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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952970 it is the complementary color #6AD68F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952970 shade: #9A296B, #AB3B7E, #BC4D91, #CD5FA4 and #DE71B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952970 shade: #952970, #84175D, #73054A, #620037 and #510024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952970 shade: #94296F, #942952, #942935 and #942929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952970 shade: #94296F, #94298C, #7F2994, #622994 and #452994

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952970 shade matches the following richer shades: #94296F, #A31974 and #B30A79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952970 shade: #94296F, #85386A, #764766, #665661 and #57665C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952970 shade: #7F2994, #94298D, #942970, #942954 and #942937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952970 shade: #53173F, #742057, #94296F, #B53188 and #CC449D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952970 shade: #952970, #946229 and #29948D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952970 shade: #952970, #709429 and #297094

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952970 shade: #952970, #946229, #29944C and #295B94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952970 shade: #952970, #948229, #29944C and #293A94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

Complementary color

CMYK 50 / 0 / 33 / 16

HEX #6AD68F

RGB 106 214 143

HSL 140.56, 0.57%, 0.63%

LAB 77.96, -46.78, 25.78

 

CMYK 0 / 73 / 31 / 40

HEX #9A296B

RGB 154 41 107

HSL 324.96, 0.58%, 0.38%

LAB 36.96, 52.17, -11.66

 

CMYK 0 / 65 / 26 / 33

HEX #AB3B7E

RGB 171 59 126

HSL 324.11, 0.49%, 0.45%

LAB 43.2, 52.4, -13.74

 

CMYK 0 / 59 / 23 / 26

HEX #BC4D91

RGB 188 77 145

HSL 323.24, 0.45%, 0.52%

LAB 49.55, 52.14, -15.32

 

CMYK 0 / 54 / 20 / 20

HEX #CD5FA4

RGB 205 95 164

HSL 322.36, 0.52%, 0.59%

LAB 55.93, 51.61, -16.58

 

CMYK 0 / 49 / 18 / 13

HEX #DE71B7

RGB 222 113 183

HSL 321.47, 0.62%, 0.66%

LAB 62.3, 50.96, -17.62

 

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

CMYK 0 / 83 / 30 / 48

HEX #84175D

RGB 132 23 93

HSL 321.47, 0.7%, 0.3%

LAB 30.18, 50.37, -13.39

 

CMYK 0 / 96 / 36 / 55

HEX #73054A

RGB 115 5 74

HSL 322.36, 0.92%, 0.24%

LAB 24.47, 47.91, -9.79

 

CMYK 0 / 100 / 44 / 62

HEX #620037

RGB 98 0 55

HSL 326.33, 1%, 0.19%

LAB 19.53, 42.89, -4.49

 

CMYK 0 / 100 / 56 / 68

HEX #510024

RGB 81 0 36

HSL 333.33, 1%, 0.16%

LAB 14.83, 36.76, 1.87

 

CMYK 0 / 72 / 25 / 42

HEX #94296F

RGB 148 41 111

HSL 320.75, 0.57%, 0.37%

LAB 36.04, 51.04, -15.69

 

CMYK 0 / 72 / 45 / 42

HEX #942952

RGB 148 41 82

HSL 337.01, 0.57%, 0.37%

LAB 34.99, 47.58, 1.25

 

CMYK 0 / 72 / 64 / 42

HEX #942935

RGB 148 41 53

HSL 353.27, 0.57%, 0.37%

LAB 34.27, 45.15, 18.99

 

CMYK 0 / 72 / 72 / 42

HEX #942929

RGB 148 41 41

HSL 0, 0.57%, 0.37%

LAB 34.07, 44.45, 26.3

 

CMYK 0 / 72 / 25 / 42

HEX #94296F

RGB 148 41 111

HSL 320.75, 0.57%, 0.37%

LAB 36.04, 51.04, -15.69

 

CMYK 0 / 72 / 5 / 42

HEX #94298C

RGB 148 41 140

HSL 304.49, 0.57%, 0.37%

LAB 37.44, 55.41, -31.57

 

CMYK 14 / 72 / 0 / 42

HEX #7F2994

RGB 127 41 148

HSL 288.22, 0.57%, 0.37%

LAB 34.47, 52, -41.4

 

CMYK 34 / 72 / 0 / 42

HEX #622994

RGB 98 41 148

HSL 271.96, 0.57%, 0.37%

LAB 30.21, 45.78, -48.49

 

CMYK 53 / 72 / 0 / 42

HEX #452994

RGB 69 41 148

HSL 255.7, 0.57%, 0.37%

LAB 26.7, 40.33, -54.35

 

CMYK 0 / 72 / 25 / 42

HEX #94296F

RGB 148 41 111

HSL 320.75, 0.57%, 0.37%

LAB 36.04, 51.04, -15.69

 

CMYK 0 / 85 / 29 / 36

HEX #A31974

RGB 163 25 116

HSL 320.43, 0.73%, 0.37%

LAB 37.38, 60.24, -16.55

 

CMYK 0 / 94 / 32 / 30

HEX #B30A79

RGB 179 10 121

HSL 320.59, 0.89%, 0.37%

LAB 39.88, 66.81, -15.57

 

