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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952DBF it is the complementary color #6AD240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952DBF shade: #9A2DBA, #AB3FCD, #BC51E0, #CD63F3 and #DE75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952DBF shade: #952DBF, #841BAC, #730999, #620086 and #510073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952DBF shade: #942DBE, #BB2DBE, #BE2D99, #BE2D72 and #BE2D4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952DBF shade: #942DBE, #6D2DBE, #462DBE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952DBF shade matches the following richer shades: #942DBE, #9C1AD1 and #A407E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952DBF shade: #942DBE, #8C40AB, #845398, #7C6685 and #747872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952DBF shade: #452DBE, #6C2DBE, #922DBE, #B92DBE and #BE2D9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952DBF shade: #601D7B, #7A259D, #942DBE, #A941D3 and #B863DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952DBF shade: #952DBF, #BE2D3B and #2DBE58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952DBF shade: #952DBF, #BE922D and #2DBE92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952DBF shade: #952DBF, #BE2D3B, #58BE2D and #2DBEAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952DBF shade: #952DBF, #BE4A2D, #58BE2D and #2DA1BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

Complementary color

CMYK 50 / 0 / 70 / 18

HEX #6AD240

RGB 106 210 64

HSL 102.74, 0.62%, 0.54%

LAB 75.78, -55.48, 60.18

 

CMYK 17 / 76 / 0 / 27

HEX #9A2DBA

RGB 154 45 186

HSL 286.38, 0.61%, 0.45%

LAB 41.68, 63.55, -52.36

 

CMYK 17 / 69 / 0 / 20

HEX #AB3FCD

RGB 171 63 205

HSL 285.63, 0.59%, 0.53%

LAB 47.78, 63.97, -53.46

 

CMYK 16 / 64 / 0 / 12

HEX #BC51E0

RGB 188 81 224

HSL 284.9, 0.7%, 0.6%

LAB 53.98, 63.88, -54.23

 

CMYK 16 / 59 / 0 / 5

HEX #CD63F3

RGB 205 99 243

HSL 284.17, 0.86%, 0.67%

LAB 60.23, 63.48, -54.77

 

CMYK 13 / 54 / 0 / 0

HEX #DE75FF

RGB 222 117 255

HSL 285.65, 1%, 0.73%

LAB 66.11, 61.54, -51.9

 

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

CMYK 23 / 84 / 0 / 33

HEX #841BAC

RGB 132 27 172

HSL 283.45, 0.73%, 0.39%

LAB 35.34, 62.38, -54.47

 

CMYK 25 / 94 / 0 / 40

HEX #730999

RGB 115 9 153

HSL 284.17, 0.89%, 0.32%

LAB 29.76, 59.82, -52.16

 

CMYK 27 / 100 / 0 / 47

HEX #620086

RGB 98 0 134

HSL 283.88, 1%, 0.26%

LAB 24.7, 55.32, -48.77

 

CMYK 30 / 100 / 0 / 55

HEX #510073

RGB 81 0 115

HSL 282.26, 1%, 0.23%

LAB 19.99, 49.2, -44.47

 

CMYK 22 / 76 / 0 / 25

HEX #942DBE

RGB 148 45 190

HSL 282.62, 0.62%, 0.46%

LAB 41.04, 63.19, -55.78

 

CMYK 2 / 76 / 0 / 25

HEX #BB2DBE

RGB 187 45 190

HSL 298.76, 0.62%, 0.46%

LAB 47.18, 70.82, -45.59

 

CMYK 0 / 76 / 19 / 25

HEX #BE2D99

RGB 190 45 153

HSL 315.31, 0.62%, 0.46%

LAB 45.8, 66, -25.84

 

CMYK 0 / 76 / 40 / 25

HEX #BE2D72

RGB 190 45 114

HSL 331.45, 0.62%, 0.46%

LAB 44.29, 61.39, -4.38

 

CMYK 0 / 76 / 61 / 25

HEX #BE2D4B

RGB 190 45 75

HSL 347.59, 0.62%, 0.46%

LAB 43.26, 58.14, 18.42

 

CMYK 22 / 76 / 0 / 25

HEX #942DBE

RGB 148 45 190

HSL 282.62, 0.62%, 0.46%

LAB 41.04, 63.19, -55.78

 

CMYK 43 / 76 / 0 / 25

HEX #6D2DBE

RGB 109 45 190

HSL 266.48, 0.62%, 0.46%

LAB 35.69, 56.36, -64.72

 

CMYK 63 / 76 / 0 / 25

HEX #462DBE

RGB 70 45 190

HSL 250.34, 0.62%, 0.46%

LAB 31.57, 50.97, -71.64

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 22 / 76 / 0 / 25

HEX #942DBE

RGB 148 45 190

HSL 282.62, 0.62%, 0.46%

LAB 41.04, 63.19, -55.78

 

CMYK 25 / 88 / 0 / 18

HEX #9C1AD1

RGB 156 26 209

HSL 282.62, 0.78%, 0.46%

LAB 41.86, 73.45, -65.45

 

CMYK 28 / 97 / 0 / 11

HEX #A407E4

RGB 164 7 228

HSL 282.62, 0.94%, 0.46%

LAB 43.72, 80.69, -73.26

 

