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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955FEA it is the complementary color #6AA015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955FEA shade: #9A5FE5, #AB71F8, #BC83FF, #CD95FF and #DEA7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955FEA shade: #955FEA, #844DD7, #733BC4, #6229B1 and #51179E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955FEA shade: #9661EA, #BB61EA, #E161EA, #EA61CF and #EA61AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955FEA shade: #9661EA, #7161EA and #6161EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955FEA shade matches the following richer shades: #9661EA and #9353F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955FEA shade: #9661EA, #9A6FDC, #9D7ECE, #A08CBF and #A39BB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955FEA shade: #6176EA, #7161EA, #9661EA, #BA61EA and #DF61EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955FEA shade: #671DDC, #7E3DE6, #9661EA, #AF86EF and #C7AAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955FEA shade: #955FEA, #EA619A and #63EA61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955FEA shade: #955FEA, #EA9661 and #61EA96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955FEA shade: #955FEA, #EA619A, #B6EA61 and #61EAB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955FEA shade: #955FEA, #EA6171, #B6EA61 and #61EADA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

Complementary color

CMYK 34 / 0 / 87 / 37

HEX #6AA015

RGB 106 160 21

HSL 83.31, 0.77%, 0.35%

LAB 60.12, -37.57, 58.77

 

CMYK 33 / 59 / 0 / 10

HEX #9A5FE5

RGB 154 95 229

HSL 266.42, 0.72%, 0.64%

LAB 52.63, 50.41, -59.44

 

CMYK 31 / 54 / 0 / 3

HEX #AB71F8

RGB 171 113 248

HSL 265.78, 0.91%, 0.71%

LAB 59.2, 49.43, -59.4

 

CMYK 26 / 49 / 0 / 0

HEX #BC83FF

RGB 188 131 255

HSL 267.58, 1%, 0.76%

LAB 65.08, 45.65, -53.79

 

CMYK 20 / 42 / 0 / 0

HEX #CD95FF

RGB 205 149 255

HSL 271.7, 1%, 0.79%

LAB 70.66, 40.52, -44.87

 

CMYK 13 / 35 / 0 / 0

HEX #DEA7FF

RGB 222 167 255

HSL 277.5, 1%, 0.83%

LAB 76.31, 35.74, -35.95

 

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

CMYK 39 / 64 / 0 / 16

HEX #844DD7

RGB 132 77 215

HSL 263.91, 0.63%, 0.57%

LAB 45.8, 51.56, -62.65

 

CMYK 41 / 70 / 0 / 23

HEX #733BC4

RGB 115 59 196

HSL 264.53, 0.54%, 0.5%

LAB 39.17, 52.47, -62.52

 

CMYK 45 / 77 / 0 / 31

HEX #6229B1

RGB 98 41 177

HSL 265.15, 0.62%, 0.43%

LAB 32.61, 53.07, -62.12

 

CMYK 49 / 85 / 0 / 38

HEX #51179E

RGB 81 23 158

HSL 265.78, 0.75%, 0.35%

LAB 26.25, 52.93, -61.18

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 20 / 59 / 0 / 8

HEX #BB61EA

RGB 187 97 234

HSL 279.42, 0.77%, 0.65%

LAB 57.13, 58.29, -54.83

 

CMYK 4 / 59 / 0 / 8

HEX #E161EA

RGB 225 97 234

HSL 296.06, 0.77%, 0.65%

LAB 62.08, 67.55, -46.66

 

CMYK 0 / 59 / 12 / 8

HEX #EA61CF

RGB 234 97 207

HSL 311.82, 0.77%, 0.65%

LAB 62.12, 65.46, -31.36

 

CMYK 0 / 59 / 27 / 8

HEX #EA61AA

RGB 234 97 170

HSL 328.03, 0.77%, 0.65%

LAB 60.73, 60.28, -12.39

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 52 / 59 / 0 / 8

HEX #7161EA

RGB 113 97 234

HSL 247.01, 0.77%, 0.65%

LAB 49.5, 41.99, -67.51

 

CMYK 59 / 59 / 0 / 8

HEX #6161EA

RGB 97 97 234

HSL 240, 0.77%, 0.65%

LAB 48.3, 39.12, -69.51

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 41 / 67 / 0 / 2

HEX #9353F9

RGB 147 83 249

HSL 263.13, 0.93%, 0.65%

LAB 50.95, 60.05, -73.39

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 30 / 50 / 0 / 14

HEX #9A6FDC

RGB 154 111 220

HSL 263.67, 0.61%, 0.65%

LAB 55.49, 39.44, -49.81

 

