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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955C15 it is the complementary color #6AA3EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955C15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955C15 shade: #9A5C10, #AB6E23, #BC8036, #CD9249 and #DEA45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955C15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955C15 shade: #955C15, #844A02, #733800, #622600 and #511400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955C15 shade: #935B15, #933915, #931715 and #931515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955C15 shade: #935B15, #937D15, #879315, #659315 and #439315

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955C15 shade matches the following richer shades: #935B15 and #A15D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955C15 shade: #935B15, #865A23, #785830, #6A573E and #5D554B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955C15 shade: #931715, #933915, #935A15, #937C15 and #899315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955C15 shade: #4B2E0B, #6F4510, #935B15, #B7711A and #DB881F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955C15 shade: #955C15, #359315 and #281593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955C15 shade: #955C15, #15935A and #5A1593

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955C15 shade: #955C15, #359315, #154E93 and #741593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955C15 shade: #955C15, #15931B, #154E93 and #93158D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

Complementary color

CMYK 55 / 30 / 0 / 8

HEX #6AA3EA

RGB 106 163 234

HSL 213.28, 0.75%, 0.67%

LAB 65.9, 1.53, -41.38

 

CMYK 0 / 40 / 90 / 40

HEX #9A5C10

RGB 154 92 16

HSL 33.04, 0.81%, 0.33%

LAB 45.03, 20.02, 49.21

 

CMYK 0 / 36 / 80 / 33

HEX #AB6E23

RGB 171 110 35

HSL 33.09, 0.66%, 0.4%

LAB 51.76, 18.03, 49.02

 

CMYK 0 / 32 / 71 / 26

HEX #BC8036

RGB 188 128 54

HSL 33.13, 0.55%, 0.47%

LAB 58.41, 16.35, 47.98

 

CMYK 0 / 29 / 64 / 20

HEX #CD9249

RGB 205 146 73

HSL 33.18, 0.57%, 0.55%

LAB 64.98, 14.92, 46.64

 

CMYK 0 / 26 / 59 / 13

HEX #DEA45C

RGB 222 164 92

HSL 33.23, 0.66%, 0.62%

LAB 71.46, 13.69, 45.23

 

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

CMYK 0 / 44 / 98 / 48

HEX #844A02

RGB 132 74 2

HSL 33.23, 0.97%, 0.26%

LAB 37.49, 20.08, 46.3

 

CMYK 0 / 51 / 100 / 55

HEX #733800

RGB 115 56 0

HSL 29.22, 1%, 0.23%

LAB 30.58, 22.7, 41.24

 

CMYK 0 / 61 / 100 / 62

HEX #622600

RGB 98 38 0

HSL 23.27, 1%, 0.19%

LAB 23.61, 25.3, 34.04

 

CMYK 0 / 75 / 100 / 68

HEX #511400

RGB 81 20 0

HSL 14.81, 1%, 0.16%

LAB 16.75, 27.44, 25.41

 

CMYK 0 / 38 / 86 / 42

HEX #935B15

RGB 147 91 21

HSL 33.33, 0.75%, 0.33%

LAB 43.86, 17.55, 46.18

 

CMYK 0 / 61 / 86 / 42

HEX #933915

RGB 147 57 21

HSL 17.14, 0.75%, 0.33%

LAB 36.34, 36.14, 39.63

 

CMYK 0 / 84 / 86 / 42

HEX #931715

RGB 147 23 21

HSL 0.95, 0.75%, 0.33%

LAB 31.51, 49.31, 35.3

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 38 / 86 / 42

HEX #935B15

RGB 147 91 21

HSL 33.33, 0.75%, 0.33%

LAB 43.86, 17.55, 46.18

 

CMYK 0 / 15 / 86 / 42

HEX #937D15

RGB 147 125 21

HSL 49.52, 0.75%, 0.33%

LAB 52.87, -1.94, 53.84

 

CMYK 8 / 0 / 86 / 42

HEX #879315

RGB 135 147 21

HSL 65.71, 0.75%, 0.33%

LAB 58.11, -19.27, 57.82

 

CMYK 31 / 0 / 86 / 42

HEX #659315

RGB 101 147 21

HSL 81.9, 0.75%, 0.33%

LAB 55.77, -33.66, 54.9

 

CMYK 54 / 0 / 86 / 42

HEX #439315

RGB 67 147 21

HSL 98.1, 0.75%, 0.33%

LAB 54.15, -45.52, 52.84

 

CMYK 0 / 38 / 86 / 42

HEX #935B15

RGB 147 91 21

HSL 33.33, 0.75%, 0.33%

LAB 43.86, 17.55, 46.18

 

CMYK 0 / 42 / 96 / 37

HEX #A15D07

RGB 161 93 7

HSL 33.51, 0.92%, 0.33%

LAB 46.21, 22.42, 52.82

 

