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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955670 it is the complementary color #6AA98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955670 shade: #9A566B, #AB687E, #BC7A91, #CD8CA4 and #DE9EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955670 shade: #955670, #84445D, #73324A, #622037 and #510E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955670 shade: #955670, #95565F and #955656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955670 shade: #955670, #955681, #955692, #875695 and #765695

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955670 shade matches the following richer shades: #955670, #A8436C, #BB3069, #CE1D66 and #E10A63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955670 shade: #955670, #826973, #6F7C76, #5C8F7A and #49A27D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955670 shade: #955692, #955681, #955670, #95565F and #955D56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955670 shade: #613848, #7B475C, #955670, #AA6A84 and #B9859A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955670 shade: #955670, #958756 and #568995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955670 shade: #955670, #709556 and #567095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955670 shade: #955670, #958756, #56957B and #566395

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955670 shade: #955670, #909556, #56957B and #5B5695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

Complementary color

CMYK 37 / 0 / 15 / 34

HEX #6AA98F

RGB 106 169 143

HSL 155.24, 0.27%, 0.54%

LAB 64.5, -26.25, 7.06

 

CMYK 0 / 44 / 31 / 40

HEX #9A566B

RGB 154 86 107

HSL 341.47, 0.28%, 0.47%

LAB 45.06, 30.72, 0.39

 

CMYK 0 / 39 / 26 / 33

HEX #AB687E

RGB 171 104 126

HSL 340.3, 0.29%, 0.54%

LAB 51.91, 29.81, -0.75

 

CMYK 0 / 35 / 23 / 26

HEX #BC7A91

RGB 188 122 145

HSL 339.09, 0.33%, 0.61%

LAB 58.65, 28.96, -1.72

 

CMYK 0 / 32 / 20 / 20

HEX #CD8CA4

RGB 205 140 164

HSL 337.85, 0.39%, 0.68%

LAB 65.29, 28.18, -2.59

 

CMYK 0 / 29 / 18 / 13

HEX #DE9EB7

RGB 222 158 183

HSL 336.56, 0.49%, 0.75%

LAB 71.83, 27.47, -3.38

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 48 / 30 / 48

HEX #84445D

RGB 132 68 93

HSL 336.56, 0.32%, 0.39%

LAB 37.54, 30.5, -2.34

 

CMYK 0 / 57 / 36 / 55

HEX #73324A

RGB 115 50 74

HSL 337.85, 0.39%, 0.32%

LAB 30.45, 31.39, -0.87

 

CMYK 0 / 67 / 44 / 62

HEX #622037

RGB 98 32 55

HSL 339.09, 0.51%, 0.25%

LAB 23.36, 32.1, 1.15

 

CMYK 0 / 83 / 56 / 68

HEX #510E24

RGB 81 14 36

HSL 340.3, 0.71%, 0.19%

LAB 16.46, 32.09, 4.2

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 42 / 36 / 42

HEX #95565F

RGB 149 86 95

HSL 351.43, 0.27%, 0.46%

LAB 44.05, 27.17, 6.16

 

CMYK 0 / 42 / 42 / 42

HEX #955656

RGB 149 86 86

HSL 0, 0.27%, 0.46%

LAB 43.82, 26.05, 11.33

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 42 / 13 / 42

HEX #955681

RGB 149 86 129

HSL 319.05, 0.27%, 0.46%

LAB 45.12, 32.36, -12.95

 

CMYK 0 / 42 / 2 / 42

HEX #955692

RGB 149 86 146

HSL 302.86, 0.27%, 0.46%

LAB 45.8, 35.47, -22.15

 

CMYK 9 / 42 / 0 / 42

HEX #875695

RGB 135 86 149

HSL 286.67, 0.27%, 0.46%

LAB 44.2, 31.56, -26.56

 

CMYK 21 / 42 / 0 / 42

HEX #765695

RGB 118 86 149

HSL 270.48, 0.27%, 0.46%

LAB 42.27, 26.18, -29.71

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 60 / 36 / 34

HEX #A8436C

RGB 168 67 108

HSL 335.64, 0.43%, 0.46%

LAB 43.39, 45.61, -2.43

 

CMYK 0 / 74 / 44 / 27

HEX #BB3069

RGB 187 48 105

HSL 335.4, 0.59%, 0.46%

LAB 43.8, 58.72, 0.41

 

CMYK 0 / 86 / 50 / 19

HEX #CE1D66

RGB 206 29 102

HSL 335.25, 0.75%, 0.46%

LAB 45.58, 68.41, 5.31

 

