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Color name
HEX #955D2ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955D2ACE it is the complementary color #6AA2D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955D2ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955D2ACE shade: #9A5D25CE, #AB6F38CE, #BC814BCE, #CD935ECE and #DEA571CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955D2ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955D2ACE shade: #955D2ACE, #844B17CE, #733904CE, #622700CE and #511500CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955D2ACE shade: #935C2A, #933F2A and #932A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955D2ACE shade: #935C2A, #93782A, #91932A, #75932A and #59932A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955D2ACE shade matches the following richer shades: #935C2A, #A25B1A and #B25A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955D2ACE shade: #935C2A, #845D39, #755D48, #655E57 and #565F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955D2ACE shade: #932A31, #933F2A, #935B2A, #93772A and #93932A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955D2ACE shade: #533417, #734820, #935C2A, #B37033 and #CA8445

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955D2ACE shade: #955D2A, #4D932A and #312A93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955D2ACE shade: #955D2A, #2A935B and #5B2A93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955D2ACE shade: #955D2A, #4D932A, #2A6293 and #702A93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955D2ACE shade: #955D2A, #2D932A, #2A6293 and #902A93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 58 / 34

HEX #955D2ACE

RGBA 149 93 42 0.81

HSLA 28.6, 0.56%, 0.37%, 0.81

LABA 44.78, 18.21, 37.84, 0.81

 

Complementary color

CMYK 41 / 19 / 0 / 13

HEX #6AA2D5CE

RGBA 106 162 213 0.81

HSLA 208.6, 0.56%, 0.63%, 0.81

LABA 64.73, -4.27, -31.62, 0.81

 

CMYK 0 / 32 / 62 / 32

HEX #9A5D25CE

RGBA 154 93 37 0.81

HSLA 28.72, 0.61%, 0.37%, 0.81

LABA 45.4, 20.18, 41.16, 0.81

 

CMYK 0 / 28 / 54 / 27

HEX #AB6F38CE

RGBA 171 111 56 0.81

HSLA 28.7, 0.51%, 0.45%, 0.81

LABA 52.19, 18.53, 39.64, 0.81

 

CMYK 0 / 25 / 49 / 21

HEX #BC814BCE

RGBA 188 129 75 0.81

HSLA 28.67, 0.46%, 0.52%, 0.81

LABA 58.88, 17.13, 38.05, 0.81

 

CMYK 0 / 23 / 44 / 16

HEX #CD935ECE

RGBA 205 147 94 0.81

HSLA 28.65, 0.53%, 0.59%, 0.81

LABA 65.48, 15.94, 36.51, 0.81

 

CMYK 0 / 21 / 40 / 10

HEX #DEA571CE

RGBA 222 165 113 0.81

HSLA 28.62, 0.62%, 0.66%, 0.81

LABA 71.98, 14.92, 35.07, 0.81

 

CMYK 0 / 30 / 58 / 34

HEX #955D2ACE

RGBA 149 93 42 0.81

HSLA 28.6, 0.56%, 0.37%, 0.81

LABA 44.78, 18.21, 37.84, 0.81

 

CMYK 0 / 35 / 67 / 39

HEX #844B17CE

RGBA 132 75 23 0.81

HSLA 28.62, 0.7%, 0.3%, 0.81

LABA 37.84, 20.05, 39.21, 0.81

 

CMYK 0 / 41 / 78 / 44

HEX #733904CE

RGBA 115 57 4 0.81

HSLA 28.65, 0.93%, 0.23%, 0.81

LABA 30.83, 22.22, 39.8, 0.81

 

CMYK 0 / 49 / 81 / 50

HEX #622700CE

RGBA 98 39 0 0.81

HSLA 23.88, 1%, 0.19%, 0.81

LABA 23.83, 24.75, 34.25, 0.81

 

CMYK 0 / 60 / 81 / 55

HEX #511500CE

RGBA 81 21 0 0.81

HSLA 15.56, 1%, 0.16%, 0.81

LABA 16.92, 26.97, 25.62, 0.81

 

