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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #952029 it is the complementary color #6ADFD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #952029. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #952029 shade: #9A2024, #AB3237, #BC444A, #CD565D and #DE6870

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #952029. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #952029 shade: #952029, #840E16, #730003, #620000 and #510000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #952029 shade: #931F28 and #931F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #952029 shade: #931F28, #931F47, #931F67, #931F86 and #811F93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #952029 shade matches the following richer shades: #931F28, #A2111C and #B00210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #952029 shade: #931F28, #852E34, #763C41, #684B4D and #595959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #952029 shade: #931F67, #931F48, #931F29, #93351F and #93531F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #952029 shade: #4F1116, #71181F, #931F28, #B52631 and #D3323E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #952029 shade: #952029, #86931F and #1F5793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #952029 shade: #952029, #29931F and #1F2993

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #952029 shade: #952029, #86931F, #1F938A and #2D1F93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #952029 shade: #952029, #63931F, #1F938A and #501F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

Complementary color

CMYK 52 / 0 / 4 / 13

HEX #6ADFD6

RGB 106 223 214

HSL 175.38, 0.65%, 0.65%

LAB 82.21, -35.18, -5.7

 

CMYK 0 / 79 / 77 / 40

HEX #9A2024

RGB 154 32 36

HSL 358.03, 0.66%, 0.36%

LAB 34.05, 49.35, 29.65

 

CMYK 0 / 71 / 68 / 33

HEX #AB3237

RGB 171 50 55

HSL 357.52, 0.55%, 0.43%

LAB 39.94, 49.29, 25.81

 

CMYK 0 / 64 / 61 / 26

HEX #BC444A

RGB 188 68 74

HSL 357, 0.47%, 0.5%

LAB 46.07, 48.67, 22.67

 

CMYK 0 / 58 / 55 / 20

HEX #CD565D

RGB 205 86 93

HSL 356.47, 0.54%, 0.57%

LAB 52.31, 47.78, 20.09

 

CMYK 0 / 53 / 50 / 13

HEX #DE6870

RGB 222 104 112

HSL 355.93, 0.64%, 0.64%

LAB 58.6, 46.78, 17.93

 

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

CMYK 0 / 89 / 83 / 48

HEX #840E16

RGB 132 14 22

HSL 355.93, 0.81%, 0.29%

LAB 27.51, 47.05, 29.78

 

CMYK 0 / 100 / 97 / 55

HEX #730003

RGB 115 0 3

HSL 358.43, 1%, 0.23%

LAB 22.48, 44.57, 32.79

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 100 / 100 / 68

HEX #510000

RGB 81 0 0

HSL 0, 1%, 0.16%

LAB 14.11, 34.84, 22.06

 

CMYK 0 / 79 / 73 / 42

HEX #931F28

RGB 147 31 40

HSL 355.34, 0.65%, 0.35%

LAB 32.56, 47.68, 25.09

 

CMYK 0 / 79 / 79 / 42

HEX #931F1F

RGB 147 31 31

HSL 0, 0.65%, 0.35%

LAB 32.44, 47.29, 30.5

 

CMYK 0 / 79 / 73 / 42

HEX #931F28

RGB 147 31 40

HSL 355.34, 0.65%, 0.35%

LAB 32.56, 47.68, 25.09

 

CMYK 0 / 79 / 52 / 42

HEX #931F47

RGB 147 31 71

HSL 339.31, 0.65%, 0.35%

LAB 33.22, 49.76, 5.84

 

CMYK 0 / 79 / 30 / 42

HEX #931F67

RGB 147 31 103

HSL 322.76, 0.65%, 0.35%

LAB 34.32, 53.14, -13.26

 

CMYK 0 / 79 / 9 / 42

HEX #931F86

RGB 147 31 134

HSL 306.72, 0.65%, 0.35%

LAB 35.8, 57.47, -30.46

 

CMYK 12 / 79 / 0 / 42

HEX #811F93

RGB 129 31 147

HSL 290.69, 0.65%, 0.35%

LAB 33.46, 55.84, -42.38

 

CMYK 0 / 79 / 73 / 42

HEX #931F28

RGB 147 31 40

HSL 355.34, 0.65%, 0.35%

LAB 32.56, 47.68, 25.09

 

CMYK 0 / 90 / 83 / 36

HEX #A2111C

RGB 162 17 28

HSL 355.45, 0.81%, 0.35%

LAB 34.33, 55.13, 35.19

 

CMYK 0 / 99 / 91 / 31

HEX #B00210

RGB 176 2 16

HSL 355.17, 0.98%, 0.35%

LAB 36.58, 60.62, 44.5

 

CMYK 0 / 79 / 73 / 42

HEX #931F28

RGB 147 31 40

HSL 355.34, 0.65%, 0.35%

LAB 32.56, 47.68, 25.09

 

