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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #954290 it is the complementary color #6ABD6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #954290. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #954290 shade: #9A428B, #AB549E, #BC66B1, #CD78C4 and #DE8AD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #954290. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #954290 shade: #954290, #84307D, #731E6A, #620C57 and #510044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #954290 shade: #954190, #954179, #954163, #95414C and #954141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #954290 shade: #954190, #834195, #6D4195, #564195 and #414195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #954290 shade matches the following richer shades: #954190, #A6309F, #B81FAE and #C90DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #954290 shade: #954190, #845381, #726471, #617562 and #508753

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #954290 shade: #6C4195, #834195, #954191, #95417A and #954164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #954290 shade: #5C2858, #783574, #954190, #B14EAB and #BE6BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #954290 shade: #954290, #955641 and #419578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #954290 shade: #954290, #919541 and #419195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #954290 shade: #954290, #955641, #419546 and #418095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #954290 shade: #954290, #956F41, #419546 and #416795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

Complementary color

CMYK 44 / 0 / 41 / 26

HEX #6ABD6F

RGB 106 189 111

HSL 123.61, 0.39%, 0.58%

LAB 69.9, -41.53, 31.72

 

CMYK 0 / 57 / 10 / 40

HEX #9A428B

RGB 154 66 139

HSL 310.23, 0.4%, 0.43%

LAB 42.2, 46.2, -23.44

 

CMYK 0 / 51 / 8 / 33

HEX #AB549E

RGB 171 84 158

HSL 308.97, 0.34%, 0.5%

LAB 48.84, 45.64, -24.34

 

CMYK 0 / 46 / 6 / 26

HEX #BC66B1

RGB 188 102 177

HSL 307.67, 0.39%, 0.57%

LAB 55.45, 44.95, -25.06

 

CMYK 0 / 41 / 4 / 20

HEX #CD78C4

RGB 205 120 196

HSL 306.35, 0.46%, 0.64%

LAB 62, 44.22, -25.66

 

CMYK 0 / 38 / 3 / 13

HEX #DE8AD7

RGB 222 138 215

HSL 305, 0.56%, 0.71%

LAB 68.47, 43.47, -26.18

 

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

CMYK 0 / 64 / 5 / 48

HEX #84307D

RGB 132 48 125

HSL 305, 0.47%, 0.35%

LAB 35, 45.93, -26.3

 

CMYK 0 / 74 / 8 / 55

HEX #731E6A

RGB 115 30 106

HSL 306.35, 0.59%, 0.28%

LAB 28.42, 45.66, -24.81

 

CMYK 0 / 88 / 11 / 62

HEX #620C57

RGB 98 12 87

HSL 307.67, 0.78%, 0.22%

LAB 22.12, 44.17, -22.48

 

CMYK 0 / 100 / 16 / 68

HEX #510044

RGB 81 0 68

HSL 309.63, 1%, 0.16%

LAB 16.34, 40.64, -18.86

 

CMYK 0 / 56 / 3 / 42

HEX #954190

RGB 149 65 144

HSL 303.57, 0.39%, 0.42%

LAB 41.51, 46.11, -27.61

 

CMYK 0 / 56 / 19 / 42

HEX #954179

RGB 149 65 121

HSL 320, 0.39%, 0.42%

LAB 40.49, 42.22, -15.11

 

CMYK 0 / 56 / 34 / 42

HEX #954163

RGB 149 65 99

HSL 335.71, 0.39%, 0.42%

LAB 39.7, 39.05, -2.62

 

CMYK 0 / 56 / 49 / 42

HEX #95414C

RGB 149 65 76

HSL 352.14, 0.39%, 0.42%

LAB 39.06, 36.38, 10.88

 

CMYK 0 / 56 / 56 / 42

HEX #954141

RGB 149 65 65

HSL 0, 0.39%, 0.42%

LAB 38.82, 35.36, 17.42

 

CMYK 0 / 56 / 3 / 42

HEX #954190

RGB 149 65 144

HSL 303.57, 0.39%, 0.42%

LAB 41.51, 46.11, -27.61

 

CMYK 12 / 56 / 0 / 42

HEX #834195

RGB 131 65 149

HSL 287.14, 0.39%, 0.42%

LAB 39.2, 41.97, -34.44

 

CMYK 27 / 56 / 0 / 42

HEX #6D4195

RGB 109 65 149

HSL 271.43, 0.39%, 0.42%

LAB 36.37, 35.93, -39.11

 

CMYK 42 / 56 / 0 / 42

HEX #564195

RGB 86 65 149

HSL 255, 0.39%, 0.42%

LAB 33.83, 29.98, -43.31

 

CMYK 56 / 56 / 0 / 42

HEX #414195

RGB 65 65 149

HSL 240, 0.39%, 0.42%

LAB 31.98, 25.21, -46.4

 

CMYK 0 / 56 / 3 / 42

HEX #954190

RGB 149 65 144

HSL 303.57, 0.39%, 0.42%

LAB 41.51, 46.11, -27.61

 

CMYK 0 / 71 / 4 / 35

HEX #A6309F

RGB 166 48 159

HSL 303.56, 0.55%, 0.42%

LAB 42.34, 60.28, -35.15

 

CMYK 0 / 83 / 5 / 28

HEX #B81FAE

RGB 184 31 174

HSL 303.92, 0.71%, 0.42%

LAB 44.56, 71.27, -40.39

 

