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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952AF1 it is the complementary color #6AD50E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952AF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952AF1 shade: #9A2AEC, #AB3CFF, #BC4EFF, #CD60FF and #DE72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952AF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952AF1 shade: #952AF1, #8418DE, #7306CB, #6200B8 and #5100A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952AF1 shade: #9427F1, #CA27F1, #F127E2, #F127AB and #F12775

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952AF1 shade: #9427F1, #5D27F1 and #2727F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952AF1 shade matches the following richer shades: #9427F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952AF1 shade: #9427F1, #923ADF, #914CCC, #905FBA and #8E72A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952AF1 shade: #2727F1, #5D27F1, #9327F1, #C927F1 and #F127E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952AF1 shade: #6A0CBA, #800EE1, #9427F1, #A74EF4 and #BA75F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952AF1 shade: #952AF1, #F1275D and #27F142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952AF1 shade: #952AF1, #F19327 and #27F193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952AF1 shade: #952AF1, #F1275D, #86F127 and #27F1BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952AF1 shade: #952AF1, #F12E27, #86F127 and #27EAF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

Complementary color

CMYK 50 / 0 / 93 / 16

HEX #6AD50E

RGB 106 213 14

HSL 92.26, 0.88%, 0.45%

LAB 76.49, -58.91, 73.56

 

CMYK 35 / 82 / 0 / 7

HEX #9A2AEC

RGB 154 42 236

HSL 274.64, 0.84%, 0.55%

LAB 45.06, 74.57, -75.67

 

CMYK 33 / 76 / 0 / 0

HEX #AB3CFF

RGB 171 60 255

HSL 274.15, 1%, 0.62%

LAB 50.82, 75.3, -76.83

 

CMYK 26 / 69 / 0 / 0

HEX #BC4EFF

RGB 188 78 255

HSL 277.29, 1%, 0.65%

LAB 55.44, 71.42, -69.22

 

CMYK 20 / 62 / 0 / 0

HEX #CD60FF

RGB 205 96 255

HSL 281.13, 1%, 0.69%

LAB 60.4, 67.24, -61.14

 

CMYK 13 / 55 / 0 / 0

HEX #DE72FF

RGB 222 114 255

HSL 285.96, 1%, 0.72%

LAB 65.58, 62.97, -52.75

 

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

CMYK 41 / 89 / 0 / 13

HEX #8418DE

RGB 132 24 222

HSL 272.73, 0.8%, 0.48%

LAB 39.3, 73.35, -77.26

 

CMYK 43 / 97 / 0 / 20

HEX #7306CB

RGB 115 6 203

HSL 273.2, 0.94%, 0.41%

LAB 34.16, 70.46, -74.81

 

CMYK 47 / 100 / 0 / 28

HEX #6200B8

RGB 98 0 184

HSL 271.96, 1%, 0.36%

LAB 29.56, 65.72, -71.3

 

CMYK 51 / 100 / 0 / 35

HEX #5100A5

RGB 81 0 165

HSL 269.45, 1%, 0.32%

LAB 25.16, 60.09, -67.24

 

CMYK 39 / 84 / 0 / 5

HEX #9427F1

RGB 148 39 241

HSL 272.38, 0.88%, 0.55%

LAB 44.37, 75.66, -79.64

 

CMYK 16 / 84 / 0 / 5

HEX #CA27F1

RGB 202 39 241

HSL 288.42, 0.88%, 0.55%

LAB 52.24, 83.53, -66.49

 

CMYK 0 / 84 / 6 / 5

HEX #F127E2

RGB 241 39 226

HSL 304.46, 0.88%, 0.55%

LAB 57.7, 87.92, -48.96

 

CMYK 0 / 84 / 29 / 5

HEX #F127AB

RGB 241 39 171

HSL 320.79, 0.88%, 0.55%

LAB 55.17, 81.06, -21.31

 

CMYK 0 / 84 / 51 / 5

HEX #F12775

RGB 241 39 117

HSL 336.83, 0.88%, 0.55%

LAB 53.42, 76.12, 8.23

 

CMYK 39 / 84 / 0 / 5

HEX #9427F1

RGB 148 39 241

HSL 272.38, 0.88%, 0.55%

LAB 44.37, 75.66, -79.64

 

CMYK 61 / 84 / 0 / 5

HEX #5D27F1

RGB 93 39 241

HSL 256.04, 0.88%, 0.55%

LAB 38.07, 69.76, -90.24

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 39 / 84 / 0 / 5

HEX #9427F1

RGB 148 39 241

HSL 272.38, 0.88%, 0.55%

LAB 44.37, 75.66, -79.64

 

CMYK 39 / 84 / 0 / 5

HEX #9427F1

RGB 148 39 241

HSL 272.38, 0.88%, 0.55%

LAB 44.37, 75.66, -79.64

 

