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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #955352 it is the complementary color #6AACAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #955352. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #955352 shade: #9A534D, #AB6560, #BC7773, #CD8986 and #DE9B99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #955352. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #955352 shade: #955352, #84413F, #732F2C, #621D19 and #510B06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #955352 shade: #945251 and #945151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #955352 shade: #945251, #946451, #947651, #948851 and #8E9451

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #955352 shade matches the following richer shades: #945251, #A7403F, #B92E2C, #CC1C1A and #DE0A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #955352 shade: #945251, #816464, #6F7677, #5C8889 and #4A9B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #955352 shade: #945175, #945163, #945151, #946351 and #947551

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #955352 shade: #5F3534, #794443, #945251, #AA6665 and #B9807F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #955352 shade: #955352, #879451 and #516C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #955352 shade: #955352, #519451 and #515194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #955352 shade: #955352, #879451, #519494 and #5F5194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #955352 shade: #955352, #739451, #519494 and #735194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

Complementary color

CMYK 39 / 1 / 0 / 32

HEX #6AACAD

RGB 106 172 173

HSL 180.9, 0.29%, 0.55%

LAB 66.2, -20.68, -7.15

 

CMYK 0 / 46 / 50 / 40

HEX #9A534D

RGB 154 83 77

HSL 4.68, 0.33%, 0.45%

LAB 43.64, 28.77, 16.66

 

CMYK 0 / 41 / 44 / 33

HEX #AB6560

RGB 171 101 96

HSL 4, 0.31%, 0.52%

LAB 50.46, 27.6, 14.97

 

CMYK 0 / 37 / 39 / 26

HEX #BC7773

RGB 188 119 115

HSL 3.29, 0.35%, 0.59%

LAB 57.19, 26.56, 13.53

 

CMYK 0 / 33 / 35 / 20

HEX #CD8986

RGB 205 137 134

HSL 2.54, 0.42%, 0.66%

LAB 63.83, 25.62, 12.27

 

CMYK 0 / 30 / 31 / 13

HEX #DE9B99

RGB 222 155 153

HSL 1.74, 0.51%, 0.74%

LAB 70.37, 24.78, 11.13

 

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

CMYK 0 / 51 / 52 / 48

HEX #84413F

RGB 132 65 63

HSL 1.74, 0.35%, 0.38%

LAB 36.07, 28.48, 14.52

 

CMYK 0 / 59 / 62 / 55

HEX #732F2C

RGB 115 47 44

HSL 2.54, 0.45%, 0.31%

LAB 29.06, 29.75, 16.85

 

CMYK 0 / 70 / 74 / 62

HEX #621D19

RGB 98 29 25

HSL 3.29, 0.59%, 0.24%

LAB 22.11, 30.9, 19.92

 

CMYK 0 / 86 / 93 / 68

HEX #510B06

RGB 81 11 6

HSL 4, 0.86%, 0.17%

LAB 15.5, 31.31, 21.4

 

CMYK 0 / 45 / 45 / 42

HEX #945251

RGB 148 82 81

HSL 0.9, 0.29%, 0.45%

LAB 42.65, 27.33, 12.73

 

CMYK 0 / 45 / 45 / 42

HEX #945151

RGB 148 81 81

HSL 0, 0.29%, 0.45%

LAB 42.42, 27.89, 12.42

 

CMYK 0 / 45 / 45 / 42

HEX #945251

RGB 148 82 81

HSL 0.9, 0.29%, 0.45%

LAB 42.65, 27.33, 12.73

 

CMYK 0 / 32 / 45 / 42

HEX #946451

RGB 148 100 81

HSL 17.01, 0.29%, 0.45%

LAB 46.98, 17.02, 18.62

 

CMYK 0 / 20 / 45 / 42

HEX #947651

RGB 148 118 81

HSL 33.13, 0.29%, 0.45%

LAB 51.66, 6.61, 24.8

 

CMYK 0 / 8 / 45 / 42

HEX #948851

RGB 148 136 81

HSL 49.25, 0.29%, 0.45%

LAB 56.58, -3.55, 31.08

 

CMYK 4 / 0 / 45 / 42

HEX #8E9451

RGB 142 148 81

HSL 65.37, 0.29%, 0.45%

LAB 59.46, -12.63, 34.55

 

CMYK 0 / 45 / 45 / 42

HEX #945251

RGB 148 82 81

HSL 0.9, 0.29%, 0.45%

LAB 42.65, 27.33, 12.73

 

CMYK 0 / 62 / 62 / 35

HEX #A7403F

RGB 167 64 63

HSL 0.58, 0.45%, 0.45%

LAB 41.6, 42.37, 22.85

 

CMYK 0 / 75 / 76 / 27

HEX #B92E2C

RGB 185 46 44

HSL 0.85, 0.62%, 0.45%

LAB 41.92, 54.7, 35.34

 

CMYK 0 / 86 / 87 / 20

HEX #CC1C1A

RGB 204 28 26

HSL 0.67, 0.77%, 0.45%

LAB 43.86, 64.47, 48.04

 

CMYK 0 / 95 / 97 / 13

HEX #DE0A07

RGB 222 10 7

HSL 0.84, 0.94%, 0.45%

LAB 46.66, 71.37, 58.56

 

