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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955622 it is the complementary color #6AA9DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955622. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955622 shade: #9A561D, #AB6830, #BC7A43, #CD8C56 and #DE9E69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955622. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955622 shade: #955622, #84440F, #733200, #622000 and #510E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955622 shade: #965622, #963722 and #962222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955622 shade: #965622, #967522, #969522, #779622 and #589622

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955622 shade matches the following richer shades: #965622, #A45513 and #B35304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955622 shade: #965622, #875831, #785940, #695B4F and #5A5C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955622 shade: #96222C, #963722, #965622, #967522 and #969422

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955622 shade: #522F13, #74431A, #965622, #B76A2A and #D27E38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955622 shade: #955622, #4A9622 and #282296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955622 shade: #955622, #229656 and #562296

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955622 shade: #955622, #4A9622, #226296 and #6D2296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955622 shade: #955622, #289622, #226296 and #902296

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

Complementary color

CMYK 52 / 24 / 0 / 13

HEX #6AA9DD

RGB 106 169 221

HSL 207.13, 0.63%, 0.64%

LAB 67.02, -5.78, -32.49

 

CMYK 0 / 44 / 81 / 40

HEX #9A561D

RGB 154 86 29

HSL 27.36, 0.68%, 0.36%

LAB 43.67, 23.81, 43.15

 

CMYK 0 / 39 / 72 / 33

HEX #AB6830

RGB 171 104 48

HSL 27.32, 0.56%, 0.43%

LAB 50.42, 21.99, 41.74

 

CMYK 0 / 35 / 64 / 26

HEX #BC7A43

RGB 188 122 67

HSL 27.27, 0.47%, 0.5%

LAB 57.09, 20.44, 40.12

 

CMYK 0 / 32 / 58 / 20

HEX #CD8C56

RGB 205 140 86

HSL 27.23, 0.54%, 0.57%

LAB 63.68, 19.11, 38.52

 

CMYK 0 / 29 / 53 / 13

HEX #DE9E69

RGB 222 158 105

HSL 27.18, 0.64%, 0.64%

LAB 70.18, 17.95, 36.99

 

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

CMYK 0 / 48 / 89 / 48

HEX #84440F

RGB 132 68 15

HSL 27.18, 0.8%, 0.29%

LAB 36.13, 23.82, 41.01

 

CMYK 0 / 57 / 100 / 55

HEX #733200

RGB 115 50 0

HSL 26.09, 1%, 0.23%

LAB 29.23, 26.1, 40.22

 

CMYK 0 / 67 / 100 / 62

HEX #622000

RGB 98 32 0

HSL 19.59, 1%, 0.19%

LAB 22.41, 28.47, 32.8

 

CMYK 0 / 83 / 100 / 68

HEX #510E00

RGB 81 14 0

HSL 10.37, 1%, 0.16%

LAB 15.82, 30, 24.25

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 63 / 77 / 41

HEX #963722

RGB 150 55 34

HSL 10.86, 0.63%, 0.36%

LAB 36.62, 38.72, 33.39

 

CMYK 0 / 77 / 77 / 41

HEX #962222

RGB 150 34 34

HSL 0, 0.63%, 0.36%

LAB 33.44, 47.36, 29.96

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 22 / 77 / 41

HEX #967522

RGB 150 117 34

HSL 42.93, 0.63%, 0.36%

LAB 51.06, 4.46, 47.89

 

CMYK 0 / 1 / 77 / 41

HEX #969522

RGB 150 149 34

HSL 59.48, 0.63%, 0.36%

LAB 59.97, -13.15, 56.21

 

CMYK 21 / 0 / 77 / 41

HEX #779622

RGB 119 150 34

HSL 76.03, 0.63%, 0.36%

LAB 57.89, -27.17, 53.42

 

CMYK 41 / 0 / 77 / 41

HEX #589622

RGB 88 150 34

HSL 92.07, 0.63%, 0.36%

LAB 56.09, -39.22, 51.07

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 48 / 88 / 36

HEX #A45513

RGB 164 85 19

HSL 27.31, 0.79%, 0.36%

LAB 44.85, 28.39, 48.7

 

CMYK 0 / 54 / 98 / 30

HEX #B35304

RGB 179 83 4

HSL 27.09, 0.96%, 0.36%

LAB 46.68, 35.43, 55.16

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 35 / 64 / 47

HEX #875831

RGB 135 88 49

HSL 27.21, 0.47%, 0.36%

LAB 41.77, 15.27, 30.2

 