CMYK 0 / 72 / 25 / 42

HEX #94296F

RGB 148 41 111

HSL 320.75, 0.57%, 0.37%

LAB 36.04, 51.04, -15.69

 

CMYK 0 / 58 / 20 / 48

HEX #85386A

RGB 133 56 106

HSL 321.04, 0.41%, 0.37%

LAB 35.7, 39.22, -13.28

 

CMYK 0 / 40 / 14 / 54

HEX #764766

RGB 118 71 102

HSL 320.43, 0.25%, 0.37%

LAB 36.59, 25.01, -9.62

 

CMYK 0 / 16 / 5 / 60

HEX #665661

RGB 102 86 97

HSL 318.75, 0.09%, 0.37%

LAB 38.45, 8.7, -3.91

 

CMYK 15 / 0 / 10 / 60

HEX #57665C

RGB 87 102 92

HSL 140, 0.08%, 0.37%

LAB 41.69, -7.9, 3.74

 

CMYK 14 / 72 / 0 / 42

HEX #7F2994

RGB 127 41 148

HSL 288.22, 0.57%, 0.37%

LAB 34.47, 52, -41.4

 

CMYK 0 / 72 / 5 / 42

HEX #94298D

RGB 148 41 141

HSL 303.93, 0.57%, 0.37%

LAB 37.49, 55.58, -32.1

 

CMYK 0 / 72 / 24 / 42

HEX #942970

RGB 148 41 112

HSL 320.19, 0.57%, 0.37%

LAB 36.08, 51.18, -16.26

 

CMYK 0 / 72 / 43 / 42

HEX #942954

RGB 148 41 84

HSL 335.89, 0.57%, 0.37%

LAB 35.05, 47.78, 0.05

 

CMYK 0 / 72 / 63 / 42

HEX #942937

RGB 148 41 55

HSL 352.15, 0.57%, 0.37%

LAB 34.31, 45.28, 17.76

 

CMYK 0 / 72 / 24 / 67

HEX #53173F

RGB 83 23 63

HSL 320, 0.57%, 0.21%

LAB 19.27, 32.42, -10.78

 

CMYK 0 / 72 / 25 / 55

HEX #742057

RGB 116 32 87

HSL 320.71, 0.57%, 0.29%

LAB 27.94, 42.16, -13.16

 

CMYK 0 / 72 / 25 / 42

HEX #94296F

RGB 148 41 111

HSL 320.75, 0.57%, 0.37%

LAB 36.04, 51.04, -15.69

 

CMYK 0 / 73 / 25 / 29

HEX #B53188

RGB 181 49 136

HSL 320.45, 0.57%, 0.45%

LAB 43.94, 60.26, -18.56

 

CMYK 0 / 67 / 23 / 20

HEX #CC449D

RGB 204 68 157

HSL 320.74, 0.57%, 0.53%

LAB 51.16, 62.14, -19.76

 

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

CMYK 0 / 34 / 72 / 42

HEX #946229

RGB 148 98 41

HSL 31.96, 0.57%, 0.37%

LAB 45.9, 14.82, 39.49

 

CMYK 72 / 0 / 5 / 42

HEX #29948D

RGB 41 148 141

HSL 176.07, 0.57%, 0.37%

LAB 55.66, -31.01, -4.97

 

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

CMYK 24 / 0 / 72 / 42

HEX #709429

RGB 112 148 41

HSL 80.19, 0.57%, 0.37%

LAB 56.86, -28.69, 49.73

 

CMYK 72 / 24 / 0 / 42

HEX #297094

RGB 41 112 148

HSL 200.19, 0.57%, 0.37%

LAB 44.52, -9.63, -25.98

 

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

CMYK 0 / 34 / 72 / 42

HEX #946229

RGB 148 98 41

HSL 31.96, 0.57%, 0.37%

LAB 45.9, 14.82, 39.49

 

CMYK 72 / 0 / 49 / 42

HEX #29944C

RGB 41 148 76

HSL 139.63, 0.57%, 0.37%

LAB 54.21, -46.28, 29.51

 

CMYK 72 / 39 / 0 / 42

HEX #295B94

RGB 41 91 148

HSL 211.96, 0.57%, 0.37%

LAB 38.01, 3.26, -36.21

 

CMYK 0 / 72 / 25 / 42

HEX #952970

RGB 149 41 112

HSL 320.56, 0.57%, 0.37%

LAB 36.26, 51.45, -15.97

 

CMYK 0 / 12 / 72 / 42

HEX #948229

RGB 148 130 41

HSL 49.91, 0.57%, 0.37%

LAB 54.47, -3.44, 48.29

 

CMYK 72 / 0 / 49 / 42

HEX #29944C

RGB 41 148 76

HSL 139.63, 0.57%, 0.37%

LAB 54.21, -46.28, 29.51

 

CMYK 72 / 61 / 0 / 42

HEX #293A94

RGB 41 58 148

HSL 230.47, 0.57%, 0.37%

LAB 28.47, 25.33, -51.55

 

Description

Color code: HEX #952970 | qconv.com Color code: HEX #952970 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 41 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 41 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 25 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 25% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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