB 138 148 51

HSL 66.19, 0.49%, 0.39%

LAB 58.81, -17.01, 48.23

 

CMYK 0 / 28 / 66 / 66

HEX #573F1E

RGB 87 63 30

HSL 34.74, 0.49%, 0.23%

LAB 28.58, 6.3, 24

 

CMYK 0 / 27 / 66 / 54

HEX #755528

RGB 117 85 40

HSL 35.06, 0.49%, 0.31%

LAB 38.61, 8.05, 30.91

 

CMYK 0 / 28 / 66 / 42

HEX #946B33

RGB 148 107 51

HSL 34.64, 0.49%, 0.39%

LAB 48.32, 10.24, 37.1

 

CMYK 0 / 27 / 66 / 30

HEX #B3823D

RGB 179 130 61

HSL 35.08, 0.49%, 0.47%

LAB 57.93, 11.7, 43.81

 

CMYK 0 / 24 / 57 / 23

HEX #C59655

RGB 197 150 85

HSL 34.82, 0.49%, 0.55%

LAB 65.23, 10.19, 40.7

 

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

CMYK 51 / 0 / 66 / 42

HEX #499433

RGB 73 148 51

HSL 106.39, 0.49%, 0.39%

LAB 54.9, -41.96, 42.88

 

CMYK 55 / 66 / 0 / 42

HEX #433394

RGB 67 51 148

HSL 249.9, 0.49%, 0.39%

LAB 28.64, 34.16, -51.2

 

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

CMYK 66 / 0 / 28 / 42

HEX #33946A

RGB 51 148 106

HSL 154.02, 0.49%, 0.39%

LAB 54.99, -38.5, 14.09

 

CMYK 28 / 66 / 0 / 42

HEX #6A3394

RGB 106 51 148

HSL 274.02, 0.49%, 0.39%

LAB 33.07, 42.57, -43.81

 

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

CMYK 51 / 0 / 66 / 42

HEX #499433

RGB 73 148 51

HSL 106.39, 0.49%, 0.39%

LAB 54.9, -41.96, 42.88

 

CMYK 66 / 37 / 0 / 42

HEX #335D94

RGB 51 93 148

HSL 214.02, 0.49%, 0.39%

LAB 39.02, 3.7, -34.58

 

CMYK 16 / 66 / 0 / 42

HEX #7D3394

RGB 125 51 148

HSL 285.77, 0.49%, 0.39%

LAB 35.72, 47.17, -39.41

 

CMYK 0 / 28 / 66 / 42

HEX #956C33

RGB 149 108 51

HSL 34.9, 0.49%, 0.39%

LAB 48.7, 10.11, 37.56

 

CMYK 66 / 0 / 61 / 42

HEX #339439

RGB 51 148 57

HSL 123.71, 0.49%, 0.39%

LAB 54.22, -47.08, 39.14

 

CMYK 66 / 37 / 0 / 42

HEX #335D94

RGB 51 93 148

HSL 214.02, 0.49%, 0.39%

LAB 39.02, 3.7, -34.58

 

CMYK 0 / 66 / 4 / 42

HEX #94338E

RGB 148 51 142

HSL 303.71, 0.49%, 0.39%

LAB 38.93, 51.85, -30.45

 

Description

Color code: HEX #956C33 | qconv.com Color code: HEX #956C33 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 108 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 108 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 66 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 66% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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