CMYK 0 / 26 / 47 / 53

HEX #785940

RGB 120 89 64

HSL 26.79, 0.3%, 0.36%

LAB 40.42, 9.31, 19.41

 

CMYK 0 / 13 / 25 / 59

HEX #695B4F

RGB 105 91 79

HSL 27.69, 0.14%, 0.36%

LAB 39.66, 3.57, 9.01

 

CMYK 3 / 1 / 0 / 64

HEX #5A5C5D

RGB 90 92 93

HSL 200, 0.02%, 0.36%

LAB 38.93, -0.57, -0.85

 

CMYK 0 / 77 / 71 / 41

HEX #96222C

RGB 150 34 44

HSL 354.83, 0.63%, 0.36%

LAB 33.58, 47.82, 23.94

 

CMYK 0 / 63 / 77 / 41

HEX #963722

RGB 150 55 34

HSL 10.86, 0.63%, 0.36%

LAB 36.62, 38.72, 33.39

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 22 / 77 / 41

HEX #967522

RGB 150 117 34

HSL 42.93, 0.63%, 0.36%

LAB 51.06, 4.46, 47.89

 

CMYK 0 / 1 / 77 / 41

HEX #969422

RGB 150 148 34

HSL 58.97, 0.63%, 0.36%

LAB 59.69, -12.62, 55.95

 

CMYK 0 / 43 / 77 / 68

HEX #522F13

RGB 82 47 19

HSL 26.67, 0.62%, 0.2%

LAB 23.25, 13.21, 24.17

 

CMYK 0 / 42 / 78 / 55

HEX #74431A

RGB 116 67 26

HSL 27.33, 0.63%, 0.28%

LAB 33.57, 17.54, 32.8

 

CMYK 0 / 43 / 77 / 41

HEX #965622

RGB 150 86 34

HSL 26.9, 0.63%, 0.36%

LAB 43.15, 22.25, 40.14

 

CMYK 0 / 42 / 77 / 28

HEX #B76A2A

RGB 183 106 42

HSL 27.23, 0.63%, 0.44%

LAB 52.45, 25.77, 47.2

 

CMYK 0 / 40 / 73 / 18

HEX #D27E38

RGB 210 126 56

HSL 27.27, 0.63%, 0.52%

LAB 60.7, 26.93, 50.3

 

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

CMYK 51 / 0 / 77 / 41

HEX #4A9622

RGB 74 150 34

HSL 99.31, 0.63%, 0.36%

LAB 55.47, -43.86, 50.25

 

CMYK 73 / 77 / 0 / 41

HEX #282296

RGB 40 34 150

HSL 243.1, 0.63%, 0.36%

LAB 22.99, 41.05, -61.78

 

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

CMYK 77 / 0 / 43 / 41

HEX #229656

RGB 34 150 86

HSL 146.9, 0.63%, 0.36%

LAB 54.89, -46.34, 24.99

 

CMYK 43 / 77 / 0 / 41

HEX #562296

RGB 86 34 150

HSL 266.9, 0.63%, 0.36%

LAB 27.64, 47.27, -53.97

 

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

CMYK 51 / 0 / 77 / 41

HEX #4A9622

RGB 74 150 34

HSL 99.31, 0.63%, 0.36%

LAB 55.47, -43.86, 50.25

 

CMYK 77 / 35 / 0 / 41

HEX #226296

RGB 34 98 150

HSL 206.9, 0.63%, 0.36%

LAB 40.04, -1.41, -34.2

 

CMYK 27 / 77 / 0 / 41

HEX #6D2296

RGB 109 34 150

HSL 278.79, 0.63%, 0.36%

LAB 30.87, 51.44, -48.56

 

CMYK 0 / 42 / 77 / 42

HEX #955622

RGB 149 86 34

HSL 27.13, 0.63%, 0.36%

LAB 43, 21.81, 39.95

 

CMYK 73 / 0 / 77 / 41

HEX #289622

RGB 40 150 34

HSL 116.9, 0.63%, 0.36%

LAB 54.43, -52.24, 48.88

 

CMYK 77 / 35 / 0 / 41

HEX #226296

RGB 34 98 150

HSL 206.9, 0.63%, 0.36%

LAB 40.04, -1.41, -34.2

 

CMYK 4 / 77 / 0 / 41

HEX #902296

RGB 144 34 150

HSL 296.9, 0.63%, 0.36%

LAB 36.51, 58.54, -39.2

 

Description

Color code: HEX #955622 | qconv.com Color code: HEX #955622 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 86 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 86 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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