CMYK 0 / 65 / 61 / 48

HEX #852E34

RGB 133 46 52

HSL 355.86, 0.49%, 0.35%

LAB 32.23, 37.74, 16.44

 

CMYK 0 / 49 / 45 / 54

HEX #763C41

RGB 118 60 65

HSL 354.83, 0.33%, 0.35%

LAB 32.84, 25.84, 8.48

 

CMYK 0 / 28 / 26 / 59

HEX #684B4D

RGB 104 75 77

HSL 355.86, 0.16%, 0.35%

LAB 35.03, 12.63, 3.65

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 0 / 79 / 30 / 42

HEX #931F67

RGB 147 31 103

HSL 322.76, 0.65%, 0.35%

LAB 34.32, 53.14, -13.26

 

CMYK 0 / 79 / 51 / 42

HEX #931F48

RGB 147 31 72

HSL 338.79, 0.65%, 0.35%

LAB 33.24, 49.85, 5.22

 

CMYK 0 / 79 / 72 / 42

HEX #931F29

RGB 147 31 41

HSL 354.83, 0.65%, 0.35%

LAB 32.58, 47.73, 24.48

 

CMYK 0 / 64 / 79 / 42

HEX #93351F

RGB 147 53 31

HSL 11.38, 0.65%, 0.35%

LAB 35.69, 38.41, 33.92

 

CMYK 0 / 44 / 79 / 42

HEX #93531F

RGB 147 83 31

HSL 26.9, 0.65%, 0.35%

LAB 41.98, 22.5, 40.27

 

CMYK 0 / 78 / 72 / 69

HEX #4F1116

RGB 79 17 22

HSL 355.16, 0.65%, 0.19%

LAB 16.11, 29.04, 13.76

 

CMYK 0 / 79 / 73 / 56

HEX #71181F

RGB 113 24 31

HSL 355.28, 0.65%, 0.27%

LAB 24.52, 38.68, 19.59

 

CMYK 0 / 79 / 73 / 42

HEX #931F28

RGB 147 31 40

HSL 355.34, 0.65%, 0.35%

LAB 32.56, 47.68, 25.09

 

CMYK 0 / 79 / 73 / 29

HEX #B52631

RGB 181 38 49

HSL 355.38, 0.65%, 0.43%

LAB 40.3, 56.23, 30.35

 

CMYK 0 / 76 / 71 / 17

HEX #D3323E

RGB 211 50 62

HSL 355.53, 0.65%, 0.51%

LAB 47.6, 62, 32.64

 

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

CMYK 9 / 0 / 79 / 42

HEX #86931F

RGB 134 147 31

HSL 66.72, 0.65%, 0.35%

LAB 58.07, -19.35, 54.96

 

CMYK 79 / 41 / 0 / 42

HEX #1F5793

RGB 31 87 147

HSL 211.03, 0.65%, 0.35%

LAB 36.39, 4.07, -38.19

 

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

CMYK 72 / 0 / 79 / 42

HEX #29931F

RGB 41 147 31

HSL 114.83, 0.65%, 0.35%

LAB 53.43, -51.27, 48.93

 

CMYK 79 / 72 / 0 / 42

HEX #1F2993

RGB 31 41 147

HSL 234.83, 0.65%, 0.35%

LAB 23.62, 35, -58.91

 

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

CMYK 9 / 0 / 79 / 42

HEX #86931F

RGB 134 147 31

HSL 66.72, 0.65%, 0.35%

LAB 58.07, -19.35, 54.96

 

CMYK 79 / 0 / 6 / 42

HEX #1F938A

RGB 31 147 138

HSL 175.34, 0.65%, 0.35%

LAB 55.07, -32.64, -4.14

 

CMYK 69 / 79 / 0 / 42

HEX #2D1F93

RGB 45 31 147

HSL 247.24, 0.65%, 0.35%

LAB 22.46, 42.19, -60.79

 

CMYK 0 / 79 / 72 / 42

HEX #952029

RGB 149 32 41

HSL 355.38, 0.65%, 0.35%

LAB 33.1, 48.02, 25.2

 

CMYK 33 / 0 / 79 / 42

HEX #63931F

RGB 99 147 31

HSL 84.83, 0.65%, 0.35%

LAB 55.7, -33.99, 51.91

 

CMYK 79 / 0 / 6 / 42

HEX #1F938A

RGB 31 147 138

HSL 175.34, 0.65%, 0.35%

LAB 55.07, -32.64, -4.14

 

CMYK 46 / 79 / 0 / 42

HEX #501F93

RGB 80 31 147

HSL 265.34, 0.65%, 0.35%

LAB 26.13, 46.83, -54.62

 

Description

Color code: HEX #952029 | qconv.com Color code: HEX #952029 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 32 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 32 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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