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Color name
HEX #95450F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95450F it is the complementary color #6ABAF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95450F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95450F shade: #9A450A, #AB571D, #BC6930, #CD7B43 and #DE8D56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95450F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95450F shade: #95450F, #843300, #732100, #620F00 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95450F shade: #95450F, #95210F and #950F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95450F shade: #95450F, #95690F, #958D0F, #78950F and #54950F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95450F shade matches the following richer shades: #95450F and #A24201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95450F shade: #95450F, #87471C, #7A4A29, #6D4C36 and #604F43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95450F shade: #950F21, #95210F, #95440F, #95680F and #958C0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95450F shade: #492207, #6F330B, #95450F, #BA5612 and #E06716

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95450F shade: #95450F, #44950F and #0F0F95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95450F shade: #95450F, #0F9544 and #440F95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95450F shade: #95450F, #44950F, #0F5F95 and #5F0F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95450F shade: #95450F, #1C950F, #0F5F95 and #870F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

Complementary color

CMYK 56 / 23 / 0 / 6

HEX #6ABAF0

RGB 106 186 240

HSL 204.18, 0.82%, 0.68%

LAB 72.54, -9.38, -34.31

 

CMYK 0 / 55 / 94 / 40

HEX #9A450A

RGB 154 69 10

HSL 24.58, 0.88%, 0.32%

LAB 39.83, 32.58, 47.05

 

CMYK 0 / 49 / 83 / 33

HEX #AB571D

RGB 171 87 29

HSL 24.51, 0.71%, 0.39%

LAB 46.4, 30.54, 46.58

 

CMYK 0 / 44 / 74 / 26

HEX #BC6930

RGB 188 105 48

HSL 24.43, 0.59%, 0.46%

LAB 52.96, 28.68, 45.12

 

CMYK 0 / 40 / 67 / 20

HEX #CD7B43

RGB 205 123 67

HSL 24.35, 0.58%, 0.53%

LAB 59.48, 27.04, 43.42

 

CMYK 0 / 36 / 61 / 13

HEX #DE8D56

RGB 222 141 86

HSL 24.26, 0.67%, 0.6%

LAB 65.94, 25.59, 41.73

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 61 / 100 / 48

HEX #843300

RGB 132 51 0

HSL 23.18, 1%, 0.26%

LAB 32.42, 32.71, 43.88

 

CMYK 0 / 71 / 100 / 55

HEX #732100

RGB 115 33 0

HSL 17.22, 1%, 0.23%

LAB 25.96, 34.68, 37.43

 

CMYK 0 / 85 / 100 / 62

HEX #620F00

RGB 98 15 0

HSL 9.18, 1%, 0.19%

LAB 19.8, 35.62, 29.94

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 78 / 90 / 42

HEX #95210F

RGB 149 33 15

HSL 8.06, 0.82%, 0.32%

LAB 32.94, 46.81, 39.69

 

CMYK 0 / 90 / 90 / 42

HEX #950F0F

RGB 149 15 15

HSL 0, 0.82%, 0.32%

LAB 31.27, 51.55, 38.38

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 30 / 90 / 42

HEX #95690F

RGB 149 105 15

HSL 40.3, 0.82%, 0.32%

LAB 47.66, 10.23, 51.31

 

CMYK 0 / 5 / 90 / 42

HEX #958D0F

RGB 149 141 15

HSL 56.42, 0.82%, 0.32%

LAB 57.53, -9.94, 59.16

 

CMYK 19 / 0 / 90 / 42

HEX #78950F

RGB 120 149 15

HSL 72.99, 0.82%, 0.32%

LAB 57.58, -26.98, 58.24

 

CMYK 44 / 0 / 90 / 42

HEX #54950F

RGB 84 149 15

HSL 89.1, 0.82%, 0.32%

LAB 55.5, -41.07, 55.65

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 59 / 99 / 36

HEX #A24201

RGB 162 66 1

HSL 24.22, 0.99%, 0.32%

LAB 40.54, 37.19, 50.9

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 47 / 79 / 47

HEX #87471C

RGB 135 71 28

HSL 24.11, 0.66%, 0.32%

LAB 37.37, 23.9, 36.56

 

CMYK 0 / 39 / 66 / 52

HEX #7A4A29

RGB 122 74 41

HSL 24.44, 0.5%, 0.32%

LAB 36.36, 17.06, 27.92

 

