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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #95304E it is the complementary color #6ACFB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #95304E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #95304E shade: #9A3049, #AB425C, #BC546F, #CD6682 and #DE7895

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #95304E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #95304E shade: #95304E, #841E3B, #730C28, #620015 and #510002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #95304E shade: #96314F, #963134 and #963131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #95304E shade: #96314F, #96316A, #963186, #8B3196 and #703196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #95304E shade matches the following richer shades: #96314F, #A62148, #B61142 and #C6003B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #95304E shade: #96314F, #864155, #76515C, #666162 and #567169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #95304E shade: #963185, #96316A, #96314F, #963134 and #964831

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #95304E shade: #581D2E, #77273E, #96314F, #B53B5F and #C75275

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #95304E shade: #95304E, #968C31 and #317896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #95304E shade: #95304E, #4F9631 and #314F96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #95304E shade: #95304E, #968C31, #319678 and #313B96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #95304E shade: #95304E, #829631, #319678 and #453196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

Complementary color

CMYK 49 / 0 / 14 / 19

HEX #6ACFB1

RGB 106 207 177

HSL 162.18, 0.51%, 0.61%

LAB 76.6, -36.72, 5.86

 

CMYK 0 / 69 / 53 / 40

HEX #9A3049

RGB 154 48 73

HSL 345.85, 0.52%, 0.4%

LAB 36.86, 45.81, 9.86

 

CMYK 0 / 61 / 46 / 33

HEX #AB425C

RGB 171 66 92

HSL 345.14, 0.44%, 0.46%

LAB 43.25, 45.31, 7.33

 

CMYK 0 / 55 / 41 / 26

HEX #BC546F

RGB 188 84 111

HSL 344.42, 0.44%, 0.53%

LAB 49.71, 44.54, 5.32

 

CMYK 0 / 50 / 37 / 20

HEX #CD6682

RGB 205 102 130

HSL 343.69, 0.51%, 0.6%

LAB 56.18, 43.66, 3.67

 

CMYK 0 / 46 / 33 / 13

HEX #DE7895

RGB 222 120 149

HSL 342.94, 0.61%, 0.67%

LAB 62.62, 42.76, 2.28

 

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

CMYK 0 / 77 / 55 / 48

HEX #841E3B

RGB 132 30 59

HSL 342.94, 0.63%, 0.32%

LAB 29.79, 44.59, 8.5

 

CMYK 0 / 90 / 65 / 55

HEX #730C28

RGB 115 12 40

HSL 343.69, 0.81%, 0.25%

LAB 23.87, 43.4, 12.73

 

CMYK 0 / 100 / 79 / 62

HEX #620015

RGB 98 0 21

HSL 347.14, 1%, 0.19%

LAB 18.59, 40.39, 18.48

 

CMYK 0 / 100 / 98 / 68

HEX #510002

RGB 81 0 2

HSL 358.52, 1%, 0.16%

LAB 14.14, 34.91, 21.28

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 67 / 65 / 41

HEX #963134

RGB 150 49 52

HSL 358.22, 0.51%, 0.39%

LAB 35.85, 42.43, 21.71

 

CMYK 0 / 67 / 67 / 41

HEX #963131

RGB 150 49 49

HSL 0, 0.51%, 0.39%

LAB 35.8, 42.24, 23.52

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 67 / 29 / 41

HEX #96316A

RGB 150 49 106

HSL 326.14, 0.51%, 0.39%

LAB 37.34, 47.76, -10.53

 

CMYK 0 / 67 / 11 / 41

HEX #963186

RGB 150 49 134

HSL 309.5, 0.51%, 0.39%

LAB 38.55, 51.87, -26.1

 

CMYK 7 / 67 / 0 / 41

HEX #8B3196

RGB 139 49 150

HSL 293.47, 0.51%, 0.39%

LAB 37.64, 51.88, -37.45

 

CMYK 25 / 67 / 0 / 41

HEX #703196

RGB 112 49 150

HSL 277.43, 0.51%, 0.39%

LAB 33.65, 45.46, -44.05

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 80 / 57 / 35

HEX #A62148

RGB 166 33 72

HSL 342.41, 0.67%, 0.39%

LAB 37.23, 54.68, 11.36

 

CMYK 0 / 91 / 64 / 29

HEX #B61142

RGB 182 17 66

HSL 342.18, 0.83%, 0.39%

LAB 39.14, 62.07, 18.34

 

