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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955E41 it is the complementary color #6AA1BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955E41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955E41 shade: #9A5E3C, #AB704F, #BC8262, #CD9475 and #DEA688

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955E41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955E41 shade: #955E41, #844C2E, #733A1B, #622808 and #511600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955E41 shade: #955E41, #954841 and #954141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955E41 shade: #955E41, #957541, #958B41, #889541 and #719541

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955E41 shade matches the following richer shades: #955E41, #A65930, #B8531F and #C94E0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955E41 shade: #955E41, #846453, #726964, #616E75 and #507487

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955E41 shade: #954152, #954741, #955D41, #957341 and #958A41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955E41 shade: #5C3A28, #784C35, #955E41, #B1704E and #BE876B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955E41 shade: #955E41, #689541 and #414795

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955E41 shade: #955E41, #41955D and #5D4195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955E41 shade: #955E41, #689541, #417995 and #6E4195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955E41 shade: #955E41, #4F9541, #417995 and #874195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

Complementary color

CMYK 44 / 15 / 0 / 25

HEX #6AA1BE

RGB 106 161 190

HSL 200.71, 0.39%, 0.58%

LAB 63.57, -10.33, -20.61

 

CMYK 0 / 39 / 61 / 40

HEX #9A5E3C

RGB 154 94 60

HSL 21.7, 0.44%, 0.42%

LAB 45.91, 21.05, 29.58

 

CMYK 0 / 35 / 54 / 33

HEX #AB704F

RGB 171 112 79

HSL 21.52, 0.37%, 0.49%

LAB 52.74, 19.73, 27.84

 

CMYK 0 / 31 / 48 / 26

HEX #BC8262

RGB 188 130 98

HSL 21.33, 0.4%, 0.56%

LAB 59.47, 18.6, 26.28

 

CMYK 0 / 28 / 43 / 20

HEX #CD9475

RGB 205 148 117

HSL 21.14, 0.47%, 0.63%

LAB 66.09, 17.63, 24.87

 

CMYK 0 / 25 / 39 / 13

HEX #DEA688

RGB 222 166 136

HSL 20.93, 0.57%, 0.7%

LAB 72.61, 16.78, 23.58

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 42 / 65 / 48

HEX #844C2E

RGB 132 76 46

HSL 20.93, 0.48%, 0.35%

LAB 38.33, 20.74, 27.72

 

CMYK 0 / 50 / 77 / 55

HEX #733A1B

RGB 115 58 27

HSL 21.14, 0.62%, 0.28%

LAB 31.23, 22.45, 29.77

 

CMYK 0 / 59 / 92 / 62

HEX #622808

RGB 98 40 8

HSL 21.33, 0.85%, 0.21%

LAB 24.1, 24.44, 31.27

 

CMYK 0 / 73 / 100 / 68

HEX #511600

RGB 81 22 0

HSL 16.3, 1%, 0.16%

LAB 17.1, 26.49, 25.84

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 52 / 56 / 42

HEX #954841

RGB 149 72 65

HSL 5, 0.39%, 0.42%

LAB 40.26, 31.66, 19.32

 

CMYK 0 / 56 / 56 / 42

HEX #954141

RGB 149 65 65

HSL 0, 0.39%, 0.42%

LAB 38.82, 35.36, 17.42

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 21 / 56 / 42

HEX #957541

RGB 149 117 65

HSL 37.14, 0.39%, 0.42%

LAB 51.26, 6.04, 33.17

 

CMYK 0 / 7 / 56 / 42

HEX #958B41

RGB 149 139 65

HSL 52.86, 0.39%, 0.42%

LAB 57.31, -6.3, 40.31

 

CMYK 9 / 0 / 56 / 42

HEX #889541

RGB 136 149 65

HSL 69.29, 0.39%, 0.42%

LAB 59.08, -17.29, 42.06

 

CMYK 24 / 0 / 56 / 42

HEX #719541

RGB 113 149 65

HSL 85.71, 0.39%, 0.42%

LAB 57.45, -26.77, 39.76

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 46 / 71 / 35

HEX #A65930

RGB 166 89 48

HSL 20.85, 0.55%, 0.42%

LAB 46.26, 28.18, 37.02

 

CMYK 0 / 55 / 83 / 28

HEX #B8531F

RGB 184 83 31

HSL 20.39, 0.71%, 0.42%

LAB 47.59, 37.96, 47.55

 

CMYK 0 / 61 / 94 / 21

HEX #C94E0D

RGB 201 78 13

HSL 20.74, 0.88%, 0.42%

LAB 49.37, 46.45, 56.49

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 24 / 37 / 48

HEX #846453

RGB 132 100 83

HSL 20.82, 0.23%, 0.42%

LAB 45.14, 10.41, 14.63

 