CMYK 24 / 39 / 0 / 19

HEX #9D7ECE

RGB 157 126 206

HSL 263.25, 0.45%, 0.65%

LAB 58.55, 28.32, -37.06

 

CMYK 16 / 27 / 0 / 25

HEX #A08CBF

RGB 160 140 191

HSL 263.53, 0.28%, 0.65%

LAB 61.65, 17.73, -23.77

 

CMYK 8 / 12 / 0 / 31

HEX #A39BB1

RGB 163 155 177

HSL 261.82, 0.12%, 0.65%

LAB 65.28, 7.21, -10.37

 

CMYK 59 / 50 / 0 / 8

HEX #6176EA

RGB 97 118 234

HSL 230.8, 0.77%, 0.65%

LAB 53.43, 26.4, -61.22

 

CMYK 52 / 59 / 0 / 8

HEX #7161EA

RGB 113 97 234

HSL 247.01, 0.77%, 0.65%

LAB 49.5, 41.99, -67.51

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 21 / 59 / 0 / 8

HEX #BA61EA

RGB 186 97 234

HSL 278.98, 0.77%, 0.65%

LAB 57.01, 58.05, -55.03

 

CMYK 5 / 59 / 0 / 8

HEX #DF61EA

RGB 223 97 234

HSL 295.18, 0.77%, 0.65%

LAB 61.81, 67.06, -47.11

 

CMYK 53 / 87 / 0 / 14

HEX #671DDC

RGB 103 29 220

HSL 263.25, 0.77%, 0.49%

LAB 35.85, 68.62, -81.92

 

CMYK 45 / 73 / 0 / 10

HEX #7E3DE6

RGB 126 61 230

HSL 263.08, 0.77%, 0.57%

LAB 43.49, 62.04, -74.98

 

CMYK 36 / 59 / 0 / 8

HEX #9661EA

RGB 150 97 234

HSL 263.21, 0.77%, 0.65%

LAB 52.92, 49.69, -61.81

 

CMYK 27 / 44 / 0 / 6

HEX #AF86EF

RGB 175 134 239

HSL 263.43, 0.77%, 0.73%

LAB 63.67, 36.78, -47.31

 

CMYK 18 / 30 / 0 / 4

HEX #C7AAF4

RGB 199 170 244

HSL 263.51, 0.77%, 0.81%

LAB 74.46, 24.86, -33.03

 

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

CMYK 0 / 59 / 34 / 8

HEX #EA619A

RGB 234 97 154

HSL 335.04, 0.77%, 0.65%

LAB 60.23, 58.34, -3.9

 

CMYK 58 / 0 / 59 / 8

HEX #63EA61

RGB 99 234 97

HSL 119.12, 0.77%, 0.65%

LAB 83.11, -63, 54.57

 

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

CMYK 0 / 36 / 59 / 8

HEX #EA9661

RGB 234 150 97

HSL 23.21, 0.77%, 0.65%

LAB 69.59, 26.46, 40.76

 

CMYK 59 / 0 / 36 / 8

HEX #61EA96

RGB 97 234 150

HSL 143.21, 0.77%, 0.65%

LAB 83.75, -55.71, 29.92

 

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

CMYK 0 / 59 / 34 / 8

HEX #EA619A

RGB 234 97 154

HSL 335.04, 0.77%, 0.65%

LAB 60.23, 58.34, -3.9

 

CMYK 22 / 0 / 59 / 8

HEX #B6EA61

RGB 182 234 97

HSL 82.77, 0.77%, 0.65%

LAB 86.83, -37.26, 59.8

 

CMYK 59 / 0 / 24 / 8

HEX #61EAB1

RGB 97 234 177

HSL 155.04, 0.77%, 0.65%

LAB 84.26, -50.44, 16.7

 

CMYK 36 / 59 / 0 / 8

HEX #955FEA

RGB 149 95 234

HSL 263.31, 0.77%, 0.65%

LAB 52.41, 50.53, -62.63

 

CMYK 0 / 59 / 52 / 8

HEX #EA6171

RGB 234 97 113

HSL 352.99, 0.77%, 0.65%

LAB 59.19, 54.27, 18.45

 

CMYK 22 / 0 / 59 / 8

HEX #B6EA61

RGB 182 234 97

HSL 82.77, 0.77%, 0.65%

LAB 86.83, -37.26, 59.8

 

CMYK 59 / 0 / 7 / 8

HEX #61EADA

RGB 97 234 218

HSL 172.99, 0.77%, 0.65%

LAB 85.22, -40.91, -3.41

 

Description

Color code: HEX #955FEA | qconv.com Color code: HEX #955FEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 95 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 95 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 59 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 59% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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