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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955AD2CE it is the complementary color #6AA52DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955AD2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955AD2CE shade: #9A5ACDCE, #AB6CE0CE, #BC7EF3CE, #CD90FFCE and #DEA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955AD2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955AD2CE shade: #955AD2CE, #8448BFCE, #7336ACCE, #622499CE and #511286CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955AD2CE shade: #955BD2, #B65BD2, #D25BCE, #D25BAE and #D25B8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955AD2CE shade: #955BD2, #755BD2 and #5B5BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955AD2CE shade matches the following richer shades: #955BD2, #954AE3 and #9539F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955AD2CE shade: #955BD2, #966CC1, #967DB0, #968E9F and #979F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955AD2CE shade: #5B61D2, #755BD2, #945BD2, #B45BD2 and #D25BD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955AD2CE shade: #6C2FAB, #813AC9, #955BD2, #AA7BDB and #BF9CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955AD2CE shade: #955AD2, #D25B81 and #5BD265

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955AD2CE shade: #955AD2, #D2945B and #5BD294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955AD2CE shade: #955AD2, #D25B81, #98D25B and #5BD2AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955AD2CE shade: #955AD2, #D25B5D, #98D25B and #5BD2D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 46 / 0 / 14

HEX #955AD2CE

RGBA 149 90 210 0.81

HSLA 269.5, 0.57%, 0.59%, 0.81

LABA 49.92, 47.28, -53.04, 0.81

 

Complementary color

CMYK 29 / 0 / 59 / 29

HEX #6AA52DCE

RGBA 106 165 45 0.81

HSLA 89.5, 0.57%, 0.41%, 0.81

LABA 61.8, -38.56, 53.04, 0.81

 

CMYK 20 / 45 / 0 / 16

HEX #9A5ACDCE

RGBA 154 90 205 0.81

HSLA 273.39, 0.53%, 0.58%, 0.81

LABA 50.2, 47.34, -49.7, 0.81

 

CMYK 19 / 42 / 0 / 10

HEX #AB6CE0CE

RGBA 171 108 224 0.81

HSLA 272.59, 0.65%, 0.65%, 0.81

LABA 56.85, 46.47, -49.79, 0.81

 

CMYK 18 / 39 / 0 / 4

HEX #BC7EF3CE

RGBA 188 126 243 0.81

HSLA 271.79, 0.83%, 0.72%, 0.81

LABA 63.41, 45.6, -49.83, 0.81

 

CMYK 16 / 35 / 0 / 0

HEX #CD90FFCE

RGBA 205 144 255 0.81

HSLA 272.97, 1%, 0.78%, 0.81

LABA 69.57, 43.21, -46.58, 0.81

 

CMYK 10 / 30 / 0 / 0

HEX #DEA2FFCE

RGBA 222 162 255 0.81

HSLA 278.71, 1%, 0.82%, 0.81

LABA 75.2, 38.43, -37.67, 0.81

 

CMYK 24 / 46 / 0 / 14

HEX #955AD2CE

RGBA 149 90 210 0.81

HSLA 269.5, 0.57%, 0.59%, 0.81

LABA 49.92, 47.28, -53.04, 0.81

 

CMYK 25 / 50 / 0 / 20

HEX #8448BFCE

RGBA 132 72 191 0.81

HSLA 270.25, 0.48%, 0.52%, 0.81

LABA 43.21, 48.17, -52.96, 0.81

 

CMYK 27 / 56 / 0 / 26

HEX #7336ACCE

RGBA 115 54 172 0.81

HSLA 271.02, 0.52%, 0.44%, 0.81

LABA 36.48, 48.91, -52.73, 0.81

 

CMYK 29 / 62 / 0 / 32

HEX #622499CE

RGBA 98 36 153 0.81

HSLA 271.79, 0.62%, 0.37%, 0.81

LABA 29.81, 49.26, -52.2, 0.81

 

CMYK 32 / 70 / 0 / 38

HEX #511286CE

RGBA 81 18 134 0.81

HSLA 272.59, 0.76%, 0.3%, 0.81

LABA 23.35, 48.72, -51.08, 0.81

 