CMYK 0 / 8 / 12 / 55

HEX #726964

RGB 114 105 100

HSL 21.43, 0.07%, 0.42%

LAB 45.08, 2.59, 4.08

 

CMYK 17 / 6 / 0 / 54

HEX #616E75

RGB 97 110 117

HSL 201, 0.09%, 0.42%

LAB 45.6, -3.27, -5.54

 

CMYK 41 / 14 / 0 / 47

HEX #507487

RGB 80 116 135

HSL 200.73, 0.26%, 0.42%

LAB 46.9, -7.54, -14.45

 

CMYK 0 / 56 / 45 / 42

HEX #954152

RGB 149 65 82

HSL 347.86, 0.39%, 0.42%

LAB 39.21, 37.01, 7.33

 

CMYK 0 / 52 / 56 / 42

HEX #954741

RGB 149 71 65

HSL 4.29, 0.39%, 0.42%

LAB 40.04, 32.2, 19.05

 

CMYK 0 / 38 / 56 / 42

HEX #955D41

RGB 149 93 65

HSL 20, 0.39%, 0.42%

LAB 45.08, 19.88, 25.54

 

CMYK 0 / 23 / 56 / 42

HEX #957341

RGB 149 115 65

HSL 35.71, 0.39%, 0.42%

LAB 50.73, 7.18, 32.52

 

CMYK 0 / 7 / 56 / 42

HEX #958A41

RGB 149 138 65

HSL 52.14, 0.39%, 0.42%

LAB 57.02, -5.75, 39.98

 

CMYK 0 / 37 / 57 / 64

HEX #5C3A28

RGB 92 58 40

HSL 20.77, 0.39%, 0.26%

LAB 27.99, 12.83, 17.33

 

CMYK 0 / 37 / 56 / 53

HEX #784C35

RGB 120 76 53

HSL 20.6, 0.39%, 0.34%

LAB 36.78, 15.97, 21.3

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 0 / 37 / 56 / 31

HEX #B1704E

RGB 177 112 78

HSL 20.61, 0.39%, 0.5%

LAB 53.48, 22.17, 29.49

 

CMYK 0 / 29 / 44 / 25

HEX #BE876B

RGB 190 135 107

HSL 20.24, 0.39%, 0.58%

LAB 61.08, 17.6, 23.42

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 30 / 0 / 56 / 42

HEX #689541

RGB 104 149 65

HSL 92.14, 0.39%, 0.42%

LAB 56.9, -30.26, 38.98

 

CMYK 56 / 52 / 0 / 42

HEX #414795

RGB 65 71 149

HSL 235.71, 0.39%, 0.42%

LAB 33.56, 21.29, -43.84

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 56 / 0 / 38 / 42

HEX #41955D

RGB 65 149 93

HSL 140, 0.39%, 0.42%

LAB 55.49, -38.53, 22.1

 

CMYK 38 / 56 / 0 / 42

HEX #5D4195

RGB 93 65 149

HSL 260, 0.39%, 0.42%

LAB 34.55, 31.73, -42.12

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 30 / 0 / 56 / 42

HEX #689541

RGB 104 149 65

HSL 92.14, 0.39%, 0.42%

LAB 56.9, -30.26, 38.98

 

CMYK 56 / 19 / 0 / 42

HEX #417995

RGB 65 121 149

HSL 200, 0.39%, 0.42%

LAB 48.22, -10, -20.77

 

CMYK 26 / 56 / 0 / 42

HEX #6E4195

RGB 110 65 149

HSL 272.14, 0.39%, 0.42%

LAB 36.49, 36.2, -38.91

 

CMYK 0 / 37 / 56 / 42

HEX #955E41

RGB 149 94 65

HSL 20.71, 0.39%, 0.42%

LAB 45.33, 19.3, 25.85

 

CMYK 47 / 0 / 56 / 42

HEX #4F9541

RGB 79 149 65

HSL 110, 0.39%, 0.42%

LAB 55.62, -38.96, 37.16

 

CMYK 56 / 19 / 0 / 42

HEX #417995

RGB 65 121 149

HSL 200, 0.39%, 0.42%

LAB 48.22, -10, -20.77

 

CMYK 9 / 56 / 0 / 42

HEX #874195

RGB 135 65 149

HSL 290, 0.39%, 0.42%

LAB 39.75, 43.09, -33.53

 

Description

Color code: HEX #955E41 | qconv.com Color code: HEX #955E41 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 94 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 94 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 56 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 56% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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