CMYK 0 / 45 / 45 / 42

HEX #945251

RGB 148 82 81

HSL 0.9, 0.29%, 0.45%

LAB 42.65, 27.33, 12.73

 

CMYK 0 / 22 / 22 / 49

HEX #816464

RGB 129 100 100

HSL 0, 0.13%, 0.45%

LAB 45.22, 11.67, 4.48

 

CMYK 7 / 1 / 0 / 53

HEX #6F7677

RGB 111 118 119

HSL 187.5, 0.03%, 0.45%

LAB 49.09, -2.41, -1.46

 

CMYK 33 / 1 / 0 / 46

HEX #5C8889

RGB 92 136 137

HSL 181.33, 0.2%, 0.45%

LAB 53.7, -14.71, -5.36

 

CMYK 53 / 1 / 0 / 39

HEX #4A9B9C

RGB 74 155 156

HSL 180.73, 0.36%, 0.45%

LAB 59.25, -24.28, -8.09

 

CMYK 0 / 45 / 21 / 42

HEX #945175

RGB 148 81 117

HSL 327.76, 0.29%, 0.45%

LAB 43.46, 32.79, -8.18

 

CMYK 0 / 45 / 33 / 42

HEX #945163

RGB 148 81 99

HSL 343.88, 0.29%, 0.45%

LAB 42.89, 30.13, 2.02

 

CMYK 0 / 45 / 45 / 42

HEX #945151

RGB 148 81 81

HSL 0, 0.29%, 0.45%

LAB 42.42, 27.89, 12.42

 

CMYK 0 / 33 / 45 / 42

HEX #946351

RGB 148 99 81

HSL 16.12, 0.29%, 0.45%

LAB 46.73, 17.6, 18.28

 

CMYK 0 / 21 / 45 / 42

HEX #947551

RGB 148 117 81

HSL 32.24, 0.29%, 0.45%

LAB 51.4, 7.19, 24.45

 

CMYK 0 / 44 / 45 / 63

HEX #5F3534

RGB 95 53 52

HSL 1.4, 0.29%, 0.29%

LAB 27.37, 18.69, 8.8

 

CMYK 0 / 44 / 45 / 53

HEX #794443

RGB 121 68 67

HSL 1.11, 0.29%, 0.37%

LAB 35.21, 22.67, 10.56

 

CMYK 0 / 45 / 45 / 42

HEX #945251

RGB 148 82 81

HSL 0.9, 0.29%, 0.45%

LAB 42.65, 27.33, 12.73

 

CMYK 0 / 40 / 41 / 33

HEX #AA6665

RGB 170 102 101

HSL 0.87, 0.29%, 0.53%

LAB 50.67, 27.22, 12.29

 

CMYK 0 / 31 / 31 / 27

HEX #B9807F

RGB 185 128 127

HSL 1.03, 0.29%, 0.61%

LAB 59.24, 21.93, 9.44

 

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

CMYK 9 / 0 / 45 / 42

HEX #879451

RGB 135 148 81

HSL 71.64, 0.29%, 0.45%

LAB 58.9, -15.56, 33.74

 

CMYK 45 / 27 / 0 / 42

HEX #516C94

RGB 81 108 148

HSL 215.82, 0.29%, 0.45%

LAB 45.1, 1.34, -24.94

 

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

CMYK 45 / 0 / 45 / 42

HEX #519451

RGB 81 148 81

HSL 120, 0.29%, 0.45%

LAB 55.61, -35.67, 28.9

 

CMYK 45 / 45 / 0 / 42

HEX #515194

RGB 81 81 148

HSL 240, 0.29%, 0.45%

LAB 37.43, 18.29, -36.98

 

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

CMYK 9 / 0 / 45 / 42

HEX #879451

RGB 135 148 81

HSL 71.64, 0.29%, 0.45%

LAB 58.9, -15.56, 33.74

 

CMYK 45 / 0 / 0 / 42

HEX #519494

RGB 81 148 148

HSL 180, 0.29%, 0.45%

LAB 57.14, -21.23, -6.64

 

CMYK 36 / 45 / 0 / 42

HEX #5F5194

RGB 95 81 148

HSL 252.54, 0.29%, 0.45%

LAB 38.65, 22.11, -34.97

 

CMYK 0 / 44 / 45 / 42

HEX #955352

RGB 149 83 82

HSL 0.9, 0.29%, 0.45%

LAB 43.04, 27.28, 12.68

 

CMYK 22 / 0 / 45 / 42

HEX #739451

RGB 115 148 81

HSL 89.55, 0.29%, 0.45%

LAB 57.48, -23.63, 31.66

 

CMYK 45 / 0 / 0 / 42

HEX #519494

RGB 81 148 148

HSL 180, 0.29%, 0.45%

LAB 57.14, -21.23, -6.64

 

CMYK 22 / 45 / 0 / 42

HEX #735194

RGB 115 81 148

HSL 270.45, 0.29%, 0.45%

LAB 40.68, 28.01, -31.63

 

Description

Color code: HEX #955352 | qconv.com Color code: HEX #955352 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 83 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 83 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 45 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 45% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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