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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955518 it is the complementary color #6AAAE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955518 shade: #9A5513, #AB6726, #BC7939, #CD8B4C and #DE9D5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955518 shade: #955518, #844305, #733100, #621F00 and #510D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955518 shade: #955518, #953418 and #951818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955518 shade: #955518, #957718, #929518, #709518 and #4E9518

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955518 shade matches the following richer shades: #955518 and #A3550A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955518 shade: #955518, #875626, #795634, #6B5642 and #5D5750

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955518 shade: #95181F, #953318, #955518, #957618 and #939518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955518 shade: #4E2D0D, #724112, #955518, #B9691E and #DB7E24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955518 shade: #955518, #409518 and #231895

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955518 shade: #955518, #189555 and #551895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955518 shade: #955518, #409518, #185995 and #6E1895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955518 shade: #955518, #1A9518, #185995 and #931895

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

Complementary color

CMYK 54 / 26 / 0 / 9

HEX #6AAAE7

RGB 106 170 231

HSL 209.28, 0.72%, 0.66%

LAB 67.71, -3.33, -36.91

 

CMYK 0 / 45 / 88 / 40

HEX #9A5513

RGB 154 85 19

HSL 29.33, 0.78%, 0.34%

LAB 43.38, 24.05, 46.89

 

CMYK 0 / 40 / 78 / 33

HEX #AB6726

RGB 171 103 38

HSL 29.32, 0.64%, 0.41%

LAB 50.1, 22.08, 46.14

 

CMYK 0 / 36 / 70 / 26

HEX #BC7939

RGB 188 121 57

HSL 29.31, 0.53%, 0.48%

LAB 56.74, 20.38, 44.77

 

CMYK 0 / 32 / 63 / 20

HEX #CD8B4C

RGB 205 139 76

HSL 29.3, 0.56%, 0.55%

LAB 63.31, 18.93, 43.25

 

CMYK 0 / 29 / 57 / 13

HEX #DE9D5F

RGB 222 157 95

HSL 29.29, 0.66%, 0.62%

LAB 69.8, 17.67, 41.73

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 49 / 96 / 48

HEX #844305

RGB 132 67 5

HSL 29.29, 0.93%, 0.27%

LAB 35.85, 24.16, 44.18

 

CMYK 0 / 57 / 100 / 55

HEX #733100

RGB 115 49 0

HSL 25.57, 1%, 0.23%

LAB 29.01, 26.65, 40.05

 

CMYK 0 / 68 / 100 / 62

HEX #621F00

RGB 98 31 0

HSL 18.98, 1%, 0.19%

LAB 22.22, 28.97, 32.6

 

CMYK 0 / 84 / 100 / 68

HEX #510D00

RGB 81 13 0

HSL 9.63, 1%, 0.16%

LAB 15.68, 30.38, 24.08

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 65 / 84 / 42

HEX #953418

RGB 149 52 24

HSL 13.44, 0.72%, 0.34%

LAB 35.81, 39.38, 37.85

 

CMYK 0 / 84 / 84 / 42

HEX #951818

RGB 149 24 24

HSL 0, 0.72%, 0.34%

LAB 32.05, 49.73, 34.3

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 20 / 84 / 42

HEX #957718

RGB 149 119 24

HSL 45.6, 0.72%, 0.34%

LAB 51.44, 2.47, 51.8

 

CMYK 2 / 0 / 84 / 42

HEX #929518

RGB 146 149 24

HSL 61.44, 0.72%, 0.34%

LAB 59.59, -15.3, 58.68

 

CMYK 25 / 0 / 84 / 42

HEX #709518

RGB 112 149 24

HSL 77.76, 0.72%, 0.34%

LAB 57.08, -30.04, 55.53

 

CMYK 48 / 0 / 84 / 42

HEX #4E9518

RGB 78 149 24

HSL 94.08, 0.72%, 0.34%

LAB 55.26, -42.75, 53.21

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 48 / 94 / 36

HEX #A3550A

RGB 163 85 10

HSL 29.41, 0.88%, 0.34%

LAB 44.67, 27.78, 51.15

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 36 / 72 / 47

HEX #875626

RGB 135 86 38

HSL 29.69, 0.56%, 0.34%

LAB 41.13, 15.71, 35.4

 

