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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953F0F it is the complementary color #6AC0F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953F0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953F0F shade: #9A3F0A, #AB511D, #BC6330, #CD7543 and #DE8756

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953F0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953F0F shade: #953F0F, #842D00, #731B00, #620900 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953F0F shade: #953F0F, #951B0F and #950F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953F0F shade: #953F0F, #95630F, #95870F, #7E950F and #5A950F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953F0F shade matches the following richer shades: #953F0F and #A23B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953F0F shade: #953F0F, #87421C, #7A4629, #6D4A36 and #604E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953F0F shade: #950F27, #951A0F, #953E0F, #95610F and #95850F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953F0F shade: #491F07, #6F2F0B, #953F0F, #BA4E12 and #E05E16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953F0F shade: #953F0F, #4B950F and #0F1595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953F0F shade: #953F0F, #0F953E and #3E0F95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953F0F shade: #953F0F, #4B950F, #0F6695 and #580F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953F0F shade: #953F0F, #23950F, #0F6695 and #800F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

Complementary color

CMYK 56 / 20 / 0 / 6

HEX #6AC0F0

RGB 106 192 240

HSL 201.49, 0.82%, 0.68%

LAB 74.22, -12.58, -31.71

 

CMYK 0 / 59 / 94 / 40

HEX #9A3F0A

RGB 154 63 10

HSL 22.08, 0.88%, 0.32%

LAB 38.63, 35.66, 46.2

 

CMYK 0 / 53 / 83 / 33

HEX #AB511D

RGB 171 81 29

HSL 21.97, 0.71%, 0.39%

LAB 45.13, 33.72, 45.42

 

CMYK 0 / 47 / 74 / 26

HEX #BC6330

RGB 188 99 48

HSL 21.86, 0.59%, 0.46%

LAB 51.64, 31.9, 43.75

 

CMYK 0 / 43 / 67 / 20

HEX #CD7543

RGB 205 117 67

HSL 21.74, 0.58%, 0.53%

LAB 58.14, 30.26, 41.9

 

CMYK 0 / 39 / 61 / 13

HEX #DE8756

RGB 222 135 86

HSL 21.62, 0.67%, 0.6%

LAB 64.59, 28.79, 40.1

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 66 / 100 / 48

HEX #842D00

RGB 132 45 0

HSL 20.45, 1%, 0.26%

LAB 31.31, 35.66, 43.13

 

CMYK 0 / 77 / 100 / 55

HEX #731B00

RGB 115 27 0

HSL 14.09, 1%, 0.23%

LAB 25.04, 37.2, 36.57

 

CMYK 0 / 91 / 100 / 62

HEX #620900

RGB 98 9 0

HSL 5.51, 1%, 0.19%

LAB 19.19, 37.33, 29.25

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 82 / 90 / 42

HEX #951B0F

RGB 149 27 15

HSL 5.37, 0.82%, 0.32%

LAB 32.28, 48.69, 39.17

 

CMYK 0 / 90 / 90 / 42

HEX #950F0F

RGB 149 15 15

HSL 0, 0.82%, 0.32%

LAB 31.27, 51.55, 38.38

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 34 / 90 / 42

HEX #95630F

RGB 149 99 15

HSL 37.61, 0.82%, 0.32%

LAB 46.11, 13.69, 50.07

 

CMYK 0 / 9 / 90 / 42

HEX #95870F

RGB 149 135 15

HSL 53.73, 0.82%, 0.32%

LAB 55.84, -6.69, 57.81

 

CMYK 15 / 0 / 90 / 42

HEX #7E950F

RGB 126 149 15

HSL 70.3, 0.82%, 0.32%

LAB 58, -24.4, 58.76

 

CMYK 40 / 0 / 90 / 42

HEX #5A950F

RGB 90 149 15

HSL 86.42, 0.82%, 0.32%

LAB 55.79, -38.93, 56.02

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 64 / 99 / 36

HEX #A23B01

RGB 162 59 1

HSL 21.61, 0.99%, 0.32%

LAB 39.26, 40.56, 50.19

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 51 / 79 / 47

HEX #87421C

RGB 135 66 28

HSL 21.31, 0.66%, 0.32%

LAB 36.24, 26.72, 35.42

 

CMYK 0 / 43 / 66 / 52

HEX #7A4629

RGB 122 70 41

HSL 21.48, 0.5%, 0.32%

LAB 35.36, 19.43, 26.74

 