CMYK 29 / 57 / 0 / 18

HEX #955BD2

RGB 149 91 210

HSL 269.24, 0.57%, 0.59%

LAB 50.13, 46.74, -52.72

 

CMYK 13 / 57 / 0 / 18

HEX #B65BD2

RGB 182 91 210

HSL 285.88, 0.57%, 0.59%

LAB 54.11, 55.03, -46.13

 

CMYK 0 / 57 / 2 / 18

HEX #D25BCE

RGB 210 91 206

HSL 302.02, 0.57%, 0.59%

LAB 57.69, 61.55, -37.96

 

CMYK 0 / 57 / 17 / 18

HEX #D25BAE

RGB 210 91 174

HSL 318.15, 0.57%, 0.59%

LAB 56.33, 56.46, -21.72

 

CMYK 0 / 57 / 32 / 18

HEX #D25B8E

RGB 210 91 142

HSL 334.29, 0.57%, 0.59%

LAB 55.21, 52.12, -4.71

 

CMYK 29 / 57 / 0 / 18

HEX #955BD2

RGB 149 91 210

HSL 269.24, 0.57%, 0.59%

LAB 50.13, 46.74, -52.72

 

CMYK 44 / 57 / 0 / 18

HEX #755BD2

RGB 117 91 210

HSL 253.11, 0.57%, 0.59%

LAB 46.87, 39.29, -58.13

 

CMYK 57 / 57 / 0 / 18

HEX #5B5BD2

RGB 91 91 210

HSL 240, 0.57%, 0.59%

LAB 44.74, 34.01, -61.67

 

CMYK 29 / 57 / 0 / 18

HEX #955BD2

RGB 149 91 210

HSL 269.24, 0.57%, 0.59%

LAB 50.13, 46.74, -52.72

 

CMYK 34 / 67 / 0 / 11

HEX #954AE3

RGB 149 74 227

HSL 269.41, 0.73%, 0.59%

LAB 48.05, 59.4, -65.74

 

CMYK 39 / 77 / 0 / 4

HEX #9539F4

RGB 149 57 244

HSL 269.52, 0.89%, 0.59%

LAB 46.77, 70.56, -77.4

 

CMYK 29 / 57 / 0 / 18

HEX #955BD2

RGB 149 91 210

HSL 269.24, 0.57%, 0.59%

LAB 50.13, 46.74, -52.72

 

CMYK 22 / 44 / 0 / 24

HEX #966CC1

RGB 150 108 193

HSL 269.65, 0.41%, 0.59%

LAB 53.01, 33.49, -38.4

 

CMYK 15 / 29 / 0 / 31

HEX #967DB0

RGB 150 125 176

HSL 269.41, 0.24%, 0.59%

LAB 56.37, 19.74, -23.42

 

CMYK 6 / 11 / 0 / 38

HEX #968E9F

RGB 150 142 159

HSL 268.24, 0.08%, 0.59%

LAB 60.19, 6.3, -7.91

 

CMYK 5 / 0 / 11 / 38

HEX #979F8E

RGB 151 159 142

HSL 88.24, 0.08%, 0.59%

LAB 64.43, -6.07, 7.89

 

CMYK 57 / 54 / 0 / 18

HEX #5B61D2

RGB 91 97 210

HSL 236.97, 0.57%, 0.59%

LAB 46.21, 30.33, -59.29

 

CMYK 44 / 57 / 0 / 18

HEX #755BD2

RGB 117 91 210

HSL 253.11, 0.57%, 0.59%

LAB 46.87, 39.29, -58.13

 

CMYK 30 / 57 / 0 / 18

HEX #945BD2

RGB 148 91 210

HSL 268.74, 0.57%, 0.59%

LAB 50.02, 46.5, -52.91

 

CMYK 14 / 57 / 0 / 18

HEX #B45BD2

RGB 180 91 210

HSL 284.87, 0.57%, 0.59%

LAB 53.86, 54.52, -46.56

 