CMYK 0 / 30 / 50 / 57

HEX #6D4C36

RGB 109 76 54

HSL 24, 0.34%, 0.32%

LAB 35.37, 11.07, 18.6

 

CMYK 0 / 18 / 30 / 62

HEX #604F43

RGB 96 79 67

HSL 24.83, 0.18%, 0.32%

LAB 34.97, 5.05, 9.75

 

CMYK 0 / 90 / 78 / 42

HEX #950F21

RGB 149 15 33

HSL 351.94, 0.82%, 0.32%

LAB 31.44, 52.06, 28.31

 

CMYK 0 / 78 / 90 / 42

HEX #95210F

RGB 149 33 15

HSL 8.06, 0.82%, 0.32%

LAB 32.94, 46.81, 39.69

 

CMYK 0 / 54 / 90 / 42

HEX #95440F

RGB 149 68 15

HSL 23.73, 0.82%, 0.32%

LAB 38.83, 31.14, 44.32

 

CMYK 0 / 30 / 90 / 42

HEX #95680F

RGB 149 104 15

HSL 39.85, 0.82%, 0.32%

LAB 47.4, 10.81, 51.1

 

CMYK 0 / 6 / 90 / 42

HEX #958C0F

RGB 149 140 15

HSL 55.97, 0.82%, 0.32%

LAB 57.25, -9.4, 58.93

 

CMYK 0 / 53 / 90 / 71

HEX #492207

RGB 73 34 7

HSL 24.55, 0.83%, 0.16%

LAB 18.26, 16.4, 24.02

 

CMYK 0 / 54 / 90 / 56

HEX #6F330B

RGB 111 51 11

HSL 24, 0.82%, 0.24%

LAB 28.83, 24.05, 35.14

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 0 / 54 / 90 / 27

HEX #BA5612

RGB 186 86 18

HSL 24.29, 0.82%, 0.4%

LAB 48.43, 36.92, 53.27

 

CMYK 0 / 54 / 90 / 12

HEX #E06716

RGB 224 103 22

HSL 24.06, 0.82%, 0.48%

LAB 57.66, 43.37, 61.54

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 54 / 0 / 90 / 42

HEX #44950F

RGB 68 149 15

HSL 96.27, 0.82%, 0.32%

LAB 54.82, -46.23, 54.81

 

CMYK 90 / 90 / 0 / 42

HEX #0F0F95

RGB 15 15 149

HSL 240, 0.82%, 0.32%

LAB 18.42, 48.39, -68.78

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 90 / 0 / 54 / 42

HEX #0F9544

RGB 15 149 68

HSL 143.73, 0.82%, 0.32%

LAB 54.04, -51.16, 33.36

 

CMYK 54 / 90 / 0 / 42

HEX #440F95

RGB 68 15 149

HSL 263.73, 0.82%, 0.32%

LAB 22.79, 51.72, -61.4

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 54 / 0 / 90 / 42

HEX #44950F

RGB 68 149 15

HSL 96.27, 0.82%, 0.32%

LAB 54.82, -46.23, 54.81

 

CMYK 90 / 36 / 0 / 42

HEX #0F5F95

RGB 15 95 149

HSL 204.18, 0.82%, 0.32%

LAB 38.65, -1.78, -35.83

 

CMYK 36 / 90 / 0 / 42

HEX #5F0F95

RGB 95 15 149

HSL 275.82, 0.82%, 0.32%

LAB 26.58, 54.98, -55.04

 

CMYK 0 / 54 / 90 / 42

HEX #95450F

RGB 149 69 15

HSL 24.18, 0.82%, 0.32%

LAB 39.04, 30.6, 44.48

 

CMYK 81 / 0 / 90 / 42

HEX #1C950F

RGB 28 149 15

HSL 114.18, 0.82%, 0.32%

LAB 53.79, -54.87, 53.51

 

CMYK 90 / 36 / 0 / 42

HEX #0F5F95

RGB 15 95 149

HSL 204.18, 0.82%, 0.32%

LAB 38.65, -1.78, -35.83

 

CMYK 9 / 90 / 0 / 42

HEX #870F95

RGB 135 15 149

HSL 293.73, 0.82%, 0.32%

LAB 33.27, 61.31, -43.87

 

Description

Color code: HEX #95450F | qconv.com Color code: HEX #95450F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 69 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 69 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 90% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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