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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9512D6 it is the complementary color #6AED29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9512D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9512D6 shade: #9A12D1, #AB24E4, #BC36F7, #CD48FF and #DE5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9512D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9512D6 shade: #9512D6, #8400C3, #7300B0, #62009D and #51008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9512D6 shade: #9312D3, #C712D3, #D312AB, #D31277 and #D31243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9512D6 shade: #9312D3, #5F12D3, #2B12D3 and #1212D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9512D6 shade matches the following richer shades: #9312D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9512D6 shade: #9312D3, #8D25C1, #8737AE, #804A9B and #7A5D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9512D6 shade: #2C12D3, #5F12D3, #9312D3, #C612D3 and #D312AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9512D6 shade: #5E0C87, #790FAD, #9312D3, #A923EC and #B849EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9512D6 shade: #9512D6, #D3122C and #12D346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9512D6 shade: #9512D6, #D39312 and #12D393

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9512D6 shade: #9512D6, #D3122C, #53D312 and #12D3B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9512D6 shade: #9512D6, #D33212, #53D312 and #12B3D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

Complementary color

CMYK 55 / 0 / 83 / 7

HEX #6AED29

RGB 106 237 41

HSL 100.1, 0.84%, 0.55%

LAB 83.86, -66.57, 75.02

 

CMYK 26 / 91 / 0 / 18

HEX #9A12D1

RGB 154 18 209

HSL 282.72, 0.84%, 0.45%

LAB 41.07, 74.6, -66.75

 

CMYK 25 / 84 / 0 / 11

HEX #AB24E4

RGB 171 36 228

HSL 282.19, 0.78%, 0.52%

LAB 46.34, 77.05, -68.94

 

CMYK 24 / 78 / 0 / 3

HEX #BC36F7

RGB 188 54 247

HSL 281.66, 0.92%, 0.59%

LAB 51.89, 78.44, -70.52

 

CMYK 20 / 72 / 0 / 0

HEX #CD48FF

RGB 205 72 255

HSL 283.61, 1%, 0.64%

LAB 56.91, 76.98, -66.73

 

CMYK 13 / 65 / 0 / 0

HEX #DE5AFF

RGB 222 90 255

HSL 288, 1%, 0.68%

LAB 61.71, 73.55, -58.91

 

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

CMYK 32 / 100 / 0 / 24

HEX #8400C3

RGB 132 0 195

HSL 280.62, 1%, 0.38%

LAB 35.69, 71.44, -67.53

 

CMYK 35 / 100 / 0 / 31

HEX #7300B0

RGB 115 0 176

HSL 279.2, 1%, 0.35%

LAB 31.3, 65.76, -63.57

 

CMYK 38 / 100 / 0 / 38

HEX #62009D

RGB 98 0 157

HSL 277.45, 1%, 0.31%

LAB 26.82, 59.98, -59.53

 

CMYK 41 / 100 / 0 / 46

HEX #51008A

RGB 81 0 138

HSL 275.22, 1%, 0.27%

LAB 22.25, 54.09, -55.4

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 6 / 91 / 0 / 17

HEX #C712D3

RGB 199 18 211

HSL 296.27, 0.84%, 0.45%

LAB 48.61, 81.69, -55.34

 

CMYK 0 / 91 / 19 / 17

HEX #D312AB

RGB 211 18 171

HSL 312.44, 0.84%, 0.45%

LAB 48.54, 78.25, -32.01

 

CMYK 0 / 91 / 44 / 17

HEX #D31277

RGB 211 18 119

HSL 328.6, 0.84%, 0.45%

LAB 46.46, 72.74, -3.8

 

CMYK 0 / 91 / 68 / 17

HEX #D31243

RGB 211 18 67

HSL 344.77, 0.84%, 0.45%

LAB 45.2, 69.26, 26.7

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 55 / 91 / 0 / 17

HEX #5F12D3

RGB 95 18 211

HSL 263.94, 0.84%, 0.45%

LAB 33.07, 68.51, -81.36

 

CMYK 80 / 91 / 0 / 17

HEX #2B12D3

RGB 43 18 211

HSL 247.77, 0.84%, 0.45%

LAB 28.51, 65.57, -89.06

 

CMYK 91 / 91 / 0 / 17

HEX #1212D3

RGB 18 18 211

HSL 240, 0.84%, 0.45%

LAB 27.48, 64.99, -90.81

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 27 / 81 / 0 / 24

HEX #8D25C1

RGB 141 37 193

HSL 280, 0.68%, 0.45%

LAB 39.3, 65.19, -60.4

 