CMYK 0 / 100 / 70 / 22

HEX #C6003B

RGB 198 0 59

HSL 342.12, 1%, 0.39%

LAB 41.72, 67.57, 26.74

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 51 / 37 / 47

HEX #864155

RGB 134 65 85

HSL 342.61, 0.35%, 0.39%

LAB 36.94, 31.8, 1.87

 

CMYK 0 / 31 / 22 / 54

HEX #76515C

RGB 118 81 92

HSL 342.16, 0.19%, 0.39%

LAB 38.74, 17.26, -0.17

 

CMYK 0 / 5 / 4 / 60

HEX #666162

RGB 102 97 98

HSL 348, 0.03%, 0.39%

LAB 41.62, 2.18, 0.13

 

CMYK 24 / 0 / 7 / 56

HEX #567169

RGB 86 113 105

HSL 162.22, 0.14%, 0.39%

LAB 45.37, -11.67, 1.21

 

CMYK 0 / 67 / 11 / 41

HEX #963185

RGB 150 49 133

HSL 310.1, 0.51%, 0.39%

LAB 38.51, 51.71, -25.56

 

CMYK 0 / 67 / 29 / 41

HEX #96316A

RGB 150 49 106

HSL 326.14, 0.51%, 0.39%

LAB 37.34, 47.76, -10.53

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 67 / 65 / 41

HEX #963134

RGB 150 49 52

HSL 358.22, 0.51%, 0.39%

LAB 35.85, 42.43, 21.71

 

CMYK 0 / 52 / 67 / 41

HEX #964831

RGB 150 72 49

HSL 13.66, 0.51%, 0.39%

LAB 40.15, 30.86, 28.8

 

CMYK 0 / 67 / 48 / 65

HEX #581D2E

RGB 88 29 46

HSL 342.71, 0.5%, 0.23%

LAB 20.64, 28.89, 3.22

 

CMYK 0 / 67 / 48 / 53

HEX #77273E

RGB 119 39 62

HSL 342.75, 0.51%, 0.31%

LAB 28.7, 36.94, 4.61

 

CMYK 0 / 67 / 47 / 41

HEX #96314F

RGB 150 49 79

HSL 342.18, 0.51%, 0.39%

LAB 36.45, 44.64, 5.34

 

CMYK 0 / 67 / 48 / 29

HEX #B53B5F

RGB 181 59 95

HSL 342.3, 0.51%, 0.47%

LAB 43.91, 51.91, 6.64

 

CMYK 0 / 59 / 41 / 22

HEX #C75275

RGB 199 82 117

HSL 342.05, 0.51%, 0.55%

LAB 51.22, 49.85, 4.11

 

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

CMYK 0 / 7 / 67 / 41

HEX #968C31

RGB 150 140 49

HSL 54.06, 0.51%, 0.39%

LAB 57.52, -7.56, 48.06

 

CMYK 67 / 20 / 0 / 41

HEX #317896

RGB 49 120 150

HSL 197.82, 0.51%, 0.39%

LAB 47.35, -12.26, -22.75

 

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

CMYK 47 / 0 / 67 / 41

HEX #4F9631

RGB 79 150 49

HSL 102.18, 0.51%, 0.39%

LAB 55.78, -41.11, 44.78

 

CMYK 67 / 47 / 0 / 41

HEX #314F96

RGB 49 79 150

HSL 222.18, 0.51%, 0.39%

LAB 34.9, 13.21, -42.36

 

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

CMYK 0 / 7 / 67 / 41

HEX #968C31

RGB 150 140 49

HSL 54.06, 0.51%, 0.39%

LAB 57.52, -7.56, 48.06

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 67 / 61 / 0 / 41

HEX #313B96

RGB 49 59 150

HSL 234.06, 0.51%, 0.39%

LAB 29.37, 26.59, -51.29

 

CMYK 0 / 68 / 48 / 42

HEX #95304E

RGB 149 48 78

HSL 342.18, 0.51%, 0.39%

LAB 36.09, 44.64, 5.44

 

CMYK 13 / 0 / 67 / 41

HEX #829631

RGB 130 150 49

HSL 71.88, 0.51%, 0.39%

LAB 58.77, -21.62, 48.85

 

CMYK 67 / 0 / 20 / 41

HEX #319678

RGB 49 150 120

HSL 162.18, 0.51%, 0.39%

LAB 55.91, -36.41, 7.43

 

CMYK 54 / 67 / 0 / 41

HEX #453196

RGB 69 49 150

HSL 251.88, 0.51%, 0.39%

LAB 28.55, 36.36, -52.56

 

Description

Color code: HEX #95304E | qconv.com Color code: HEX #95304E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 48 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 48 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 48 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 48% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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