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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9530453F it is the complementary color #6ACFBA3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9530453F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9530453F shade: #9A30403F, #AB42533F, #BC54663F, #CD66793F and #DE788C3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9530453F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9530453F shade: #9530453F, #841E323F, #730C1F3F, #62000C3F and #5100003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9530453F shade: #963146 and #963131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9530453F shade: #963146, #963161, #96317D, #943196 and #793196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9530453F shade matches the following richer shades: #963146, #A6213C, #B61133 and #C6002A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9530453F shade: #963146, #86414F, #765159, #666162 and #56716B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9530453F shade: #96317D, #963162, #963147, #963631 and #965131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9530453F shade: #581D29, #772737, #963146, #B53B54 and #C7526B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9530453F shade: #953045, #969431 and #316F96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9530453F shade: #953045, #479631 and #314796

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9530453F shade: #953045, #969431, #319680 and #313296

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9530453F shade: #953045, #799631, #319680 and #4D3196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 13 / 10

HEX #9530453F

RGBA 149 48 69 0.25

HSLA 347.52, 0.51%, 0.39%, 0.25

LABA 35.86, 43.81, 10.89, 0.25

 

Complementary color

CMYK 12 / 0 / 3 / 5

HEX #6ACFBA3F

RGBA 106 207 186 0.25

HSLA 167.52, 0.51%, 0.61%, 0.25

LABA 76.82, -34.62, 1.35, 0.25

 

CMYK 0 / 17 / 15 / 10

HEX #9A30403F

RGBA 154 48 64 0.25

HSLA 350.94, 0.52%, 0.4%, 0.25

LABA 36.66, 45.07, 15.32, 0.25

 

CMYK 0 / 15 / 13 / 8

HEX #AB42533F

RGBA 171 66 83 0.25

HSLA 350.29, 0.44%, 0.46%, 0.25

LABA 43.03, 44.45, 12.59, 0.25

 

CMYK 0 / 14 / 11 / 7

HEX #BC54663F

RGBA 188 84 102 0.25

HSLA 349.62, 0.44%, 0.53%, 0.25

LABA 49.49, 43.58, 10.41, 0.25

 

CMYK 0 / 13 / 10 / 5

HEX #CD66793F

RGBA 205 102 121 0.25

HSLA 348.93, 0.51%, 0.6%, 0.25

LABA 55.95, 42.64, 8.62, 0.25

 

CMYK 0 / 11 / 9 / 3

HEX #DE788C3F

RGBA 222 120 140 0.25

HSLA 348.24, 0.61%, 0.67%, 0.25

LABA 62.39, 41.68, 7.1, 0.25

 

CMYK 0 / 17 / 13 / 10

HEX #9530453F

RGBA 149 48 69 0.25

HSLA 347.52, 0.51%, 0.39%, 0.25

LABA 35.86, 43.81, 10.89, 0.25

 

CMYK 0 / 19 / 16 / 12

HEX #841E323F

RGBA 132 30 50 0.25

HSLA 348.24, 0.63%, 0.32%, 0.25

LABA 29.57, 43.9, 14.2, 0.25

 

CMYK 0 / 22 / 18 / 14

HEX #730C1F3F

RGBA 115 12 31 0.25

HSLA 348.93, 0.81%, 0.25%, 0.25

LABA 23.69, 42.88, 18.68, 0.25

 

CMYK 0 / 25 / 22 / 15

HEX #62000C3F

RGBA 98 0 12 0.25

HSLA 352.65, 1%, 0.19%, 0.25

LABA 18.47, 40.07, 23.47, 0.25

 

CMYK 0 / 25 / 25 / 17

HEX #5100003F

RGBA 81 0 0 0.25

HSLA 0, 1%, 0.16%, 0.25

LABA 14.11, 34.84, 22.06, 0.25

 

CMYK 0 / 67 / 53 / 41

HEX #963146

RGB 150 49 70

HSL 347.52, 0.51%, 0.39%

LAB 36.22, 43.8, 10.78

 

CMYK 0 / 67 / 67 / 41

HEX #963131

RGB 150 49 49

HSL 0, 0.51%, 0.39%

LAB 35.8, 42.24, 23.52

 

CMYK 0 / 67 / 53 / 41

HEX #963146

RGB 150 49 70

HSL 347.52, 0.51%, 0.39%

LAB 36.22, 43.8, 10.78

 

CMYK 0 / 67 / 35 / 41

HEX #963161

RGB 150 49 97

HSL 331.49, 0.51%, 0.39%

LAB 37.01, 46.62, -5.33

 

CMYK 0 / 67 / 17 / 41

HEX #96317D

RGB 150 49 125

HSL 314.85, 0.51%, 0.39%

LAB 38.13, 50.46, -21.2

 

CMYK 1 / 67 / 0 / 41

HEX #943196

RGB 148 49 150

HSL 298.81, 0.51%, 0.39%

LAB 39.06, 54.07, -35.1

 

CMYK 19 / 67 / 0 / 41

HEX #793196

RGB 121 49 150

HSL 282.77, 0.51%, 0.39%

LAB 34.93, 47.57, -41.93

 

CMYK 0 / 67 / 53 / 41

HEX #963146

RGB 150 49 70

HSL 347.52, 0.51%, 0.39%

LAB 36.22, 43.8, 10.78

 

CMYK 0 / 80 / 64 / 35

HEX #A6213C

RGB 166 33 60

HSL 347.82, 0.67%, 0.39%

LAB 36.97, 53.87, 18.71

 

CMYK 0 / 91 / 72 / 29

HEX #B61133

RGB 182 17 51

HSL 347.64, 0.83%, 0.39%

LAB 38.87, 61.32, 27.48

 