CMYK 0 / 96 / 56 / 12

HEX #E10A63

RGB 225 10 99

HSL 335.16, 0.91%, 0.46%

LAB 48.42, 75.22, 11.71

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 19 / 12 / 49

HEX #826973

RGB 130 105 115

HSL 336, 0.11%, 0.46%

LAB 47.09, 11.71, -1.82

 

CMYK 10 / 0 / 5 / 51

HEX #6F7C76

RGB 111 124 118

HSL 152.31, 0.06%, 0.46%

LAB 50.81, -6.07, 1.63

 

CMYK 36 / 0 / 15 / 44

HEX #5C8F7A

RGB 92 143 122

HSL 155.29, 0.22%, 0.46%

LAB 55.41, -21.99, 5.79

 

CMYK 55 / 0 / 23 / 36

HEX #49A27D

RGB 73 162 125

HSL 155.06, 0.38%, 0.46%

LAB 60.55, -35.72, 11.29

 

CMYK 0 / 42 / 2 / 42

HEX #955692

RGB 149 86 146

HSL 302.86, 0.27%, 0.46%

LAB 45.8, 35.47, -22.15

 

CMYK 0 / 42 / 13 / 42

HEX #955681

RGB 149 86 129

HSL 319.05, 0.27%, 0.46%

LAB 45.12, 32.36, -12.95

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 42 / 36 / 42

HEX #95565F

RGB 149 86 95

HSL 351.43, 0.27%, 0.46%

LAB 44.05, 27.17, 6.16

 

CMYK 0 / 38 / 42 / 42

HEX #955D56

RGB 149 93 86

HSL 6.67, 0.27%, 0.46%

LAB 45.48, 22.06, 13.63

 

CMYK 0 / 42 / 26 / 62

HEX #613848

RGB 97 56 72

HSL 336.59, 0.27%, 0.3%

LAB 29, 20.63, -2

 

CMYK 0 / 42 / 25 / 52

HEX #7B475C

RGB 123 71 92

HSL 335.77, 0.27%, 0.38%

LAB 36.91, 25.21, -2.78

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 38 / 22 / 33

HEX #AA6A84

RGB 170 106 132

HSL 335.63, 0.27%, 0.54%

LAB 52.42, 29.23, -3.56

 

CMYK 0 / 28 / 17 / 27

HEX #B9859A

RGB 185 133 154

HSL 335.77, 0.27%, 0.62%

LAB 61.15, 23.17, -3.26

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 9 / 42 / 42

HEX #958756

RGB 149 135 86

HSL 46.67, 0.27%, 0.46%

LAB 56.48, -2, 28.24

 

CMYK 42 / 8 / 0 / 42

HEX #568995

RGB 86 137 149

HSL 191.43, 0.27%, 0.46%

LAB 54.07, -13.79, -11.79

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 25 / 0 / 42 / 42

HEX #709556

RGB 112 149 86

HSL 95.24, 0.27%, 0.46%

LAB 57.67, -24.61, 29.19

 

CMYK 42 / 25 / 0 / 42

HEX #567095

RGB 86 112 149

HSL 215.24, 0.27%, 0.46%

LAB 46.63, 0.6, -23.14

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 0 / 9 / 42 / 42

HEX #958756

RGB 149 135 86

HSL 46.67, 0.27%, 0.46%

LAB 56.48, -2, 28.24

 

CMYK 42 / 0 / 17 / 42

HEX #56957B

RGB 86 149 123

HSL 155.24, 0.27%, 0.46%

LAB 56.98, -26.59, 7.43

 

CMYK 42 / 34 / 0 / 42

HEX #566395

RGB 86 99 149

HSL 227.62, 0.27%, 0.46%

LAB 42.87, 8.56, -28.98

 

CMYK 0 / 42 / 25 / 42

HEX #955670

RGB 149 86 112

HSL 335.24, 0.27%, 0.46%

LAB 44.54, 29.58, -3.51

 

CMYK 3 / 0 / 42 / 42

HEX #909556

RGB 144 149 86

HSL 64.76, 0.27%, 0.46%

LAB 59.98, -11.76, 32.6

 

CMYK 42 / 0 / 17 / 42

HEX #56957B

RGB 86 149 123

HSL 155.24, 0.27%, 0.46%

LAB 56.98, -26.59, 7.43

 

CMYK 39 / 42 / 0 / 42

HEX #5B5695

RGB 91 86 149

HSL 244.76, 0.27%, 0.46%

LAB 39.66, 18.13, -33.99

 

Description

Color code: HEX #955670 | qconv.com Color code: HEX #955670 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 86 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 86 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 25 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 25% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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