CMYK 0 / 32 / 50 / 57

HEX #6D4A36

RGB 109 74 54

HSL 21.82, 0.34%, 0.32%

LAB 34.83, 12.29, 17.9

 

CMYK 0 / 19 / 30 / 62

HEX #604E43

RGB 96 78 67

HSL 22.76, 0.18%, 0.32%

LAB 34.68, 5.67, 9.34

 

CMYK 0 / 90 / 74 / 42

HEX #950F27

RGB 149 15 39

HSL 349.25, 0.82%, 0.32%

LAB 31.53, 52.3, 24.61

 

CMYK 0 / 83 / 90 / 42

HEX #951A0F

RGB 149 26 15

HSL 4.93, 0.82%, 0.32%

LAB 32.17, 48.97, 39.09

 

CMYK 0 / 58 / 90 / 42

HEX #953E0F

RGB 149 62 15

HSL 21.04, 0.82%, 0.32%

LAB 37.61, 34.27, 43.35

 

CMYK 0 / 35 / 90 / 42

HEX #95610F

RGB 149 97 15

HSL 36.72, 0.82%, 0.32%

LAB 45.6, 14.85, 49.67

 

CMYK 0 / 11 / 90 / 42

HEX #95850F

RGB 149 133 15

HSL 52.84, 0.82%, 0.32%

LAB 55.28, -5.59, 57.36

 

CMYK 0 / 58 / 90 / 71

HEX #491F07

RGB 73 31 7

HSL 21.82, 0.83%, 0.16%

LAB 17.51, 18.26, 23.13

 

CMYK 0 / 58 / 90 / 56

HEX #6F2F0B

RGB 111 47 11

HSL 21.6, 0.82%, 0.24%

LAB 27.94, 26.3, 34.4

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 0 / 58 / 90 / 27

HEX #BA4E12

RGB 186 78 18

HSL 21.43, 0.82%, 0.4%

LAB 46.88, 40.9, 52.11

 

CMYK 0 / 58 / 90 / 12

HEX #E05E16

RGB 224 94 22

HSL 21.39, 0.82%, 0.48%

LAB 56, 47.66, 60.33

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 50 / 0 / 90 / 42

HEX #4B950F

RGB 75 149 15

HSL 93.13, 0.82%, 0.32%

LAB 55.1, -44.07, 55.16

 

CMYK 90 / 86 / 0 / 42

HEX #0F1595

RGB 15 21 149

HSL 237.31, 0.82%, 0.32%

LAB 19.26, 45.89, -67.39

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 90 / 0 / 58 / 42

HEX #0F953E

RGB 15 149 62

HSL 141.04, 0.82%, 0.32%

LAB 53.97, -52.06, 36.28

 

CMYK 58 / 90 / 0 / 42

HEX #3E0F95

RGB 62 15 149

HSL 261.04, 0.82%, 0.32%

LAB 22.07, 51.13, -62.62

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 50 / 0 / 90 / 42

HEX #4B950F

RGB 75 149 15

HSL 93.13, 0.82%, 0.32%

LAB 55.1, -44.07, 55.16

 

CMYK 90 / 32 / 0 / 42

HEX #0F6695

RGB 15 102 149

HSL 201.04, 0.82%, 0.32%

LAB 40.86, -6.12, -32.35

 

CMYK 41 / 90 / 0 / 42

HEX #580F95

RGB 88 15 149

HSL 272.69, 0.82%, 0.32%

LAB 25.52, 54.04, -56.81

 

CMYK 0 / 58 / 90 / 42

HEX #953F0F

RGB 149 63 15

HSL 21.49, 0.82%, 0.32%

LAB 37.8, 33.75, 43.51

 

CMYK 77 / 0 / 90 / 42

HEX #23950F

RGB 35 149 15

HSL 111.04, 0.82%, 0.32%

LAB 53.91, -53.83, 53.66

 

CMYK 90 / 32 / 0 / 42

HEX #0F6695

RGB 15 102 149

HSL 201.04, 0.82%, 0.32%

LAB 40.86, -6.12, -32.35

 

CMYK 14 / 90 / 0 / 42

HEX #800F95

RGB 128 15 149

HSL 290.6, 0.82%, 0.32%

LAB 32.04, 60.1, -45.92

 

Description

Color code: HEX #953F0F | qconv.com Color code: HEX #953F0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 63 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 63 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 90 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 90% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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