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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953CB3 it is the complementary color #6AC34C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953CB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953CB3 shade: #9A3CAE, #AB4EC1, #BC60D4, #CD72E7 and #DE84FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953CB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953CB3 shade: #953CB3, #842AA0, #73188D, #62067A and #510067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953CB3 shade: #963CB4, #B43CB2, #B43C91, #B43C71 and #B43C51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953CB3 shade: #963CB4, #753CB4, #553CB4 and #3C3CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953CB3 shade matches the following richer shades: #963CB4, #9F29C7, #A915DB and #B202EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953CB3 shade: #963CB4, #8C4FA0, #82638D, #79767A and #6F8966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953CB3 shade: #543CB4, #743CB4, #943CB4, #B43CB4 and #B43C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953CB3 shade: #622776, #7C3295, #963CB4, #A953C6 and #B872D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953CB3 shade: #953CB3, #B43C44 and #3CB464

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953CB3 shade: #953CB3, #B4943C and #3CB494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953CB3 shade: #953CB3, #B43C44, #5CB43C and #3CB4AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953CB3 shade: #953CB3, #B4583C, #5CB43C and #3C98B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

Complementary color

CMYK 46 / 0 / 61 / 24

HEX #6AC34C

RGB 106 195 76

HSL 104.87, 0.5%, 0.53%

LAB 71.29, -48.54, 50.4

 

CMYK 11 / 66 / 0 / 32

HEX #9A3CAE

RGB 154 60 174

HSL 289.47, 0.49%, 0.46%

LAB 43, 55.37, -43.16

 

CMYK 11 / 60 / 0 / 24

HEX #AB4EC1

RGB 171 78 193

HSL 288.52, 0.48%, 0.53%

LAB 49.44, 55.08, -43.88

 

CMYK 11 / 55 / 0 / 17

HEX #BC60D4

RGB 188 96 212

HSL 287.59, 0.57%, 0.6%

LAB 55.9, 54.54, -44.39

 

CMYK 11 / 51 / 0 / 9

HEX #CD72E7

RGB 205 114 231

HSL 286.67, 0.71%, 0.68%

LAB 62.32, 53.87, -44.78

 

CMYK 11 / 47 / 0 / 2

HEX #DE84FA

RGB 222 132 250

HSL 285.76, 0.92%, 0.75%

LAB 68.7, 53.14, -45.09

 

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

CMYK 18 / 74 / 0 / 37

HEX #842AA0

RGB 132 42 160

HSL 285.76, 0.58%, 0.4%

LAB 36.18, 55.09, -45.91

 

CMYK 18 / 83 / 0 / 45

HEX #73188D

RGB 115 24 141

HSL 286.67, 0.71%, 0.32%

LAB 29.96, 54.13, -44.44

 

CMYK 20 / 95 / 0 / 52

HEX #62067A

RGB 98 6 122

HSL 287.59, 0.91%, 0.25%

LAB 24.1, 51.74, -42.14

 

CMYK 21 / 100 / 0 / 60

HEX #510067

RGB 81 0 103

HSL 287.18, 1%, 0.2%

LAB 18.92, 46.79, -38.4

 

CMYK 17 / 67 / 0 / 29

HEX #963CB4

RGB 150 60 180

HSL 285, 0.5%, 0.47%

LAB 42.78, 55.63, -47.09

 

CMYK 0 / 67 / 1 / 29

HEX #B43CB2

RGB 180 60 178

HSL 301, 0.5%, 0.47%

LAB 47.17, 62.28, -38.65

 

CMYK 0 / 67 / 19 / 29

HEX #B43C91

RGB 180 60 145

HSL 317.5, 0.5%, 0.47%

LAB 45.61, 57.14, -21.47

 

CMYK 0 / 67 / 37 / 29

HEX #B43C71

RGB 180 60 113

HSL 333.5, 0.5%, 0.47%

LAB 44.41, 53.05, -3.77

 

CMYK 0 / 67 / 55 / 29

HEX #B43C51

RGB 180 60 81

HSL 349.5, 0.5%, 0.47%

LAB 43.55, 49.96, 14.78

 

CMYK 17 / 67 / 0 / 29

HEX #963CB4

RGB 150 60 180

HSL 285, 0.5%, 0.47%

LAB 42.78, 55.63, -47.09

 

CMYK 35 / 67 / 0 / 29

HEX #753CB4

RGB 117 60 180

HSL 268.5, 0.5%, 0.47%

LAB 38.39, 48.31, -54.38

 

CMYK 53 / 67 / 0 / 29

HEX #553CB4

RGB 85 60 180

HSL 252.5, 0.5%, 0.47%

LAB 34.92, 42.04, -60.18

 

CMYK 67 / 67 / 0 / 29

HEX #3C3CB4

RGB 60 60 180

HSL 240, 0.5%, 0.47%

LAB 32.89, 38.11, -63.58

 

CMYK 17 / 67 / 0 / 29

HEX #963CB4

RGB 150 60 180

HSL 285, 0.5%, 0.47%

LAB 42.78, 55.63, -47.09

 

CMYK 20 / 79 / 0 / 22

HEX #9F29C7

RGB 159 41 199

HSL 284.81, 0.66%, 0.47%

LAB 42.88, 68.25, -57.97

 

CMYK 23 / 90 / 0 / 14

HEX #A915DB

RGB 169 21 219

HSL 284.85, 0.83%, 0.47%

LAB 44.36, 78.06, -67.05

 