CMYK 22 / 76 / 0 / 25

HEX #942DBE

RGB 148 45 190

HSL 282.62, 0.62%, 0.46%

LAB 41.04, 63.19, -55.78

 

CMYK 18 / 63 / 0 / 33

HEX #8C40AB

RGB 140 64 171

HSL 282.62, 0.46%, 0.46%

LAB 41.5, 49.53, -43.88

 

CMYK 13 / 45 / 0 / 40

HEX #845398

RGB 132 83 152

HSL 282.61, 0.29%, 0.46%

LAB 43.3, 32.99, -29.78

 

CMYK 7 / 23 / 0 / 48

HEX #7C6685

RGB 124 102 133

HSL 282.58, 0.13%, 0.46%

LAB 46.29, 14.87, -13.87

 

CMYK 3 / 0 / 5 / 53

HEX #747872

RGB 116 120 114

HSL 100, 0.03%, 0.46%

LAB 49.93, -2.71, 2.76

 

CMYK 64 / 76 / 0 / 25

HEX #452DBE

RGB 69 45 190

HSL 249.93, 0.62%, 0.46%

LAB 31.49, 50.85, -71.78

 

CMYK 43 / 76 / 0 / 25

HEX #6C2DBE

RGB 108 45 190

HSL 266.07, 0.62%, 0.46%

LAB 35.56, 56.2, -64.93

 

CMYK 23 / 76 / 0 / 25

HEX #922DBE

RGB 146 45 190

HSL 281.79, 0.62%, 0.46%

LAB 40.74, 62.81, -56.27

 

CMYK 3 / 76 / 0 / 25

HEX #B92DBE

RGB 185 45 190

HSL 297.93, 0.62%, 0.46%

LAB 46.85, 70.41, -46.13

 

CMYK 0 / 76 / 18 / 25

HEX #BE2D9C

RGB 190 45 156

HSL 314.07, 0.62%, 0.46%

LAB 45.94, 66.4, -27.42

 

CMYK 22 / 76 / 0 / 52

HEX #601D7B

RGB 96 29 123

HSL 282.77, 0.62%, 0.3%

LAB 26.14, 44.87, -39.49

 

CMYK 22 / 76 / 0 / 38

HEX #7A259D

RGB 122 37 157

HSL 282.5, 0.62%, 0.38%

LAB 33.76, 54.34, -48.06

 

CMYK 22 / 76 / 0 / 25

HEX #942DBE

RGB 148 45 190

HSL 282.62, 0.62%, 0.46%

LAB 41.04, 63.19, -55.78

 

CMYK 20 / 69 / 0 / 17

HEX #A941D3

RGB 169 65 211

HSL 282.74, 0.62%, 0.54%

LAB 48.16, 63.93, -56.32

 

CMYK 16 / 55 / 0 / 15

HEX #B863DA

RGB 184 99 218

HSL 282.86, 0.62%, 0.62%

LAB 56.26, 53.22, -47.24

 

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

CMYK 0 / 76 / 69 / 25

HEX #BE2D3B

RGB 190 45 59

HSL 354.21, 0.62%, 0.46%

LAB 42.97, 57.22, 27.91

 

CMYK 76 / 0 / 54 / 25

HEX #2DBE58

RGB 45 190 88

HSL 137.79, 0.62%, 0.46%

LAB 68.09, -58.94, 40.63

 

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

CMYK 0 / 23 / 76 / 25

HEX #BE922D

RGB 190 146 45

HSL 41.79, 0.62%, 0.46%

LAB 63.09, 6.89, 56.57

 

CMYK 76 / 0 / 23 / 25

HEX #2DBE92

RGB 45 190 146

HSL 161.79, 0.62%, 0.46%

LAB 69.08, -47.73, 11.66

 

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

CMYK 0 / 76 / 69 / 25

HEX #BE2D3B

RGB 190 45 59

HSL 354.21, 0.62%, 0.46%

LAB 42.97, 57.22, 27.91

 

CMYK 54 / 0 / 76 / 25

HEX #58BE2D

RGB 88 190 45

HSL 102.21, 0.62%, 0.46%

LAB 68.82, -54.41, 59.7

 

CMYK 76 / 0 / 8 / 25

HEX #2DBEAF

RGB 45 190 175

HSL 173.79, 0.62%, 0.46%

LAB 69.81, -40.24, -3.13

 

CMYK 22 / 76 / 0 / 25

HEX #952DBF

RGB 149 45 191

HSL 282.74, 0.62%, 0.46%

LAB 41.26, 63.57, -56

 

CMYK 0 / 61 / 76 / 25

HEX #BE4A2D

RGB 190 74 45

HSL 12, 0.62%, 0.46%

LAB 47.02, 45.09, 40.52

 

CMYK 54 / 0 / 76 / 25

HEX #58BE2D

RGB 88 190 45

HSL 102.21, 0.62%, 0.46%

LAB 68.82, -54.41, 59.7

 

CMYK 76 / 15 / 0 / 25

HEX #2DA1BE

RGB 45 161 190

HSL 192, 0.62%, 0.46%

LAB 61.45, -21.72, -24.03

 

Description

Color code: HEX #952DBF | qconv.com Color code: HEX #952DBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 45 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 45 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 76 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 76% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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