CMYK 22 / 68 / 0 / 32

HEX #8737AE

RGB 135 55 174

HSL 280.34, 0.52%, 0.45%

LAB 39.48, 53.21, -48.95

 

CMYK 17 / 52 / 0 / 39

HEX #804A9B

RGB 128 74 155

HSL 280, 0.35%, 0.45%

LAB 40.98, 37.57, -35.26

 

CMYK 11 / 32 / 0 / 46

HEX #7A5D89

RGB 122 93 137

HSL 279.55, 0.19%, 0.45%

LAB 43.9, 20.46, -19.93

 

CMYK 79 / 91 / 0 / 17

HEX #2C12D3

RGB 44 18 211

HSL 248.08, 0.84%, 0.45%

LAB 28.57, 65.6, -88.96

 

CMYK 55 / 91 / 0 / 17

HEX #5F12D3

RGB 95 18 211

HSL 263.94, 0.84%, 0.45%

LAB 33.07, 68.51, -81.36

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 6 / 91 / 0 / 17

HEX #C612D3

RGB 198 18 211

HSL 295.96, 0.84%, 0.45%

LAB 48.44, 81.53, -55.63

 

CMYK 0 / 91 / 18 / 17

HEX #D312AD

RGB 211 18 173

HSL 311.81, 0.84%, 0.45%

LAB 48.63, 78.5, -33.04

 

CMYK 30 / 91 / 0 / 47

HEX #5E0C87

RGB 94 12 135

HSL 280, 0.84%, 0.29%

LAB 24.93, 52.5, -49.04

 

CMYK 30 / 91 / 0 / 32

HEX #790FAD

RGB 121 15 173

HSL 280.25, 0.84%, 0.37%

LAB 32.75, 63.61, -59.36

 

CMYK 30 / 91 / 0 / 17

HEX #9312D3

RGB 147 18 211

HSL 280.1, 0.84%, 0.45%

LAB 40.15, 74.05, -69.46

 

CMYK 28 / 85 / 0 / 7

HEX #A923EC

RGB 169 35 236

HSL 280, 0.84%, 0.53%

LAB 46.57, 78.51, -73.11

 

CMYK 23 / 69 / 0 / 6

HEX #B849EF

RGB 184 73 239

HSL 280.12, 0.84%, 0.61%

LAB 53.15, 69.39, -64.03

 

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

CMYK 0 / 91 / 79 / 17

HEX #D3122C

RGB 211 18 44

HSL 351.92, 0.84%, 0.45%

LAB 44.89, 68.38, 40.07

 

CMYK 91 / 0 / 67 / 17

HEX #12D346

RGB 18 211 70

HSL 136.17, 0.84%, 0.45%

LAB 74.29, -70.33, 55.71

 

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

CMYK 0 / 30 / 91 / 17

HEX #D39312

RGB 211 147 18

HSL 40.1, 0.84%, 0.45%

LAB 65.56, 14.86, 67.55

 

CMYK 91 / 0 / 30 / 17

HEX #12D393

RGB 18 211 147

HSL 160.1, 0.84%, 0.45%

LAB 75.34, -57.84, 19.82

 

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

CMYK 0 / 91 / 79 / 17

HEX #D3122C

RGB 211 18 44

HSL 351.92, 0.84%, 0.45%

LAB 44.89, 68.38, 40.07

 

CMYK 61 / 0 / 91 / 17

HEX #53D312

RGB 83 211 18

HSL 99.79, 0.84%, 0.45%

LAB 75.12, -64.2, 71.61

 

CMYK 91 / 0 / 12 / 17

HEX #12D3B9

RGB 18 211 185

HSL 171.92, 0.84%, 0.45%

LAB 76.2, -48.51, 0.77

 

CMYK 30 / 92 / 0 / 16

HEX #9512D6

RGB 149 18 214

HSL 280.1, 0.84%, 0.45%

LAB 40.7, 74.89, -70.27

 

CMYK 0 / 76 / 91 / 17

HEX #D33212

RGB 211 50 18

HSL 9.95, 0.84%, 0.45%

LAB 47.2, 60.72, 54.39

 

CMYK 61 / 0 / 91 / 17

HEX #53D312

RGB 83 211 18

HSL 99.79, 0.84%, 0.45%

LAB 75.12, -64.2, 71.61

 

CMYK 91 / 15 / 0 / 17

HEX #12B3D3

RGB 18 179 211

HSL 189.95, 0.84%, 0.45%

LAB 67.33, -25.99, -26.69

 

Description

Color code: HEX #9512D6 | qconv.com Color code: HEX #9512D6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 149 red, 18 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
149 18 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 92 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 92% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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