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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953868 it is the complementary color #6AC797. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953868. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953868 shade: #9A3863, #AB4A76, #BC5C89, #CD6E9C and #DE80AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953868. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953868 shade: #953868, #842655, #731442, #62022F and #51001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953868 shade: #943867, #94384F and #943838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953868 shade: #943867, #943880, #8F3894, #763894 and #5D3894

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953868 shade matches the following richer shades: #943867, #A42868, #B51769 and #C50769

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953868 shade: #943867, #834967, #735966, #626A66 and #527A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953868 shade: #8F3894, #943880, #943868, #94384F and #943A38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953868 shade: #58213E, #762D53, #943867, #B2437C and #C25D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953868 shade: #953868, #947738 and #388C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953868 shade: #953868, #689438 and #386894

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953868 shade: #953868, #947738, #389464 and #385594

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953868 shade: #953868, #949238, #389464 and #383A94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

Complementary color

CMYK 47 / 0 / 24 / 22

HEX #6AC797

RGB 106 199 151

HSL 149.03, 0.45%, 0.6%

LAB 73.64, -38.71, 15.62

 

CMYK 0 / 64 / 36 / 40

HEX #9A3863

RGB 154 56 99

HSL 333.67, 0.47%, 0.41%

LAB 38.9, 45.05, -3.72

 

CMYK 0 / 57 / 31 / 33

HEX #AB4A76

RGB 171 74 118

HSL 332.78, 0.4%, 0.48%

LAB 45.45, 44.51, -5.47

 

CMYK 0 / 51 / 27 / 26

HEX #BC5C89

RGB 188 92 137

HSL 331.88, 0.42%, 0.55%

LAB 52.01, 43.78, -6.86

 

CMYK 0 / 46 / 24 / 20

HEX #CD6E9C

RGB 205 110 156

HSL 330.95, 0.49%, 0.62%

LAB 58.54, 42.99, -8.01

 

CMYK 0 / 42 / 21 / 13

HEX #DE80AF

RGB 222 128 175

HSL 330, 0.59%, 0.69%

LAB 65.01, 42.18, -9

 

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

CMYK 0 / 71 / 36 / 48

HEX #842655

RGB 132 38 85

HSL 330, 0.55%, 0.33%

LAB 31.69, 44.22, -5.89

 

CMYK 0 / 83 / 43 / 55

HEX #731442

RGB 115 20 66

HSL 330.95, 0.7%, 0.26%

LAB 25.38, 43.51, -3

 

CMYK 0 / 98 / 52 / 62

HEX #62022F

RGB 98 2 47

HSL 331.88, 0.96%, 0.2%

LAB 19.41, 41.59, 1.02

 

CMYK 0 / 100 / 65 / 68

HEX #51001C

RGB 81 0 28

HSL 339.26, 1%, 0.16%

LAB 14.59, 36.12, 7.47

 

CMYK 0 / 62 / 30 / 42

HEX #943867

RGB 148 56 103

HSL 329.35, 0.45%, 0.4%

LAB 38.03, 43.63, -7.64

 

CMYK 0 / 62 / 47 / 42

HEX #94384F

RGB 148 56 79

HSL 345, 0.45%, 0.4%

LAB 37.28, 40.78, 6.47

 

CMYK 0 / 62 / 62 / 42

HEX #943838

RGB 148 56 56

HSL 0, 0.45%, 0.4%

LAB 36.76, 38.76, 20.31

 

CMYK 0 / 62 / 30 / 42

HEX #943867

RGB 148 56 103

HSL 329.35, 0.45%, 0.4%

LAB 38.03, 43.63, -7.64

 

CMYK 0 / 62 / 14 / 42

HEX #943880

RGB 148 56 128

HSL 313.04, 0.45%, 0.4%

LAB 39.04, 47.33, -21.67

 

CMYK 3 / 62 / 0 / 42

HEX #8F3894

RGB 143 56 148

HSL 296.74, 0.45%, 0.4%

LAB 39.25, 49.44, -33.64

 

CMYK 20 / 62 / 0 / 42

HEX #763894

RGB 118 56 148

HSL 280.43, 0.45%, 0.4%

LAB 35.63, 42.95, -39.61

 

CMYK 37 / 62 / 0 / 42

HEX #5D3894

RGB 93 56 148

HSL 264.13, 0.45%, 0.4%

LAB 32.47, 36.76, -44.87

 

CMYK 0 / 62 / 30 / 42

HEX #943867

RGB 148 56 103

HSL 329.35, 0.45%, 0.4%

LAB 38.03, 43.63, -7.64

 

CMYK 0 / 76 / 37 / 36

HEX #A42868

RGB 164 40 104

HSL 329.03, 0.61%, 0.4%

LAB 38.57, 54.91, -7.17

 

CMYK 0 / 87 / 42 / 29

HEX #B51769

RGB 181 23 105

HSL 328.86, 0.77%, 0.4%

LAB 40.34, 63.75, -4.81

 

CMYK 0 / 96 / 47 / 23

HEX #C50769

RGB 197 7 105

HSL 329.05, 0.93%, 0.4%

LAB 42.83, 69.56, -0.78

 

