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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955439 it is the complementary color #6AABC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955439. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955439 shade: #9A5434, #AB6647, #BC785A, #CD8A6D and #DE9C80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955439. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955439 shade: #955439, #844226, #733013, #621E00 and #510C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955439 shade: #945338, #943A38 and #943838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955439 shade: #945338, #946C38, #948538, #8A9438 and #729438

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955439 shade matches the following richer shades: #945338, #A44C28, #B54517 and #C53F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955439 shade: #945338, #835A49, #736159, #62676A and #526E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955439 shade: #94384F, #943A38, #945238, #946B38 and #948338

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955439 shade: #583121, #76422D, #945338, #B26443 and #C27A5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955439 shade: #955439, #689438 and #384394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955439 shade: #955439, #389452 and #523894

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955439 shade: #955439, #689438, #387A94 and #643894

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955439 shade: #955439, #4C9438, #387A94 and #803894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

Complementary color

CMYK 46 / 14 / 0 / 22

HEX #6AABC6

RGB 106 171 198

HSL 197.61, 0.45%, 0.6%

LAB 66.72, -13.51, -20.25

 

CMYK 0 / 45 / 66 / 40

HEX #9A5434

RGB 154 84 52

HSL 18.82, 0.5%, 0.4%

LAB 43.45, 26.12, 31.14

 

CMYK 0 / 40 / 58 / 33

HEX #AB6647

RGB 171 102 71

HSL 18.6, 0.41%, 0.47%

LAB 50.23, 24.65, 29.2

 

CMYK 0 / 36 / 52 / 26

HEX #BC785A

RGB 188 120 90

HSL 18.37, 0.42%, 0.55%

LAB 56.94, 23.37, 27.46

 

CMYK 0 / 33 / 47 / 20

HEX #CD8A6D

RGB 205 138 109

HSL 18.13, 0.49%, 0.62%

LAB 63.56, 22.25, 25.91

 

CMYK 0 / 30 / 42 / 13

HEX #DE9C80

RGB 222 156 128

HSL 17.87, 0.59%, 0.69%

LAB 70.08, 21.26, 24.51

 

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

CMYK 0 / 50 / 71 / 48

HEX #844226

RGB 132 66 38

HSL 17.87, 0.55%, 0.33%

LAB 35.87, 25.94, 29.45

 

CMYK 0 / 58 / 83 / 55

HEX #733013

RGB 115 48 19

HSL 18.13, 0.72%, 0.26%

LAB 28.92, 27.73, 31.71

 

CMYK 0 / 69 / 100 / 62

HEX #621E00

RGB 98 30 0

HSL 18.37, 1%, 0.19%

LAB 22.04, 29.46, 32.41

 

CMYK 0 / 85 / 100 / 68

HEX #510C00

RGB 81 12 0

HSL 8.89, 1%, 0.16%

LAB 15.55, 30.74, 23.91

 

CMYK 0 / 44 / 62 / 42

HEX #945338

RGB 148 83 56

HSL 17.61, 0.45%, 0.4%

LAB 42.41, 24.42, 27.4

 

CMYK 0 / 61 / 62 / 42

HEX #943A38

RGB 148 58 56

HSL 1.3, 0.45%, 0.4%

LAB 37.13, 37.79, 20.78

 

CMYK 0 / 62 / 62 / 42

HEX #943838

RGB 148 56 56

HSL 0, 0.45%, 0.4%

LAB 36.76, 38.76, 20.31

 

CMYK 0 / 44 / 62 / 42

HEX #945338

RGB 148 83 56

HSL 17.61, 0.45%, 0.4%

LAB 42.41, 24.42, 27.4

 

CMYK 0 / 27 / 62 / 42

HEX #946C38

RGB 148 108 56

HSL 33.91, 0.45%, 0.4%

LAB 48.64, 10.02, 34.85

 

CMYK 0 / 10 / 62 / 42

HEX #948538

RGB 148 133 56

HSL 50.22, 0.45%, 0.4%

LAB 55.44, -4.15, 42.57

 

CMYK 7 / 0 / 62 / 42

HEX #8A9438

RGB 138 148 56

HSL 66.52, 0.45%, 0.4%

LAB 58.85, -16.65, 46.07

 

CMYK 23 / 0 / 62 / 42

HEX #729438

RGB 114 148 56

HSL 82.17, 0.45%, 0.4%

LAB 57.12, -26.74, 43.67

 

CMYK 0 / 44 / 62 / 42

HEX #945338

RGB 148 83 56

HSL 17.61, 0.45%, 0.4%

LAB 42.41, 24.42, 27.4

 

CMYK 0 / 54 / 76 / 36

HEX #A44C28

RGB 164 76 40

HSL 17.42, 0.61%, 0.4%

LAB 43.08, 33.92, 37.71

 

CMYK 0 / 62 / 87 / 29

HEX #B54517

RGB 181 69 23

HSL 17.47, 0.77%, 0.4%

LAB 44.44, 43.39, 48

 

CMYK 0 / 68 / 96 / 23

HEX #C53F07

RGB 197 63 7

HSL 17.68, 0.93%, 0.4%

LAB 46.23, 51.44, 55.68

 

