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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95327E it is the complementary color #6ACD81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95327E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95327E shade: #9A3279, #AB448C, #BC569F, #CD68B2 and #DE7AC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95327E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95327E shade: #95327E, #84206B, #730E58, #620045 and #510032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95327E shade: #95327E, #953263, #953248 and #953232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95327E shade: #95327E, #913295, #773295, #5C3295 and #413295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95327E shade matches the following richer shades: #95327E, #A52287, #B5128F and #C50198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95327E shade: #95327E, #854275, #75526D, #656264 and #55725C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95327E shade: #763295, #903295, #953280, #953265 and #95324B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95327E shade: #571D4A, #762764, #95327E, #B43C98 and #C654AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95327E shade: #95327E, #955B32 and #329583

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95327E shade: #95327E, #809532 and #328095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95327E shade: #95327E, #955B32, #329547 and #326C95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95327E shade: #95327E, #957932, #329547 and #324E95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

Complementary color

CMYK 48 / 0 / 37 / 20

HEX #6ACD81

RGB 106 205 129

HSL 133.94, 0.5%, 0.61%

LAB 75.02, -45.45, 29.12

 

CMYK 0 / 68 / 21 / 40

HEX #9A3279

RGB 154 50 121

HSL 319.04, 0.51%, 0.4%

LAB 38.78, 50.57, -17.66

 

CMYK 0 / 60 / 18 / 33

HEX #AB448C

RGB 171 68 140

HSL 318.06, 0.43%, 0.47%

LAB 45.2, 50.45, -19.2

 

CMYK 0 / 54 / 15 / 26

HEX #BC569F

RGB 188 86 159

HSL 317.06, 0.43%, 0.54%

LAB 51.67, 49.99, -20.38

 

CMYK 0 / 49 / 13 / 20

HEX #CD68B2

RGB 205 104 178

HSL 316.04, 0.5%, 0.61%

LAB 58.13, 49.36, -21.33

 

CMYK 0 / 45 / 11 / 13

HEX #DE7AC5

RGB 222 122 197

HSL 315, 0.6%, 0.67%

LAB 64.55, 48.65, -22.12

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 76 / 19 / 48

HEX #84206B

RGB 132 32 107

HSL 315, 0.61%, 0.32%

LAB 31.81, 49.46, -19.92

 

CMYK 0 / 88 / 23 / 55

HEX #730E58

RGB 115 14 88

HSL 316.04, 0.78%, 0.25%

LAB 25.75, 47.83, -17.21

 

CMYK 0 / 100 / 30 / 62

HEX #620045

RGB 98 0 69

HSL 317.76, 1%, 0.19%

LAB 20.15, 44.49, -13.32

 

CMYK 0 / 100 / 38 / 68

HEX #510032

RGB 81 0 50

HSL 322.96, 1%, 0.16%

LAB 15.38, 38.21, -7.56

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 66 / 34 / 42

HEX #953263

RGB 149 50 99

HSL 330.3, 0.5%, 0.39%

LAB 37.06, 46.13, -6.54

 

CMYK 0 / 66 / 52 / 42

HEX #953248

RGB 149 50 72

HSL 346.67, 0.5%, 0.39%

LAB 36.25, 43.2, 9.51

 

CMYK 0 / 66 / 66 / 42

HEX #953232

RGB 149 50 50

HSL 0, 0.5%, 0.39%

LAB 35.79, 41.51, 22.86

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 3 / 66 / 0 / 42

HEX #913295

RGB 145 50 149

HSL 297.58, 0.5%, 0.39%

LAB 38.67, 52.75, -35.14

 

CMYK 20 / 66 / 0 / 42

HEX #773295

RGB 119 50 149

HSL 281.82, 0.5%, 0.39%

LAB 34.75, 46.4, -41.63

 

CMYK 38 / 66 / 0 / 42

HEX #5C3295

RGB 92 50 149

HSL 265.45, 0.5%, 0.39%

LAB 31.18, 40.16, -47.57

 

CMYK 56 / 66 / 0 / 42

HEX #413295

RGB 65 50 149

HSL 249.09, 0.5%, 0.39%

LAB 28.31, 34.72, -52.35

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 79 / 18 / 35

HEX #A52287

RGB 165 34 135

HSL 313.74, 0.66%, 0.39%

LAB 39.4, 60.88, -25.21

 

CMYK 0 / 90 / 21 / 29

HEX #B5128F

RGB 181 18 143

HSL 313.99, 0.82%, 0.39%

LAB 41.59, 68.79, -26.46

 

