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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #953058 it is the complementary color #6ACFA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #953058. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #953058 shade: #9A3053, #AB4266, #BC5479, #CD668C and #DE789F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #953058. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #953058 shade: #953058, #841E45, #730C32, #62001F and #51000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #953058 shade: #963159, #96313E and #963131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #953058 shade: #963159, #963174, #963190, #813196 and #663196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #953058 shade matches the following richer shades: #963159, #A62156, #B61152 and #C6004F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #953058 shade: #963159, #86415C, #765160, #666163 and #567166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #953058 shade: #96318F, #963174, #963159, #96313E and #963E31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #953058 shade: #581D34, #772746, #963159, #B53B6B and #C75281

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #953058 shade: #953058, #968231 and #318296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #953058 shade: #953058, #599631 and #315996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #953058 shade: #953058, #968231, #31966E and #314596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #953058 shade: #953058, #8C9631, #31966E and #3B3196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

Complementary color

CMYK 49 / 0 / 19 / 19

HEX #6ACFA7

RGB 106 207 167

HSL 156.24, 0.51%, 0.61%

LAB 76.36, -38.94, 10.89

 

CMYK 0 / 69 / 46 / 40

HEX #9A3053

RGB 154 48 83

HSL 340.19, 0.52%, 0.4%

LAB 37.13, 46.75, 3.85

 

CMYK 0 / 61 / 40 / 33

HEX #AB4266

RGB 171 66 102

HSL 339.43, 0.44%, 0.46%

LAB 43.53, 46.36, 1.53

 

CMYK 0 / 55 / 36 / 26

HEX #BC5479

RGB 188 84 121

HSL 338.65, 0.44%, 0.53%

LAB 49.99, 45.69, -0.29

 

CMYK 0 / 50 / 32 / 20

HEX #CD668C

RGB 205 102 140

HSL 337.86, 0.51%, 0.6%

LAB 56.46, 44.89, -1.78

 

CMYK 0 / 46 / 28 / 13

HEX #DE789F

RGB 222 120 159

HSL 337.06, 0.61%, 0.67%

LAB 62.9, 44.05, -3.03

 

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

CMYK 0 / 77 / 48 / 48

HEX #841E45

RGB 132 30 69

HSL 337.06, 0.63%, 0.32%

LAB 30.07, 45.49, 2.25

 

CMYK 0 / 90 / 57 / 55

HEX #730C32

RGB 115 12 50

HSL 337.86, 0.81%, 0.25%

LAB 24.12, 44.13, 6.16

 

CMYK 0 / 100 / 68 / 62

HEX #62001F

RGB 98 0 31

HSL 341.02, 1%, 0.19%

LAB 18.78, 40.91, 11.62

 

CMYK 0 / 100 / 85 / 68

HEX #51000C

RGB 81 0 12

HSL 351.11, 1%, 0.16%

LAB 14.26, 35.26, 17.32

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 67 / 59 / 41

HEX #96313E

RGB 150 49 62

HSL 352.28, 0.51%, 0.39%

LAB 36.04, 43.14, 15.64

 

CMYK 0 / 67 / 67 / 41

HEX #963131

RGB 150 49 49

HSL 0, 0.51%, 0.39%

LAB 35.8, 42.24, 23.52

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 67 / 23 / 41

HEX #963174

RGB 150 49 116

HSL 320.2, 0.51%, 0.39%

LAB 37.74, 49.13, -16.2

 

CMYK 0 / 67 / 4 / 41

HEX #963190

RGB 150 49 144

HSL 303.56, 0.51%, 0.39%

LAB 39.06, 53.53, -31.43

 

CMYK 14 / 67 / 0 / 41

HEX #813196

RGB 129 49 150

HSL 287.52, 0.51%, 0.39%

LAB 36.11, 49.47, -39.98

 

CMYK 32 / 67 / 0 / 41

HEX #663196

RGB 102 49 150

HSL 271.49, 0.51%, 0.39%

LAB 32.31, 43.17, -46.28

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 80 / 48 / 35

HEX #A62156

RGB 166 33 86

HSL 336.09, 0.67%, 0.39%

LAB 37.6, 55.82, 2.9

 

CMYK 0 / 91 / 55 / 29

HEX #B61152

RGB 182 17 82

HSL 336.36, 0.83%, 0.39%

LAB 39.5, 63.1, 8.61

 

CMYK 0 / 100 / 60 / 22

HEX #C6004F

RGB 198 0 79

HSL 336.06, 1%, 0.39%

LAB 42.11, 68.6, 14.64

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 51 / 31 / 47

HEX #86415C

RGB 134 65 92

HSL 336.52, 0.35%, 0.39%

LAB 37.15, 32.75, -2.24

 

