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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953ABD it is the complementary color #6AC542. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953ABD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953ABD shade: #9A3AB8, #AB4CCB, #BC5EDE, #CD70F1 and #DE82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953ABD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953ABD shade: #953ABD, #8428AA, #731697, #620484 and #510071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953ABD shade: #943ABB, #B73ABB, #BB3A9D, #BB3A7A and #BB3A57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953ABD shade: #943ABB, #713ABB, #4E3ABB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953ABD shade matches the following richer shades: #943ABB, #9B26CF and #A312E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953ABD shade: #943ABB, #8C4DA7, #846194, #7D7580 and #75896C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953ABD shade: #4D3ABB, #703ABB, #923ABB, #B53ABB and #BB3A9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953ABD shade: #62267C, #7B309C, #943ABB, #A654CA and #B773D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953ABD shade: #953ABD, #BB3A49 and #3ABB5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953ABD shade: #953ABD, #BB923A and #3ABB92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953ABD shade: #953ABD, #BB3A49, #63BB3A and #3ABBAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953ABD shade: #953ABD, #BB513A, #63BB3A and #3AA3BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

Complementary color

CMYK 46 / 0 / 66 / 23

HEX #6AC542

RGB 106 197 66

HSL 101.68, 0.53%, 0.52%

LAB 71.82, -50.28, 55.23

 

CMYK 16 / 68 / 0 / 28

HEX #9A3AB8

RGB 154 58 184

HSL 285.71, 0.52%, 0.47%

LAB 43.3, 58.19, -48.58

 

CMYK 16 / 63 / 0 / 20

HEX #AB4CCB

RGB 171 76 203

HSL 284.88, 0.55%, 0.55%

LAB 49.66, 58, -49.3

 

CMYK 15 / 58 / 0 / 13

HEX #BC5EDE

RGB 188 94 222

HSL 284.06, 0.66%, 0.62%

LAB 56.06, 57.51, -49.79

 

CMYK 15 / 54 / 0 / 5

HEX #CD70F1

RGB 205 112 241

HSL 283.26, 0.82%, 0.69%

LAB 62.44, 56.86, -50.15

 

CMYK 13 / 49 / 0 / 0

HEX #DE82FF

RGB 222 130 255

HSL 284.16, 1%, 0.75%

LAB 68.54, 55.14, -48.07

 

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

CMYK 22 / 76 / 0 / 33

HEX #8428AA

RGB 132 40 170

HSL 282.46, 0.62%, 0.41%

LAB 36.6, 57.87, -51.23

 

CMYK 24 / 85 / 0 / 41

HEX #731697

RGB 115 22 151

HSL 283.26, 0.75%, 0.34%

LAB 30.53, 56.69, -49.69

 

CMYK 26 / 97 / 0 / 48

HEX #620484

RGB 98 4 132

HSL 284.06, 0.94%, 0.27%

LAB 24.79, 54.11, -47.35

 

CMYK 28 / 100 / 0 / 56

HEX #510071

RGB 81 0 113

HSL 283.01, 1%, 0.22%

LAB 19.81, 48.79, -43.48

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 2 / 69 / 0 / 27

HEX #B73ABB

RGB 183 58 187

HSL 298.14, 0.53%, 0.48%

LAB 47.86, 65.23, -42.8

 

CMYK 0 / 69 / 16 / 27

HEX #BB3A9D

RGB 187 58 157

HSL 313.95, 0.53%, 0.48%

LAB 47.01, 61.47, -26.4

 

CMYK 0 / 69 / 35 / 27

HEX #BB3A7A

RGB 187 58 122

HSL 330.23, 0.53%, 0.48%

LAB 45.63, 56.92, -7.36

 

CMYK 0 / 69 / 53 / 27

HEX #BB3A57

RGB 187 58 87

HSL 346.51, 0.53%, 0.48%

LAB 44.63, 53.49, 12.76

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 40 / 69 / 0 / 27

HEX #713ABB

RGB 113 58 187

HSL 265.58, 0.53%, 0.48%

LAB 38.07, 50.28, -59.06

 

CMYK 58 / 69 / 0 / 27

HEX #4E3ABB

RGB 78 58 187

HSL 249.3, 0.53%, 0.48%

LAB 34.46, 44.16, -65.08

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 25 / 82 / 0 / 19

HEX #9B26CF

RGB 155 38 207

HSL 281.54, 0.69%, 0.48%

LAB 42.55, 69.99, -63.17

 

CMYK 28 / 92 / 0 / 11

HEX #A312E3

RGB 163 18 227

HSL 281.63, 0.85%, 0.48%

LAB 43.89, 79.16, -72.41

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 16 / 54 / 0 / 35

HEX #8C4DA7

RGB 140 77 167

HSL 282, 0.37%, 0.48%

LAB 43.76, 41.99, -37.93

 