CMYK 0 / 62 / 30 / 42

HEX #943867

RGB 148 56 103

HSL 329.35, 0.45%, 0.4%

LAB 38.03, 43.63, -7.64

 

CMYK 0 / 44 / 21 / 49

HEX #834967

RGB 131 73 103

HSL 328.97, 0.28%, 0.4%

LAB 38.85, 28.85, -6.68

 

CMYK 0 / 23 / 11 / 55

HEX #735966

RGB 115 89 102

HSL 330, 0.13%, 0.4%

LAB 40.81, 13, -3.35

 

CMYK 8 / 0 / 4 / 58

HEX #626A66

RGB 98 106 102

HSL 150, 0.04%, 0.4%

LAB 44.04, -3.91, 1.19

 

CMYK 33 / 0 / 17 / 52

HEX #527A65

RGB 82 122 101

HSL 148.5, 0.2%, 0.4%

LAB 47.82, -18.87, 7.08

 

CMYK 3 / 62 / 0 / 42

HEX #8F3894

RGB 143 56 148

HSL 296.74, 0.45%, 0.4%

LAB 39.25, 49.44, -33.64

 

CMYK 0 / 62 / 14 / 42

HEX #943880

RGB 148 56 128

HSL 313.04, 0.45%, 0.4%

LAB 39.04, 47.33, -21.67

 

CMYK 0 / 62 / 30 / 42

HEX #943868

RGB 148 56 104

HSL 328.7, 0.45%, 0.4%

LAB 38.06, 43.77, -8.21

 

CMYK 0 / 62 / 47 / 42

HEX #94384F

RGB 148 56 79

HSL 345, 0.45%, 0.4%

LAB 37.28, 40.78, 6.47

 

CMYK 0 / 61 / 62 / 42

HEX #943A38

RGB 148 58 56

HSL 1.3, 0.45%, 0.4%

LAB 37.13, 37.79, 20.78

 

CMYK 0 / 63 / 30 / 65

HEX #58213E

RGB 88 33 62

HSL 328.36, 0.45%, 0.24%

LAB 21.98, 28.95, -5.89

 

CMYK 0 / 62 / 30 / 54

HEX #762D53

RGB 118 45 83

HSL 328.77, 0.45%, 0.32%

LAB 30.29, 36.31, -6.94

 

CMYK 0 / 62 / 30 / 42

HEX #943867

RGB 148 56 103

HSL 329.35, 0.45%, 0.4%

LAB 38.03, 43.63, -7.64

 

CMYK 0 / 62 / 30 / 30

HEX #B2437C

RGB 178 67 124

HSL 329.19, 0.45%, 0.48%

LAB 45.54, 50.78, -8.86

 

CMYK 0 / 52 / 25 / 24

HEX #C25D91

RGB 194 93 145

HSL 329.11, 0.45%, 0.56%

LAB 53.32, 46.38, -9.54

 

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

CMYK 0 / 20 / 62 / 42

HEX #947738

RGB 148 119 56

HSL 41.09, 0.45%, 0.4%

LAB 51.58, 3.71, 38.24

 

CMYK 62 / 5 / 0 / 42

HEX #388C94

RGB 56 140 148

HSL 185.22, 0.45%, 0.4%

LAB 53.74, -22.52, -11.82

 

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

CMYK 30 / 0 / 62 / 42

HEX #689438

RGB 104 148 56

HSL 88.7, 0.45%, 0.4%

LAB 56.49, -30.69, 42.8

 

CMYK 62 / 30 / 0 / 42

HEX #386894

RGB 56 104 148

HSL 208.7, 0.45%, 0.4%

LAB 42.58, -2.19, -28.96

 

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

CMYK 0 / 20 / 62 / 42

HEX #947738

RGB 148 119 56

HSL 41.09, 0.45%, 0.4%

LAB 51.58, 3.71, 38.24

 

CMYK 62 / 0 / 32 / 42

HEX #389464

RGB 56 148 100

HSL 148.7, 0.45%, 0.4%

LAB 55.01, -38.79, 17.51

 

CMYK 62 / 43 / 0 / 42

HEX #385594

RGB 56 85 148

HSL 221.09, 0.45%, 0.4%

LAB 36.88, 9.85, -37.95

 

CMYK 0 / 62 / 30 / 42

HEX #953868

RGB 149 56 104

HSL 329.03, 0.45%, 0.4%

LAB 38.23, 44.08, -7.95

 

CMYK 0 / 1 / 62 / 42

HEX #949238

RGB 148 146 56

HSL 58.7, 0.45%, 0.4%

LAB 59.1, -11.22, 46.58

 

CMYK 62 / 0 / 32 / 42

HEX #389464

RGB 56 148 100

HSL 148.7, 0.45%, 0.4%

LAB 55.01, -38.79, 17.51

 

CMYK 62 / 61 / 0 / 42

HEX #383A94

RGB 56 58 148

HSL 238.7, 0.45%, 0.4%

LAB 29.43, 27.7, -49.96

 

Description

Color code: HEX #953868 | qconv.com Color code: HEX #953868 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 56 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 56 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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