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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952A60 it is the complementary color #6AD59F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952A60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952A60 shade: #9A2A5B, #AB3C6E, #BC4E81, #CD6094 and #DE72A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952A60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952A60 shade: #952A60, #84184D, #73063A, #620027 and #510014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952A60 shade: #932A5F, #932A42 and #932A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952A60 shade: #932A5F, #932A7B, #8F2A93, #722A93 and #562A93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952A60 shade matches the following richer shades: #932A5F, #A21A5F and #B20B5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952A60 shade: #932A5F, #84395F, #75485F, #65575E and #56675E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952A60 shade: #8E2A93, #932A7C, #932A60, #932A44 and #932B2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952A60 shade: #531735, #73204A, #932A5F, #B33374 and #CA4588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952A60 shade: #952A60, #93722A and #2A8A93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952A60 shade: #952A60, #60932A and #2A6093

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952A60 shade: #952A60, #93722A, #2A935D and #2A4B93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952A60 shade: #952A60, #93912A, #2A935D and #2A2B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

Complementary color

CMYK 50 / 0 / 25 / 16

HEX #6AD59F

RGB 106 213 159

HSL 149.72, 0.56%, 0.63%

LAB 77.97, -43.28, 17.4

 

CMYK 0 / 73 / 41 / 40

HEX #9A2A5B

RGB 154 42 91

HSL 333.75, 0.57%, 0.38%

LAB 36.52, 49.94, -2.15

 

CMYK 0 / 65 / 36 / 33

HEX #AB3C6E

RGB 171 60 110

HSL 332.97, 0.48%, 0.45%

LAB 42.79, 49.96, -4.5

 

CMYK 0 / 59 / 31 / 26

HEX #BC4E81

RGB 188 78 129

HSL 332.18, 0.45%, 0.52%

LAB 49.16, 49.54, -6.32

 

CMYK 0 / 53 / 28 / 20

HEX #CD6094

RGB 205 96 148

HSL 331.38, 0.52%, 0.59%

LAB 55.57, 48.9, -7.79

 

CMYK 0 / 49 / 25 / 13

HEX #DE72A7

RGB 222 114 167

HSL 330.56, 0.62%, 0.66%

LAB 61.96, 48.15, -9

 

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

CMYK 0 / 82 / 42 / 48

HEX #84184D

RGB 132 24 77

HSL 330.56, 0.69%, 0.31%

LAB 29.65, 48.23, -3.67

 

CMYK 0 / 95 / 50 / 55

HEX #73063A

RGB 115 6 58

HSL 331.38, 0.9%, 0.24%

LAB 23.94, 46.06, 0.36

 

CMYK 0 / 100 / 60 / 62

HEX #620027

RGB 98 0 39

HSL 336.12, 1%, 0.19%

LAB 18.98, 41.46, 6.14

 

CMYK 0 / 100 / 75 / 68

HEX #510014

RGB 81 0 20

HSL 345.19, 1%, 0.16%

LAB 14.4, 35.62, 13.05

 

CMYK 0 / 71 / 35 / 42

HEX #932A5F

RGB 147 42 95

HSL 329.71, 0.56%, 0.37%

LAB 35.37, 48.33, -6.56

 

CMYK 0 / 71 / 55 / 42

HEX #932A42

RGB 147 42 66

HSL 346.29, 0.56%, 0.37%

LAB 34.5, 45.39, 10.89

 

CMYK 0 / 71 / 71 / 42

HEX #932A2A

RGB 147 42 42

HSL 0, 0.56%, 0.37%

LAB 34.04, 43.76, 25.6

 

CMYK 0 / 71 / 35 / 42

HEX #932A5F

RGB 147 42 95

HSL 329.71, 0.56%, 0.37%

LAB 35.37, 48.33, -6.56

 

CMYK 0 / 71 / 16 / 42

HEX #932A7B

RGB 147 42 123

HSL 313.71, 0.56%, 0.37%

LAB 36.53, 52.12, -22.47

 

CMYK 3 / 71 / 0 / 42

HEX #8F2A93

RGB 143 42 147

HSL 297.71, 0.56%, 0.37%

LAB 37.12, 55.07, -36.41

 

CMYK 22 / 71 / 0 / 42

HEX #722A93

RGB 114 42 147

HSL 281.14, 0.56%, 0.37%

LAB 32.57, 48.49, -43.95

 

CMYK 41 / 71 / 0 / 42

HEX #562A93

RGB 86 42 147

HSL 265.14, 0.56%, 0.37%

LAB 28.75, 42.62, -50.31

 

CMYK 0 / 71 / 35 / 42

HEX #932A5F

RGB 147 42 95

HSL 329.71, 0.56%, 0.37%

LAB 35.37, 48.33, -6.56

 

CMYK 0 / 84 / 41 / 36

HEX #A21A5F

RGB 162 26 95

HSL 329.56, 0.72%, 0.37%

LAB 36.45, 57.46, -4.64

 

CMYK 0 / 94 / 47 / 30

HEX #B20B5F

RGB 178 11 95

HSL 329.82, 0.88%, 0.37%

LAB 38.78, 63.96, -0.84

 