CMYK 25 / 99 / 0 / 7

HEX #B202EE

RGB 178 2 238

HSL 284.75, 0.98%, 0.47%

LAB 46.55, 84.66, -74.21

 

CMYK 17 / 67 / 0 / 29

HEX #963CB4

RGB 150 60 180

HSL 285, 0.5%, 0.47%

LAB 42.78, 55.63, -47.09

 

CMYK 13 / 51 / 0 / 37

HEX #8C4FA0

RGB 140 79 160

HSL 285.19, 0.34%, 0.47%

LAB 43.81, 39.39, -33.69

 

CMYK 8 / 30 / 0 / 45

HEX #82638D

RGB 130 99 141

HSL 284.29, 0.18%, 0.47%

LAB 46.44, 20.52, -18.37

 

CMYK 1 / 3 / 0 / 52

HEX #79767A

RGB 121 118 122

HSL 285, 0.02%, 0.47%

LAB 50.01, 1.95, -1.79

 

CMYK 19 / 0 / 26 / 46

HEX #6F8966

RGB 111 137 102

HSL 104.57, 0.15%, 0.47%

LAB 54.27, -16.29, 15.8

 

CMYK 53 / 67 / 0 / 29

HEX #543CB4

RGB 84 60 180

HSL 252, 0.5%, 0.47%

LAB 34.83, 41.86, -60.33

 

CMYK 36 / 67 / 0 / 29

HEX #743CB4

RGB 116 60 180

HSL 268, 0.5%, 0.47%

LAB 38.27, 48.1, -54.58

 

CMYK 18 / 67 / 0 / 29

HEX #943CB4

RGB 148 60 180

HSL 284, 0.5%, 0.47%

LAB 42.5, 55.17, -47.56

 

CMYK 0 / 67 / 0 / 29

HEX #B43CB4

RGB 180 60 180

HSL 300, 0.5%, 0.47%

LAB 47.28, 62.61, -39.66

 

CMYK 0 / 67 / 18 / 29

HEX #B43C94

RGB 180 60 148

HSL 316, 0.5%, 0.47%

LAB 45.73, 57.58, -23.08

 

CMYK 17 / 67 / 0 / 54

HEX #622776

RGB 98 39 118

HSL 284.81, 0.5%, 0.31%

LAB 27.73, 39.7, -33.76

 

CMYK 17 / 66 / 0 / 42

HEX #7C3295

RGB 124 50 149

HSL 284.85, 0.5%, 0.39%

LAB 35.47, 47.61, -40.43

 

CMYK 17 / 67 / 0 / 29

HEX #963CB4

RGB 150 60 180

HSL 285, 0.5%, 0.47%

LAB 42.78, 55.63, -47.09

 

CMYK 15 / 58 / 0 / 22

HEX #A953C6

RGB 169 83 198

HSL 284.87, 0.5%, 0.55%

LAB 50.33, 53.18, -45.37

 

CMYK 12 / 45 / 0 / 18

HEX #B872D0

RGB 184 114 208

HSL 284.68, 0.5%, 0.63%

LAB 58.77, 43.36, -37.64

 

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

CMYK 0 / 67 / 62 / 29

HEX #B43C44

RGB 180 60 68

HSL 356, 0.5%, 0.47%

LAB 43.29, 49.01, 22.43

 

CMYK 67 / 0 / 44 / 29

HEX #3CB464

RGB 60 180 100

HSL 140, 0.5%, 0.47%

LAB 65.38, -50.98, 31.27

 

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

CMYK 0 / 18 / 67 / 29

HEX #B4943C

RGB 180 148 60

HSL 44, 0.5%, 0.47%

LAB 62.68, 2.14, 49.5

 

CMYK 67 / 0 / 18 / 29

HEX #3CB494

RGB 60 180 148

HSL 164, 0.5%, 0.47%

LAB 66.32, -40.88, 6.68

 

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

CMYK 0 / 67 / 62 / 29

HEX #B43C44

RGB 180 60 68

HSL 356, 0.5%, 0.47%

LAB 43.29, 49.01, 22.43

 

CMYK 49 / 0 / 67 / 29

HEX #5CB43C

RGB 92 180 60

HSL 104, 0.5%, 0.47%

LAB 65.94, -48.29, 51.21

 

CMYK 67 / 0 / 4 / 29

HEX #3CB4AC

RGB 60 180 172

HSL 176, 0.5%, 0.47%

LAB 66.96, -34.56, -5.65

 

CMYK 17 / 66 / 0 / 30

HEX #953CB3

RGB 149 60 179

HSL 284.87, 0.5%, 0.47%

LAB 42.58, 55.2, -46.83

 

CMYK 0 / 51 / 67 / 29

HEX #B4583C

RGB 180 88 60

HSL 14, 0.5%, 0.47%

LAB 48.27, 35.12, 33.3

 

CMYK 49 / 0 / 67 / 29

HEX #5CB43C

RGB 92 180 60

HSL 104, 0.5%, 0.47%

LAB 65.94, -48.29, 51.21

 

CMYK 67 / 16 / 0 / 29

HEX #3C98B4

RGB 60 152 180

HSL 194, 0.5%, 0.47%

LAB 58.71, -18.17, -22.57

 

Description

Color code: HEX #953CB3 | qconv.com Color code: HEX #953CB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 60 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 60 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 66 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 66% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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