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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #956126 it is the complementary color #6A9ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #956126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #956126 shade: #9A6121, #AB7334, #BC8547, #CD975A and #DEA96D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #956126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #956126 shade: #956126, #844F13, #733D00, #622B00 and #511900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #956126 shade: #966227, #964427 and #962727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #956126 shade: #966227, #968027, #8E9627, #709627 and #529627

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #956126 shade matches the following richer shades: #966227, #A56317 and #B56408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #956126 shade: #966227, #876136, #776045, #685F54 and #595E64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #956126 shade: #962729, #964327, #966027, #967E27 and #909627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #956126 shade: #543716, #754C1E, #966227, #B7772F and #CE8C41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #956126 shade: #956126, #469627 and #342796

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #956126 shade: #956126, #279660 and #602796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #956126 shade: #956126, #469627, #275C96 and #762796

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #956126 shade: #956126, #279629, #275C96 and #962794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

Complementary color

CMYK 51 / 27 / 0 / 15

HEX #6A9ED9

RGB 106 158 217

HSL 211.89, 0.59%, 0.63%

LAB 63.78, -0.82, -35.32

 

CMYK 0 / 37 / 79 / 40

HEX #9A6121

RGB 154 97 33

HSL 31.74, 0.65%, 0.37%

LAB 46.35, 17.72, 43.95

 

CMYK 0 / 33 / 70 / 33

HEX #AB7334

RGB 171 115 52

HSL 31.76, 0.53%, 0.44%

LAB 53.13, 16.04, 42.69

 

CMYK 0 / 29 / 62 / 26

HEX #BC8547

RGB 188 133 71

HSL 31.79, 0.47%, 0.51%

LAB 59.82, 14.63, 41.23

 

CMYK 0 / 26 / 56 / 20

HEX #CD975A

RGB 205 151 90

HSL 31.83, 0.53%, 0.58%

LAB 66.41, 13.43, 39.75

 

CMYK 0 / 24 / 51 / 13

HEX #DEA96D

RGB 222 169 109

HSL 31.86, 0.63%, 0.65%

LAB 72.9, 12.41, 38.32

 

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

CMYK 0 / 40 / 86 / 48

HEX #844F13

RGB 132 79 19

HSL 31.86, 0.75%, 0.3%

LAB 38.8, 17.57, 41.75

 

CMYK 0 / 47 / 100 / 55

HEX #733D00

RGB 115 61 0

HSL 31.83, 1%, 0.23%

LAB 31.77, 19.78, 42.08

 

CMYK 0 / 56 / 100 / 62

HEX #622B00

RGB 98 43 0

HSL 26.33, 1%, 0.19%

LAB 24.72, 22.48, 35.12

 

CMYK 0 / 69 / 100 / 68

HEX #511900

RGB 81 25 0

HSL 18.52, 1%, 0.16%

LAB 17.67, 24.97, 26.53

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 55 / 74 / 41

HEX #964427

RGB 150 68 39

HSL 15.68, 0.59%, 0.37%

LAB 39.18, 32.42, 33.38

 

CMYK 0 / 74 / 74 / 41

HEX #962727

RGB 150 39 39

HSL 0, 0.59%, 0.37%

LAB 34.15, 45.79, 27.73

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 15 / 74 / 41

HEX #968027

RGB 150 128 39

HSL 48.11, 0.59%, 0.37%

LAB 54.1, -1.51, 48.81

 

CMYK 5 / 0 / 74 / 41

HEX #8E9627

RGB 142 150 39

HSL 64.32, 0.59%, 0.37%

LAB 59.63, -17, 53.92

 

CMYK 25 / 0 / 74 / 41

HEX #709627

RGB 112 150 39

HSL 80.54, 0.59%, 0.37%

LAB 57.47, -29.78, 51.09

 

CMYK 45 / 0 / 74 / 41

HEX #529627

RGB 82 150 39

HSL 96.76, 0.59%, 0.37%

LAB 55.84, -40.95, 48.93

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 40 / 86 / 35

HEX #A56317

RGB 165 99 23

HSL 32.11, 0.76%, 0.37%

LAB 48.24, 21.15, 50.17

 

CMYK 0 / 45 / 96 / 29

HEX #B56408

RGB 181 100 8

HSL 31.91, 0.92%, 0.37%

LAB 50.64, 27.3, 56.99

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 28 / 60 / 47

HEX #876136

RGB 135 97 54

HSL 31.85, 0.43%, 0.37%

LAB 44.19, 10.38, 30.29

 

CMYK 0 / 19 / 42 / 53

HEX #776045

RGB 119 96 69

HSL 32.4, 0.27%, 0.37%

LAB 42.33, 5.28, 18.93

 