CMYK 0 / 94 / 5 / 21

HEX #C90DBE

RGB 201 13 190

HSL 303.51, 0.88%, 0.42%

LAB 47.52, 79.46, -44.9

 

CMYK 0 / 56 / 3 / 42

HEX #954190

RGB 149 65 144

HSL 303.57, 0.39%, 0.42%

LAB 41.51, 46.11, -27.61

 

CMYK 0 / 37 / 2 / 48

HEX #845381

RGB 132 83 129

HSL 303.67, 0.23%, 0.42%

LAB 42.27, 28.15, -17.5

 

CMYK 0 / 12 / 1 / 55

HEX #726471

RGB 114 100 113

HSL 304.29, 0.07%, 0.42%

LAB 44.07, 8.12, -5.26

 

CMYK 17 / 0 / 16 / 54

HEX #617562

RGB 97 117 98

HSL 123, 0.09%, 0.42%

LAB 47.17, -11.42, 8.06

 

CMYK 41 / 0 / 39 / 47

HEX #508753

RGB 80 135 83

HSL 123.27, 0.26%, 0.42%

LAB 51.45, -29.63, 22.4

 

CMYK 28 / 56 / 0 / 42

HEX #6C4195

RGB 108 65 149

HSL 270.71, 0.39%, 0.42%

LAB 36.25, 35.66, -39.31

 

CMYK 12 / 56 / 0 / 42

HEX #834195

RGB 131 65 149

HSL 287.14, 0.39%, 0.42%

LAB 39.2, 41.97, -34.44

 

CMYK 0 / 56 / 3 / 42

HEX #954191

RGB 149 65 145

HSL 302.86, 0.39%, 0.42%

LAB 41.56, 46.29, -28.14

 

CMYK 0 / 56 / 18 / 42

HEX #95417A

RGB 149 65 122

HSL 319.29, 0.39%, 0.42%

LAB 40.53, 42.37, -15.66

 

CMYK 0 / 56 / 33 / 42

HEX #954164

RGB 149 65 100

HSL 335, 0.39%, 0.42%

LAB 39.73, 39.18, -3.2

 

CMYK 0 / 57 / 4 / 64

HEX #5C2858

RGB 92 40 88

HSL 304.62, 0.39%, 0.26%

LAB 25.25, 31.11, -18.31

 

CMYK 0 / 56 / 3 / 53

HEX #783574

RGB 120 53 116

HSL 303.58, 0.39%, 0.34%

LAB 33.56, 38.39, -23.05

 

CMYK 0 / 56 / 3 / 42

HEX #954190

RGB 149 65 144

HSL 303.57, 0.39%, 0.42%

LAB 41.51, 46.11, -27.61

 

CMYK 0 / 56 / 3 / 31

HEX #B14EAB

RGB 177 78 171

HSL 303.64, 0.39%, 0.5%

LAB 49.17, 52.58, -31.42

 

CMYK 0 / 44 / 3 / 25

HEX #BE6BB9

RGB 190 107 185

HSL 303.61, 0.39%, 0.58%

LAB 57.04, 44.4, -27.18

 

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

CMYK 0 / 42 / 56 / 42

HEX #955641

RGB 149 86 65

HSL 15, 0.39%, 0.42%

LAB 43.4, 23.88, 23.4

 

CMYK 56 / 0 / 19 / 42

HEX #419578

RGB 65 149 120

HSL 159.29, 0.39%, 0.42%

LAB 56.06, -32.72, 7.72

 

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

CMYK 3 / 0 / 56 / 42

HEX #919541

RGB 145 149 65

HSL 62.86, 0.39%, 0.42%

LAB 59.79, -13.42, 43.07

 

CMYK 56 / 3 / 0 / 42

HEX #419195

RGB 65 145 149

HSL 182.86, 0.39%, 0.42%

LAB 55.63, -23.06, -9.53

 

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

CMYK 0 / 42 / 56 / 42

HEX #955641

RGB 149 86 65

HSL 15, 0.39%, 0.42%

LAB 43.4, 23.88, 23.4

 

CMYK 56 / 0 / 53 / 42

HEX #419546

RGB 65 149 70

HSL 123.57, 0.39%, 0.42%

LAB 55.14, -42.35, 33.92

 

CMYK 56 / 14 / 0 / 42

HEX #418095

RGB 65 128 149

HSL 195, 0.39%, 0.42%

LAB 50.37, -13.95, -17.48

 

CMYK 0 / 56 / 3 / 42

HEX #954290

RGB 149 66 144

HSL 303.61, 0.39%, 0.42%

LAB 41.69, 45.62, -27.32

 

CMYK 0 / 26 / 56 / 42

HEX #956F41

RGB 149 111 65

HSL 32.86, 0.39%, 0.42%

LAB 49.67, 9.48, 31.23

 

CMYK 56 / 0 / 53 / 42

HEX #419546

RGB 65 149 70

HSL 123.57, 0.39%, 0.42%

LAB 55.14, -42.35, 33.92

 

CMYK 56 / 31 / 0 / 42

HEX #416795

RGB 65 103 149

HSL 212.86, 0.39%, 0.42%

LAB 42.75, 0.71, -29.25

 

Description

Color code: HEX #954290 | qconv.com Color code: HEX #954290 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 66 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 66 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 3 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 3% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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