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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9530C1 it is the complementary color #6ACF3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9530C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9530C1 shade: #9A30BC, #AB42CF, #BC54E2, #CD66F5 and #DE78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9530C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9530C1 shade: #9530C1, #841EAE, #730C9B, #620088 and #510075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9530C1 shade: #9430C0, #BB30C0, #C0309E, #C03077 and #C03050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9530C1 shade: #9430C0, #6D30C0, #4730C0 and #3030C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9530C1 shade matches the following richer shades: #9430C0, #9C1DD3 and #A309E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9530C1 shade: #9430C0, #8C43AC, #855799, #7D6A86 and #767E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9530C1 shade: #4630C0, #6C30C0, #9230C0, #B930C0 and #C030A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9530C1 shade: #611F7E, #7B289F, #9430C0, #A748D1 and #B769D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9530C1 shade: #9530C1, #C03041 and #30C059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9530C1 shade: #9530C1, #C09230 and #30C092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9530C1 shade: #9530C1, #C03041, #5DC030 and #30C0AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9530C1 shade: #9530C1, #C04A30, #5DC030 and #30A5C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

Complementary color

CMYK 49 / 0 / 70 / 19

HEX #6ACF3E

RGB 106 207 62

HSL 101.79, 0.6%, 0.53%

LAB 74.85, -54.49, 59.97

 

CMYK 18 / 74 / 0 / 26

HEX #9A30BC

RGB 154 48 188

HSL 285.43, 0.59%, 0.46%

LAB 42.18, 62.88, -52.72

 

CMYK 17 / 68 / 0 / 19

HEX #AB42CF

RGB 171 66 207

HSL 284.68, 0.59%, 0.54%

LAB 48.33, 63.15, -53.72

 

CMYK 17 / 63 / 0 / 11

HEX #BC54E2

RGB 188 84 226

HSL 283.94, 0.71%, 0.61%

LAB 54.58, 62.95, -54.4

 

CMYK 16 / 58 / 0 / 4

HEX #CD66F5

RGB 205 102 245

HSL 283.22, 0.88%, 0.68%

LAB 60.85, 62.49, -54.89

 

CMYK 13 / 53 / 0 / 0

HEX #DE78FF

RGB 222 120 255

HSL 285.33, 1%, 0.74%

LAB 66.66, 60.09, -51.04

 

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

CMYK 24 / 83 / 0 / 32

HEX #841EAE

RGB 132 30 174

HSL 282.5, 0.71%, 0.4%

LAB 35.77, 61.94, -54.96

 

CMYK 26 / 92 / 0 / 39

HEX #730C9B

RGB 115 12 155

HSL 283.22, 0.86%, 0.33%

LAB 30.09, 59.71, -52.84

 

CMYK 28 / 100 / 0 / 47

HEX #620088

RGB 98 0 136

HSL 283.24, 1%, 0.27%

LAB 24.87, 55.71, -49.73

 

CMYK 31 / 100 / 0 / 54

HEX #510075

RGB 81 0 117

HSL 281.54, 1%, 0.23%

LAB 20.18, 49.62, -45.46

 

CMYK 23 / 75 / 0 / 25

HEX #9430C0

RGB 148 48 192

HSL 281.67, 0.6%, 0.47%

LAB 41.56, 62.51, -56.11

 

CMYK 3 / 75 / 0 / 25

HEX #BB30C0

RGB 187 48 192

HSL 297.92, 0.6%, 0.47%

LAB 47.6, 70.26, -46.08

 

CMYK 0 / 75 / 18 / 25

HEX #C0309E

RGB 192 48 158

HSL 314.17, 0.6%, 0.47%

LAB 46.7, 66.24, -27.41

 

CMYK 0 / 75 / 38 / 25

HEX #C03077

RGB 192 48 119

HSL 330.42, 0.6%, 0.47%

LAB 45.15, 61.5, -6.14

 

CMYK 0 / 75 / 58 / 25

HEX #C03050

RGB 192 48 80

HSL 346.67, 0.6%, 0.47%

LAB 44.09, 58.09, 16.5

 

CMYK 23 / 75 / 0 / 25

HEX #9430C0

RGB 148 48 192

HSL 281.67, 0.6%, 0.47%

LAB 41.56, 62.51, -56.11

 

CMYK 43 / 75 / 0 / 25

HEX #6D30C0

RGB 109 48 192

HSL 265.42, 0.6%, 0.47%

LAB 36.31, 55.56, -64.88

 

CMYK 63 / 75 / 0 / 25

HEX #4730C0

RGB 71 48 192

HSL 249.58, 0.6%, 0.47%

LAB 32.39, 50.16, -71.46

 

CMYK 75 / 75 / 0 / 25

HEX #3030C0

RGB 48 48 192

HSL 240, 0.6%, 0.47%

LAB 30.76, 47.83, -74.21

 

CMYK 23 / 75 / 0 / 25

HEX #9430C0

RGB 148 48 192

HSL 281.67, 0.6%, 0.47%

LAB 41.56, 62.51, -56.11

 

CMYK 26 / 86 / 0 / 17

HEX #9C1DD3

RGB 156 29 211

HSL 281.87, 0.76%, 0.47%

LAB 42.23, 73.2, -66

 