CMYK 0 / 29 / 57 / 53

HEX #795634

RGB 121 86 52

HSL 29.57, 0.4%, 0.34%

LAB 39.53, 10.32, 25.37

 

CMYK 0 / 20 / 38 / 58

HEX #6B5642

RGB 107 86 66

HSL 29.27, 0.24%, 0.34%

LAB 38.15, 5.53, 14.92

 

CMYK 0 / 6 / 14 / 64

HEX #5D5750

RGB 93 87 80

HSL 32.31, 0.08%, 0.34%

LAB 37.34, 1.07, 4.93

 

CMYK 0 / 84 / 79 / 42

HEX #95181F

RGB 149 24 31

HSL 356.64, 0.72%, 0.34%

LAB 32.13, 49.96, 30.28

 

CMYK 0 / 66 / 84 / 42

HEX #953318

RGB 149 51 24

HSL 12.96, 0.72%, 0.34%

LAB 35.64, 39.84, 37.69

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 21 / 84 / 42

HEX #957618

RGB 149 118 24

HSL 45.12, 0.72%, 0.34%

LAB 51.17, 3.04, 51.57

 

CMYK 1 / 0 / 84 / 42

HEX #939518

RGB 147 149 24

HSL 60.96, 0.72%, 0.34%

LAB 59.67, -14.86, 58.79

 

CMYK 0 / 42 / 83 / 69

HEX #4E2D0D

RGB 78 45 13

HSL 29.54, 0.71%, 0.18%

LAB 22.04, 12.16, 25.94

 

CMYK 0 / 43 / 84 / 55

HEX #724112

RGB 114 65 18

HSL 29.38, 0.73%, 0.26%

LAB 32.7, 17.45, 35.71

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 0 / 43 / 84 / 27

HEX #B9691E

RGB 185 105 30

HSL 29.03, 0.72%, 0.42%

LAB 52.41, 26.74, 52.28

 

CMYK 0 / 42 / 84 / 14

HEX #DB7E24

RGB 219 126 36

HSL 29.51, 0.72%, 0.5%

LAB 61.75, 29.94, 59.98

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 57 / 0 / 84 / 42

HEX #409518

RGB 64 149 24

HSL 100.8, 0.72%, 0.34%

LAB 54.71, -47, 52.51

 

CMYK 77 / 84 / 0 / 42

HEX #231895

RGB 35 24 149

HSL 245.28, 0.72%, 0.34%

LAB 20.75, 45.47, -64.88

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 84 / 0 / 43 / 42

HEX #189555

RGB 24 149 85

HSL 149.28, 0.72%, 0.34%

LAB 54.39, -47.36, 24.85

 

CMYK 43 / 84 / 0 / 42

HEX #551895

RGB 85 24 149

HSL 269.28, 0.72%, 0.34%

LAB 26.02, 50.89, -56

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 57 / 0 / 84 / 42

HEX #409518

RGB 64 149 24

HSL 100.8, 0.72%, 0.34%

LAB 54.71, -47, 52.51

 

CMYK 84 / 40 / 0 / 42

HEX #185995

RGB 24 89 149

HSL 208.8, 0.72%, 0.34%

LAB 36.95, 2.79, -38.53

 

CMYK 26 / 84 / 0 / 42

HEX #6E1895

RGB 110 24 149

HSL 281.28, 0.72%, 0.34%

LAB 29.76, 54.86, -49.75

 

CMYK 0 / 43 / 84 / 42

HEX #955518

RGB 149 85 24

HSL 29.28, 0.72%, 0.34%

LAB 42.69, 21.99, 44.11

 

CMYK 83 / 0 / 84 / 42

HEX #1A9518

RGB 26 149 24

HSL 119.04, 0.72%, 0.34%

LAB 53.79, -54.7, 51.34

 

CMYK 84 / 40 / 0 / 42

HEX #185995

RGB 24 89 149

HSL 208.8, 0.72%, 0.34%

LAB 36.95, 2.79, -38.53

 

CMYK 1 / 84 / 0 / 42

HEX #931895

RGB 147 24 149

HSL 299.04, 0.72%, 0.34%

LAB 36.03, 61.69, -39.32

 

Description

Color code: HEX #955518 | qconv.com Color code: HEX #955518 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 85 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 85 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 84 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 84% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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