CMYK 11 / 34 / 0 / 42

HEX #846194

RGB 132 97 148

HSL 281.18, 0.21%, 0.48%

LAB 46.44, 23.93, -22.52

 

CMYK 2 / 9 / 0 / 50

HEX #7D7580

RGB 125 117 128

HSL 283.64, 0.04%, 0.48%

LAB 50.26, 5.26, -4.92

 

CMYK 15 / 0 / 21 / 46

HEX #75896C

RGB 117 137 108

HSL 101.38, 0.12%, 0.48%

LAB 54.82, -12.96, 13.2

 

CMYK 59 / 69 / 0 / 27

HEX #4D3ABB

RGB 77 58 187

HSL 248.84, 0.53%, 0.48%

LAB 34.38, 44, -65.23

 

CMYK 40 / 69 / 0 / 27

HEX #703ABB

RGB 112 58 187

HSL 265.12, 0.53%, 0.48%

LAB 37.95, 50.09, -59.26

 

CMYK 22 / 69 / 0 / 27

HEX #923ABB

RGB 146 58 187

HSL 280.93, 0.53%, 0.48%

LAB 42.35, 57.06, -51.93

 

CMYK 3 / 69 / 0 / 27

HEX #B53ABB

RGB 181 58 187

HSL 297.21, 0.53%, 0.48%

LAB 47.54, 64.78, -43.32

 

CMYK 0 / 69 / 15 / 27

HEX #BB3A9F

RGB 187 58 159

HSL 313.02, 0.53%, 0.48%

LAB 47.1, 61.76, -27.45

 

CMYK 21 / 69 / 0 / 51

HEX #62267C

RGB 98 38 124

HSL 281.86, 0.53%, 0.32%

LAB 27.95, 41.53, -37.2

 

CMYK 21 / 69 / 0 / 39

HEX #7B309C

RGB 123 48 156

HSL 281.67, 0.53%, 0.4%

LAB 35.45, 49.79, -44.73

 

CMYK 21 / 69 / 0 / 27

HEX #943ABB

RGB 148 58 187

HSL 281.86, 0.53%, 0.48%

LAB 42.63, 57.49, -51.46

 

CMYK 18 / 58 / 0 / 21

HEX #A654CA

RGB 166 84 202

HSL 281.69, 0.53%, 0.56%

LAB 50.35, 52.76, -47.67

 

CMYK 14 / 46 / 0 / 17

HEX #B773D4

RGB 183 115 212

HSL 282.06, 0.53%, 0.64%

LAB 59.05, 43.37, -39.47

 

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

CMYK 0 / 69 / 61 / 27

HEX #BB3A49

RGB 187 58 73

HSL 353.02, 0.53%, 0.48%

LAB 44.34, 52.45, 20.98

 

CMYK 69 / 0 / 50 / 27

HEX #3ABB5E

RGB 58 187 94

HSL 136.74, 0.53%, 0.48%

LAB 67.46, -54.93, 36.96

 

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

CMYK 0 / 22 / 69 / 27

HEX #BB923A

RGB 187 146 58

HSL 40.93, 0.53%, 0.48%

LAB 62.87, 6.2, 50.81

 

CMYK 69 / 0 / 22 / 27

HEX #3ABB92

RGB 58 187 146

HSL 160.93, 0.53%, 0.48%

LAB 68.4, -44.7, 10.73

 

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

CMYK 0 / 69 / 61 / 27

HEX #BB3A49

RGB 187 58 73

HSL 353.02, 0.53%, 0.48%

LAB 44.34, 52.45, 20.98

 

CMYK 47 / 0 / 69 / 27

HEX #63BB3A

RGB 99 187 58

HSL 100.93, 0.53%, 0.48%

LAB 68.39, -49.12, 54.7

 

CMYK 69 / 0 / 8 / 27

HEX #3ABBAC

RGB 58 187 172

HSL 173.02, 0.53%, 0.48%

LAB 69.05, -38.08, -2.57

 

CMYK 21 / 69 / 0 / 26

HEX #953ABD

RGB 149 58 189

HSL 281.68, 0.53%, 0.48%

LAB 42.9, 58.12, -52.19

 

CMYK 0 / 57 / 69 / 27

HEX #BB513A

RGB 187 81 58

HSL 10.7, 0.53%, 0.48%

LAB 47.95, 41.26, 34.31

 

CMYK 47 / 0 / 69 / 27

HEX #63BB3A

RGB 99 187 58

HSL 100.93, 0.53%, 0.48%

LAB 68.39, -49.12, 54.7

 

CMYK 69 / 13 / 0 / 27

HEX #3AA3BB

RGB 58 163 187

HSL 191.16, 0.53%, 0.48%

LAB 62.24, -22.03, -21.12

 

Description

Color code: HEX #953ABD | qconv.com Color code: HEX #953ABD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 58 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 58 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 69 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 69% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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