CMYK 0 / 38 / 86 / 42

HEX #935B15

RGB 147 91 21

HSL 33.33, 0.75%, 0.33%

LAB 43.86, 17.55, 46.18

 

CMYK 0 / 33 / 74 / 47

HEX #865A23

RGB 134 90 35

HSL 33.33, 0.59%, 0.33%

LAB 42, 12.72, 37.8

 

CMYK 0 / 27 / 60 / 53

HEX #785830

RGB 120 88 48

HSL 33.33, 0.43%, 0.33%

LAB 39.89, 8.3, 28.07

 

CMYK 0 / 18 / 42 / 58

HEX #6A573E

RGB 106 87 62

HSL 34.09, 0.26%, 0.33%

LAB 38.25, 3.94, 17.46

 

CMYK 0 / 9 / 19 / 64

HEX #5D554B

RGB 93 85 75

HSL 33.33, 0.11%, 0.33%

LAB 36.62, 1.38, 7.01

 

CMYK 0 / 84 / 86 / 42

HEX #931715

RGB 147 23 21

HSL 0.95, 0.75%, 0.33%

LAB 31.51, 49.31, 35.3

 

CMYK 0 / 61 / 86 / 42

HEX #933915

RGB 147 57 21

HSL 17.14, 0.75%, 0.33%

LAB 36.34, 36.14, 39.63

 

CMYK 0 / 39 / 86 / 42

HEX #935A15

RGB 147 90 21

HSL 32.86, 0.75%, 0.33%

LAB 43.61, 18.13, 45.97

 

CMYK 0 / 16 / 86 / 42

HEX #937C15

RGB 147 124 21

HSL 49.05, 0.75%, 0.33%

LAB 52.59, -1.38, 53.6

 

CMYK 7 / 0 / 86 / 42

HEX #899315

RGB 137 147 21

HSL 64.76, 0.75%, 0.33%

LAB 58.26, -18.38, 58.02

 

CMYK 0 / 39 / 85 / 71

HEX #4B2E0B

RGB 75 46 11

HSL 32.81, 0.74%, 0.17%

LAB 21.85, 9.88, 26.52

 

CMYK 0 / 38 / 86 / 56

HEX #6F4510

RGB 111 69 16

HSL 33.47, 0.75%, 0.25%

LAB 33.29, 13.53, 36.95

 

CMYK 0 / 38 / 86 / 42

HEX #935B15

RGB 147 91 21

HSL 33.33, 0.75%, 0.33%

LAB 43.86, 17.55, 46.18

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 38 / 86 / 14

HEX #DB881F

RGB 219 136 31

HSL 33.51, 0.75%, 0.49%

LAB 63.97, 24.49, 63.49

 

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

CMYK 64 / 0 / 86 / 42

HEX #359315

RGB 53 147 21

HSL 104.76, 0.75%, 0.33%

LAB 53.68, -49.27, 52.25

 

CMYK 73 / 86 / 0 / 42

HEX #281593

RGB 40 21 147

HSL 249.05, 0.75%, 0.33%

LAB 20.42, 46.55, -64.19

 

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

CMYK 86 / 0 / 39 / 42

HEX #15935A

RGB 21 147 90

HSL 152.86, 0.75%, 0.33%

LAB 53.78, -45.89, 21.29

 

CMYK 39 / 86 / 0 / 42

HEX #5A1593

RGB 90 21 147

HSL 272.86, 0.75%, 0.33%

LAB 26.21, 52.15, -54.44

 

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

CMYK 64 / 0 / 86 / 42

HEX #359315

RGB 53 147 21

HSL 104.76, 0.75%, 0.33%

LAB 53.68, -49.27, 52.25

 

CMYK 86 / 47 / 0 / 42

HEX #154E93

RGB 21 78 147

HSL 212.86, 0.75%, 0.33%

LAB 33.38, 8.98, -43.03

 

CMYK 21 / 86 / 0 / 42

HEX #741593

RGB 116 21 147

HSL 285.24, 0.75%, 0.33%

LAB 30.29, 56.33, -47.61

 

CMYK 0 / 38 / 86 / 42

HEX #955C15

RGB 149 92 21

HSL 33.28, 0.75%, 0.33%

LAB 44.37, 17.89, 46.73

 

CMYK 86 / 0 / 82 / 42

HEX #15931B

RGB 21 147 27

HSL 122.86, 0.75%, 0.33%

LAB 53.07, -54.47, 49.76

 

CMYK 86 / 47 / 0 / 42

HEX #154E93

RGB 21 78 147

HSL 212.86, 0.75%, 0.33%

LAB 33.38, 8.98, -43.03

 

CMYK 0 / 86 / 4 / 42

HEX #93158D

RGB 147 21 141

HSL 302.86, 0.75%, 0.33%

LAB 35.33, 61.08, -35.54

 

Description

Color code: HEX #955C15 | qconv.com Color code: HEX #955C15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 92 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 92 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 86 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 86% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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