CMYK 0 / 71 / 35 / 42

HEX #932A5F

RGB 147 42 95

HSL 329.71, 0.56%, 0.37%

LAB 35.37, 48.33, -6.56

 

CMYK 0 / 57 / 28 / 48

HEX #84395F

RGB 132 57 95

HSL 329.6, 0.4%, 0.37%

LAB 35.32, 36.71, -6.9

 

CMYK 0 / 38 / 19 / 54

HEX #75485F

RGB 117 72 95

HSL 329.33, 0.24%, 0.37%

LAB 36.45, 22.79, -5.44

 

CMYK 0 / 14 / 7 / 60

HEX #65575E

RGB 101 87 94

HSL 330, 0.07%, 0.37%

LAB 38.54, 7.07, -1.93

 

CMYK 17 / 0 / 9 / 60

HEX #56675E

RGB 86 103 94

HSL 148.24, 0.09%, 0.37%

LAB 41.98, -8.42, 2.93

 

CMYK 3 / 71 / 0 / 42

HEX #8E2A93

RGB 142 42 147

HSL 297.14, 0.56%, 0.37%

LAB 36.95, 54.83, -36.68

 

CMYK 0 / 71 / 16 / 42

HEX #932A7C

RGB 147 42 124

HSL 313.14, 0.56%, 0.37%

LAB 36.58, 52.27, -23.02

 

CMYK 0 / 71 / 35 / 42

HEX #932A60

RGB 147 42 96

HSL 329.14, 0.56%, 0.37%

LAB 35.41, 48.45, -7.14

 

CMYK 0 / 71 / 54 / 42

HEX #932A44

RGB 147 42 68

HSL 345.14, 0.56%, 0.37%

LAB 34.55, 45.56, 9.67

 

CMYK 0 / 71 / 71 / 42

HEX #932B2A

RGB 147 43 42

HSL 0.57, 0.56%, 0.37%

LAB 34.19, 43.36, 25.78

 

CMYK 0 / 72 / 36 / 67

HEX #531735

RGB 83 23 53

HSL 330, 0.57%, 0.21%

LAB 18.84, 30.94, -4.44

 

CMYK 0 / 72 / 36 / 55

HEX #73204A

RGB 115 32 74

HSL 329.64, 0.56%, 0.29%

LAB 27.22, 40.1, -5.65

 

CMYK 0 / 71 / 35 / 42

HEX #932A5F

RGB 147 42 95

HSL 329.71, 0.56%, 0.37%

LAB 35.37, 48.33, -6.56

 

CMYK 0 / 72 / 35 / 30

HEX #B33374

RGB 179 51 116

HSL 329.53, 0.56%, 0.45%

LAB 43.08, 56.58, -7.63

 

CMYK 0 / 66 / 33 / 21

HEX #CA4588

RGB 202 69 136

HSL 329.77, 0.56%, 0.53%

LAB 50.2, 58.55, -8.73

 

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

CMYK 0 / 22 / 71 / 42

HEX #93722A

RGB 147 114 42

HSL 41.14, 0.56%, 0.37%

LAB 49.98, 5.19, 43.26

 

CMYK 71 / 6 / 0 / 42

HEX #2A8A93

RGB 42 138 147

HSL 185.14, 0.56%, 0.37%

LAB 52.7, -24.09, -12.84

 

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

CMYK 35 / 0 / 71 / 42

HEX #60932A

RGB 96 147 42

HSL 89.14, 0.56%, 0.37%

LAB 55.61, -34.45, 47.76

 

CMYK 71 / 35 / 0 / 42

HEX #2A6093

RGB 42 96 147

HSL 209.14, 0.56%, 0.37%

LAB 39.52, -0.13, -33.21

 

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

CMYK 0 / 22 / 71 / 42

HEX #93722A

RGB 147 114 42

HSL 41.14, 0.56%, 0.37%

LAB 49.98, 5.19, 43.26

 

CMYK 71 / 0 / 37 / 42

HEX #2A935D

RGB 42 147 93

HSL 149.14, 0.56%, 0.37%

LAB 54.19, -42.53, 20.24

 

CMYK 71 / 49 / 0 / 42

HEX #2A4B93

RGB 42 75 147

HSL 221.14, 0.56%, 0.37%

LAB 33.2, 13.58, -43.28

 

CMYK 0 / 72 / 36 / 42

HEX #952A60

RGB 149 42 96

HSL 329.72, 0.56%, 0.37%

LAB 35.77, 49.04, -6.56

 

CMYK 0 / 1 / 71 / 42

HEX #93912A

RGB 147 145 42

HSL 58.86, 0.56%, 0.37%

LAB 58.62, -12, 51.97

 

CMYK 71 / 0 / 37 / 42

HEX #2A935D

RGB 42 147 93

HSL 149.14, 0.56%, 0.37%

LAB 54.19, -42.53, 20.24

 

CMYK 71 / 71 / 0 / 42

HEX #2A2B93

RGB 42 43 147

HSL 239.43, 0.56%, 0.37%

LAB 24.72, 34.9, -57.07

 

Description

Color code: HEX #952A60 | qconv.com Color code: HEX #952A60 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 42 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 42 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 36 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 36% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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