CMYK 0 / 37 / 71 / 42

HEX #935C2A

RGB 147 92 42

HSL 28.57, 0.56%, 0.37%

LAB 44.27, 17.89, 37.21

 

CMYK 0 / 57 / 71 / 42

HEX #933F2A

RGB 147 63 42

HSL 12, 0.56%, 0.37%

LAB 37.71, 33.98, 29.89

 

CMYK 0 / 71 / 71 / 42

HEX #932A2A

RGB 147 42 42

HSL 0, 0.56%, 0.37%

LAB 34.04, 43.76, 25.6

 

CMYK 0 / 37 / 71 / 42

HEX #935C2A

RGB 147 92 42

HSL 28.57, 0.56%, 0.37%

LAB 44.27, 17.89, 37.21

 

CMYK 0 / 18 / 71 / 42

HEX #93782A

RGB 147 120 42

HSL 44.57, 0.56%, 0.37%

LAB 51.61, 1.77, 44.94

 

CMYK 1 / 0 / 71 / 42

HEX #91932A

RGB 145 147 42

HSL 61.14, 0.56%, 0.37%

LAB 59.02, -13.95, 52.31

 

CMYK 20 / 0 / 71 / 42

HEX #75932A

RGB 117 147 42

HSL 77.14, 0.56%, 0.37%

LAB 56.9, -26.08, 49.48

 

CMYK 39 / 0 / 71 / 42

HEX #59932A

RGB 89 147 42

HSL 93.14, 0.56%, 0.37%

LAB 55.24, -37.02, 47.26

 

CMYK 0 / 37 / 71 / 42

HEX #935C2A

RGB 147 92 42

HSL 28.57, 0.56%, 0.37%

LAB 44.27, 17.89, 37.21

 

CMYK 0 / 44 / 84 / 36

HEX #A25B1A

RGB 162 91 26

HSL 28.68, 0.72%, 0.37%

LAB 45.96, 24.4, 46.92

 

CMYK 0 / 49 / 94 / 30

HEX #B25A0B

RGB 178 90 11

HSL 28.38, 0.88%, 0.37%

LAB 48.01, 31.45, 54.31

 

CMYK 0 / 37 / 71 / 42

HEX #935C2A

RGB 147 92 42

HSL 28.57, 0.56%, 0.37%

LAB 44.27, 17.89, 37.21

 

CMYK 0 / 30 / 57 / 48

HEX #845D39

RGB 132 93 57

HSL 28.8, 0.4%, 0.37%

LAB 42.81, 11.63, 26.84

 

CMYK 0 / 21 / 38 / 54

HEX #755D48

RGB 117 93 72

HSL 28, 0.24%, 0.37%

LAB 41.34, 6.57, 15.77

 

CMYK 0 / 7 / 14 / 60

HEX #655E57

RGB 101 94 87

HSL 30, 0.07%, 0.37%

LAB 40.35, 1.46, 5.01

 

CMYK 17 / 8 / 0 / 60

HEX #565F67

RGB 86 95 103

HSL 208.24, 0.09%, 0.37%

LAB 39.82, -1.62, -5.74

 

CMYK 0 / 71 / 67 / 42

HEX #932A31

RGB 147 42 49

HSL 356, 0.56%, 0.37%

LAB 34.15, 44.16, 21.35

 

CMYK 0 / 57 / 71 / 42

HEX #933F2A

RGB 147 63 42

HSL 12, 0.56%, 0.37%

LAB 37.71, 33.98, 29.89

 

CMYK 0 / 38 / 71 / 42

HEX #935B2A

RGB 147 91 42

HSL 28, 0.56%, 0.37%

LAB 44.02, 18.47, 36.94

 

CMYK 0 / 19 / 71 / 42

HEX #93772A

RGB 147 119 42

HSL 44, 0.56%, 0.37%

LAB 51.34, 2.34, 44.66

 