CMYK 0 / 31 / 19 / 54

HEX #765160

RGB 118 81 96

HSL 335.68, 0.19%, 0.39%

LAB 38.87, 17.95, -2.47

 

CMYK 0 / 5 / 3 / 60

HEX #666163

RGB 102 97 99

HSL 336, 0.03%, 0.39%

LAB 41.65, 2.39, -0.43

 

CMYK 24 / 0 / 10 / 56

HEX #567166

RGB 86 113 102

HSL 155.56, 0.14%, 0.39%

LAB 45.29, -12.36, 2.89

 

CMYK 0 / 67 / 5 / 41

HEX #96318F

RGB 150 49 143

HSL 304.16, 0.51%, 0.39%

LAB 39.01, 53.36, -30.91

 

CMYK 0 / 67 / 23 / 41

HEX #963174

RGB 150 49 116

HSL 320.2, 0.51%, 0.39%

LAB 37.74, 49.13, -16.2

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 67 / 59 / 41

HEX #96313E

RGB 150 49 62

HSL 352.28, 0.51%, 0.39%

LAB 36.04, 43.14, 15.64

 

CMYK 0 / 59 / 67 / 41

HEX #963E31

RGB 150 62 49

HSL 7.72, 0.51%, 0.39%

LAB 38.11, 36.08, 26.36

 

CMYK 0 / 67 / 41 / 65

HEX #581D34

RGB 88 29 52

HSL 336.61, 0.5%, 0.23%

LAB 20.83, 29.62, -0.68

 

CMYK 0 / 67 / 41 / 53

HEX #772746

RGB 119 39 70

HSL 336.75, 0.51%, 0.31%

LAB 28.94, 37.83, -0.36

 

CMYK 0 / 67 / 41 / 41

HEX #963159

RGB 150 49 89

HSL 336.24, 0.51%, 0.39%

LAB 36.75, 45.69, -0.63

 

CMYK 0 / 67 / 41 / 29

HEX #B53B6B

RGB 181 59 107

HSL 336.39, 0.51%, 0.47%

LAB 44.25, 53.1, -0.29

 

CMYK 0 / 59 / 35 / 22

HEX #C75281

RGB 199 82 129

HSL 335.9, 0.51%, 0.55%

LAB 51.57, 51.2, -2.57

 

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

CMYK 0 / 13 / 67 / 41

HEX #968231

RGB 150 130 49

HSL 48.12, 0.51%, 0.39%

LAB 54.73, -2.06, 45.14

 

CMYK 67 / 13 / 0 / 41

HEX #318296

RGB 49 130 150

HSL 191.88, 0.51%, 0.39%

LAB 50.48, -17.82, -17.95

 

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

CMYK 41 / 0 / 67 / 41

HEX #599631

RGB 89 150 49

HSL 96.24, 0.51%, 0.39%

LAB 56.25, -37.76, 45.42

 

CMYK 67 / 41 / 0 / 41

HEX #315996

RGB 49 89 150

HSL 216.24, 0.51%, 0.39%

LAB 37.84, 6.64, -37.66

 

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

CMYK 0 / 13 / 67 / 41

HEX #968231

RGB 150 130 49

HSL 48.12, 0.51%, 0.39%

LAB 54.73, -2.06, 45.14

 

CMYK 67 / 0 / 27 / 41

HEX #31966E

RGB 49 150 110

HSL 156.24, 0.51%, 0.39%

LAB 55.68, -38.82, 12.78

 

CMYK 67 / 54 / 0 / 41

HEX #314596

RGB 49 69 150

HSL 228.12, 0.51%, 0.39%

LAB 32.06, 19.9, -46.93

 

CMYK 0 / 68 / 41 / 42

HEX #953058

RGB 149 48 88

HSL 336.24, 0.51%, 0.39%

LAB 36.38, 45.69, -0.54

 

CMYK 7 / 0 / 67 / 41

HEX #8C9631

RGB 140 150 49

HSL 65.94, 0.51%, 0.39%

LAB 59.53, -17.31, 49.88

 

CMYK 67 / 0 / 27 / 41

HEX #31966E

RGB 49 150 110

HSL 156.24, 0.51%, 0.39%

LAB 55.68, -38.82, 12.78

 

CMYK 61 / 67 / 0 / 41

HEX #3B3196

RGB 59 49 150

HSL 245.94, 0.51%, 0.39%

LAB 27.65, 34.63, -54.07

 

Description

Color code: HEX #953058 | qconv.com Color code: HEX #953058 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 48 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 48 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 41 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 41% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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