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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952377 it is the complementary color #6ADC88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952377. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952377 shade: #9A2372, #AB3585, #BC4798, #CD59AB and #DE6BBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952377. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952377 shade: #952377, #841164, #730051, #62003E and #51002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952377 shade: #952377, #952358, #952339 and #952323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952377 shade: #952377, #942395, #752395, #572395 and #382395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952377 shade matches the following richer shades: #952377, #A4147E and #B20585

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952377 shade: #952377, #863270, #774169, #684F62 and #595E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952377 shade: #742395, #932395, #952378, #95235A and #95233C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952377 shade: #521341, #731B5C, #952377, #B62B91 and #D139A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952377 shade: #952377, #955623 and #239584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952377 shade: #952377, #789523 and #237895

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952377 shade: #952377, #955623, #23953F and #236195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952377 shade: #952377, #957823, #23953F and #233F95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

Complementary color

CMYK 52 / 0 / 38 / 14

HEX #6ADC88

RGB 106 220 136

HSL 135.79, 0.62%, 0.64%

LAB 79.63, -50.5, 31.62

 

CMYK 0 / 77 / 26 / 40

HEX #9A2372

RGB 154 35 114

HSL 320.17, 0.63%, 0.37%

LAB 36.53, 55.09, -16.74

 

CMYK 0 / 69 / 22 / 33

HEX #AB3585

RGB 171 53 133

HSL 319.32, 0.53%, 0.44%

LAB 42.61, 55.77, -18.93

 

CMYK 0 / 62 / 19 / 26

HEX #BC4798

RGB 188 71 152

HSL 318.46, 0.47%, 0.51%

LAB 48.84, 55.8, -20.57

 

CMYK 0 / 57 / 17 / 20

HEX #CD59AB

RGB 205 89 171

HSL 317.59, 0.54%, 0.58%

LAB 55.14, 55.47, -21.86

 

CMYK 0 / 52 / 14 / 13

HEX #DE6BBE

RGB 222 107 190

HSL 316.7, 0.64%, 0.65%

LAB 61.45, 54.93, -22.9

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 87 / 24 / 48

HEX #841164

RGB 132 17 100

HSL 316.7, 0.77%, 0.29%

LAB 29.98, 52.77, -18.26

 

CMYK 0 / 100 / 30 / 55

HEX #730051

RGB 115 0 81

HSL 317.74, 1%, 0.23%

LAB 24.45, 49.74, -14.56

 

CMYK 0 / 100 / 37 / 62

HEX #62003E

RGB 98 0 62

HSL 322.04, 1%, 0.19%

LAB 19.82, 43.65, -8.96

 

CMYK 0 / 100 / 47 / 68

HEX #51002B

RGB 81 0 43

HSL 328.15, 1%, 0.16%

LAB 15.08, 37.44, -2.91

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 77 / 41 / 42

HEX #952358

RGB 149 35 88

HSL 332.11, 0.62%, 0.36%

LAB 34.59, 50.66, -3.18

 

CMYK 0 / 77 / 62 / 42

HEX #952339

RGB 149 35 57

HSL 348.42, 0.62%, 0.36%

LAB 33.75, 47.95, 15.76

 

CMYK 0 / 77 / 77 / 42

HEX #952323

RGB 149 35 35

HSL 0, 0.62%, 0.36%

LAB 33.38, 46.74, 29.23

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 1 / 77 / 0 / 42

HEX #942395

RGB 148 35 149

HSL 299.47, 0.62%, 0.36%

LAB 37.24, 58.91, -37.39

 

CMYK 21 / 77 / 0 / 42

HEX #752395

RGB 117 35 149

HSL 283.16, 0.62%, 0.36%

LAB 32.15, 52.42, -45.82

 

CMYK 42 / 77 / 0 / 42

HEX #572395

RGB 87 35 149

HSL 267.37, 0.62%, 0.36%

LAB 27.84, 46.73, -53.02

 

CMYK 62 / 77 / 0 / 42

HEX #382395

RGB 56 35 149

HSL 251.05, 0.62%, 0.36%

LAB 24.36, 41.97, -58.86

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 88 / 23 / 36

HEX #A4147E

RGB 164 20 126

HSL 315.83, 0.78%, 0.36%

LAB 37.66, 62.72, -22.35

 

CMYK 0 / 97 / 25 / 30

HEX #B20585

RGB 178 5 133

HSL 315.61, 0.95%, 0.36%

LAB 40.03, 68.49, -22.81

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 63 / 16 / 47

HEX #863270

RGB 134 50 112

HSL 315.71, 0.46%, 0.36%

LAB 35.04, 43.4, -18.06

 