CMYK 0 / 57 / 1 / 18

HEX #D25BD0

RGB 210 91 208

HSL 301.01, 0.57%, 0.59%

LAB 57.79, 61.89, -38.95

 

CMYK 37 / 73 / 0 / 33

HEX #6C2FAB

RGB 108 47 171

HSL 269.52, 0.57%, 0.43%

LAB 34.32, 50.6, -55.69

 

CMYK 36 / 71 / 0 / 21

HEX #813AC9

RGB 129 58 201

HSL 269.79, 0.57%, 0.51%

LAB 41.07, 56.79, -62.26

 

CMYK 29 / 57 / 0 / 18

HEX #955BD2

RGB 149 91 210

HSL 269.24, 0.57%, 0.59%

LAB 50.13, 46.74, -52.72

 

CMYK 22 / 44 / 0 / 14

HEX #AA7BDB

RGB 170 123 219

HSL 269.38, 0.57%, 0.67%

LAB 59.73, 36.82, -42.43

 

CMYK 16 / 32 / 0 / 11

HEX #BF9CE4

RGB 191 156 228

HSL 269.17, 0.57%, 0.75%

LAB 69.79, 26.65, -31.58

 

CMYK 29 / 57 / 0 / 18

HEX #955AD2

RGB 149 90 210

HSL 269.5, 0.57%, 0.59%

LAB 49.92, 47.28, -53.04

 

CMYK 0 / 57 / 39 / 18

HEX #D25B81

RGB 210 91 129

HSL 340.84, 0.57%, 0.59%

LAB 54.83, 50.6, 2.4

 

CMYK 57 / 0 / 52 / 18

HEX #5BD265

RGB 91 210 101

HSL 125.04, 0.57%, 0.59%

LAB 75.61, -55.54, 43.78

 

CMYK 29 / 57 / 0 / 18

HEX #955AD2

RGB 149 90 210

HSL 269.5, 0.57%, 0.59%

LAB 49.92, 47.28, -53.04

 

CMYK 0 / 30 / 57 / 18

HEX #D2945B

RGB 210 148 91

HSL 28.74, 0.57%, 0.59%

LAB 66.24, 17.24, 39.15

 

CMYK 57 / 0 / 30 / 18

HEX #5BD294

RGB 91 210 148

HSL 148.74, 0.57%, 0.59%

LAB 76.35, -47.68, 20.88

 

CMYK 29 / 57 / 0 / 18

HEX #955AD2

RGB 149 90 210

HSL 269.5, 0.57%, 0.59%

LAB 49.92, 47.28, -53.04

 

CMYK 0 / 57 / 39 / 18

HEX #D25B81

RGB 210 91 129

HSL 340.84, 0.57%, 0.59%

LAB 54.83, 50.6, 2.4

 

CMYK 28 / 0 / 57 / 18

HEX #98D25B

RGB 152 210 91

HSL 89.24, 0.57%, 0.59%

LAB 78.18, -38, 52.15

 

CMYK 57 / 0 / 18 / 18

HEX #5BD2AC

RGB 91 210 172

HSL 160.84, 0.57%, 0.59%

LAB 76.86, -42.53, 8.85

 

CMYK 29 / 57 / 0 / 18

HEX #955AD2

RGB 149 90 210

HSL 269.5, 0.57%, 0.59%

LAB 49.92, 47.28, -53.04

 

CMYK 0 / 57 / 56 / 18

HEX #D25B5D

RGB 210 91 93

HSL 358.99, 0.57%, 0.59%

LAB 54, 47.18, 22.47

 

CMYK 28 / 0 / 57 / 18

HEX #98D25B

RGB 152 210 91

HSL 89.24, 0.57%, 0.59%

LAB 78.18, -38, 52.15

 

CMYK 57 / 0 / 1 / 18

HEX #5BD2D0

RGB 91 210 208

HSL 178.99, 0.57%, 0.59%

LAB 77.8, -33.57, -9.1

 

Description

Color code: HEX #955AD2CE | qconv.com Color code: HEX #955AD2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 90 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 90 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 46 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 46% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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