CMYK 35 / 74 / 0 / 13

HEX #923ADF

RGB 146 58 223

HSL 272, 0.72%, 0.55%

LAB 44.89, 64.94, -68.61

 

CMYK 29 / 63 / 0 / 20

HEX #914CCC

RGB 145 76 204

HSL 272.34, 0.56%, 0.55%

LAB 46.38, 52.18, -55.32

 

CMYK 23 / 49 / 0 / 27

HEX #905FBA

RGB 144 95 186

HSL 272.31, 0.4%, 0.55%

LAB 49.08, 37.51, -40.61

 

CMYK 15 / 32 / 0 / 35

HEX #8E72A7

RGB 142 114 167

HSL 271.7, 0.23%, 0.55%

LAB 52.48, 21.5, -24.28

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 61 / 84 / 0 / 5

HEX #5D27F1

RGB 93 39 241

HSL 256.04, 0.88%, 0.55%

LAB 38.07, 69.76, -90.24

 

CMYK 39 / 84 / 0 / 5

HEX #9327F1

RGB 147 39 241

HSL 272.08, 0.88%, 0.55%

LAB 44.24, 75.53, -79.87

 

CMYK 17 / 84 / 0 / 5

HEX #C927F1

RGB 201 39 241

HSL 288.12, 0.88%, 0.55%

LAB 52.08, 83.37, -66.75

 

CMYK 0 / 84 / 5 / 5

HEX #F127E4

RGB 241 39 228

HSL 303.86, 0.88%, 0.55%

LAB 57.8, 88.2, -49.92

 

CMYK 43 / 94 / 0 / 27

HEX #6A0CBA

RGB 106 12 186

HSL 272.41, 0.88%, 0.39%

LAB 31.51, 65.03, -69.22

 

CMYK 43 / 94 / 0 / 12

HEX #800EE1

RGB 128 14 225

HSL 272.42, 0.88%, 0.47%

LAB 38.45, 75.31, -80.4

 

CMYK 39 / 84 / 0 / 5

HEX #9427F1

RGB 148 39 241

HSL 272.38, 0.88%, 0.55%

LAB 44.37, 75.66, -79.64

 

CMYK 32 / 68 / 0 / 4

HEX #A74EF4

RGB 167 78 244

HSL 272.17, 0.88%, 0.63%

LAB 52.06, 64.99, -68.7

 

CMYK 24 / 52 / 0 / 4

HEX #BA75F6

RGB 186 117 246

HSL 272.09, 0.88%, 0.71%

LAB 61.49, 50.54, -54.55

 

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

CMYK 0 / 84 / 61 / 5

HEX #F1275D

RGB 241 39 93

HSL 343.96, 0.88%, 0.55%

LAB 52.89, 74.55, 21.97

 

CMYK 84 / 0 / 73 / 5

HEX #27F142

RGB 39 241 66

HSL 128.02, 0.88%, 0.55%

LAB 83.83, -77.9, 67.23

 

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

CMYK 0 / 39 / 84 / 5

HEX #F19327

RGB 241 147 39

HSL 32.08, 0.88%, 0.55%

LAB 69.27, 28.07, 66.49

 

CMYK 84 / 0 / 39 / 5

HEX #27F193

RGB 39 241 147

HSL 152.08, 0.88%, 0.55%

LAB 84.71, -67.2, 32.52

 

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

CMYK 0 / 84 / 61 / 5

HEX #F1275D

RGB 241 39 93

HSL 343.96, 0.88%, 0.55%

LAB 52.89, 74.55, 21.97

 

CMYK 44 / 0 / 84 / 5

HEX #86F127

RGB 134 241 39

HSL 91.78, 0.88%, 0.55%

LAB 86.07, -60.17, 77.82

 

CMYK 84 / 0 / 22 / 5

HEX #27F1BB

RGB 39 241 187

HSL 163.96, 0.88%, 0.55%

LAB 85.47, -58.77, 13.05

 

CMYK 38 / 83 / 0 / 5

HEX #952AF1

RGB 149 42 241

HSL 272.26, 0.88%, 0.55%

LAB 44.8, 74.94, -78.95

 

CMYK 0 / 81 / 84 / 5

HEX #F12E27

RGB 241 46 39

HSL 2.08, 0.88%, 0.55%

LAB 52.73, 70.85, 52.28

 

CMYK 44 / 0 / 84 / 5

HEX #86F127

RGB 134 241 39

HSL 91.78, 0.88%, 0.55%

LAB 86.07, -60.17, 77.82

 

CMYK 84 / 3 / 0 / 5

HEX #27EAF1

RGB 39 234 241

HSL 182.08, 0.88%, 0.55%

LAB 84.81, -41.56, -16.26

 

Description

Color code: HEX #952AF1 | qconv.com Color code: HEX #952AF1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 42 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 42 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 83 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 83% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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