CMYK 0 / 100 / 79 / 22

HEX #C6002A

RGB 198 0 42

HSL 347.27, 1%, 0.39%

LAB 41.49, 66.94, 36.82

 

CMYK 0 / 67 / 53 / 41

HEX #963146

RGB 150 49 70

HSL 347.52, 0.51%, 0.39%

LAB 36.22, 43.8, 10.78

 

CMYK 0 / 51 / 41 / 47

HEX #86414F

RGB 134 65 79

HSL 347.83, 0.35%, 0.39%

LAB 36.77, 31.04, 5.43

 

CMYK 0 / 31 / 25 / 54

HEX #765159

RGB 118 81 89

HSL 347.03, 0.19%, 0.39%

LAB 38.65, 16.77, 1.57

 

CMYK 0 / 5 / 4 / 60

HEX #666162

RGB 102 97 98

HSL 348, 0.03%, 0.39%

LAB 41.62, 2.18, 0.13

 

CMYK 24 / 0 / 5 / 56

HEX #56716B

RGB 86 113 107

HSL 166.67, 0.14%, 0.39%

LAB 45.43, -11.21, 0.1

 

CMYK 0 / 67 / 17 / 41

HEX #96317D

RGB 150 49 125

HSL 314.85, 0.51%, 0.39%

LAB 38.13, 50.46, -21.2

 

CMYK 0 / 67 / 35 / 41

HEX #963162

RGB 150 49 98

HSL 330.89, 0.51%, 0.39%

LAB 37.05, 46.74, -5.91

 

CMYK 0 / 67 / 53 / 41

HEX #963147

RGB 150 49 71

HSL 346.93, 0.51%, 0.39%

LAB 36.24, 43.89, 10.17

 

CMYK 0 / 64 / 67 / 41

HEX #963631

RGB 150 54 49

HSL 2.97, 0.51%, 0.39%

LAB 36.64, 39.97, 24.56

 

CMYK 0 / 46 / 67 / 41

HEX #965131

RGB 150 81 49

HSL 19.01, 0.51%, 0.39%

LAB 42.14, 25.9, 31.15

 

CMYK 0 / 67 / 53 / 65

HEX #581D29

RGB 88 29 41

HSL 347.8, 0.5%, 0.23%

LAB 20.49, 28.34, 6.51

 

CMYK 0 / 67 / 54 / 53

HEX #772737

RGB 119 39 55

HSL 348, 0.51%, 0.31%

LAB 28.51, 36.24, 9.01

 

CMYK 0 / 67 / 53 / 41

HEX #963146

RGB 150 49 70

HSL 347.52, 0.51%, 0.39%

LAB 36.22, 43.8, 10.78

 

CMYK 0 / 67 / 54 / 29

HEX #B53B54

RGB 181 59 84

HSL 347.7, 0.51%, 0.47%

LAB 43.64, 50.94, 13.08

 

CMYK 0 / 59 / 46 / 22

HEX #C7526B

RGB 199 82 107

HSL 347.18, 0.51%, 0.55%

LAB 50.96, 48.83, 9.73

 

CMYK 0 / 68 / 54 / 42

HEX #953045

RGB 149 48 69

HSL 347.52, 0.51%, 0.39%

LAB 35.86, 43.81, 10.89

 

CMYK 0 / 1 / 67 / 41

HEX #969431

RGB 150 148 49

HSL 58.81, 0.51%, 0.39%

LAB 59.79, -11.86, 50.4

 

CMYK 67 / 26 / 0 / 41

HEX #316F96

RGB 49 111 150

HSL 203.17, 0.51%, 0.39%

LAB 44.55, -7.03, -27.09

 

CMYK 0 / 68 / 54 / 42

HEX #953045

RGB 149 48 69

HSL 347.52, 0.51%, 0.39%

LAB 35.86, 43.81, 10.89

 

CMYK 53 / 0 / 67 / 41

HEX #479631

RGB 71 150 49

HSL 106.93, 0.51%, 0.39%

LAB 55.46, -43.57, 44.33

 

CMYK 67 / 53 / 0 / 41

HEX #314796

RGB 49 71 150

HSL 226.93, 0.51%, 0.39%

LAB 32.62, 18.55, -46.03

 

CMYK 0 / 68 / 54 / 42

HEX #953045

RGB 149 48 69

HSL 347.52, 0.51%, 0.39%

LAB 35.86, 43.81, 10.89

 

CMYK 0 / 1 / 67 / 41

HEX #969431

RGB 150 148 49

HSL 58.81, 0.51%, 0.39%

LAB 59.79, -11.86, 50.4

 

CMYK 67 / 0 / 15 / 41

HEX #319680

RGB 49 150 128

HSL 166.93, 0.51%, 0.39%

LAB 56.11, -34.35, 3.16

 

CMYK 67 / 67 / 0 / 41

HEX #313296

RGB 49 50 150

HSL 239.41, 0.51%, 0.39%

LAB 27.12, 32.46, -54.97

 

CMYK 0 / 68 / 54 / 42

HEX #953045

RGB 149 48 69

HSL 347.52, 0.51%, 0.39%

LAB 35.86, 43.81, 10.89

 

CMYK 19 / 0 / 67 / 41

HEX #799631

RGB 121 150 49

HSL 77.23, 0.51%, 0.39%

LAB 58.13, -25.41, 47.98

 

CMYK 67 / 0 / 15 / 41

HEX #319680

RGB 49 150 128

HSL 166.93, 0.51%, 0.39%

LAB 56.11, -34.35, 3.16

 

CMYK 49 / 67 / 0 / 41

HEX #4D3196

RGB 77 49 150

HSL 256.63, 0.51%, 0.39%

LAB 29.35, 37.88, -51.22

 

Description

Color code: HEX #9530453F | qconv.com Color code: HEX #9530453F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 48 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 48 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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