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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954F5B it is the complementary color #6AB0A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954F5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954F5B shade: #9A4F56, #AB6169, #BC737C, #CD858F and #DE97A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954F5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954F5B shade: #954F5B, #843D48, #732B35, #621922 and #51070F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954F5B shade: #964F5B and #964F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954F5B shade: #964F5B, #964F6E, #964F81, #964F94 and #844F96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954F5B shade matches the following richer shades: #964F5B, #A83C4F, #BB2A42, #CE1736 and #E0042A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954F5B shade: #964F5B, #836167, #717473, #5E867F and #4C998C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954F5B shade: #964F82, #964F6F, #964F5C, #96554F and #96684F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954F5B shade: #60323A, #7B404A, #964F5B, #AC626F and #BA7D87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954F5B shade: #954F5B, #95964F and #4F7896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954F5B shade: #954F5B, #5C964F and #4F5C96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954F5B shade: #954F5B, #95964F, #4F9689 and #504F96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954F5B shade: #954F5B, #7F964F, #4F9689 and #654F96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

Complementary color

CMYK 40 / 0 / 7 / 31

HEX #6AB0A4

RGB 106 176 164

HSL 169.71, 0.31%, 0.55%

LAB 67.12, -24.92, -0.8

 

CMYK 0 / 49 / 44 / 40

HEX #9A4F56

RGB 154 79 86

HSL 354.4, 0.32%, 0.46%

LAB 42.96, 31.92, 10.24

 

CMYK 0 / 43 / 39 / 33

HEX #AB6169

RGB 171 97 105

HSL 353.51, 0.31%, 0.53%

LAB 49.77, 30.85, 8.66

 

CMYK 0 / 39 / 34 / 26

HEX #BC737C

RGB 188 115 124

HSL 352.6, 0.35%, 0.59%

LAB 56.49, 29.87, 7.33

 

CMYK 0 / 35 / 30 / 20

HEX #CD858F

RGB 205 133 143

HSL 351.67, 0.42%, 0.66%

LAB 63.13, 28.97, 6.16

 

CMYK 0 / 32 / 27 / 13

HEX #DE97A2

RGB 222 151 162

HSL 350.7, 0.52%, 0.73%

LAB 69.66, 28.14, 5.12

 

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

CMYK 0 / 54 / 45 / 48

HEX #843D48

RGB 132 61 72

HSL 350.7, 0.37%, 0.38%

LAB 35.42, 31.63, 7.93

 

CMYK 0 / 63 / 54 / 55

HEX #732B35

RGB 115 43 53

HSL 351.67, 0.46%, 0.31%

LAB 28.46, 32.64, 10.15

 

CMYK 0 / 74 / 65 / 62

HEX #621922

RGB 98 25 34

HSL 352.6, 0.59%, 0.24%

LAB 21.61, 33.31, 13.22

 

CMYK 0 / 91 / 81 / 68

HEX #51070F

RGB 81 7 15

HSL 353.51, 0.84%, 0.17%

LAB 15.15, 32.97, 16.99

 

CMYK 0 / 47 / 39 / 41

HEX #964F5B

RGB 150 79 91

HSL 349.86, 0.31%, 0.45%

LAB 42.51, 30.96, 6.43

 

CMYK 0 / 47 / 47 / 41

HEX #964F4F

RGB 150 79 79

HSL 0, 0.31%, 0.45%

LAB 42.22, 29.59, 13.41

 

CMYK 0 / 47 / 39 / 41

HEX #964F5B

RGB 150 79 91

HSL 349.86, 0.31%, 0.45%

LAB 42.51, 30.96, 6.43

 

CMYK 0 / 47 / 27 / 41

HEX #964F6E

RGB 150 79 110

HSL 333.8, 0.31%, 0.45%

LAB 43.07, 33.54, -4.45

 

CMYK 0 / 47 / 14 / 41

HEX #964F81

RGB 150 79 129

HSL 317.75, 0.31%, 0.45%

LAB 43.74, 36.56, -15.04

 

CMYK 0 / 47 / 1 / 41

HEX #964F94

RGB 150 79 148

HSL 301.69, 0.31%, 0.45%

LAB 44.54, 39.98, -25.28

 

CMYK 12 / 47 / 0 / 41

HEX #844F96

RGB 132 79 150

HSL 284.79, 0.31%, 0.45%

LAB 42.31, 34.83, -30.14

 

CMYK 0 / 47 / 39 / 41

HEX #964F5B

RGB 150 79 91

HSL 349.86, 0.31%, 0.45%

LAB 42.51, 30.96, 6.43

 

CMYK 0 / 64 / 53 / 34

HEX #A83C4F

RGB 168 60 79

HSL 349.44, 0.47%, 0.45%

LAB 41.41, 45.8, 12.75

 

CMYK 0 / 78 / 65 / 27

HEX #BB2A42

RGB 187 42 66

HSL 350.07, 0.63%, 0.45%

LAB 42.18, 57.65, 22.49

 

CMYK 0 / 89 / 74 / 19

HEX #CE1736

RGB 206 23 54

HSL 349.84, 0.8%, 0.45%

LAB 44.23, 66.71, 33.2

 

CMYK 0 / 98 / 81 / 12

HEX #E0042A

RGB 224 4 42

HSL 349.64, 0.96%, 0.45%

LAB 47.11, 72.91, 44.3

 