CMYK 0 / 99 / 23 / 23

HEX #C50198

RGB 197 1 152

HSL 313.78, 0.99%, 0.39%

LAB 44.46, 74.86, -27.23

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 50 / 12 / 48

HEX #854275

RGB 133 66 117

HSL 314.33, 0.34%, 0.39%

LAB 38.14, 35.82, -16.44

 

CMYK 0 / 30 / 7 / 54

HEX #75526D

RGB 117 82 109

HSL 313.71, 0.18%, 0.39%

LAB 39.45, 19.37, -9.69

 

CMYK 0 / 3 / 1 / 60

HEX #656264

RGB 101 98 100

HSL 320, 0.02%, 0.39%

LAB 41.88, 1.59, -0.72

 

CMYK 25 / 0 / 19 / 55

HEX #55725C

RGB 85 114 92

HSL 134.48, 0.15%, 0.39%

LAB 45.27, -15.42, 8.82

 

CMYK 21 / 66 / 0 / 42

HEX #763295

RGB 118 50 149

HSL 281.21, 0.5%, 0.39%

LAB 34.61, 46.16, -41.87

 

CMYK 3 / 66 / 0 / 42

HEX #903295

RGB 144 50 149

HSL 296.97, 0.5%, 0.39%

LAB 38.52, 52.5, -35.4

 

CMYK 0 / 66 / 14 / 42

HEX #953280

RGB 149 50 128

HSL 312.73, 0.5%, 0.39%

LAB 38.25, 50.24, -22.89

 

CMYK 0 / 66 / 32 / 42

HEX #953265

RGB 149 50 101

HSL 329.09, 0.5%, 0.39%

LAB 37.13, 46.38, -7.7

 

CMYK 0 / 66 / 50 / 42

HEX #95324B

RGB 149 50 75

HSL 344.85, 0.5%, 0.39%

LAB 36.33, 43.48, 7.7

 

CMYK 0 / 67 / 15 / 66

HEX #571D4A

RGB 87 29 74

HSL 313.45, 0.5%, 0.23%

LAB 21.58, 32.66, -14.71

 

CMYK 0 / 67 / 15 / 54

HEX #762764

RGB 118 39 100

HSL 313.67, 0.5%, 0.31%

LAB 29.97, 41.75, -18.48

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 67 / 16 / 29

HEX #B43C98

RGB 180 60 152

HSL 314, 0.5%, 0.47%

LAB 45.91, 58.16, -25.2

 

CMYK 0 / 58 / 14 / 22

HEX #C654AB

RGB 198 84 171

HSL 314.21, 0.5%, 0.55%

LAB 53.26, 55.73, -24.84

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 39 / 66 / 42

HEX #955B32

RGB 149 91 50

HSL 24.85, 0.5%, 0.39%

LAB 44.38, 19.85, 33.16

 

CMYK 66 / 0 / 12 / 42

HEX #329583

RGB 50 149 131

HSL 169.09, 0.5%, 0.39%

LAB 55.9, -32.92, 1.14

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 14 / 0 / 66 / 42

HEX #809532

RGB 128 149 50

HSL 72.73, 0.5%, 0.39%

LAB 58.33, -21.9, 47.92

 

CMYK 66 / 14 / 0 / 42

HEX #328095

RGB 50 128 149

HSL 192.73, 0.5%, 0.39%

LAB 49.84, -16.88, -18.34

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 39 / 66 / 42

HEX #955B32

RGB 149 91 50

HSL 24.85, 0.5%, 0.39%

LAB 44.38, 19.85, 33.16

 

CMYK 66 / 0 / 52 / 42

HEX #329547

RGB 50 149 71

HSL 132.73, 0.5%, 0.39%

LAB 54.69, -45.75, 32.76

 

CMYK 66 / 28 / 0 / 42

HEX #326C95

RGB 50 108 149

HSL 204.85, 0.5%, 0.39%

LAB 43.61, -5.41, -27.96

 

CMYK 0 / 66 / 15 / 42

HEX #95327E

RGB 149 50 126

HSL 313.94, 0.5%, 0.39%

LAB 38.16, 49.92, -21.79

 

CMYK 0 / 19 / 66 / 42

HEX #957932

RGB 149 121 50

HSL 43.03, 0.5%, 0.39%

LAB 52.17, 2.61, 41.89

 

CMYK 66 / 0 / 52 / 42

HEX #329547

RGB 50 149 71

HSL 132.73, 0.5%, 0.39%

LAB 54.69, -45.75, 32.76

 

CMYK 66 / 48 / 0 / 42

HEX #324E95

RGB 50 78 149

HSL 223.03, 0.5%, 0.39%

LAB 34.59, 13.68, -42.24

 

Description

Color code: HEX #95327E | qconv.com Color code: HEX #95327E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 50 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 50 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 15 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 15% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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