CMYK 0 / 45 / 12 / 53

HEX #774169

RGB 119 65 105

HSL 315.56, 0.29%, 0.36%

LAB 35.44, 29.42, -13.23

 

CMYK 0 / 24 / 6 / 59

HEX #684F62

RGB 104 79 98

HSL 314.4, 0.14%, 0.36%

LAB 36.77, 14.02, -7.01

 

CMYK 5 / 0 / 3 / 63

HEX #595E5B

RGB 89 94 91

HSL 144, 0.03%, 0.36%

LAB 39.39, -2.6, 1.03

 

CMYK 22 / 77 / 0 / 42

HEX #742395

RGB 116 35 149

HSL 282.63, 0.62%, 0.36%

LAB 32, 52.22, -46.08

 

CMYK 1 / 77 / 0 / 42

HEX #932395

RGB 147 35 149

HSL 298.95, 0.62%, 0.36%

LAB 37.07, 58.7, -37.67

 

CMYK 0 / 77 / 19 / 42

HEX #952378

RGB 149 35 120

HSL 315.26, 0.62%, 0.36%

LAB 35.88, 54.64, -21.58

 

CMYK 0 / 77 / 40 / 42

HEX #95235A

RGB 149 35 90

HSL 331.05, 0.62%, 0.36%

LAB 34.66, 50.88, -4.36

 

CMYK 0 / 77 / 60 / 42

HEX #95233C

RGB 149 35 60

HSL 346.84, 0.62%, 0.36%

LAB 33.81, 48.16, 13.9

 

CMYK 0 / 77 / 21 / 68

HEX #521341

RGB 82 19 65

HSL 316.19, 0.62%, 0.2%

LAB 18.55, 34.18, -13.3

 

CMYK 0 / 77 / 20 / 55

HEX #731B5C

RGB 115 27 92

HSL 315.68, 0.62%, 0.28%

LAB 27.3, 44.53, -17.45

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 76 / 20 / 29

HEX #B62B91

RGB 182 43 145

HSL 315.97, 0.62%, 0.44%

LAB 43.82, 63.63, -24.19

 

CMYK 0 / 73 / 19 / 18

HEX #D139A9

RGB 209 57 169

HSL 315.79, 0.62%, 0.52%

LAB 51.09, 68.93, -26.88

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 42 / 77 / 42

HEX #955623

RGB 149 86 35

HSL 26.84, 0.62%, 0.36%

LAB 43.01, 21.86, 39.47

 

CMYK 77 / 0 / 11 / 42

HEX #239584

RGB 35 149 132

HSL 171.05, 0.62%, 0.36%

LAB 55.6, -34.84, 0.1

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 19 / 0 / 77 / 42

HEX #789523

RGB 120 149 35

HSL 75.26, 0.62%, 0.36%

LAB 57.66, -26.21, 52.89

 

CMYK 77 / 19 / 0 / 42

HEX #237895

RGB 35 120 149

HSL 195.26, 0.62%, 0.36%

LAB 46.92, -14.7, -22.86

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 42 / 77 / 42

HEX #955623

RGB 149 86 35

HSL 26.84, 0.62%, 0.36%

LAB 43.01, 21.86, 39.47

 

CMYK 77 / 0 / 58 / 42

HEX #23953F

RGB 35 149 63

HSL 134.74, 0.62%, 0.36%

LAB 54.25, -49.64, 36.19

 

CMYK 77 / 35 / 0 / 42

HEX #236195

RGB 35 97 149

HSL 207.37, 0.62%, 0.36%

LAB 39.71, -1.03, -34.13

 

CMYK 0 / 77 / 20 / 42

HEX #952377

RGB 149 35 119

HSL 315.79, 0.62%, 0.36%

LAB 35.84, 54.5, -21.03

 

CMYK 0 / 19 / 77 / 42

HEX #957823

RGB 149 120 35

HSL 44.74, 0.62%, 0.36%

LAB 51.77, 2.34, 48.13

 

CMYK 77 / 0 / 58 / 42

HEX #23953F

RGB 35 149 63

HSL 134.74, 0.62%, 0.36%

LAB 54.25, -49.64, 36.19

 

CMYK 77 / 58 / 0 / 42

HEX #233F95

RGB 35 63 149

HSL 225.26, 0.62%, 0.36%

LAB 29.62, 21.53, -50.31

 

Description

Color code: HEX #952377 | qconv.com Color code: HEX #952377 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 35 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 35 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 20 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 20% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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