CMYK 0 / 47 / 39 / 41

HEX #964F5B

RGB 150 79 91

HSL 349.86, 0.31%, 0.45%

LAB 42.51, 30.96, 6.43

 

CMYK 0 / 26 / 21 / 49

HEX #836167

RGB 131 97 103

HSL 349.41, 0.15%, 0.45%

LAB 44.74, 14.76, 1.99

 

CMYK 3 / 0 / 1 / 55

HEX #717473

RGB 113 116 115

HSL 160, 0.01%, 0.45%

LAB 48.56, -1.34, 0.15

 

CMYK 30 / 0 / 5 / 47

HEX #5E867F

RGB 94 134 127

HSL 169.5, 0.18%, 0.45%

LAB 52.91, -15.46, -0.7

 

CMYK 50 / 0 / 8 / 40

HEX #4C998C

RGB 76 153 140

HSL 169.87, 0.34%, 0.45%

LAB 58.24, -27.1, -0.48

 

CMYK 0 / 47 / 13 / 41

HEX #964F82

RGB 150 79 130

HSL 316.9, 0.31%, 0.45%

LAB 43.78, 36.73, -15.59

 

CMYK 0 / 47 / 26 / 41

HEX #964F6F

RGB 150 79 111

HSL 332.96, 0.31%, 0.45%

LAB 43.1, 33.68, -5.01

 

CMYK 0 / 47 / 39 / 41

HEX #964F5C

RGB 150 79 92

HSL 349.01, 0.31%, 0.45%

LAB 42.53, 31.09, 5.86

 

CMYK 0 / 43 / 47 / 41

HEX #96554F

RGB 150 85 79

HSL 5.07, 0.31%, 0.45%

LAB 43.57, 26.23, 15.26

 

CMYK 0 / 31 / 47 / 41

HEX #96684F

RGB 150 104 79

HSL 21.13, 0.31%, 0.45%

LAB 48.2, 15.34, 21.45

 

CMYK 0 / 48 / 40 / 62

HEX #60323A

RGB 96 50 58

HSL 349.57, 0.32%, 0.29%

LAB 26.94, 21.74, 4.24

 

CMYK 0 / 48 / 40 / 52

HEX #7B404A

RGB 123 64 74

HSL 349.83, 0.32%, 0.37%

LAB 34.75, 26.67, 5.5

 

CMYK 0 / 47 / 39 / 41

HEX #964F5B

RGB 150 79 91

HSL 349.86, 0.31%, 0.45%

LAB 42.51, 30.96, 6.43

 

CMYK 0 / 43 / 35 / 33

HEX #AC626F

RGB 172 98 111

HSL 349.46, 0.31%, 0.53%

LAB 50.28, 31.44, 5.82

 

CMYK 0 / 33 / 27 / 27

HEX #BA7D87

RGB 186 125 135

HSL 350.16, 0.31%, 0.61%

LAB 58.84, 25.09, 4.29

 

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

CMYK 1 / 0 / 47 / 41

HEX #95964F

RGB 149 150 79

HSL 60.85, 0.31%, 0.45%

LAB 60.58, -10.94, 37.09

 

CMYK 47 / 20 / 0 / 41

HEX #4F7896

RGB 79 120 150

HSL 205.35, 0.31%, 0.45%

LAB 48.63, -5.73, -20.67

 

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

CMYK 39 / 0 / 47 / 41

HEX #5C964F

RGB 92 150 79

HSL 109.01, 0.31%, 0.45%

LAB 56.74, -33.29, 31.49

 

CMYK 47 / 39 / 0 / 41

HEX #4F5C96

RGB 79 92 150

HSL 229.01, 0.31%, 0.45%

LAB 40.44, 11.37, -33.43

 

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

CMYK 1 / 0 / 47 / 41

HEX #95964F

RGB 149 150 79

HSL 60.85, 0.31%, 0.45%

LAB 60.58, -10.94, 37.09

 

CMYK 47 / 0 / 9 / 41

HEX #4F9689

RGB 79 150 137

HSL 169.01, 0.31%, 0.45%

LAB 57.35, -25.63, -0.06

 

CMYK 47 / 47 / 0 / 41

HEX #504F96

RGB 80 79 150

HSL 240.85, 0.31%, 0.45%

LAB 36.93, 19.94, -39

 

CMYK 0 / 47 / 39 / 42

HEX #954F5B

RGB 149 79 91

HSL 349.71, 0.31%, 0.45%

LAB 42.36, 30.58, 6.21

 

CMYK 15 / 0 / 47 / 41

HEX #7F964F

RGB 127 150 79

HSL 79.44, 0.31%, 0.45%

LAB 58.87, -20.12, 34.61

 

CMYK 47 / 0 / 9 / 41

HEX #4F9689

RGB 79 150 137

HSL 169.01, 0.31%, 0.45%

LAB 57.35, -25.63, -0.06

 

CMYK 33 / 47 / 0 / 41

HEX #654F96

RGB 101 79 150

HSL 258.59, 0.31%, 0.45%

LAB 38.83, 25.62, -35.86

 

Description

Color code: HEX #954F5B | qconv.com Color code: HEX #954F5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 79 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 79 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 39 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 39% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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