CMYK 0 / 44 / 62 / 42

HEX #945338

RGB 148 83 56

HSL 17.61, 0.45%, 0.4%

LAB 42.41, 24.42, 27.4

 

CMYK 0 / 31 / 44 / 49

HEX #835A49

RGB 131 90 73

HSL 17.59, 0.28%, 0.4%

LAB 42.18, 14.64, 16.58

 

CMYK 0 / 16 / 23 / 55

HEX #736159

RGB 115 97 89

HSL 18.46, 0.13%, 0.4%

LAB 42.64, 5.85, 7.24

 

CMYK 8 / 3 / 0 / 58

HEX #62676A

RGB 98 103 106

HSL 202.5, 0.04%, 0.4%

LAB 43.27, -1.27, -2.36

 

CMYK 33 / 10 / 0 / 52

HEX #526E7A

RGB 82 110 122

HSL 198, 0.2%, 0.4%

LAB 44.73, -7.04, -9.96

 

CMYK 0 / 62 / 47 / 42

HEX #94384F

RGB 148 56 79

HSL 345, 0.45%, 0.4%

LAB 37.28, 40.78, 6.47

 

CMYK 0 / 61 / 62 / 42

HEX #943A38

RGB 148 58 56

HSL 1.3, 0.45%, 0.4%

LAB 37.13, 37.79, 20.78

 

CMYK 0 / 45 / 62 / 42

HEX #945238

RGB 148 82 56

HSL 16.96, 0.45%, 0.4%

LAB 42.18, 24.98, 27.12

 

CMYK 0 / 28 / 62 / 42

HEX #946B38

RGB 148 107 56

HSL 33.26, 0.45%, 0.4%

LAB 48.38, 10.6, 34.55

 

CMYK 0 / 11 / 62 / 42

HEX #948338

RGB 148 131 56

HSL 48.91, 0.45%, 0.4%

LAB 54.88, -3.04, 41.95

 

CMYK 0 / 44 / 63 / 65

HEX #583121

RGB 88 49 33

HSL 17.45, 0.45%, 0.24%

LAB 24.89, 15.92, 17.74

 

CMYK 0 / 44 / 62 / 54

HEX #76422D

RGB 118 66 45

HSL 17.26, 0.45%, 0.32%

LAB 33.85, 20.32, 22.4

 

CMYK 0 / 44 / 62 / 42

HEX #945338

RGB 148 83 56

HSL 17.61, 0.45%, 0.4%

LAB 42.41, 24.42, 27.4

 

CMYK 0 / 44 / 62 / 30

HEX #B26443

RGB 178 100 67

HSL 17.84, 0.45%, 0.48%

LAB 50.67, 28.36, 32.19

 

CMYK 0 / 37 / 52 / 24

HEX #C27A5D

RGB 194 122 93

HSL 17.23, 0.45%, 0.56%

LAB 58.21, 25, 27.56

 

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

CMYK 30 / 0 / 62 / 42

HEX #689438

RGB 104 148 56

HSL 88.7, 0.45%, 0.4%

LAB 56.49, -30.69, 42.8

 

CMYK 62 / 55 / 0 / 42

HEX #384394

RGB 56 67 148

HSL 232.83, 0.45%, 0.4%

LAB 31.79, 21.76, -46.12

 

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

CMYK 62 / 0 / 45 / 42

HEX #389452

RGB 56 148 82

HSL 136.96, 0.45%, 0.4%

LAB 54.69, -42.26, 26.99

 

CMYK 45 / 62 / 0 / 42

HEX #523894

RGB 82 56 148

HSL 256.96, 0.45%, 0.4%

LAB 31.25, 34.22, -46.88

 

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

CMYK 30 / 0 / 62 / 42

HEX #689438

RGB 104 148 56

HSL 88.7, 0.45%, 0.4%

LAB 56.49, -30.69, 42.8

 

CMYK 62 / 18 / 0 / 42

HEX #387A94

RGB 56 122 148

HSL 196.96, 0.45%, 0.4%

LAB 48.13, -12.77, -20.35

 

CMYK 32 / 62 / 0 / 42

HEX #643894

RGB 100 56 148

HSL 268.7, 0.45%, 0.4%

LAB 33.3, 38.44, -43.48

 

CMYK 0 / 44 / 62 / 42

HEX #955439

RGB 149 84 57

HSL 17.61, 0.45%, 0.4%

LAB 42.8, 24.35, 27.34

 

CMYK 49 / 0 / 62 / 42

HEX #4C9438

RGB 76 148 56

HSL 106.96, 0.45%, 0.4%

LAB 55.07, -40.52, 40.82

 

CMYK 62 / 18 / 0 / 42

HEX #387A94

RGB 56 122 148

HSL 196.96, 0.45%, 0.4%

LAB 48.13, -12.77, -20.35

 

CMYK 14 / 62 / 0 / 42

HEX #803894

RGB 128 56 148

HSL 286.96, 0.45%, 0.4%

LAB 37.03, 45.53, -37.3

 

Description

Color code: HEX #955439 | qconv.com Color code: HEX #955439 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 84 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 84 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 62 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 62% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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