CMYK 29 / 96 / 0 / 9

HEX #A309E7

RGB 163 9 231

HSL 281.62, 0.93%, 0.47%

LAB 43.87, 80.93, -74.72

 

CMYK 23 / 75 / 0 / 25

HEX #9430C0

RGB 148 48 192

HSL 281.67, 0.6%, 0.47%

LAB 41.56, 62.51, -56.11

 

CMYK 19 / 61 / 0 / 33

HEX #8C43AC

RGB 140 67 172

HSL 281.71, 0.44%, 0.47%

LAB 42.11, 48.27, -43.52

 

CMYK 13 / 43 / 0 / 40

HEX #855799

RGB 133 87 153

HSL 281.82, 0.28%, 0.47%

LAB 44.38, 31.22, -28.68

 

CMYK 7 / 21 / 0 / 47

HEX #7D6A86

RGB 125 106 134

HSL 280.71, 0.12%, 0.47%

LAB 47.48, 13.05, -12.65

 

CMYK 6 / 0 / 10 / 51

HEX #767E72

RGB 118 126 114

HSL 100, 0.05%, 0.47%

LAB 51.82, -5.38, 5.51

 

CMYK 64 / 75 / 0 / 25

HEX #4630C0

RGB 70 48 192

HSL 249.17, 0.6%, 0.47%

LAB 32.31, 50.04, -71.6

 

CMYK 44 / 75 / 0 / 25

HEX #6C30C0

RGB 108 48 192

HSL 265, 0.6%, 0.47%

LAB 36.19, 55.4, -65.08

 

CMYK 24 / 75 / 0 / 25

HEX #9230C0

RGB 146 48 192

HSL 280.83, 0.6%, 0.47%

LAB 41.26, 62.13, -56.6

 

CMYK 4 / 75 / 0 / 25

HEX #B930C0

RGB 185 48 192

HSL 297.08, 0.6%, 0.47%

LAB 47.28, 69.85, -46.61

 

CMYK 0 / 75 / 16 / 25

HEX #C030A1

RGB 192 48 161

HSL 312.92, 0.6%, 0.47%

LAB 46.83, 66.65, -28.99

 

CMYK 23 / 75 / 0 / 51

HEX #611F7E

RGB 97 31 126

HSL 281.68, 0.61%, 0.31%

LAB 26.81, 44.91, -40.3

 

CMYK 23 / 75 / 0 / 38

HEX #7B289F

RGB 123 40 159

HSL 281.85, 0.6%, 0.39%

LAB 34.46, 53.8, -48.14

 

CMYK 23 / 75 / 0 / 25

HEX #9430C0

RGB 148 48 192

HSL 281.67, 0.6%, 0.47%

LAB 41.56, 62.51, -56.11

 

CMYK 20 / 66 / 0 / 18

HEX #A748D1

RGB 167 72 209

HSL 281.61, 0.6%, 0.55%

LAB 48.83, 60.11, -54.11

 

CMYK 16 / 52 / 0 / 15

HEX #B769D9

RGB 183 105 217

HSL 281.79, 0.6%, 0.63%

LAB 57.25, 49.69, -45.12

 

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

CMYK 0 / 75 / 66 / 25

HEX #C03041

RGB 192 48 65

HSL 352.92, 0.6%, 0.47%

LAB 43.8, 57.16, 25.37

 

CMYK 75 / 0 / 54 / 25

HEX #30C059

RGB 48 192 89

HSL 137.08, 0.6%, 0.47%

LAB 68.79, -59.06, 41.01

 

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

CMYK 0 / 24 / 75 / 25

HEX #C09230

RGB 192 146 48

HSL 40.83, 0.6%, 0.47%

LAB 63.32, 7.9, 55.69

 

CMYK 75 / 0 / 24 / 25

HEX #30C092

RGB 48 192 146

HSL 160.83, 0.6%, 0.47%

LAB 69.76, -48.18, 12.62

 

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

CMYK 0 / 75 / 66 / 25

HEX #C03041

RGB 192 48 65

HSL 352.92, 0.6%, 0.47%

LAB 43.8, 57.16, 25.37

 

CMYK 52 / 0 / 75 / 25

HEX #5DC030

RGB 93 192 48

HSL 101.25, 0.6%, 0.47%

LAB 69.64, -53.56, 59.56

 

CMYK 75 / 0 / 9 / 25

HEX #30C0AF

RGB 48 192 175

HSL 172.92, 0.6%, 0.47%

LAB 70.47, -40.8, -2.16

 

CMYK 23 / 75 / 0 / 24

HEX #9530C1

RGB 149 48 193

HSL 281.79, 0.6%, 0.47%

LAB 41.77, 62.9, -56.34

 

CMYK 0 / 61 / 75 / 25

HEX #C04A30

RGB 192 74 48

HSL 10.83, 0.6%, 0.47%

LAB 47.39, 45.94, 39.42

 

CMYK 52 / 0 / 75 / 25

HEX #5DC030

RGB 93 192 48

HSL 101.25, 0.6%, 0.47%

LAB 69.64, -53.56, 59.56

 

CMYK 75 / 14 / 0 / 25

HEX #30A5C0

RGB 48 165 192

HSL 191.25, 0.6%, 0.47%

LAB 62.8, -22.79, -23.08

 

Description

Color code: HEX #9530C1 | qconv.com Color code: HEX #9530C1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 48 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 48 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 75 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 75% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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