CMYK 0 / 9 / 19 / 59

HEX #685F54

RGB 104 95 84

HSL 33, 0.11%, 0.37%

LAB 40.84, 1.57, 7.6

 

CMYK 11 / 6 / 0 / 61

HEX #595E64

RGB 89 94 100

HSL 212.73, 0.06%, 0.37%

LAB 39.66, -0.61, -4.1

 

CMYK 0 / 74 / 73 / 41

HEX #962729

RGB 150 39 41

HSL 358.92, 0.59%, 0.37%

LAB 34.18, 45.89, 26.53

 

CMYK 0 / 55 / 74 / 41

HEX #964327

RGB 150 67 39

HSL 15.14, 0.59%, 0.37%

LAB 38.98, 32.94, 33.16

 

CMYK 0 / 36 / 74 / 41

HEX #966027

RGB 150 96 39

HSL 30.81, 0.59%, 0.37%

LAB 45.63, 16.77, 40.27

 

CMYK 0 / 16 / 74 / 41

HEX #967E27

RGB 150 126 39

HSL 47.03, 0.59%, 0.37%

LAB 53.55, -0.39, 48.27

 

CMYK 4 / 0 / 74 / 41

HEX #909627

RGB 144 150 39

HSL 63.24, 0.59%, 0.37%

LAB 59.79, -16.12, 54.13

 

CMYK 0 / 35 / 74 / 67

HEX #543716

RGB 84 55 22

HSL 31.94, 0.58%, 0.21%

LAB 25.79, 9.29, 25.32

 

CMYK 0 / 35 / 74 / 54

HEX #754C1E

RGB 117 76 30

HSL 31.72, 0.59%, 0.29%

LAB 36.07, 12.82, 33.4

 

CMYK 0 / 35 / 74 / 41

HEX #966227

RGB 150 98 39

HSL 31.89, 0.59%, 0.37%

LAB 46.13, 15.62, 40.79

 

CMYK 0 / 35 / 74 / 28

HEX #B7772F

RGB 183 119 47

HSL 31.76, 0.59%, 0.45%

LAB 55.55, 18.81, 48.04

 

CMYK 0 / 32 / 68 / 19

HEX #CE8C41

RGB 206 140 65

HSL 31.91, 0.59%, 0.53%

LAB 63.56, 18.13, 48.96

 

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

CMYK 53 / 0 / 74 / 41

HEX #469627

RGB 70 150 39

HSL 103.24, 0.59%, 0.37%

LAB 55.34, -44.72, 48.26

 

CMYK 65 / 74 / 0 / 41

HEX #342796

RGB 52 39 150

HSL 247.03, 0.59%, 0.37%

LAB 24.9, 39.56, -58.6

 

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

CMYK 74 / 0 / 36 / 41

HEX #279660

RGB 39 150 96

HSL 150.81, 0.59%, 0.37%

LAB 55.16, -43.6, 19.88

 

CMYK 36 / 74 / 0 / 41

HEX #602796

RGB 96 39 150

HSL 270.81, 0.59%, 0.37%

LAB 29.76, 46.81, -50.45

 

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

CMYK 53 / 0 / 74 / 41

HEX #469627

RGB 70 150 39

HSL 103.24, 0.59%, 0.37%

LAB 55.34, -44.72, 48.26

 

CMYK 74 / 39 / 0 / 41

HEX #275C96

RGB 39 92 150

HSL 211.35, 0.59%, 0.37%

LAB 38.35, 3.08, -36.87

 

CMYK 21 / 74 / 0 / 41

HEX #762796

RGB 118 39 150

HSL 282.7, 0.59%, 0.37%

LAB 32.93, 51.27, -45.17

 

CMYK 0 / 35 / 74 / 42

HEX #956126

RGB 149 97 38

HSL 31.89, 0.59%, 0.37%

LAB 45.74, 15.69, 40.82

 

CMYK 74 / 0 / 73 / 41

HEX #279629

RGB 39 150 41

HSL 121.08, 0.59%, 0.37%

LAB 54.45, -51.85, 46.3

 

CMYK 74 / 39 / 0 / 41

HEX #275C96

RGB 39 92 150

HSL 211.35, 0.59%, 0.37%

LAB 38.35, 3.08, -36.87

 

CMYK 0 / 74 / 1 / 41

HEX #962794

RGB 150 39 148

HSL 301.08, 0.59%, 0.37%

LAB 37.97, 57.9, -35.59

 

Description

Color code: HEX #956126 | qconv.com Color code: HEX #956126 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 97 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 97 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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