CMYK 0 / 0 / 71 / 42

HEX #93932A

RGB 147 147 42

HSL 60, 0.56%, 0.37%

LAB 59.19, -13.06, 52.53

 

CMYK 0 / 37 / 72 / 67

HEX #533417

RGB 83 52 23

HSL 29, 0.57%, 0.21%

LAB 24.82, 10.78, 23.62

 

CMYK 0 / 37 / 72 / 55

HEX #734820

RGB 115 72 32

HSL 28.92, 0.56%, 0.29%

LAB 34.77, 14.41, 30.87

 

CMYK 0 / 37 / 71 / 42

HEX #935C2A

RGB 147 92 42

HSL 28.57, 0.56%, 0.37%

LAB 44.27, 17.89, 37.21

 

CMYK 0 / 37 / 72 / 30

HEX #B37033

RGB 179 112 51

HSL 28.59, 0.56%, 0.45%

LAB 53.4, 21.16, 43.76

 

CMYK 0 / 35 / 66 / 21

HEX #CA8445

RGB 202 132 69

HSL 28.42, 0.56%, 0.53%

LAB 61.21, 21.02, 44.27

 

CMYK 0 / 38 / 72 / 42

HEX #955D2A

RGB 149 93 42

HSL 28.6, 0.56%, 0.37%

LAB 44.78, 18.21, 37.84

 

CMYK 48 / 0 / 71 / 42

HEX #4D932A

RGB 77 147 42

HSL 100, 0.56%, 0.37%

LAB 54.67, -41.11, 46.5

 

CMYK 67 / 71 / 0 / 42

HEX #312A93

RGB 49 42 147

HSL 244, 0.56%, 0.37%

LAB 25, 36.4, -56.6

 

CMYK 0 / 38 / 72 / 42

HEX #955D2A

RGB 149 93 42

HSL 28.6, 0.56%, 0.37%

LAB 44.78, 18.21, 37.84

 

CMYK 71 / 0 / 38 / 42

HEX #2A935B

RGB 42 147 91

HSL 148, 0.56%, 0.37%

LAB 54.15, -42.93, 21.3

 

CMYK 38 / 71 / 0 / 42

HEX #5B2A93

RGB 91 42 147

HSL 268, 0.56%, 0.37%

LAB 29.38, 43.62, -49.26

 

CMYK 0 / 38 / 72 / 42

HEX #955D2A

RGB 149 93 42

HSL 28.6, 0.56%, 0.37%

LAB 44.78, 18.21, 37.84

 

CMYK 48 / 0 / 71 / 42

HEX #4D932A

RGB 77 147 42

HSL 100, 0.56%, 0.37%

LAB 54.67, -41.11, 46.5

 

CMYK 71 / 33 / 0 / 42

HEX #2A6293

RGB 42 98 147

HSL 208, 0.56%, 0.37%

LAB 40.14, -1.38, -32.23

 

CMYK 24 / 71 / 0 / 42

HEX #702A93

RGB 112 42 147

HSL 280, 0.56%, 0.37%

LAB 32.27, 48.05, -44.44

 

CMYK 0 / 38 / 72 / 42

HEX #955D2A

RGB 149 93 42

HSL 28.6, 0.56%, 0.37%

LAB 44.78, 18.21, 37.84

 

CMYK 69 / 0 / 71 / 42

HEX #2D932A

RGB 45 147 42

HSL 118.29, 0.56%, 0.37%

LAB 53.59, -49.59, 45.04

 

CMYK 71 / 33 / 0 / 42

HEX #2A6293

RGB 42 98 147

HSL 208, 0.56%, 0.37%

LAB 40.14, -1.38, -32.23

 

CMYK 2 / 71 / 0 / 42

HEX #902A93

RGB 144 42 147

HSL 298.29, 0.56%, 0.37%

LAB 37.28, 55.3, -36.14

 

Description

Color code: HEX #955D2ACE | qconv.com Color code: HEX #955D2ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 93 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 93 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 58 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 58% 34% C M Y K

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Provide designers and agencies with accurate color values.

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